Spanning three continents and four countries, Shooting Water is the remarkable story of the making of Water , the Academy Award-Nominated Film by Deepa Mehta. In February 2000, Devyani Saltzman traveled to the holy city of Benares, India, to reunite with her estranged mother, international award-winning filmmaker Deepa Mehta, and to work on her latest film, Water . But after only a week of shooting, the film became the target of a series of politically-motivated attacks. Protestors destroyed the sets, burned effigies of the director, and made threats on her life. Water was shut down. What began as a journey to heal deep wounds from the past turned into a five-year odyssey to complete a film. This edition includes a new Epilogue by the author, chronicling Waterâs triumph after its tumultuous birth: first, opening the Toronto International Film Festival; then, receiving an Academy Award nomination for Best Foreign Language Film, and, finally, coming full circle with the filmâs national release in India. Reviews: âMore than a document exposing the emergence of deeper feelings between the two women, Shooting Water is a detailed chronicle of the making of one of the most controversial films in Canadian history. In fact, Saltzman marvelously dissects the cultural and political complexities of Indiaâ¦â â The Globe and Mail âA lush, evocative memoir.â â Publishers Weekly (starred review) âA must readâ¦Beautiful and haunting.â - Montreal Gazette âA winner. Shooting Water is a powerful document that examines the nature of rupture, and the capacity of human beings to reach out and rework relationships through love.â - The Sunday Tribune (India) ââ¦A poignant memoir.â - The New York Times ââ¦Saltzman proves herself a deft writer in this deeply evocative memoir.â - Cleveland Plain Dealer âA languid and sensuous exploration of the subcontinent through the eyes of an estranged daughter." - Kirkus Reviews âA gripping memoir. Itâs impossible not to be drawn into the surprisingly revealing journey. â - Inside Entertainment

What is marriage? Can a relationship dedicated to equality, friendship, and mutual education flower in an atmosphere of romance? What are the paths between loving another and knowing another? Stanley Cavell identified a genre of classic American films that engaged these questions in his study of comedies of remarriage, Pursuits of Happiness . With Contesting Tears , Cavell demonstrates that a contrasting genre, which he calls "the melodrama of the unknown woman," shares a surprising number and weave of concerns with those comedies. Cavell provides close readings of four melodramas he finds definitive of the genre: Letter from an Unknown Woman , Gaslight , Now Voyager , and Stella Dallas . The women in these melodramas, like the women in the comedies, demand equality, shared education, and transfiguration, exemplifying for Cavell a moral perfectionism he identifies as Emersonian. But unlike the comedies, which portray a quest for a shared existence of expressiveness and joy, the melodramas trace instead the woman's recognition that in this quest she is isolated. Part of the melodrama concerns the various ways the men in the films (and the audiences of the films) interpret and desire to force the woman's consequent inaccessibility. "Film is an interest of mine," Stanley Cavell has written, "or say a love, not separate from my interest in, or love of, philosophy." In Contesting Tears Cavell once again brilliantly unites his two loves, using detailed and perceptive musings on melodrama to reflect on philosophical problems of skepticism, psychoanalysis, and perfectionism. As he shows, the fascination and intelligence of such great stars as Ingrid Bergman, Bette Davis, and Barbara Stanwyck illuminate, as they are illuminated by, the topics and events of these beloved and enduring films.

The legendary television star tells the backstage stories of the classic comedy of Your Show of Shows, Caesar's Hour, and other landmark programs.

Delve into the dazzling world of early 20th-century art and theatre with "Bakst: The story of Leon Bakst's life" by André Levinson. This meticulously prepared republication chronicles the life and career of Léon Bakst, the visionary artist who revolutionized stage and costume design for the Russian ballet. Explore Bakst's pivotal role in shaping the aesthetic of iconic productions. Levinson expertly details Bakst's contributions to art history, revealing the man behind the groundbreaking designs that captivated audiences worldwide. This book illuminates Bakst's innovative approach to visual storytelling. A captivating biography for enthusiasts of Russian ballet, stage design, and costume design. Discover the enduring legacy of Léon Bakst, whose artistic vision continues to inspire and influence the performing arts. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

With his dynamic on-air personality and his trademark cry of "Burn, baby! BURN!" when spinning the hottest new records, Magnificent Montague was the charismatic voice of soul music in Chicago, New York, and Los Angeles from the mid-1950s to the mid-1960s. In this memoir Montague recounts the events of his momentous radio career, which ran from the era of segregation to that of the civil rights movement; as he does so, he also tells the broader story of a life spent in the passionate pursuit of knowledge, historical and musical. Like many black disc jockeys of his day, Montague played a role in his community beyond simply spreading the music of James Brown, Otis Redding, Aretha Franklin, and other prominent artists. Montague served as an unofficial spokesman for his black listeners, reflecting their beliefs and acting as a sounding board for their concerns. Montague was based in Los Angeles in 1965 when the Watts rioters seized on his incendiary slogan, turning the shout of musical appreciation into a rallying cry for racial violence. In Burn, Baby! BURN! Montague recalls these tumultuous times, including the personal struggle he faced over whether to remain true to his listeners or bend to political pressure and stop shouting his suddenly controversial slogan. Since the mid-1950s Montague had also expressed his passion for African American culture by becoming a zealous collector of artifacts of black history. He has built a monumental collection, taking time out from his collecting to become only the second African American to build his own radio station literally from the ground up. A compelling account of a rich and varied life, Burn, Baby! BURN! gives an insider's view of half a century of black history, told with on-the-air zest by the DJ/historian who was there to see it unfold.

Learn About the Magic of Light from a Master Step into the captivating world of Jean Rosenthal, a trailblazing figure in the realm of lighting design for modern theater. The Magic of Light, a professional memoir crafted with the assistance of friend and novelist Lael Wertenbaker, unveils the artistry behind Rosenthal's technical mastery. Renowned for transforming stage illumination from a mere necessity to a mesmerizing art form, Rosenthal shares her insights, experiences, and the evolution of her craft. Part one of the memoir delves into Rosenthal's profound thoughts on light, exploring its role in theatrical history, dissecting its impact on plays, musicals, operas, and dance. Part two, "Tools of the Trade," serves as a comprehensive guide, detailing the mechanics of lighting instruments, with diagrams, charts, and photographs illustrating Rosenthal's creative process. Included are light plots, cue sheets, and scene designer's elevations for the famous Broadway productions of Hello, Dolly and Plaza Suite. In a heartfelt preface, Wertenbaker offers a glimpse into the life of Rosenthal, a woman of immense talent, professionalism, and profound humanity. From her early collaborations with Martha Graham to her work with Broadway stage greats, Rosenthal's journey unfolds with anecdotes, humor, and the unwavering dedication that endeared her to colleagues and theater crews alike. The Magic of Light is not only a technical guide; it's a celebration of Rosenthal's legacy and her impact on the theatrical world. With contributions from luminaries like Martha Graham, John Houseman, Oliver Smith, Mary Martin, and Garson Kanin, this memoir is a tribute to a pioneering artist whose work continues to shape the essence of stage illumination. This book is also available from Echo Point Books as a hardcover (ISBN 1648374298).

This hilarious memoir, by Sally Fingerett, tells the tale of a free spirited musician and touring member of the original musical comedy theatre troupe THE FOUR BITCHIN' BABES. Traveling the country for 25 years, performing on over eight hundred stages, Sally, wanted it all--husband, kids, and career, even though she became the designated daughter to a manic-depressive mother. In this heartwarming book, she offers a view from the bridge between living life and creating art from it. In these tales, she shares those everyday moments women experience, as seen through her distinctly funny viewfinder. This "Jewish girl born on Christmas Day," comes from a long line of medicated women. Wild and crazy, genuine and caring, these Medicated Matriarchs handed down to this traveling Gypsy-Singer, their big thighs, their love of family, and their wackadoodle DNA. As a self-proclaimed "student of crazy," Sally compiled a heartwarming collection of forty essays, three family SECRET recipes, and the lyrics to thirty-three of her best loved songs, each following the story they're connected to. ALSO available (sold separately) is the companion double disc anthology CD set of those 33 songs, titled The Mental Yentl, Songs from a Lifelong Student of Crazy.

The Public Is Never Wrong: The Autobiography of Adolph Zukor is a memoir written by Adolph Zukor, one of the most influential figures in the early days of Hollywood. In this book, Zukor recounts his life story, from his humble beginnings as an immigrant in New York City to his rise to fame as the founder of Paramount Pictures.Zukor's narrative takes readers on a journey through the early days of the film industry, as he describes his experiences working as a nickelodeon operator and film distributor before ultimately founding his own studio. He also discusses his relationships with some of the biggest names in Hollywood, including Charlie Chaplin, Mary Pickford, and Douglas Fairbanks.Throughout the book, Zukor emphasizes the importance of listening to the audience and giving them what they want. He argues that the public is never wrong and that the key to success in the film industry is to understand and cater to their tastes. He also provides insights into the business side of the industry, discussing topics such as financing, marketing, and distribution.Overall, The Public Is Never Wrong offers a fascinating glimpse into the life and career of one of the most important figures in the history of Hollywood. It is a must-read for anyone interested in the early days of the film industry and the art of storytelling on the big screen.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Do You Mind If I Smoke? tells the story of Fenella Fielding's remarkable 65-year career in theatre, radio, TV and film. Best known for her 1960s film appearances in classic comedies such as Carry On Screaming, Doctor in Clover and Carry On Regardless, Fielding's sublime talents also brought her success in serious roles on the stage, including title roles in Hedda Gabler and Colette. Spiced with star-studded anecdotes and personalized with moving stories about innocence and experience, the early struggles of an aspiring actress and later professional rivalries, Do You Mind If I Smoke? is a witty, warm and wonderfully recounted memoir of an extraordinary life."--

The true life story of Michael Elihu Colby and his childhood days at Manhattan's Algonquin Hotel. His grandparents Mary and Ben B. Bodne had traded their southern oil fortune for the legendary but faded Algonquin and restored the hotel's former glory. Their efforts led to a remarkable renaissance and attracted an overflow of celebrities from the ridiculous to the sublime. Michael weaves a vivid tapestry of encounters with glittering Broadway and Hollywood celebrities in a kaleidoscopic memoir of illustrious figures-some on a meteoric rise, some in tragic decline-while he found his own place in the topsy turvy world of the Broadway theatre and musicals. Nearly 200 rare photographs and illustrations, a Bibliography, Appendixes, and an Index.

Peter Morley's memoirs span a remarkable career, in which he has garnered twelve international programme awards and an OBE for services to television, and offer a unique insight into the changing face of television. With over 200 credits to his name, he started, aged sixteen, as a rewind-boy in the projection box of London's Dominion Theatre - having left Hitler's Germany in 1933. Wartime service in a tank, which took him from France to Belgium, Holland, and finally Berlin, was followed by a steady rise from film editing to writing and directing documentary films. In 1955, as ITV was about to go on the air, Morley took the plunge and joined Associated-Rediffusion as a freelance television director/producer, responsible for a wide-ranging mix of programmes. By 1959, with fifty programmes to his name, he embarked on ITV's first opera, a live studio production of The Turn of the Screw. Sir Kenneth Clark, Chairman of the Arts Council, wrote: 'As a work of art I think it is the best thing the medium has ever produced.' Morley's sixty-minute documentaries for ITV soon became a regular feature. They included Tyranny - The Years of Adolf Hitler, which contained interviews with Hitler's sister, his adjutant, pilot and chauffeur. In 1960 he produced This Week, ITV's long running weekly current affairs programme, winning his first BAFTA. The controversial documentary Black Marries White - The Last Barrier marked a new impressionistic style of programme-making, the documentary LSO - The Music Men similarly dispensed with narration, and his live five-hour broadcast of The State Funeral of Sir Winston Churchill was awarded the Cannes Grand Prix. Peter Morley's fascination for historical subjects yielded a host of different programmes - including his twelve-part The Life and Times of Lord Mountbatten, for the BBC the thirteen-part The Mighty Continent - A History of Europe in the 20th Century, and for Yorkshire Television the four-part Women of Courage, featuring remarkable women who shared an instinctive compulsion to fight the Nazis. Peter Morley's memorable Kitty - Return to Auschwitz is described by many as 'a television classic', and received five international awards. A founding trustee of BAFTA, Peter Morley is renowned as a film-maker par excellence - and a key figure in the history of television. Bank House Books is proud to publish his memoirs.

First printing of the Albert E. Kahn book; Ships from California- Smoke free home

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.