"A picture biography of Julio C. Tello, considered to be the founder of modern Peruvian archaeology, that traces his life from an early interest in Peru's ancient cultures to his rise as the most distinguished Indigenous social scientist of the twentieth century. A map and an afterword with additional information, photograph, and source list are included."--

A biography of the powerful home run hitter who became the first Jewish player elected to the Baseball Hall of Fame.

Israel Shahak was a remarkable man. Born in the Warsaw ghetto and a survivor of Belsen, Shahak arrived in Israel in 1945. Brought up under Jewish Orthodoxy and Hebrew culture, he consistently opposed the expansion of the borders of Israel from 1967. In this extraordinary and highly acclaimed book, Shahak embarks on a provocative study of the extent to which the secular state of Israel has been shaped by religious orthodoxies of an invidious and potentially lethal nature. Drawing on the Talmud and rabbinical laws, Shahak argues that the roots of Jewish chauvinism and religious fanaticism must be understood before it is too late. Written from a humanitarian viewpoint by a Jewish scholar, this is a rare and highly controversial criticism of Israel that will both excite and disturb readers worldwide.

From one of our premier literary scholars, here is a learned and witty introduction to the "sheer vitality of literature and the satisfactions of a close, informed engagement with it" (New York Times). Robert Alter's illumination of the unique power of reading literature is especially valuable at a time when we are surrounded by electronic texts that distract more than engage and when the special claims of literature are disparaged by the high priests of literary theory. Alter explores the strategies that distinguish literature--the resources of style, the dynamics of allusion, the formal design of structure, the play of perspective in narrative. He draws on copious examples from the great works of literary art--from the Book of Genesis to Shakespeare, Conrad, and Nabokov--to illustrate his analysis of what makes reading a source of complex pleasure and insight.

17 November 1979 You were reading a somewhat retro loveletter, the last in history. But you have not yet received it. Yes, its lack or excess of address prepares it to fall into all hands: a post card, an open letter in which the secret appears, but indecipherably. What does a post card want to say to you? On what conditions is it possible? Its destination traverses you, you no longer know who you are. At the very instant when from its address it interpellates, you, uniquely you, instead of reaching you it divides you or sets you aside, occasionally overlooks you. And you love and you do not love, it makes of you what you wish, it takes you, it leaves you, it gives you. On the other side of the card, look, a proposition is made to you, S and p, Socrates and plato. For once the former seems to write, and with his other hand he is even scratching. But what is Plato doing with his outstretched finger in his back? While you occupy yourself with turning it around in every direction, it is the picture that turns you around like a letter, in advance it deciphers you, it preoccupies space, it procures your words and gestures, all the bodies that you believe you invent in order to determine its outline. You find yourself, you, yourself, on its path. The thick support of the card, a book heavy and light, is also the specter of this scene, the analysis between Socrates and Plato, on the program of several others. Like the soothsayer, a "fortune-telling book" watches over and speculates on that-which-must-happen, on what it indeed might mean to happen, to arrive, to have to happen or arrive, to let or to make happen or arrive, to destine, to address, to send, to legate, to inherit, etc., if it all still signifies, between here and there, the near and the far, da und fort, the one or the other. You situate the subject of the book: between the posts and the analytic movement, the pleasure principle and the history of telecommunications, the post card and the purloined letter, in a word the transference from Socrates to Freud, and beyond. This satire of epistolary literature had to be farci, stuffed with addresses, postal codes, crypted missives, anonymous letters, all of it confided to so many modes, genres, and tones. In it I also abuse dates, signatures, titles or references, language itself. J. D. "With The Post Card, as with Glas, Derrida appears more as writer than as philosopher. Or we could say that here, in what is in part a mock epistolary novel (the long section is called "Envois," roughly, "dispatches" ), he stages his writing more overtly than in the scholarly works. . . . The Post Card also contains a series of self-reflective essays, largely focused on Freud, in which Derrida is beautifully lucid and direct."—Alexander Gelley, Library Journal

Race. You know it at a glance: he's black; she's white. They're Asian; we're Latino. Racism. I'm better; she's worse. Those people do those kinds of things. We all know it's wrong to make these judgments, but they come faster than thought. Why? Where did those feelings come from? Why are they so powerful?

Thomas Harding adapts his adult memoir of the same name for younger readers, tracing the shadow of war as it falls across a one-story cottage and the people who share it.

"National Book Award finalist Steve Sheinkin tells the story of the 1929 Women's Air Derby, the first official all-female air race in the U.S."--

Thomas Jefferson was wild about numbers. He was constantly counting, measuring, and observing things that caught his interest. He loved sharing his discoveries and reading the discoveries of others. But when a famous Frenchman published a book about America, Jefferson was appalled: all the information in the book was wrong. The author insisted that America was a wretched, dismal place, where birds could not sing, dogs could not bark, and everything and everyone was puny and weak. Thomas Jefferson resolved to set the record straight - with numbers - and prove to the world that the new nation was worthy of investment.

In literary theory, the philosophy of law, and the sociology of knowledge, no issue has been more central to current debate than the status of our interpretations. Do they rest on a ground of rationality or are they subjective impositions of a merely personal point of view? In Doing What Comes Naturally, Stanley Fish refuses the dilemma posed by this question and argues that while we can never separate our judgments from the contexts in which they are made, those judgments are nevertheless authoritative and even, in the only way that matters, objective. He thus rejects both the demand for an ahistorical foundation, and the conclusion that in the absence of such a foundation we reside in an indeterminate world. In a succession of provocative and wide-ranging chapters, Fish explores the implications of his position for our understanding of legal, literary, and psychoanalytic interpretation, the nature of professional and institutional culture, and the place of reason in a world that is rhetorical through and through.

First edition published in 1988 : Law and literature : a misunderstood relation.

An introduction to Derrida's contribution to literary studies, comprising much of Derrida's work on writers such as Shakespeare, Mallarme, Joyce and Kafka, with an introductory essay on deconstruction.

Examines the events of the Holocaust within the context of World War II and Germany's economic and political history, while highlighting the main figures of the time.

An exploration of the history of Isreal, it's relationships with its neighboring countries, and questions about what Isreal should be.

Traces the story of dancer-turned-magician's assistant Adelaide Herrmann, placing her achievements against a backdrop of period conventions about women in the arts and her determination to continue her work after the death of her husband.

Also includes material on W.E.B. DuBois, Charles Waddell Chesnutt, James Weldon Johnson, Paul Laurence Dunbar, Langston Hughes, Jean Toomer, Claude McKay, and Countee Cullen.

Spotlights the works, careers, intimate lives, and lasting achievements of a vast array of celebrated writers and performers in film, theater, and dance, along with some of the more curious iconic public figures of our times--the British royal family, a notorious gigolo, a puzzling criminal mind.

Distinguished critic and scholar Geoffrey Hartman explores the usefulness of Derrida's style of close reading for English and American scholarship and establishes its relevance to the division that has arisen between European and Anglo-American critical approaches. In addition, he discusses Derrida's exegesis in relation to theological commentary.

Discusses the geography, history, economy, government, religion, people, foreign relations, and communities of Israel.