A distinguished photographer portrays the men and women who have made world history over the past four decades

"A feast for the eyes...bringing alive a long vanished world that's still eerily present."--Daniel Czitrom, New York Post The premiere national Jewish newspaper has opened its never-before-seen archives, revealing a photographic landscape of Jews in the twentieth century and beyond. This extraordinary volume features classic photographs of the history one has learned to associate with the Jewish Daily Forward --Lower East Side pushcarts, Yiddish theater, labor rallies--along with gems no one would expect. The book also features essays by Leon Wieseltier, Roger Kahn, and Deborah Lipstadt, and a rousing introduction by Pete Hamill.

Ashley Hicks has created a mix of manifesto, souvenir album, and confession in this collection of noteworthy rooms featuring his own one-of-a-kind interiors along with rooms that have inspired him. The manifesto aspect is rather limited, since Hicks is not a great believer in aesthetic rules or the value of so-called good taste, but as a souvenir album, it charts Hicks s personal creative journey of the last few years, illustrated with photographs of some favorite historical interiors and objects that represent a mixture of source material and inspiration. The book s twelve chapters reveal Hicks's creative process, how he approaches different themes in his own interiors, furniture designs, and works of art, and how these themes can be applied to the works of others. Such subjects as flowers, color, layers, form, pattern, and memory are presented in the context of actual projects. Historical and recent interiors are discussed for their decorative value notable rooms and architecture, including the Pantheon in Rome; Emperor Maximilian s tomb in Innsbruck; the Royal Pavilion, Brighton; and the Petit Trianon at Versailles. Hicks has created a book for devotees of decorating and the history of interior design.

The compelling autobiography of Israel's preeminent photojournalist, illustrated with his most memorable images. Today, photojournalist David Rubinger stands at the peak of his profession: a winner of the Israel Prize for services to the media and a fixture on the masthead of Time, he is the only photographer whose work is on permanent display at the Knesset, Israel’s legislature. In this fascinating volume, he reports his own story, which in many ways reflects the history of Israel that he has recorded so faithfully with his camera. Born in Vienna in 1924, he emigrated to British Palestine in 1939 and developed a passion for photography while serving in the British army’s Jewish Brigade. After fighting in Israel’s War of Independence, he became a professional news photographer, reporting on each of his young nation’s subsequent wars from the front lines, at first for the Israeli media and later as a correspondent for Time-Life. He photographed all of Israel’s leaders, many of whom have allowed him a remarkable degree of access to their lives; Ariel Sharon said, “I trust Rubinger even though I know he doesn’t vote for me.” But Rubinger has not confined his reporting to war and politics; by photographing the successive waves of Jewish immigrants from Europe, the Arab world, Russia, and Ethiopia, he has also created a valuable record of Israel’s transformation from a country of six hundred thousand to one of seven million. In recounting his eventful career, Rubinger proves himself a gifted raconteur, sharing anecdotes of the many leading personalities he has photographed and telling the stories behind his most famous pictures, many of which are reproduced here at full-page size. Also illustrated are a selection of Rubinger’s never-before-published personal photographs, which provide vivid behind-the-scenes glimpses into the fast-paced and sometimes daring work of a photojournalist. Both a personal account of one man’s life with the camera and a visual document of the birth of a nation, Israel through My Lens is an essential book for anyone with an interest in Israeli history or the art of photojournalism.

"During his 50-year association with the Village Voice, Fred W. McDarrah (1926-2007) covered the city's downtown scenes, producing an unmatched and encyclopedic visual record of people, movements, and events. McDarrah frequented the bars, cafés, and galleries where writers, artists, and musicians gathered, and he was welcome in the apartments and lofts of the city's avant-garde cultural aristocracy. He captured every vital moment, from Jack Kerouac reading poetry, to Bob Dylan hanging out in Sheridan Square, to Andy Warhol filming in the Factory, to the Stonewall Riots. Through his lens, we see the legendary birth of ideas and attitudes that continue to shape the character and allure of New York today." -- Publisher's description

A young Rebecca Lepkoff, camera in hand, navigated the streets of the Lower East Side of New York in the 1930s and 1940s, before the Alfred E. Smith housing project largely demolished and forever changed its character. She captured the lives and times of a vibrant, close-knit, and functional multiethnic community. Through her lens, she documented street scenesa woman stopping in front of a tenement to share some news, a fruit seller peddling her wares, a woman hanging laundry on a clothesline. Stoops, rooftops, fire escapes, and sidewalks in front of candy stores and delis were the preferred social and recreational locales. In the absence of playgrounds, children improvised outdoor play areas and congregated Saturday afternoons in front of the Loew's Canal. Life on the Lower East Side , the first monograph of Lepkoff's works, highlights the lost neighborhood between the Brooklyn and Manhattan bridges from the Bowery to the East River. With over 170 beautifully reproduced duotone photographs and essays by Peter Dans and Suzanne Wasserman, the book reveals the dynamic community of Italians, Irish, Jews, Greeks, Spaniards, Chinese, Puerto Ricans, and African Americans. Lepkoff's images uncover a forgotten time and place and reveal how the Lower East Side has both stayed the same and changed forever.

Erich Lessing's landmark photographs of the Hungarian Revolution, published to mark the 50th anniversary of the uprising. On October 23, 1956, what began as a mass rally in Budapest quickly evolved into the Hungarian Revolution. Within days, millions of Hungarians were supporting the revolt. It lasted until November 4th when it was crushed by Hungarian Security Police and Soviet tanks and artillery. Between 25,000 and 50,000 Hungarian rebels and 7,000 Soviets were killed, thousands were injured, and nearly a quarter of a million people left the country as refugees. Erich Lessing was the first photographer to arrive in Hungary, and he documented the short-lived uprising and its aftermath in a series of world-famous photographs, reproduced here in stunning duotone. They bring to life once more the hope and euphoria of the first days of the revolt, so soon to be followed by the pain and punishment of its brutal suppression. 230 duotone illustrations.

The images in this book are from three different Harlem projects begun by Aaron Siskind during the 1930s. The earliest of these inforrmal, open-ended series dates from after Sisking joined the Photo League in 1932, others were made during his participation with the League's Feature Group, and some are from the "Most Crowded Blck" project of 1939, 1940

Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-François Bonhomme. But in Derrida's hands commentary always has a way of unfolding or, better, developing in several unexpected and mutually illuminating directions. First published in French and Greek in 1996, Athens, Still Remains is Derrida's most sustained analysis of the photographic medium in relationship to the history of philosophy and his most personal reflection on that medium. At once photographic analysis, philosophical essay, and autobiographical narrative, Athens, Still Remains presents an original theory of photography and throws a fascinating light on Derrida's life and work. The book begins with a sort of verbal snapshot or aphorism that haunts the entire book: "we owe ourselves to death." Reading this phrase through Bonhomme's photographs of both the ruins of ancient Athens and contemporary scenes of a still-living Athens that is also on its way to ruin and death, Derrida interrogates a philosophical tradition that runs from Socrates to Heidegger in which the human--and especially the philosopher--is thought to owe himself to death, to a certain thought of death or comportment with regard to death. Combining philosophical speculations on mourning and death, event and repetition, and time and difference with incisive commentary on Bonhomme's photographs and a narrative of Derrida's 1995 trip to Greece, Athens, Still Remains is one of Derrida's most accessible, personal, and moving works without being, for all that, any less philosophical. As Derrida reminds us, the word photography--an eminently Greek word--means "the writing of light," and it brings together today into a single frame contemporary questions about the work of art in the age of mechanical reproduction and much older questions about the relationship between light, revelation, and truth--in other words, an entire philosophical tradition that first came to light in the shadow of the Acropolis.

According to the 1990 census, New York, for the first time in a century, had more foreign-born inhabitants than native-born residents. A city of continual immigration, New York's people have been documented by major artists and photographers from the earliest European settlers to the present. In this majestic illustrated history, with over 500 prints, paintings, and photographs, many never before published, we see the arrival of the first wave of Dutch and Anglo-Saxon settlers in the seventeenth century. We progress through Irish and German immigrations in the mid-nineteenth century, the immigration in the late nineteenth and early twentieth centuries of vast numbers of Italians and Eastern European Jews as well as Greeks and Slavs, followed by African Americans moving from the South after World War I. Finally, as the twentieth century comes to a close, Caribbeans, Latinos, Africans, and Asians have become the dominant new New Yorkers. As he did with Harlem on My Mind, The Lower East Side, American Jewish Album, and The Italian Americans, Allon Schoener has brought together wonderful images as well as documentary accounts from diaries, letters, news articles, and other sources, giving us the rich history and texture of this great city.

HARRY SEIDLER'S PHOTO JOURNAL OF WORLD ARCHITECTURE ARCHITECT HARRY SEIDLER HAS SPENT MORE THAN 50 YEARS TRAVELING THE GLOBE, EXTENSIVELY PHOTOGRAPHING THE PEAK ACHIEVEMENTS IN ARCHITECTURE FROM 3000 B.C. TO THE PRESENT DAY. THANKS TO SOUND ADVICE GIVEN TO HIM EARLY ON BY HIS PHOTOGRAPHER BROTHER, MARCELL (""ONLY USE LEICA CAMERAS AND KODACHROME FILM, WHICH IS ARCHIVAL""), SEIDLER'S HOBBY QUICKLY DEVELOPED INTO A PASSION AND, FINALLY, AN IMPRESSIVE ARCHIVE OF WORLD ARCHITECTURE. INCLUDING, OF COURSE, MANY OF THE WORLD'S MOST FAMOUS ARCHITECTURAL STRUCTURES, SEIDLER'S PHOTOGRAPHS ILLUSTRATE THE HISTORY AND STYLE--COUNTRY BY COUNTRY--OF ARCHITECTURE IN EUROPE, THE MIDDLE EAST, ASIA, AND THE AMERICAS. DIVIDED INTO CHAPTERS BY COUNTRY, EACH WITH A BRIEF INTRODUCTION OUTLINING ITS ARCHITECTURAL HISTORY, GRAND TOUR OFFERS ARMCHAIR TRAVELERS, STUDENTS, ARCHITECTURE BUFFS, AND HISTORIANS THE OPPORTUNITY TO BROWSE THE BUILDINGS OF THE WORLD THROUGH ONE MAN'S PHOTOGRAPHS--THE FRUITS OF A PASSIONATE, HALF-CENTURY ENDEAVOR.

"Since pioneer filmmakers arrived on its shoreline in the early 20th century, the Santa Monica beach has been a popular location for the making of movies and television productions. Its enchanting beauty led studio moguls, producers, and celebrities to build beach houses there, creating what became known as "Hollywood's Playground." The sand and shore of the Santa Monica beach became a favored site for the likes of Charlie Chaplin, Marion Davies, William Randolph Hearst, and Cary Grant. It was on this beach that the Academy Awards were conceived, the movie The Wizard of Oz sprang forth, and a young Pres. John F. Kennedy stunned beachgoers with a surprise ocean swim without the protection of Secret Service agents. In 1962, the beach became the center of the universe as the site of President Kennedy's "Western White House," where the visitors included Frank Sinatra, Dean Martin, Sammy Davis Jr., Marilyn Monroe, and--famously--"anyone who was anyone."--

This publication is the product of the collaboration of two of the finest creative individuals at work in South Africa today, a photographer and a novelist, on a project that is the city of Johannesburg. 'Johannesburg is a fragmented city. It is not a place of smoothly integrated parts. And it has a name that does not roll easily off the tongue.' So begins David Goldblatt's introduction to TJ, a book of photographs of Johannesburg. Commencing in the 1950s, his masterful lens probes, documents and comments on life over six decades in this incomparable African city. Selected from a massive body of work, this superb distillation presents a unique pictorial history of the city. A new novel by Ivan Vladislavic partners the book of photographs. In Double Negative, a young man in Johannesburg receives an induction into the intricate nature of photography and artistic representation. The novel traces the young man as he heads into his career that takes him overseas and back, developing in the process an ever widening perspective on not only the social and political change in the country but also on questions to do with observation and the observing subject. It brings into sharp focus the history of South Africa's recent past and the difficulty of imaging and re-imagining it.

A comprehensive portrait of the Summer Olympics fully updated for the 2008 games in Beijing, China. This new edition includes a complete retrospective of the 2004 Olympics in Athens, Greece, and incorporates updates to all charts and records, as well as fun facts and anecdotes from the most recent Olympics and training.

The Thames was London's 'grandest street', a stage for royal and civic ceremony as well as a bustling commercial thoroughfare. Published to accompany a major exhibition at the National Maritime Museum, this magnificent catalogue charts 500 years of river-borne pomp and pageantry, including Anne Boleyn's coronation and Nelson's funeral. Illustrated with rarely seen paintings, prints and artefacts, the book also records the shipping, bridges and tunnels and frost fairs of the Thames, and the buildings that line its shores.--publisher's description.

Presents photographs of the Łódź ghetto taken by Grossman, with translation of selected texts from the "Kronika getta łódzkiego" (published in Łódź in 1965-66). The last 17 pp. contain an article by Arie Ben-Menachem on Grossman, who perished in the Holocaust.

The climax of Martin Luther King's Poor People's Campaign Published in 1970, Jill Freedman's Old News: Resurrection City documented the culmination of the Poor People's Campaign of 1968, organized by Martin Luther King, Jr. and the Southern Christian Leadership Conference, and carried out under the leadership of Ralph Abernathy in the wake of Dr King's assassination. Three thousand people set up camp for six weeks in a makeshift town that was dubbed Resurrection City, and participated in daily protests. Freedman lived in the encampment for its entire six weeks, photographing the residents, their daily lives, their protests and their eventual eviction. This new 50th-anniversary edition of the book reprints most of the pictures from the original publication, with improved printing and a more vivid design. Alongside Freedman's hard-hitting original text, two introductory essays are included, by John Edwin Mason, historian of African history and the history of photography at the University of Virginia, and by Aaron Bryant, Curator of Photography at the National Museum of African American History and Culture. The photographs of Jill Freedman (born 1939) are held in the permanent collections of major art institutions including The Museum of Modern Art, New York; the International Center of Photography, New York; the New York Public Library; the Jewish Museum, New York; the George Eastman House, Rochester; the Smithsonian American Art Museum, Washington, DC; and the Museum of Fine Arts, Houston. She has had solo exhibitions at numerous museums, including the International Center of Photography, New York; the Museum of Contemporary Photography, Chicago; and the George Eastman House. Seven monographs of her work have been published: Old News: Resurrection City (Grossman, 1970); Circus Days (Harmony, 1975); Firehouse (Doubleday, 1977); Street Cops (Harper & Row, 1982); A Time That Was: Irish Moments (Friendly Press, 1987); Jill's Dogs (Pomegranate Art Books, 1993); and Ireland Ever (Harry Abrams, 2004). Freedman is represented by Steven Kasher Gallery.

In May 2006 Arsenal played its last game at Highbury before moving to the new state-of-the-art Emirates Stadium. It was an emotional farewell to a ground that had witnessed some incredible games and which Arsenal fans had come to love as their second home. Relive those Highbury memories in this lavishly illustrated book that charts the stadium's story from the move to North London, the building of the stands and Chapman's many innovations. It brings to life the stories from the Second World War and the fifties when the team returned to winning ways. Reacquaint yourself with the characters that bought the first double to Highbury in 1971; the celebrations in' 89; the success of the Wenger revolution and the final season at this unique ground. It features rare and previously unpublished photography; exclusive interviews with ex- and current players; key members of staff and fans; and full statistics of every match in Highbury's history.

A visual history of the American presidency as reflected by diplomatic entertaining events traces the early days of provincial dining in the capital through today's sumptuous White House state banquets.