Double Agent is a watershed in the recent revival of interest in the role of the public critic and intellectual who writes about culture, politics, and the arts for an intelligent general audience. Offering acute portraits of critics both famous and neglected, Dickstein traces the evolution of cultural criticism over the last century from Matthew Arnold to New Historicism. He examines the development of practical criticism, the rise and fall of literary journalism, and the growth of American Studies, and rereads the work of critics like Arnold, Walter Pater, I.A. Richards, Roland Barthes, Edmund Wilson, R.P. Blackmur, Lionel Trilling, Alfred Kazin, and George Orwell. In essays and books that are themselves works of literature, these writers made criticism central to the public sphere, balancing social and literary values, politic commitment and aesthetic judgment. Though marginalized or ignored by academic histories of criticism, their example has proved immensely valuable for younger critics eager to find a personal voice and reach a wider public. Dickstein concludes with a lively and provocative dialogue that weighs the claims of recent literary theory and the importance of renewing public culture.

Poems and photographs take readers up close to observe the daily life of the extraordinary Great Egret. A Great Egret rarely rests. This majestic bird, with its big feet, even bigger beak, and breathtaking lacy wings, is a treat to watch. With his camera, photographer Jason Stemple takes us close to these magnificent creatures to witness their physical—and quirky—beauty as well as their daily habits and behavior—soaring, hunting, preening, nesting—which most of us never get a chance to see. Meanwhile, celebrated poet Jane Yolen offers her keen observations in carefully-crafted poetry that is at once whimsical, thoughtful, and thought provoking. Interesting facts about the bird accompany each poem in this National Outdoor Book Awards Honor Book.

Personally selected by Allen Ginsberg, Selected Poems 1947-1995 is the definitive collection of the best works of one of the most influential and revolutionary poets of the twentieth century. Allen Ginsberg, famous for helping catalyze the Beat Generation, wrote poetry for over fifty years. His innovative verse and provocative attitudes of spiritual, political, and sexual liberation inspired countless poets and musicians, visual and performance artists worldwide, and helped shape several generations' views of the world. Selected Poems 1947-1995 commemorated Ginsberg's brilliant career as one of America's most distinguished poets. Here are well-known masterpieces such as the lyric "Howl" and the narrative "Kaddish"--classic works of American literature--as well as more recent gems, the long dream poem "White Shroud," the visionary "After Lalon," and the political rock lyric "The Ballad of the Skeletons," a song he recorded in 1996 with a stellar band that included Philip Glass, Lenny Kaye, and Paul McCartney.

Stevie Smith was one of the few modern poets to reach a wide general audience. Bizarre, witty, sad, sometimes caustic, her poems impart a zest for life, and reveal her unique eye for the marvels of the ordinary and her deep sensibility to the paradoxical nature of all human emotions.

One of America's Greatest Wits! Published in 1926 Enough Rope was Parker's first collection of poetry. The collection sold very well and garnered impressive reviews. The Nation described it as "caked with a salty humor rough with splinters of disillusion and tarred with a bright black authenticity." The New York Times referred to it as "flapper verse " Enough Rope affirm Parker's reputation for sparkling wit

Recognizing the intrinsic literary merit of much of children's writing, Ruth Krauss listened to their ideas, poems, and stories and wrote them down with a professional's touch. Maurice Sendak's drawings highlight the whimsy and logic of these writings, and also stand on their own as picture-poems. The result is seventeen very funny, poignant, insightful, exuberant pieces of literature that bring out all the best of childhood imaginings.

a collections of aphorisms

Poems, in both the original Hebrew and English translation, deal with childhood, life in Israel, Jewish tradition, and history.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

From acclaimed author, actor, and singer-songwriter David Duchovny, a deeply personal, existential, and insightful debut poetry collection.

This collection of poems, told from the perspective of a young girl, celebrates family life throughout the yearly cycle of seasons.

Allen Ginsberg, one of America's most distinguished living poets, turned 70 this year. Selected Poems 1947-1995 commemorates his brilliant career and honors a landmark birthday. Ginsberg personally chose the selections for this handy volume and has written a retrospective Apologia that places the poems from each decade in their historical and literary context. Here are well-known masterpieces such as the lyric "Howl" and the narrative "Kaddish"--Classic works of American literature - as well as more recent gems, the long dream poem "White Shroud," the visionary "After Lalon," and the political rock lyric "The Ballad of the Skeletons." The pieces included in Selected Poems 1947-1995, which span five decades of work, document Ginsberg's spiritual path during a life devoted to exploring the creative possibilities of the conscious mind. Ginsberg's verse is always raw-toned, often whimsical, in both style and content, and displays elegant technical variety from singable exact lyrics to Sapphics to Skeltonics to twelve-bar blues to projective open-form verse and "spontaneous bop prosody." Ginsberg takes readers on a tour of his intelligence as a poet, from the transcendent-themed early poems such as "Magic Psalm" (1960) and "T.V. Baby" fragments (1961), to the poetic realism of the later 1960s with which he confronted and challenged a nation at war, to the integration of song (rags, ballads, and blues) into his poetic repertoire in the early 1970s. Many long poems - including "The Fall of America" and "Iron Horse" - have been edited to reveal exquisite passages hitherto unnoticed by many readers. Ginsberg's immersion in Eastern thought and his hands-on practice of Tibetan Buddhism is reflected in poems throughout this collection. In contrast, readers will delight in highlights of his erotic narrative "Contest of Bards" (1977), at once baroque and idiosyncratic, which was inspired in great part by a marathon reading of William Blake's complete poetry. His most recent work expands on classic meditation experience, recording the recognition of rich daydream activity as conscious poetic thought. In addition to the rich and varied collection of poetry included here, Selected Poems 1947-1995 offers accessible and extensive indexes, illuminating notes to the poems, and prefaces to supplement enthusiasts in their reading of one of the wisest and most revolutionary poets of this century.

Dorothy Parker ( 1893 to 1967) was an American poet and satirist, best known for her wit, wisecracks, and eye for 20th century urban foibles. From a conflicted and unhappy childhood, Parker rose to acclaim, both for her literary output in such venues as The New Yorker and as a founding member of the Algonquin Round Table. Following the breakup of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two Academy Award nominations, were curtailed as her involvement in left wing politics led to a place on the infamous Hollywood blacklist. Parker went through three marriages (two to the same man) and survived several suicide attempts, but grew increasingly dependent on alcohol. Dismissive of her own talents, she deplored her reputation as a "wisecracker". Nevertheless, her literary output and reputation for her sharp wit have endured. She sold her first poem to Vanity Fair magazine in 1914 and, some months later, she was hired as an editorial assistant for another Condé Nast magazine, Vogue. She moved to Vanity Fair as a staff writer following two years at Vogue. In 1917, married a Wall Street stock broker, Edwin Pond Parker II but they were separated by his army service in World War I. She had ambivalent feelings about her Jewish heritage given the strong antisemitism of that era and joked that she married to escape her name. In the 1920s alone she published some 300 poems and free verses in outlets including the aforementioned Vanity Fair, Vogue, "The Conning Tower" and The New Yorker along with Life, McCall's and The New Republic. She published her first volume of poetry, Enough Rope, a collection of previously published work along with new material in 1926. The collection sold 47,000 copies]and garnered impressive reviews. The Nation described her verse as "caked with a salty humor, rough with splinters of disillusion, and tarred with a bright black authenticity."

The drama of consciousness and maturation in the growth of a poet's mind is traced from Wordsworth's earliest poems to The Excursion of 1814. Mr. Hartman follows Wordsworth's growth into self-consciousness, his realization of the autonomy of the spirit, and his turning back to nature. The apocalyptic bias is brought out, perhaps for the first time since Bradley's Oxford Lectures , and without slighting in any way his greatness as a nature poet. Rather, a dialectical relation is established between his visionary temper and the slow and vacillating growth of the humanized or sympathetic imagination. Mr. Hartman presents a phenomenology of the mind with important bearings on the Romantic movement as a whole and as confirmation of Wordsworth's crucial position in the history of English poetry. Mr. Hartman is professor of English and comparative literature at the University of Iowa. "A most distinguished book, subtle, penetrating, profound."--Rene Wellek. "If it is the purpose of criticism to illuminate, to evaluate, and to send the reader back to the text for a fresh reading, Hartman has succeeded in establishing the grounds for such a renewal of appreciation of Wordsworth."--Donald Weeks, Journal of Aesthetics and Art Criticism.

Symposium of the Whole traces a discourse on poetry and culture that has profoundly influenced the art of our time, with precedents going back two centuries and more. Beginning with a reassertion of the complexity of poetry among peoples long labeled “primitive” and “savage,” many recent poets have sought to base a new poetics over the fullest range of human cultures. The attempt to define an ethnopoetics has been significantly connected with the most experimental and future-directed side of Romantic and modern poetry, both in the Western world and, increasingly, outside it. As a visionary poetics and as a politics, this complex redefinition of cultural and intellectual values has involved a rarely acknowledged collaboration between poets and scholars, who together have challenged the narrow view of literature that has excluded so many traditions. In this gathering, the Rothenbergs follow the idea of an ethnopoetics from predecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos by poets and social thinkers such as Olson, Eliade, Snyder, Turner, and Baraka. The themes range widely, from the divergence of oral and written cultures to the shaman as proto-poet and the reemergence of suppressed and rejected forms and images: the goddess, the trickster, and the “human universe.” The book’s three ethnographic sections demonstrate how various poetries are structured and composed, how they reflect meaning and worldview, and how they are performed in cultures where all art may be thought of as art-in-motion. Among the poetries discussed are the language of magic; West African drum language and poetry; the Huichol Indian language of reversals; chance operations in African divination poetry; picture-writings and action-writings from Australia and Africa; and American Indian sacred-clown dramas and traditional trickster narratives. The cumulative effect is a new reading of the poetic past and present—in the editors’ words, “a changed paradigm of what poetry was or now could come to be.”

This collection of poetry won the Arts Council of Wales Literature Award.