Reprint of the 1959 edition. Mr. Lipton's book is the first complete and unbiased survey of the beat generation and its role in our society. Here are the intimate facts about these people and their attitudes-toward sex, dope, jazz, art, religion, parents, landlords, employers, politicians, draft boards, the law and, most important, toward the "square". The author presents a picture of their way of life, their individual backgrounds, the language they have appropriated, in terms made clear for the first time to those of us who have been confused and puzzled about them. He also provides a balanced discussion of their literature, art and music, of what they produce and fail to produce in the arts they practice.

Bound in the publisher's original maroon cloth with the spine stamped in gilt.

Provides an overview of lesbian fiction, and analyzes the ways in which it has both mirrored and shaped the lesbian movement and lesbian culture.

Winner of the 2013 National Jewish Book Award, Anthologies and Collections The year 1929 represents a major turning point in interwar Jewish society, proving to be a year when Jews, regardless of where they lived, saw themselves affected by developments that took place around the world, as the crises endured by other Jews became part of the transnational Jewish consciousness. In the United States, the stock market crash brought lasting economic, social, and ideological changes to the Jewish community and limited its ability to support humanitarian and nationalist projects in other countries. In Palestine, the anti-Jewish riots in Hebron and other towns underscored the vulnerability of the Zionist enterprise and ignited heated discussions among various Jewish political groups about the wisdom of establishing a Jewish state on its historical site. At the same time, in the Soviet Union, the consolidation of power in the hands of Stalin created a much more dogmatic climate in the international Communist movement, including its Jewish branches. Featuring a sparkling array of scholars of Jewish history, 1929 surveys the Jewish world in one year offering clear examples of the transnational connections which linked Jews to each other—from politics, diplomacy, and philanthropy to literature, culture, and the fate of Yiddish—regardless of where they lived. Taken together, the essays in 1929 argue that, whether American, Soviet, German, Polish, or Palestinian, Jews throughout the world lived in a global context.

From Mesopotamia to Modernity is a one volume introduction to both Jewish history and literature from its earliest times up to the present. Leading experts in each field of Jewish history and literature contribute original and comprehensive essays introducing their subjects. Beginning readers will learn the rudiments for further study, and scholars will be refreshed by the balanced, yet challenging treatments found here.These introductory essays cover most major aspects of Jewish studies from the Bible and its time up to modern Judaism. The work is designed to serve undergraduate and graduate courses in Judaism as well as Church and Synagogue adult study courses. Ideal for reading groups, this work will lead readers to further study of the varied subjects considered. Each essay covers the basic field, be it in a given era of Jewish history or in a defined area of Jewish literature. Suggestions for further reading will assist the reader in moving beyond this volume to explore a given area in further detail. The introductions range from encyclopedic detail through elegiac essay and enthusiastic appreciation of the field considered. The authors hold positions in major academic institutions throughout the United States and Israel.

In this volume, Jules Chametzky has gathered his very personable stories and reminiscences of some of the many writers he has met or known as he writes, some fleetingly, a few more intensely over the course of his more than half a century in the business of reading, writing, and talking about literature, of teaching and editing. Not only do those writers emerge as the complicated and fascinating human beings they are, but we also come to know Jules himself, a warm and gracious storyteller. Praise for Out of Brownsville: NO STUDENT of American Jewish writing needs to be reminded that Jules Chametzky is one of its pioneers. A founding editor of the influential Massachusetts Review, he is perhaps especially noted for his study of the fiction of Abraham Cahan. He now caps a distinguished career as critic, editor, and teacher with this delightful volume of memoirs. It is astonishing to know how many of the shapers of literature in America Chametzky knew not merely as subjects met in passing but understood as artists. Readers and scholars will, of course, find their own favorites among the individual memoirs, but beyond the perceptiveness of the recollections and the shrewd assessments in them, there emerges Jules himself, warm, gracious, accepting, modest about his own achievements, which he scarcely mentions. One closes the book with a sense of regret that it has ended and with a feeling how good it was for those who met Jules and enjoyed, however briefly, his friendship. Joseph C. Landis, Editor, Yiddish-Modern Jewish Studies, Professor Emeritus of English, Queens College, CUNY WOVEN INTO these lively portraits and reminiscences of others are not only sudden illuminations of the characters portrayed and of the fleeting moments captured here, but also insights into the fragility of life, the power to create, and the strange magic of human encounters that make Jules Chametzky s memoir so touchingly social and pleasurable to read. Werner Sollors, Henry B. and Anne M. Cabot Professor of English Literature and Professor of African and African American Studies, Harvard University LEGENDARY EDITOR Jules Chametzky s book is autobiography at its cleanest: one s life through the eyes of others. His astute, personable dispatches are a map of Jewish intellectual trends in the United States in the second half of the twentieth century. Ilan Stavans, Lewis-Sebring Professor in Latin American and Latino Culture (Spanish), Amherst College ACCORDING TO the Jewish Midrash, the Book and the Sword came wrapped together, with a message: Regard what is written in the book, or be delivered to the sword. Jules Chametzky s love of books and their very human creators is expressed in this cultural memoir with affection and marvelous charm, yet there is also a tone of urgency, from a man who has dedicated his life to keeping the book open and the sword sheathed. Lawrence Bush, Editor, Jewish Currents About the Author: Jules Chametzky is Professor of English, emeritus, at the University of Massachusetts Amherst, where he taught from 1958 until 2004. He was a founder of The Massachusetts Review, of which he is Editor, emeritus, after 27 years as senior co-Editor. Chametzky has published numerous articles and reviews on Jewish American and American literature in popular and academic journals. His major publications include From the Ghetto: The Fiction of Abraham Cahan; Our Decentralized Literature: Cultural Mediations in Selected Jewish and Southern Writers; the Penguin edition of Abraham Cahan s The Rise of David Levinsky. He co-edited Black and White in American Culture: Ten Years of The Massachusetts Review; and Jewish American Literature: A Norton Anthology. Chametzky is the father of three sons and was married for 52 years to the late poet Anne Halley.

In this collection of literary portraits, Jules Chametzky shares his recollections of more than forty notable Jewish writers, from Alfred Kazin to Isaac Bashevis Singer, Grace Paley, Saul Bellow, Irving Howe, Cynthia Ozick, Leslie Fiedler, Tillie Olsen, Adrienne Rich, Allen Ginsberg, Joseph Brodsky, and Amos Oz-to name a few. Also included are cameo appearances by non-Jewish authors, such as James Baldwin, Amiri Baraka, and Jose Yglesias. Not only do these various writers emerge as interesting and often complicated human beings, but Chametzky reveals himself to be a warm and gracious storyteller. Book jacket.

A haunting consideration of the extraordinary mind of Saul Bellow's unjustly forgotten friend and literary rival and the extremes of the writing life Born in Chicago in 1918, the prodigiously gifted and erudite Isaac Rosenfeld was anointed a "genius" upon the publication of his "luminescent" novel, Passage from Home and was expected to surpass even his closest friend and rival, Saul Bellow. Yet when felled by a heart attack at the age of thirty-eight, Rosenfeld had published relatively little, his life reduced to a metaphor for literary failure. In this deeply contemplative book, Steven J. Zipperstein seeks to reclaim Rosenfeld's legacy by "opening up" his work. Zipperstein examines for the first time the "small mountain" of unfinished manuscripts the writer left behind, as well as his fiercely candid journals and letters. In the process, Zipperstein unearths a turbulent life that was obsessively grounded in a profound commitment to the ideals of the writing life. Rosenfeld's Lives is a fascinating exploration of literary genius and aspiration and the paradoxical power of literature to elevate and to enslave. It illuminates the cultural and political tensions of post-war America, Jewish intellectual life of the era, and--most poignantly--the struggle at the heart of any writer's life.

Benjamin Schwartz taught at Harvard from 1950 until his retirement in 1987. Through his teaching and writing, he became a major force in the field of Chinese studies, setting standards--above all in the area of intellectual history--that have been a source of inspiration to students and scholars worldwide. His influence extends well beyond the China field, cutting across conventional disciplinary boundaries, touching political science, religion, philosophy, and literature as well as history. The essays in this book are by scholars who have studied with Benjamin Schwartz. Given the range of his own interests, it is fitting that they embrace an expanse of time from the Zhou dynasty to the present and a range of subjects equally inclusive--ancient and medieval Chinese thought, the fate of democracy in early Republican China, the development of aesthetic modernism in the 1920s and 1930s and its reemergence in the post-Mao era, the emphasis on spiritual regeneration and cultural transformation in Chinese and Japanese Marxism, popular values in twentieth-century China (as reflected in village theatrical performances), the larger issue of what part our own values should take in the study and assessment of other societies and cultures, and the equally broad issue of how we are to address the relationship between Chinese modernization and China's traditional culture. Despite this heterogeneity and the fact that the contributors include two political scientists, five historians with strong philosophical interests, and three scholars whose writing bridges the disciplines of history and literature, there is a surprising coherence to the volume. Almost all the authors consciously address either aspects of Schwartz's general approach or specific themes dealt with in his work. Each contribution is about ideas and takes ideas and their societal roles seriously. Although presented in the specific context of China, the issues raised in these essays are important to the world beyond China. Exploring them in both their Chinese and non-Chinese settings reflects the power of Schwartz's own work in illuminating a broader canvas of human thought.

Describes the historic background and artistic influences of the period, and examines the work of Sir Thomas More, Spenser, Marlowe, and Shakespeare

The ten essays published in this volume were written over the space of a decade, but they were conceived from the start as a coherent whole, presenting Peiresc's study of discrete languages and literatures of the Near East and North Africa. For Peiresc the student of the Classical past, this described the eastern and southern space in which the Greeks and Romans lived and strove. For Peiresc the Christian, this was the world of the Bible that impacted upon the Greeks and Romans. And for Peiresc of the Mediterranean (for he was born in Aix, spent much time in Marseille, and lived outside of the region for only 6 of his 57 years), this was the territory that his friends and colleagues sailed to, lived in and, usually, came back from. The convergence of these axes in the life of one man, and a man of singular intellectual power and charm whose vast personal paper arsenal had survived, makes this such a compelling project. The essays are arranged in a roughly chronological order. They follow the course of Peiresc's own projects from his early encounter with the ancient Near East in Greek and Roman literature, through his engagement with Arabic to his deepening kowledge of rabbinic texts to the wider world of the new oriental studies of the seventeenth century which he helped create: Samaritan, Coptic and Ethiopic.

Product Description The mutual interaction of philosophy and Roman political and cultural life has aroused more and more interest in recent years among students of classical literature, Roman history, and ancient philosophy. In this volume, which gathers together some of the papers originally delivered at aseries of seminars in the University of Oxford, scholars from all three disciplines explore the role of Platonism and Aristotelianism in Roman intellectual, cultural, and political life from the second century BC to the third century AD. Review Praise for Philosophia Togata I: "An invaluable contribution to the long-overdue exploration of an important but neglected area".--Greece & Rome About the Author Miriam Griffin, Tutorial Fellow in Ancient History, Somerville College, Oxford.

From Mesopotamia to Modernity is a one volume introduction to both Jewish history and literature from its earliest times up to the present. Leading experts in each field of Jewish history and literature contribute original and comprehensive essays introducing their subjects. Beginning readers will learn the rudiments for further study, and scholars

The First collection of essays to address issues concerning lesbian and gay studies in the undergraduate classroom, Professions of Desire will challenge teachers and students of literature with new materials, new approaches, and new ideas. Professions of Desire includes examples of lesbian and gay critical analysis and thoughtful discussions about what it means to be lesbian, gay, or queer in the classroom

The Australian writer, critic and teacher A.A. Phillips coined the term 'the cultural cringe' in 1950 to describe an Australian tendency to identify our literature and art as inferior to work produced overseas, particularly in Britain and the United States. The term has resonated in debates about Australian culture, society and identity ever since. Although Phillips' famous essay on the cringe was first published more than fifty years ago, it remains a powerful reference point in discussions of the national culture. It is reprinted here with two of his other essays on Australian culture, and with additional biographical and critical material, including an essay by Ivor Indyk.

Stavans (Latin American and Latino culture, Amherst College, Massachusetts) offers an extended essay on Mexican poet and intellectual Paz (1914-98). Earlier versions have been published in a variety of periodicals and anthologies. Annotation copyrighted by Book News, Inc., Portland, OR