Phillip Lopate's richest and most ambitious book yet--the final volume of a trilogy that began with Bachelorhood and Against Joie de Vivre -- Portrait of My Body is a powerful memoir in the form of interconnected personal essays. One of America's foremost essayists, who helped focus attention on the form in his acclaimed anthology The Art of the Personal Essay , Lopate demonstrates here just how far a writer can go in the direction of honesty and risk taking. In thirteen essays, Lopate explores the resources and limits of the self, its many disguises, excuses, and unmaskings, with his characteristic wry humor and insight. From the title essay, a hilarious physical self-exam, to the haunting portrait of his ex-colleague Donald Barthelme, to the bittersweet account of his long-delayed surrender to marriage, "On Leaving Bachelorhood," Lopate wrestles with finding the proper balance between detachment and empathy, doubt and conviction. In other essays, he celebrates his love of film and city life, and reflects on his religious identity as a Jew. A wrenchingly vivid, unforgettable portrait of the author's eccentric, solipsistic, aged father, a self-proclaimed failure, is the centerpiece of a suite of essays about father-figures and resisted mentors. The book ends with the author's own introduction to fatherhood, as witness to the birth of his daughter. A book that will engage readers with its conversational eloquence, skeptical intelligence, candor, and mischief, Portrait of My Body is a captivating work of literary nonfiction.

Marjorie Perloff writes: “Among the great modernist poets, Mina Loy was surely the greatest wit, the most sophisti- cated commentator on the vagaries of love, the one whose brittle and sardonic laughter continues . . . to pursue us.” Stories and Essays of Mina Loy is the first book-length volume of Mina Loy’s narrative writings and critical work ever published. This volume brings together her short fiction, as well as hybrid works that include modernized fairy tales, a Socratic dialogue, and a ballet. Loy’s narratives address issues such as abortion and poverty, and what she called “the sex war” is an abiding theme throughout. Stories and Essays of Mina Loy also contains dramatic works that parody the bravado and misogyny of Futurism and demonstrate Loy’s early, effective use of absurdist technique. Essays and commentaries on aesthetics, historical events, and religion complete this beguiling collection, cementing Mina Loy’s place as one of the great writers of the twentieth century.

"A laugh on every page, Christina Oxenberg is one of the most lethal wits of the western world." - Robert F. Kennedy Jr.Humorous, short stories by Christina Oxenberg, an author known for her sharp imagery and dark sense of humor.This collection of short stories cover topics like Oxenberg's love of dancing in the clubs of Key West, Florida all night long and forays North to supper with the social set, and at all times with a questioning eye, taking note.

The pieces in Pot Stories for the Soul are funny, whimsical, bizarre, poignant, informational, shocking, and, yeah, soulful. They are about love, hate, escape, reality, the paranormal, Allen Ginsberg, Ken Kesey, Michelle Phillips, Hunter Thompson, Abbie Hoffman, Wavy Gravy and peanut butter. Ultimately, these stories reveal the wide, weird, and wonderful subculture of stoners, where the reefers are mad, the joints are fat, and the buzz lasts for six-and-a-half days. Mainstream America has had an uneasy relationship with marijuana. Once a legal substance, the 1930s saw a massive campaign against the "Devil's Harvest" that led to pot being rendered illegal. In the 1960s, marijuana became one of the defining elements of the counterculture before once again being shunted to the sidelines. Over the last decade, however, marijuana has gone mainstream and has been the topic of seminars, expos, concerts, comedy routines, movies, TV shows, and college courses across the country. Originally published by High Times in 1999, Pot Stories for the Soul won the Firecracker Alternative Book Award and also became a Quality Paperback Book Club selection. This brand-new edition includes several new essays by Paul Krassner, plus his foreword, his afterword, and the evolution of cannabis sanity in between.

"This is an insider's view, and Raskin offers readers insights into a hidden California. The impact of his book is to return culture to agriculture in a state dominated by agribusiness."--Gerald Haslam, author of The Great Central Valley: California's Heartland "Jonah Raskin has lived and taught in this area for well over thirty years and has the credibility to write about the evolution of farming here. His book is a magical mixture of journalism and memoir. I loved his interviews with local farmers and growers. He explores the questions that we all are asking about our relationship to food and what it means to eat locally, who grows it, and will they be able to continue to do so."--Ianthe Brautigan, author of You Can't Catch Death: A Daughter's Memoir "'Think global, buy local' takes on new meaning in this intriguing synthesis of memoir and reportage on the slow and local food movements."--Peter Laufer, author of Wetback Nation and The Dangerous World of Butterflies "Anyone wanting to know what it's like to live in the paradise that is Sonoma County must read Field Days . Jonah Raskin brings this blessed region and its communities of environmental champions vividly to life."--Jeff Cox, author of The Organic Cook's Bible and The Organic Food Shopper's Guide "In Jonah Raskin's wonderfully observant ramble through Sonoma County's farms, orchards, and vineyards, it becomes abundantly clear that American farming has not been killed off by agribusiness, or the Department of Agriculture's call to 'get big or get out'. With Raskin we meet a rich community of amazing people who have stayed on the land, or gone back to it, sharing a new kind of ecologically informed consciousness about our intimate connections to the land and the people who work it. Anybody who reads this book, wherever they live, will gain a new appreciation of this new generation of farmers. Thanks to them, we're learning to eat well--a basic necessity in the hard times ahead."--Ernest Callenbach, author of Ecotopia "In Field Days , Jonah Raskin becomes the George Plimpton of organic farming. Instead of getting out on the playing field to measure his stuff against pro athletes, he toils long days beside farm workers. Soulful and always curious, Raskin traces the tradition of responsible farming practices in Northern California, and explores the meaning of living locally."--Bart Schneider, author of The Man in the Blizzard

Whether you're a savvy mom of teens or a new mom trying to get baby to sleep, this book is for you. A must read for every mom who ever said: "Stop rocking on the chair!" Not your average poetry book, Ode to Chores is a clever and entertaining view of parenting, motherhood, children, pets, and the life and times of moms on call 24/7. ------------------ The Inspiration For This Book The whole thing started because I was lonely. I spent hours every day with my little kids, which I really loved for a while, but my husband was gone A LOT, and when he came home, he was all talked out. He just wanted to spend a little time with his two boys roughhousing and eating Oreo Thins. Plans with friends were few and far between because we were all busy shuffling kids to school and activities when we weren't working jobs, or doing house projects, or stumping for our chosen elected officials, or reconnecting with our significant others. In the meantime, exhausted at the end of every day, I still wanted to be an artist, a writer, and a musician. I'd been on stage for 25 years and suddenly the only singing I was doing was lullabies at 3 AM in a rocking chair trying to get my little muffin to sleep. . . just for a little while. . . sleep muffin, sleep. Somewhere along the way, I put down my pen and found myself deep in the stuff of kids. Then, one evening after an especially frustrating dinner with the boys, I sent everyone off to their rooms, flipped over an envelope lying in the mess on the dining room table, and wrote the poem Stop Rocking on the Chair. I was surprised at how satisfying it was to say it on the page. From there I started writing these "mom poems" all the time. As I did, I felt less and less alone. I was not only writing about my experience but a thread of experience that connected to moms all over the world and through time. The common language of motherhood reconnected me to my creativity and other people at the same time. I first thought I wrote this book for myself, but it turns out I wrote this book for you. I hope it brings you joy and even makes you cry. I hope it brings mothers together and inspires you to make some art and put it out into the world, so we can all have a moment of connection together. Call me. We'll have coffee. ------------------ About the Author Brenda Kahn is a poet, memoirist and an international recording artist who has shared the stage with Bob Dylan, David Byrne, and Jeff Buckley. She has expertise in changing both guitar strings and diapers. She is a writer of songs, poetry, memoir, and excuse notes for sick kids. She can paint and spackle like nobody's business and will also perform a cover of Bessie Smith's Ain't Nobody's Business if you request it at a live show. She lives in South Salem, NY with her husband and two boys, her golden retriever (Barley Patches), her two cats (Fluffy and Colby) and Ekko the crested gecko. Learn more about Bren at www.brendakahn.com Stay connected and support her work at www.BrendaKahn.com/Patreon

"The Crow's Dinner" is master novelist Jonathan Carroll's debut essay collection, and that is very good news. Gathering together hundreds of entries that initially appeared on the website Medium, "The Crow's Dinner" is at once a wide-ranging spiritual autobiography and an annotated guide to what Carroll calls "The Map of Me." Beginning with an appreciation of "The Invisibles," those insignificant moments we overlook at our peril, "The Crow's Dinner" encompasses an extraordinary range of incidents, ideas, and images that cumulatively illuminate the inner and outer weather of a major American artist. This generous volume contains fragments of autobiography, reflections on the nature of creativity, vivid recreations of chance encounters, and provocative meditations on the complexityand unpredictabilityof human relationships. It is a book filled with colorful vignettes, unexpected bursts of whimsy, and observations filtered through an utterly unique sensibility. Witty, compassionate, open at all times to the "momentary magic" of existence, it is a work of singular beauty that is unlike anything you have ever read. Since the publication of his first novel, "The Land of Laughs," in 1980, Jonathan Carroll has repeatedly offered us new and startling ways of looking at our familiar world. With "The Crow's Dinner," he speaks to us in direct, unmediated fashion about the things that matter most: love, lust, books, dogs, food, friendshipand the transforming power of the imagination. The result is an intimate, one-of-a kind tour of a lively, unfettered mind. Like the best of Carroll's fiction, "The Crow's Dinner" is a book that matters.

Paul Kurtz has been the dominant voice of secular humanism over the past thirty years. This compilation of his work reveals the scope of his thinking on the basic topics of our time and his many and varied contributions to the cause of free thought. It focuses on the central issues that have concerned Kurtz throughout his career: ethics, politics, education, religion, science, and pseudoscience. The chapters are linked by a common theme: the need for a new enlightenment, one committed to the use of rationality and skepticism, but also devoted to realizing the highest values of humanist culture. Many writings included here were first published in magazines and journals long unavailable. Some of the essays have never before been published. They now appear as a coherent whole for the first time. Also included is an extensive bibliography of Kurtz's writings. Toward a New Enlightenment is essential for those who know and admire Paul Kurtz's work. It will also be an important resource for students of philosophy, political science, ethics, and religion. Among the chapters are: "Humanist Ethics: Eating the Forbidden Fruit"; "Relevance of Science to Ethics"; "Democracy without Theology"; "Misuses of Civil Disobedience"; "The Limits of Tolerance"; "Skepticism about the Paranormal: Legitimate and Illegitimate"; "Militant Atheism vs. Freedom of Conscience"; "Promethean Love: Unbound"; "The Case for Euthanasia"; and "The New Inquisition in the Schools."

In Another Way of Seeing , Peter Gabel argues that our most fundamental spiritual need as human beings is the desire for authentic mutual recognition. Because we live in a world in which this desire is systematically denied due to the legacy of fear of the other that has been passed on from generation to generation, we exist as what he calls "withdrawn selves," perceiving the other as a threat rather than as the source of our completion as social beings. Calling for a new kind of "spiritual activism" that speaks to this universal interpersonal longing, Gabel shows how we can transform law, politics, public policy, and culture so as to build a new social movement through which we become more fully present to each other - creating a new "parallel universe" existing alongside our socially separated world and reaffirming the social bond that inherently unites us. Addressing subjects as diverse as "The Spiritual Dimension of Social Justice," "Spiritualizing Foreign Policy," and "Patriotism at the Ballpark," this book beautifully illuminates how the blockage of social desire creates and reproduces so much of the harm and suffering in the world - and how recovering our capacity to fully see one another will help us to create a more humane, just, and loving future. "Peter Gabel is one of the grand prophetic voices in our day. He also is a long-distance runner in the struggle for justice. Don't miss this book " - Cornel West, The Class of 1943 Professor, Princeton University, and Professor of Philosophy and Christian Practice, Union Theological Seminary "Peter Gabel has delivered a set of unmatched phenomenological analyses of the profound alienation that pervades everyday life in America in the early 21st century. His insightful descriptions of the way things really are challenge us to open our eyes, minds and hearts to our own and one another's deepest longings, and together, to bring one another back home.... Like a pick axe thrown ahead to anchor us all, to paraphrase one of his most evocative images, Gabel's polemic teaches and inspires us to 'think with our hearts, ' to genuinely and confidently love ourselves and our brothers and sisters on this very planet Earth, to lift ourselves and one another on the strength of our authentic Presence, and to move things forward together. Now." - Rhonda V. Magee, Professor of Law, University of San Francisco "Peter Gabel's essays on law, politics, and foreign and domestic policy urge us to take a step back from our deeply alienated habits of seeing, living and feeling--habits that threaten the destruction of the planet as well as of our social, national and global communal bonds--and to forge a new politics grounded in a recognition of our longing for a genuinely loving and spiritual connection with each other ...to use law as a way to inscribe and act on our responsibilities to care for each other as well as ourselves, politics as a vehicle through which to express our deepest social and spiritual commitments and foreign and domestic policy both as expressions of a forgotten or suppressed, but still realizable, beloved community." - Robin West, Frederick Haas Professor of Law and Philosophy, Georgetown University Law Center "Replete with wise insights that reward readers with Another Way of Seeing toward their pursuit of compassion, community, and a better world, law professor, activist and philosopher Peter Gabel's excellent essay collection elaborates upon the meaning of Martin Luther King Jr.'s expression 'Justice is love correcting that which revolts against love.' No matter what your expertise, Gabel's thoughts are pertinent to fulfillment of your human possibilities." - Ralph Nader, Washington, DC

Wildly original novelist, essayist, and performance artist Jonathan Ames delivers a hilarious, risqué, and loveable selection of articles, essays, and fiction, including several previously unpublished pieces. In The Double Life Is Twice as Good , fans will be treated to a deft and charming compilation of Ames’s journalism, personal essays, and short fiction. Featuring illuminating profiles of Marilyn Manson and Lenny Kravitz, his adventures at a goth festival in the Midwest, a story written for Esquire on a napkin, as well as a comic strip collaboration with graphic artist Nick Bertozzi, Ames’s unique style and personality-driven humor shines throughout this wickedly funny collection. Also included is the short story, “Bored to Death,” a Raymond Chandler–esque tale about a struggling writer-turned-detective who becomes quickly embroiled in the search for a missing college co-ed, which inspired the HBO series of the same name. Described by The Portland Oregonian as “an edgier David Sedaris,” Ames will have you hooked with this brilliant collection.

Excerpt from Writing for Love or Money: Thirty-Five Essays Reprinted From the Saturday Review of Literature This book is concerned with writing as a craft, but it is not a how-to book. It neither offers keys to the literary kingdom, nor professes special knowledge of short cuts for converting writing aptitude into publishing contracts. What it does do is to deal with writing as a profession or as a serious avocation, mostly by way of discussing the problems that face the writer. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

From his youthful days as a poolroom hustler, playing truant from Baron Byng High School, Mordecai Richler remained a snooker devotee. Here, in his inimitable style, he delves into that eccentric world with pith and perception. Outrageously funny, passionate and thoroughly researched on snooker tables from Montreal to Dublin, On Snooker takes us on an entertaining journey through the story and world of snooker, and introduces us to the game’s great players and bad boy champions. It is a book that lovers of great sports writing will cherish, from a masterful storyteller.

Most American young people, like their ancestors, harbor desires for a worthy life: a life of meaning, a life that makes sense. But they are increasingly confused about what such a life might look like, and how they might, in the present age, be able to live one. With a once confident culture no longer offering authoritative guidance, the young are now at sea--regarding work, family, religion, and civic identity. The true, the good, and the beautiful have few defenders, and the higher cynicism mocks any innocent love of wisdom or love of country. We are supercompetent regarding efficiency and convenience; we are at a loss regarding what it's all for. Yet because the old orthodoxies have crumbled, our "interesting time" paradoxically offers genuine opportunities for renewal and growth. The old Socratic question "How to live?" suddenly commands serious attention. Young Americans, if liberated from the prevailing cynicism, will readily embrace weighty questions and undertake serious quests for a flourishing life. All they (and we) need is encouragement. This book provides that necessary encouragement by illuminating crucial--and still available--aspects of a worthy life, and by defending them against their enemies. With chapters on love, family, and friendship; human excellence and human dignity; teaching, learning, and truth; and the great human aspirations of Western civilization, it offers help to both secular and religious readers, to people who are looking on their own for meaning and to people who are looking to deepen what they have been taught or to square it with the spirit of our times.

“… the shadows of death are the spices of love, and eternal life would be the school of absolute coldness. We love a being that the morrows threaten, and love her all the more as she is more threatened….” Albert Caraco was born in 1919 in Constantinople in a Jewish family established in Turkey for four centuries. He grew up in Prague, Berlin, and Paris, where he attended Janson-de-Sailly high school, and got his degree from the École des Hautes Études Commerciales. In 1939, he and his parents fled Europe to South America at the break of World War II, and settled in Montevideo after living in Brazil and Argentina, where his first books were published. Albert Caraco acquired Uruguayan citizenship and retained it for the rest of his life. Back in Paris in 1949, he started writing his immense body of work, part of which remains unpublished to this day. An ambiguous figure, Albert Caraco built nothing short of a baroque literary cathedral, rife with contradictions, yet rising from an uncompromisingly pessimistic foundation. In 1971, consistent with what he had announced recurrently in his semainiers (weekly diaries), he killed himself just a few hours after his father died. The death of his mother in 1963 was the occasion for a reckoning of his relationship with the woman he reproached for having given him birth, while praising her for forming his taste and character and uprooting the sheer possibility of consoling illusions in her only son. The result was Post Mortem, a bittersweet lament and a love poem in prose that offers a glimpse into his bleak worldview and an abstract of his works.

"This is a beautiful book, full of ideas that could help restore America’s genius for freedom and promise.” — Thomas Moore, New York Times bestselling author of Care of the Soul A lifelong Emerson lover, teacher, and spiritual seeker reveals how American philosopher Ralph Waldo Emerson’s twelve essential teachings hold the answer to living an authentic and fulfilling life, one that is in har[Bokinfo]

Kurt Tucholsky was a brilliant satirist, poet, storyteller, lyricist, pacifist, and Democrat; a fighter, lady's man, reporter, and early warner against the Nazis who hated and loathed him and drove him out of Germany after his books were burned in 1933. His contemporary Erich Kaestner called him a "small, fat Berliner," who "wanted to stop a catastrophe with his typewriter." The New York Times hailed him as "one of the most brilliant writers of republican Germany. He was a poet as well as a critic and was so versatile that he used five or six pen names. As Peter Panter he was an outstanding essayist who at one time wrote topical sketches in the Vossische Zeitung, which ceased to appear under the Nazi regime; as Theobald Tiger he wrote satirical poems that were frequently interpreted by popular actors in vaudeville and cabartes, and as Ignatz Wrobel he contributed regularly to the Weltbühne, an independent weekly that was one of the first publications prohibited by the Hitler government." Tucholsky, who occupied the center stage in the tumultuous political and cultural world of 1920s Berlin, still emerges as an astonishingly contemporary figure. As an angry truth-teller, he pierced the hypocrisy and corruption around him with acute honesty. Imagine a writer with the acid voice of Christopher Hitchens and the satirical whimsy of Jon Stewart, combined with the iconoclasm of Bill Maher. That's Tucholsky in a nutshell. Like Hitchens, Tucholsky wrote a mixture of literary essays, social observations, and political commentary. His irony made the line between his "serious writing" and his "entertainments" almost invisible. The fashionable outsider watched the political "center" disappear, and, in the end, he found himself catapulted out of society altogether. His career was sandwiched between the two most deadly events of his century: the bloodbath of World War I and the scourge of Nazism. Just as the first war launched Hemingway's lifelong career as a wounded tough guy with a soft spot for guns and broads, Tucholsky discovered the reflexes of an escape artist. He was equally elusive as a writer. In today's world, a journalist isn't supposed to write plays, and a playwright isn't welcomed as a novelist. But in 1920s Berlin, Tucholsky was dealing with postwar realities that required shouting from the rooftops, and any rooftop would do. Kurt Tucholsky is one of Weimar Germany's most celebrated literary figures, loved by his many readers and hated by the Nazis. The poet, journalist, and satirist who was at the center of the tumultuous political and cultural world of 1920s Berlin still emerges as an astonishingly contemporary figure. But he was more than just an angry truth-teller; he was also one of the funniest satirical writers of his era, depicting everyday lives during the rise of modernity.The iconic translation of Harry Zohn, a literary figure from Vienna himself, presented Tucholsky to an American audience for the first time. Long out of print, Zohn's book is now being republished in a new edition.

Christine Downing has graced the campus of San Diego State University, returning like Persephone each spring for the past ten years to deliver the annual lecture named in her honor. Printed here in their entirety, the talks are autobiographical, poetical, literary musings on the subjects that have occupied her for the past ten years, including the Holocaust, memory, the Bible, the Goddess, Martin Buber, Sigmund Freud, the myth of Orpheus, Greek tragedy, and the Imagist poet H.D. Professor Downing's extensive publications on the role of myth in the psychologies of Freud and Jung, and in the contemporary quest for self-understanding, have made her an original source in these fields. Her books include The Goddess: Mythological Representations of the Feminine , Psyche's Sisters , Journey through Menopause , and Myths and Mysteries of Same Sex Love .

Mordecai Richler’s final book pays homage to his personal heroes and celebrates a writer’s love of sport with his trademark irascibility, humour and acuity. Even while writing his bestselling novels, Mordecai Richler nurtured his obsession with sports, writing brilliantly on ice hockey, baseball, salmon fishing, bodybuilding, and wrestling for such publications as GQ , Esquire , The New York Times Magazine , Inside Sports , Commentary , and The New York Review of Books . Mordecai himself chose the pieces to include in Dispatches from the Sporting Life , and together they give us an intimate portrait of a man who admired the players and prized the struggle of sport—as much as he enjoyed skewering those who made a mockery of its principles. His encounters with Pete Rose, Wayne Gretzky and Gordie Howe (“Mr. Elbows... the big guy with the ginger-ale bottle shoulders”) are by turns bizarre, moving and uproarious. Richler travelled with Guy LaFleur’s Montreal Canadiens (“Les Canadiens sont là!”), but also with the “far-from-incomparable” Trail Smoke Eaters to Stockholm for the world hockey championships, where Canadians are “widely known, and widely disliked.” There are wonderful pieces here about Ring Lardner, George Plimpton, Hank Greenberg and lady umpires, and a marvellous essay on his unlimited enthusiasm for the all-inclusive Encyclopedia of Jews in Sports , which includes among its champions Sandy Koufax, “who may well be the greatest pitcher of all time, regardless of race, colour or creed,” as well as one Steve Allan Hertz, an infielder who played five total games in Houston in 1964 and had a batting average of .000.

David Mandel wrote the phrases and sentences that appear in this book, some seriously, some in jest, during different times, sometimes in laughter, and others in tears. He included them in my newsletter, Mi Enfoque, which he sent weekly to a group of friends, who were at first only a handful, but grew to more than 10,000 readers in 25 different countries. Some of his sentences might be considered controversial, but they are sincere. He does not hide his likes and dislikes, and he doesn’t avoid discussing controversial issues. All the entries in the book have in common the unconditional love the author feels for the Jewish people and the pride in the most outstanding achievement of the last two thousand years of its long existence: the State of Israel. The Bible says that "Israel is a land of milk and honey," and it is, but sometimes the milk is sour, and the honey comes with stings. Most important, whether or not the reader agrees with all or any of the author’s opinions, is to follow the advice of the wise King Solomon: "Eat your bread with pleasure and drink your wine with joy. And enjoy life with the woman you love," (Ecclesiastes 9:7-9).

In this unforgettable book, Arthur Waley brings together a number of his articles, poems and translations. Included in this collection are pieces on the eighth-century Chinese poet Ts'�n Sh�n and the great Chinese prose writer, Han Y�, as well as some of Waley's original poems and stories. But the most compelling is 'The Secret History of the Mongols', consisting of long extracts from a thirteenth-century Chinese saga. Written in vivid, elegant prose, it recounts fantastic tales of epic battles; of betrayal and love; of tyrants and prisoners. Suffused with symbolism and folklore, it is a masterpiece of storytelling which will appeal to the scholar and the ordinary reader alike.