"A bristling and brilliant memoir of the mid-twentieth-century New York School of painters and their times by the renowned artist and critic Edith Schloss"--

The great vogue of Eurocommunism came to an end with the return of the French and Italian Communist Parties to positions of opposition to authority in the late 1970's, and the electoral confirmation that Spain's Communist Party would remain small. As the vogue of communism with a human face passed. The question of American policy toward Communists became far less pressing; yet the question will almost certainly require attention in the future. This is particularly true with respect to the Italian Communist Party, which remains powerful in numbers and flexible in policy. Michael Ledeen examines Communist Party participation in Western European governments since World War II, and the ambivalent American foreign policy toward it. He concentrates on the Italian Communist Party: its history and its relations with the Soviet Union. Togliatti, Secchia, Gramsci, Nenni are identified as the major players in Italian communist and socialist politics. The author explores in depth why the United States has been reluctant to become involved in internal Italian affairs, and how this policy posture has strongly influenced in the development of communism in Western Europe. Ledeen shows that the strategies of contemporary West European Communist Parties are now roughly similar to those of the immediate post-war period. He argues that American intellectuals are as uncritical of Eurocommunism as they were after the first flush of Allied victory in World War II, that the Carter administration's foreign policy was incoherent, and that the United States needs a consistent, ideological approach to communism--one that includes the capacity for action as well as reaction. Michael Ledeen is a senior associate of the Center for Strategic and International Studies at Georgetown University, and formerly taught history at Washington University. He was the founding editor of The Washington Quarterly , and is the author of, among other works, Grave New World; The First Duce: D'Annunzio at Fiume; and editor of U.S. Defense and Foreign Policy.

David Leavitt brings the wonders and mysteries of Florence alive, illuminating why it is, and always has been, one of the most popular tourist destinations in the world. The third in the critically-acclaimed Writer and the City Series-in which some of the world's finest novelists reveal the secrets of the cities they know best- Florence is a lively account of expatriate life in the 'city of the lily'. Why has Florence always drawn so many English and American visitors? (At the turn of the century, the Anglo-American population numbered more than thirty thousand.) Why have men and women fleeing sex scandals traditionally settled here? What is it about Florence that has made it so fascinating-and so repellent-to artists and writers over the years? Moving fleetly between present and past and exploring characters both real and fictional, Leavitt's narrative limns the history of the foreign colony from its origins in the middle of the nineteenth century until its demise under Mussolini, and considers the appeal of Florence to figures as diverse as Tchaikovsky, E.M. Forster, Ronald Firbank, and Mary McCarthy. Lesser-known episodes in Florentine history-the moving of Michelangelo's David , and the construction of temporary bridges by black American soldiers in the wake of the Second World War-are contrasted with images of Florence today (its vast pizza parlors and tourist culture). Leavitt also examines the city's portrayal in such novels and films as A Room with a View , The Portrait of a Lady and Tea with Mussolini .

"Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini's government that took as their subjects or settings Italy's African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship."--Publisher's description.

Richard Sennett has spent an intellectual lifetime exploring how humans live in cities. In this pair of essays he visits two of the world's greatest cities at crucial moments in their history to meditate on the condition of exile in both geographical and psychic space: the Jewish Ghetto of Renaissance Venice, where state-imposed outsiderdom was translated into a rich community identity; and nineteenth-century Paris, a magnet for political exiles, where the experience of displacement seeped into the city's culture at large.--Back cover

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Italian Colonialism is a pioneering anthology of texts by scholars from seven countries who represent the best of classical and newer approaches to the study of Italian colonization. Essays on the political, economic, and military aspects of Italian colonialism are featured alongside works that reflect the insights of anthropology, race and gender studies, film, architecture, and oral and cultural history. The volume includes many essays by Italian and African scholars that have never been translated into English. It is a unique resource that offers students and scholars a comprehensive view of the field.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Composed in Hebrew in Capua, Italy in 1054, the family chronicle of Ahima'az remains one of the most important historical sources of medieval Jewish life, folklore, culture, and mentalités in Western Europe, especially in the so-called Ashkenazi area. As such, it provides a rich resource to scholars of medieval history, cultural studies, gender studies, and anthropology. In this book Robert Bonfil provides a detailed historical introduction and new English translation of the chronicle. Readers knowledgeable in Hebrew will also greatly benefit from the new, vocalized critical edition of the Hebrew text, skillfully set up in front of the translation.

This book explores a heretical blueprint for Jewish modernization written by a Venetian rabbi (under cover of pseudonym) in the early seventeenth century, almost two centuries before political emancipation. The analysis of this text, Kol Sakhal ("Voice of a Fool"), highlights the ways in which it harnessed concepts and methods drawn from the texts of rabbinic Judaism itself in order to reform Jewish culture from within. This book thus challenges the assumption that pre-modern Jewish society was culturally monolithic and unquestioningly obedient to rabbinic authority. In so doing, it raises fresh and unsettling questions about the periodization of Jewish history. Like the contemporaneous political and religious struggle that the Republic of Venice was waging against papal Rome, this remarkable Jewish attack on rabbinic authority targets—and revises—both the traditional historiography of sacred institutions and the legal canon itself. The text's very iconoclasm is shown to derive from the corpus of rabbinic Judaism, for the preservation of certain strains of inquiry in traditional sources makes them a virtual repository of tolerated dissent. Conjecture about the possible influence that a recently discovered work by a heretical Iberian Jewish convert to Catholicism may have had on the composition of "Voice of a Fool" leads to a discussion of the types of heterodoxy that threatened rabbinic Jewish communities in Italy and elsewhere in the early modern period. Reflections on the significance of the mask adopted by the text's author and on his (false) claim that the work was composed in 1500 in Spain facilitate speculation about his motives in trying to reinvent history. The second half of the book presents the first annotated English translation of "Voice of a Fool." Three appendixes analyze evidence concerning the date and place of the text's composition, the identification of its author, and its various manuscripts.

Focusing on an epoch of spectacular demographic, political, economic, and cultural changes for European Jewry, Cultural Intermediaries chronicles the lives and thinking of ten Jewish intellectuals of the Renaissance, nine of them from Italy and one a Portuguese exile who settled in the Ottoman empire after a long sojourn in Italy. David B. Ruderman, Giuseppe Veltri, and the other contributors to this volume detail how, in the relative openness of cultural exchange encountered in such intellectual centers as Florence, Mantua, Pisa, Naples, Ferrara, and Salonika, these Jewish savants sought to enlarge their cultural horizons, to correlate the teachings of their own tradition with those outside it, and to rethink the meaning of their religious and ethnic identities within the intellectual and religious categories common to European civilization as a whole. The engaging intellectual profiles created especially for this volume by scholars from Israel, North America, and Europe represent an important rereading and reinterpretation of early modern Jewish culture and society and its broader European intellectual contexts.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

From the front flap of this 167 page book: "Krautheimer has, in a few brief chapters, managed to meld architectural history, political history, social history, and religious history (both ecclesiological and doctrinal) into a genuinely original explanation of the development of the great early Christian cities." and "Why did emperor Constantine, a Christian, build the cathedral of his newly conquered capital city far from the quarters housing Rome's large Christian congregation? This anomaly, encountered by the author while working on a previous study of Rome, led to the present excursion into 'political topography'. Contemporary writings, legislation, inscriptions, and coins provided clues to the puzzle's solution: Constantine's aim in choosing a suburban site for the Lateran basilica was to minimize friction with the strong pagan opposition in the Senate, which held numerous pagan sanctuaries in the city center under its protection. By the time he was established at his new capital, Constantinople, Constantine no longer faced a significant pagan opposition. But the siting and character of key monuments reflect politically important ideological conflicts, such as that between his lingering persuasion of his own divinity qua emperor and the concept of Christ as the One God and Emperor of the Universe. In the cases of Milan at the time of St. Ambrose and early papal Rome, as with Constantinian Rome and Constantinople, Professor Krautheimer arrives at fresh historical insights by using architectural monuments and their location within the urban texture to illuminate complex interrelationships of power politics and religious beliefs that decisively shaped life in each of these Christian capitals."