Annie Markham's true love, nineteen-year-old Jake Mead, ran away from their relationship when meddling godmother, Susannah, stepped in. Now it's seven years later and Annie's wealthy family is heading toward bankruptcy. Susannah brings in the best consultant in England to rescue their London public relations agency and, as the Fates have decreed, the genius turns out to be Jake, who is out for revenge.

'Count Dracula meets Bonnie Parker. What will they do together? The vampire you'd hate to love, sinister and debonair, sinks those eye teeth into Bonnie's succulent throat.' Is this the beginning of a sadistic relationship or simply an extract from a psychopath's diary? Either way it marks the beginning of a dangerous game that is destined to end in chilling terror and bloody murder.

In May 2006 Arsenal played its last game at Highbury before moving to the new state-of-the-art Emirates Stadium. It was an emotional farewell to a ground that had witnessed some incredible games and which Arsenal fans had come to love as their second home. Relive those Highbury memories in this lavishly illustrated book that charts the stadium's story from the move to North London, the building of the stands and Chapman's many innovations. It brings to life the stories from the Second World War and the fifties when the team returned to winning ways. Reacquaint yourself with the characters that bought the first double to Highbury in 1971; the celebrations in' 89; the success of the Wenger revolution and the final season at this unique ground. It features rare and previously unpublished photography; exclusive interviews with ex- and current players; key members of staff and fans; and full statistics of every match in Highbury's history.

Federica Campione adores her father. No matter that Ramon, a distinguished traveller and writer, spends months away from their home on the exotic Chilean coast; as soon as he's back, his daughter has eyes for no one but him. When he gives her a magical box from Peru she believes he will always be there for her. Devastated when her parents' marriage falls apart, Federica is forced to set up home in Cornwall with her mother - the butterfly box is the only part of her beloved father she is able to take with her to sustain her during painful times. Embraced by the eccentric Appleby family, she loses her heart to their son Sam, who barely notices the little girl until it is too late. As she grows to womanhood, Federica attempts to recapture that long-forgotten sense of security in the arms of the debonair Torquil Jensen. From the sanctuary of a seemingly perfect marriage, she embarks on a painful journey of self-discovery. It takes Federica years of heartbreak to escape her gilded cage and learn the true lesson of the butterfly box.

Elaine Feinstein is a poet of lyrical directness who writes with tenderness about an ageing father, a child on a swing, old films, a flowering cactus, and with insight about love, loss, jealousy, and the fear of abandonment. The poems in this expansive collection are drawn from 11 volumes published over 30 years.

'I played at primary and secondary school: in corridors, on the playing fields, at the bus stop on the way home; at university (three times a week); and then after that in pub teams, indoor leagues, park pitch free-for-alls, on beaches and lawns, in airport departure lounges and motorway service stations. From schoolboy promise to the beginnings of athletic decay, football - the basic pleasure of kicking a ball, the attachments of teams, friendships, and moments of pointless but irreducible triumph - just refuses to go away.' Any Chance of a Game? is the story of a season playing for a Sunday league football team and a personal journey to discover why Barney, and men like him everywhere, need to play football and just what they take from it and its attendant culture. Each chapter follows a successive key match during the season and then uses it to go on a thematic mazy dribble - childhood, friendships, memory, violence, love, women, winning, class, nationality and being a man. An amusing tale that will ring true with anyone who's ever kicked a ball in muddied anger. punch-ups, existential angst and wanting to run forever on wet grass.

'An exuberant, breathless sprint through London in the fifties, sixties and seventies... It's bright, boisterous and extremely funny' Tatler 'Clancy's scapegrace adventures are described with so much vitality and scabrous wit you feel as charmed as one of his serial conquests ... Marvellous' Spectator 'If you're searching for something to keep you on the edge of your sun lounger this summer, look no further' Daily Mail If Fielding's Tom Jones were alive in postwar England he might be Clancy Sigal, the American author of this restlessly curious memoir. Honest and devious, faithful and lustful, a mass of plucky contradictions, Clancy first arrived in London in 1957. He was broke, homeless and, according to his FBI file, a dangerous 'subversive'. Over the next three decades, Clancy was to wander the soot-stained streets of London, devouring as much as life could offer him. From the birth of the CND and his affair with Lessing, to therapy with R. D. Laing and wondering whether the entire world was on acid, Clancy details it all to illuminating effect. Underneath all of these encounters is the character of Clancy himself: funny, hapless, warm-hearted and a self-professed 'crazy American'. Call it luck, charm or sheer lack of good sense, he escaped with a cracking good story.

The Village, first published in 1952, begins on the very day the war ended. Two women, who have been firm friends during the war, go as usual to the Red Cross Post. Here they spend the night as they always had done, chatting over a cup of tea. As dawn breaks they lock the door 'but still they lingered, unwilling finally to end this night and the years behind it. '"There's a lot of us will miss it," Edith said. "We've all of us felt at times, you know, how nice it was, like you and me being able to be together and friendly, just as if we were the same sort, if you know what I mean." "I'll miss it a lot too," Wendy said. There was no point in her saying that it could go on now, the friendliness and the companionship and the simple human liking of one woman for another. Both knew that this breaking down of social barriers was just one of the things you got out of the war, but it couldn't go on.' The main theme of The Village is that Wendy's attempt to cling on to her old way of life was already under pressure by 1939 and had become even more out-of-date by 1945. It is Edith who is the New Britain, with her prosperous son and her commonsense and indeed kindness. Wendy, with her snobbery and her refusal to change and her uncompromising attitude to her daugher, is the Old. When Labour swept to a landslide victory in 1945 'Attlee's government promised a fairer future for all and no going back to the inequalities of the pre-war world,' writes Juliet Gardiner in her Afterword to this Persephone edition of The Village. When Wendy goes back up the road to Wood View on Priory Hill 'where the gentry lived' and Edith goes downhill on the other side, 'down Station Road among the working classes', they both assume that the values and habits of pre-war Britain will continue. But Britain has already changed a great deal, a change symbolised by Edith's son Roy, a printer with excellent prospects, falling in love with the penniless Margaret, Wendy's daughter. 'The story of the romance between the two of them forms the central narrative of the novel,' Juliet Gardiner continues, 'and the attitude of the other villagers when the news gets out illuminates their understanding - or rejection - of the village's elaborately calibrated social stratification. This is a finely-observed novel about the losses and gains of the Second World War, how hopeless and how isolating it would be to hold onto the past, how illusory was the notion that the war had broken down class barriers, or had managed to save "deep England" from the future and how peace, too, would produce its own list of casualties. It is also about the futility of 'keeping up appearances', the boredom of middle-class women with nothing to do, even the realisation that cooking and housework had to be streamlined if theose women were to take their place in society. But above all The Village is an extremely enjoyable and well-written novel evoking an entire community (there is a long cast of characters at the beginning) and a whole way of life, and has one of the most ancient plots in the world - a young couple who fall in love but are forbidden to marry.

Love's Shadow (1908) is a novel by Ada Leverson. Having established herself as a journalist and short story writer, Leverson published her debut novel in 1907 to moderate acclaim. Entertaining and effortlessly witty, Leverson's prose paints a stunning portrait of the Edwardian era, a time when hope and relative peace proved prosperous for many. Often compared to her close friend Oscar Wilde, Leverson, a pioneering Jewish woman, remains a unique and refreshing voice in English literature. Love's Shadow is the first installment in her Little Ottleys trilogy, a series of novels exploring the romantic lives of a hilariously diverse group of friends. Edith and Bruce Ottley seem to have it all--a charming flat, a healthy child, and a group of entertaining friends. Although they are far from perfect--Bruce can be jealous and quite the hypochondriac at times--their marriage remains strong and their home remains a place of refuge to their frequently lovelorn comrades. Among a dizzying array of faces and names, Hyacinth Verney, Mrs. Eugenia Raymond, Cecil Reeve, and Lord Selsey stand out. Although Hyacinth loves Cecil, a match favored by his uncle Lord Selsey, the young man seems inexplicably smitten with the widow Eugenia, who has no interest in marrying again. Edith and Bruce do their best to make themselves hospitable while defending their home against the hostilities of love, but the hearts and minds of their eclectic guests prove difficult to assuage. Love's Shadow is a humorous tale of romance and desire from Ada Leverson, an underappreciated novelist of the Edwardian era. This edition of Ada Leverson's Love's Shadow is a classic work of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A heart-rending, wartime story of a young Czech exile's lonely struggle to grasp the meaning of life and love.

PILGRIM STATE is a stunning memoir which tells the story of Dorothy Walker - equal parts beautiful, headstrong, brave and tragic. Her life is lovingly recreated by her daughter Jacqueline in homage to the remarkable woman she was. In the haunting opening pages, set in Pilgrim State mental facility in New York State in 1951, Dorothy has been forcibly sectioned and is battling to keep her children and her sanity. She will struggle all her life to retain both. Dorothy and her children return to Jamaica before finally making a home in post-Windrush London in the early 60s. Dorothy and her children face prejudice and loss but are bound by incredible love and their unique sense of family. This will prove to be Dorothys greatest gift. Stories like PILGRIM STATE dont come along that often. And when they do you recognise you have something very special. And when a voice is this strong and original, you stop to listen. PILGRIM STATE celebrates place, the life-affirming nature of family and the bonds between mothers and daughters that can never be broken. The story is haunting and powerful and speaks for generations of women, resonating long after the story ends. Jacqueline Walker has done her mother proud.

In this tale of life at sea the author tells of voyages round the Horn and his time in the Aland Islands where he fitted out a small boat and sailed with the lovely Elsa. He describes the trials and pleasures of life under sail, including adventures with sharks, drunken captains and a stowaway.

Arnold Wesker's perennially popular play The Kitchen will be revived at the National Theatre in October 2011.Set in the basement kitchen of a large restaurant, thirty chefs, waitresses, and kitchen porters, slowly begin the day preparing to serve lunch. The central story tells of a frustrated love affair between a high-spirited, young, German chef, Peter, and a married English waitress, Monique.

The Twelfth Hour (1907) is a novel by Ada Leverson. Having established herself as a journalist and short story writer, Leverson published her debut novel to moderate acclaim. Entertaining and effortlessly witty, Leverson's prose paints a stunning portrait of the Edwardian era, a time when hope and relative peace proved prosperous for many. Often compared to her close friend Oscar Wilde, Leverson, a pioneering Jewish woman, remains a unique and refreshing voice in English literature. Felicity, Sylvia, and Savile Crofton all feel the pressure placed on upper-class youths to marry wisely. At 25, Felicity appears to have found herself a good husband, a man of wealth and social standing who on closer appearance seems more interested in leisure than love. Determined not to fall into a similarly unhappy marriage, her 20-year-old sister Sylvia hopes to thwart her father's wish that she marry millionaire Mr. Ridokanski. Although he is only 16, Eton student Savile is deeply in love with a famous opera singer--from a distance--but also feels obliged to entertain the affections of Dolly Clive, a girl his own age. Finding company in their own unique miseries of the heart, the Crofton siblings hatch a plan to achieve happiness for themselves, satisfaction for their father, and whatever it is young people are meant to owe to society. The Twelfth Hour is a humorous tale of romance and desire from Ada Leverson, an underappreciated novelist of the Edwardian era. This edition of Ada Leverson's The Twelfth Hour is a classic work of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

In London, before the First World War, where in society love and money predominate, Bertha and Nigel had been inseparable. But then Nigel felt he had to focus on the economics of life, and after all Bertha's family were quite modestly off. Whereas the heiress Mary, also interested in him but not anywhere near so charming, was very well set up. His decision was made. Though initially heartbroken, Bertha realises quickly that she has escaped from a delusion. Equanimity returns, and she finds in Percy Kellynch a devoted lover, though one a little more sober and less racy. They marry, as do Nigel and Mary, and over time the two become friends again, though now with wise awareness on Bertha's side. Nigel begins to see his error, as Mary's jealousy and her wish to supervise his life take their toll. He finds comfort in simply seeing Bertha initially, but inevitably begins to wish for more. Bertha is not interested, having moved on, but, if noticed, Nigel's attentions could be misconstrued... In the meantime, Bertha is also looking out for the future of a young friend, Madeline Irwin, who is smitten with Rupert Denison, a young man with rather too much of a penchant for patronising and "educating" young women. Madeline is impulsive, a little inexperienced and quite needy. Her headlong qualities precipitate problems very readily. As Bertha negotiates several crises arising from Nigel's reviving attachment, she also tries to assist Madeline in avoiding her own self-created disasters. Much depends on Bertha's talent for good management and wise counsel in the perils of both their lives. She is determined to win over adversity, but it will be a strong test of her skills.... Bird of Paradise, Leverson's fifth novel, as radiant with wit and wisdom as those which preceded it, was first published in 1914.

At the beginning, Deborah and her husband are in bed, saying goodbye to each other before he is posted overseas. They swear eternal loyalty. But Deborah is very soon bored by her life in the country with her young son and gets a job in London. She then acquires a lover, and when he is posted overseas another, and another

This compendium brings together thirty-three murderous tales -- one from each of the capital's boroughs -- that not only shocked the City but made headline news across the country. Throughout its history the great urban sprawl of Greater London has been home to some of the most shocking murders in England, many of which have made legal history. Contained within the pages of this book are the stories behind these heinous crimes. They include George Chapman, who was hanged in 1903 for poisoning three women, and whom is widely suspected of having been the notorious serial killer "Jack the Ripper"; lovers Edith Thompson and Frederick Bywaters, executed for stabbing to death Thompson's husband Percy in 1922; and Donald Hume, who was found not guilty of the murder of wealthy businessman Stanley Setty in 1949, but later confessed to killing him, chopping up his body and disposing of it by aeroplane. Linda Stratmann also reveals previously unpublished information that sheds a whole new light on the infamous Craig and Bentley case. This carefully researched, well-illustrated and enthralling text will appeal to those interested in the history of Greater London's history and true-crime fans alike.

Her husband left her for another man. Her boyfriend may be cheating. Her mother's got a secret. Is everyone having great sex but Rachel? Lately, stand-up comic Rachel Katz's life has begun to resemble a not-so-funny comedy routine -- the kind where nobody laughs and everybody inches toward the door. It began when her husband cheated ... with another man. Now she's raising a ten-year-old son who's fixated on Barbra Streisand and wondering if her dentist boyfriend -- who won't stop flossing long enough to make love to her -- is having an affair. Enter Matt Clapton, a wickedly sexy washing machine repairman who likes Rachel's jokes and makes her feel like a woman for the first time in ages -- maybe in her entire life. With her mother busy planning a wedding Rachel isn't sure she wants, her son dead set on inviting Barbra to the reception, and the groom-to-be in South Africa, working on someone else's oral hygiene, the question is: What's she going to do about it? Especially when fame and fortune beckon in a comedy contest that could put her on the map ... and change her life forever. Spin Cycle tells a wickedly funny, shamelessly erotic story of lovers and liars, exes and children, parents and other strangers. This hip and hilarious new novel by the acclaimed author of Neurotica introduces a heroine who never loses her sense of humor and who discovers, somewhere between the rinse and spin cycles, that love -- and laughter -- can truly conquer all.

Rachel has been making people laugh since the moment she could speak. She can even see the funny side when her husband leaves her for a cosmetics demonstrator. Called Greg. Rachel becomes a professional stand-up comedian, but has yet to break into the big time. And with a ten-year-old child and a mortgage, she needs a day job to make ends meet. So Rachel spends her mornings cleaning the houses of the rich and famous, much to the chagrin of her Jewish mother Stella (main ambition: to see Rachel safely re-married) and her Jewish dentist boyfriend Adam (main ambition: to share a scoured and swabbed, germ-free home in the suburbs with Rachel). Life for Rachel couldn't be sweeter. Yet somehow it lacks a certain spark. But there are sparks a-plenty when the washing machine breaks down a repair man called Matt arrives ... and sends her life into a spin.