S.Y. Agnon's first book-length, breakthrough work, originally published in Hebrew in 1912 and now available in English for the first time in a fully annotated edition. This novella depicts an impossible moral dilemma faced by the tragic hero Menasheh Chaim, in mid-19th century Buczacz (in today's western Ukraine). In the framework of a traditional Jewish folktale of old world Eastern European Jewry, Agnon delivers a profoundly modern piece of literature, which benefits from the tension between plot and genre.

Originally published in 1927, this text contains a translation of Adolf Erman's work into English. Erman's original intention was to bring the songs, stories and poems that have survived from ancient Egypt to the masses of the modern world. The literature of the Egyptian world provides a real insight into the day-to-day life of one of the oldest societies known to man and this translation ensures that these insights are afforded to an English audience. This title will be of interest to students of History, Classics and Literature.

Product description In this book, Dvir Abramovich brings together a batch of timeless classical Hebrew novels, short stories, and poems, and furnishes readers with commentaries and critical readings of each landmark work. The selection of seminal texts include masterpieces from Yehuda Amichai, Haim Gouri, Amos Oz, Dvorah Baron, Shaul Tchernichovsky, Chaim Nachman Bialik, Hanoch Bartov, Shulamit Hareven, and Aharon Megged. Each interpretative essay includes a bio-graphical overview of the author whose opus is explored. This collection will prove exceptionally useful for teachers who wish to introduce their students to the treasures of contemporary Israeli fiction and are searching for reflective analyses and searching insights. Guaranteed to ignite discussion and debate, this informative and entertaining volume, written in an accessible and lively style, will appeal to a general and academic audience and will tempt readers to read or re-read these great works. Review In Hebrew Classics: A Journey Through Israel's Timeless Fiction and Poetry Dvir Abramovich offers us an intimate and delightful tour through the pastures of Hebrew literature. A refreshing meeting awaits us with writers of various generations who had grown up in separate landscapes and some in the midst of diverse languages...One of the unique characteristics of the book is the choice of literary works that it deals with, free of the bonds of genre definitions. We are offered 'delectable meals' that include interpretive studies of poems and stories of various kinds. The common denominator for this selection is the presentation of texts as junctions of flavour and passion within the rich and fascinating history of modern Hebrew literature. This provides the reader with the ability to experience a bird's eye view of these creative works. This book is a tribute to Hebrew literature, written with love and with the wish to share this love. This is obvious both from the detailed and sensitive studies, and from the commendable descriptive, festive and elegant language. (Yigal Schwartz, Professor of Hebrew Literature and Head of Heksherim: The Research Center for Jewish and Israel Culture, Ben-Gurion University of the Negev) Abramovich has done a scrupulous job in scrutinizing these key texts of contemporary Hebrew fiction. The care with which he sets them in their historical and cultural contexts should be instructive for all readers interested in Israel and its predicaments. (Robert Alter, Class of 1937 Professor of Hebrew and Comparative Literature) The next best thing to reading modern Hebrew literature in the original is getting to know it through the eyes of a lover who is willing to share his passion. In Hebrew Classics: A Journey Through Israel's Timeless Fiction and Poetry Dvir Abramovich invites us to get to know its major figures and his introductions to their work make us eager to know them better. A true scholar can do no better. (Ruth Wisse, Martin Peretz Professor of Yiddish Literature and Professor of Comparative Literature) About the Author Dvir Abramovich (PhD University of Melbourne) is director of the University of Melbourne's Centre for Jewish History and Culture and a senior lecturer in Hebrew and Jewish Studies. He was editor of the Australian Journal of Jewish Studies for eight years and president of the Australian Association of Jewish Studies from 2006 to 2010. He has published widely in the area of Israeli and Jewish literature and is co-editor of the book Testifying to the Holocaust (2008) and author of Back to the Future: Israeli Literature of the 1980s and 1990 (2010).

Good-bye, Samizdat offers the first collection of the best of Czechoslovakia's samizdat, underground texts from the era 1948 through 1990. Divided into three sections, the volume includes fiction, cultural and political works, and philosophical essays. The writings reflect the thought of some of Czechoslovakia's best-known minds--Klima, Vaculik, and Havel--as well as others yet unknown in the West. Taken together, they capture the artistic and intellectual mood of a country situated at a focal point between East and West at a fascinating point in history.

In this book, Dvir Abramovich brings together a batch of timeless classical Hebrew novels, short stories, and poems, and furnishes readers with commentaries and critical readings of each landmark work. The selection of seminal texts include masterpieces from Yehuda Amichai, Haim Gouri, Amos Oz, Dvorah Baron, Shaul Tchernichovsky, Chaim Nachman Bialik, Hanoch Bartov, Shulamit Hareven, and Aharon Megged. Each interpretative essay includes a bio-graphical overview of the author whose opus is explored. This collection will prove exceptionally useful for teachers who wish to introduce their students to the treasures of contemporary Israeli fiction and are searching for reflective analyses and searching insights. Guaranteed to ignite discussion and debate, this informative and entertaining volume, written in an accessible and lively style, will appeal to a general and academic audience and will tempt readers to read or re-read these great works.

"Good readers will find something that can be found only in great literature, the kind written by real poets, a literature that dares to venture into the dark with open eyes and that keeps its eyes open no matter what . . . . The literature of the twenty-first century will belong to Neuman and a few of his blood brothers."--Roberto Bolaño Playful, philosophizing, and gloriously unpredictable, Andrés Neuman's short stories consider love, lechery, history, mortality, family secrets, therapy, Borges, mysterious underwear, translators, and storytelling itself. Here a relationship turns on a line drawn in the sand; an analyst treats a patient who believes he's the real analyst; a discovery in a secondhand shop takes on a cruel significance; a man decides to go to work naked one day. In these small scenes and brief moments Neuman confounds our expectations with dazzling sleight of hand. With a variety of forms and styles, Neuman opens up the possibilities for fiction, calling to mind other greats of Latin American letters, such as Cortázar, Bolaño, and Bioy Casares. Intellectually stimulating and told with a voice that is wry, questioning, sometimes mordantly funny, yet always generously humane, The Things We Don't Do confirms Neuman's place as one of the most dynamic authors writing today. Andrés Neuman was born in Buenos Aires, and grew up and lives in Spain. He was included in Granta 's "Young Spanish-language Novelists" issue and is the author of almost twenty works, two of which-- Traveler of the Century and Talking to Ourselves -- have been translated into English. Traveler of the Century won the Alfaguara Prize and the National Critics Prize, and was longlisted for the 2013 Best Translated book award, and shortlisted for the 2013 Independent Foreign Fiction Prize and the 2014 International IMPAC Dublin Literary Award. Nick Caistor is a prolific British translator and journalist, best known for his translations of Spanish and Portuguese literature. He is a past winner of the Valle-Inclán Prize for translation and is a regular contributor to BBC Radio 4, Times Literary Supplement , and the Guardian. Lorenza Garcia has lived for extended periods in Spain, France, and Iceland. Since 2007, she has translated over a dozen novels and works of non-fiction from French and Spanish.

First published in 1960. Over a century ago the Chinese discovered in a sealed-up cave in the west of China a collection of manuscripts dating from the fifth century to the end of the tenth. These included many specimens of popular literature of a kind that was not previously known to exist. Although the find was made long ago, only two or three of these pieces had been translated before. Arthur Waley here translates, whole or as extracts, twenty-six pieces, making an invaluable addition to world literature.

In the mid-fifties Paul Celan suggested that he had a mind for writing that "would be a bit more sober & more spacious" than his poems. And yet, in his life-time Celan published very little of such "more spacious" work -- i.e. prose -- except for two essays that were public award-acceptance speeches, and a few occasional bits and pieces often published, or better, hidden away in obscure places. It is only with this volume, edited by Barbara Wiedemann and Bertrand Badiou, that Celan's multifaceted achievements as a prose writer can be discovered. For example, in the early language games of surrealist inspiration. In the biting, bitter aphorisms, "counterlights" thrown on those concrete dates from and toward which his poems are written -- since the early sixties we are dealing with texts that explicitly exhibit their contemporaneity. Or in the poetological critique of the prejudices with which the volumes of his poetry were read. Among the most surprising and appealing of these prose writings are the narratives, the "stories" and dialogues with the background of his Jewish fate. This English version of Microliths follows the first German edition of 2005. The sole difference is in the final section, the commentaries, which is a shortened version of Wiedemann & Badiou's original commentary, with some additional material by Pierre Joris. The translator, who this year concludes a 52-year involvement with bringing Celan's oeuvre into English, & the publisher are honored to release this book -- the only major collection of Paul Celan's prose -- in 2020, his 100th birth- & 50th death-year.

A native of Crimea, the Soviet Jewish poet Ilya Selvinskii (1899-1968), in 1942-43, bore witness to Nazi atrocities in and near the city of Kerch (in eastern Crimea) and in the south of Russia. This included the massacre at the "Bagerovo ditch", an anti-tank ditch west of the city, where the Nazis murdered ca. 7,000 Jews of Kerch in November 1941. What he saw impressed Selvinskii for the rest of his life. He was the first Soviet poet to publish extensively on the Holocaust, most notably his two poems "I Saw It" (1942) and "Kerch" (1945). In general, he somewhat downplayed the fact that the victims were Jews, as did Ehrenburg and other contemporary poets who wrote on the Nazi mass murders. Selvinskii's shock of viewing the Bagerovo ditch was also reflected in his postwar poems, in particular in "Kandava", the first version of which was published in 1946. Selvinskii influenced many other poets who wrote on the Nazi genocide, among them Iosif Utkin and Lev Ozerov. After the war Selvinskii was accused of "cosmopolitanism" and holding an "anti-party line"; he was partially blacklisted. Pp. 263-277 contain the Russian originals and English translations of "I Saw It" and "Kerch".

"An indispensible companion text, Texts and Traditions includes the essential documents of the various religious trends of the Second Temple and Rabbinic periods as well as Josephus, Greek and Aramaic inscriptions, classical historians and talmudic sources." --Book Jacket.

This anthology sets forth, in three volumes, a selection of Talmudic discussions of problems of enduring social importance. Utilizing the categories that uniformly serve in the description, analysis, and interpretation of a religion that sets forth a theory of the social order, in this case, a Judaism, we ask about how the Talmud of Babylonia discusses topics concerning Torah, God, and Israel. Those categories in their native and classical setting speak of ø1! God's ø2! revealing the Torah ø3! to Israel the holy people. These categories may be represented by the secular words ø1! ethos, ø2! ethics, and ø3! ethnos. They correspond, in a religious system, to the world view, way of life, and social entity. In each case, there is an introduction to a discussion, which specifies how the ancient sages address an issue of acute contemporary consequence. The way in which the Talmud presents its authors' ideas on issues that concern humanity in the twenty-first century is laid out in the Talmud's own language and idiom.

Zvi Arbel is an Israeli historian whose field is Jewish history. His chosen topic of research is the Petliura massacres of Ukrainian Jews in 1918-1920. Arbel's work is read by the poet Shmuel Foiglman, a Holocaust survivor who sends Arbel a volume of his own poetry in Yiddish. The relationship that develops between the two men is one of ambivalence and fascination; the reserved Israeli historian is alternatively affectionate and resentful towards the enthusiastic but tormented poet. Despite his ambivalence, Arbel is manipulated into helping Foiglman. He embarks on an effort to get Foiglman's poetry translated into Hebrew, and as Foiglman begins to monopolize more and more of his time and resources, Arbel ignores all the warning signs of the effect this is having on his marriage; his wife Nora cannot be dissuaded from her feelings of revulsion towards Foiglman. As the poet unintentionally drives a wedge between them, Arbel and Nora's long and contented marriage goes sour, and in Megged's blend of past and present, lust and nostalgia - tragedy becomes the only way out.

"Verses to be added to the end of Deuteronomy" Are you kidding, let it be, just write that we were born, we were here, and we drowned in the sea. That's enough. Keep the final verses short, in your generosity, just hint that it's bad here, without love, in the desert, the old people grumbling, even dying all the way here, a long journey and contention . And the day-old baby of the homeland -- hatred -- the baby of the homeland, and its mother -- longing, and the baby of the homeland, swallowing oatmeal and milk, some more, dying and hunger. Write concisely about murder and blood, just hint at a people and a homeland, keep it short, in your generosity (let it be), and remind the reader that we drowned in the sea. Admiel Kosman is one of Israel's most prominent contemporary poets, with eight books of poetry to his credit, and several more of prose. His work evokes multiple tensions between prayer and modern life, sacred texts and eroticism, war and peace, language and translation. After teaching at Bar Ilan University in Israel for many years, Kosman moved permanently to Berlin, where he is now professor of religious studies at Potsdam University and heads the first Reform rabbinical college in Germany to resume operations after the Holocaust. Lisa Katz is the author of Reconstruction (Am Oved) and the translator of Look There: New and Selected Poems of Agi Mishol (Graywolf Press). Her poems, translations, essays, and reviews have appeared in scores of publications, and she is the translation coordinator for the Jerusalem International Poetry Festival. In 2008, she won the Mississippi Review Poetry Prize. She teaches at the Hebrew University of Jerusalem, and frequently lectures abroad. Shlomit Naor , born in Raanana, Israel, in 1974, is an educator and published poet. She holds an MA in creative writing from Ben Gurion University and a BA in philosophy and literature from the Hebrew University in Jerusalem.

Text: English (translation) Original Language: Yiddish

"The classical traditionTelugu, the mellifluous language of Andhra Pradesh in southern India, is one of the richest yet least explored of all South Asian literatures. In this volume Velcheru Narayana Rao and David Shulman have brought together mythological, religious, and secular texts by twenty major poets who wrote between the eleventh and nineteenth centuries, providing an authoritative volume overview of one of the world's most creative poetic traditions. An informative, engaging introduction fleshes out the history of Telugu literature, situating its poets in relation to significant literary themes and historical developments and discussing the relationship between Telugu and the classical literature and poetry of Sanskrit."--Amazon.

David Albahari is one of the most prominent prose writers to come out of the former Yugoslavia in the last twenty years. His short stories, which developed largely outside the canon of Serbian literature, have influenced a generation of Balkan writers. This collection gathers Albahari's best and most important stories, moving from an early preoccupation with the family and Central European culture to metafictional searches for the roots of his identity.