Did the Jews go like 'sheep to slaughter' during the Shoah? Not really. They walked to their deaths with great dignity, and thousands of Jews resisted in the camps, ghettos, forests, and allied armies. This is the untold story of that resistsance in the Soviet Union during WW II. Based on personal memoirs, officer accounts, and interviews, this 655-page book tells that story with over 100 photos and 12 maps. Porter himself is a survivor and his father was a partisan commander in Western Urkaine.

Calvin Trillin, the celebrated New Yorker writer, offers a rich and engaging biography of his father, as well as a literate and entertaining fanfare for the common (and decent, and hard-working) man. Abe Trillin had the western Missouri accent of someone who had grown up in St. Joseph and the dreams of America of someone who had been born is Russia. In Kansas City, he was a grocer, at least until he swore off the grocery business. He was given to swearing off things—coffee, tobacco, alcohol, all neckties that were not yellow in color. Presumably he had also sworn off swearing, although he was a collector of curses, such as "May you have an injury that is not covered by workman's compensation." Although he had a strong vision of the sort of person he wanted his son to be, his explicit advice about how to behave didn't go beyond an almost lackadaisical "You might as well be a mensch." Somehow, though, Abe Trillin's messages got through clearly. The author's unerring sense of the American character is everywhere apparent in this quietly powerful memoir, Messages from My Father .

Whether we're aware of it or not, we spend much of our time in this globalised world in the act of translation. Language is a big part of it, of course, as anyone who has fumbled with a phrasebook in a foreign country will know, but behind language is something far more challenging to translate: culture. As a traveller, a mistranslation might land you a bowl of who-knows-what when you think you asked for noodles, and mistranslations in international politics can be a few steps from serious trouble. But translation is also a way of entering new and exciting worlds, and forging links that never before existed. Linda Jaivin has been translating from Chinese for more than thirty years. While her specialty is subtitles, she has also translated song lyrics, poetry and fiction, and interpreted for ABC film crews, Chinese artists and even the English singer Billy Bragg as he gave his take on socialism to some Beijing rockers. In Found in Translation she reveals the work of the translator and considers whether different worldviews can be bridged. She pays special attention to China and the English-speaking West, Australia in particular, but also discusses French, Japanese and even the odd phrase of Maori. This is a free-ranging essay, personal and informed, about translation in its narrowest and broadest senses, and the prism - occasionally prison - of culture. "About six years ago, President George W. Bush was delivering a speech at a G8 summit, when, made impatient by the process of translation, he interrupted his German interpreter: 'Everybody speaks English, right?' ..." Linda Jaivin, Found in Translation Linda Jaivin is the author of novels, stories, plays and essays. Her books include the China memoir The Monkey and the Dragon and the novels Eat Me and A Most Immoral Woman. In 1992 she co-edited the acclaimed anthology of translations New Ghosts, Old Dreams: Chinese Rebel Voices. She has also subtitled many films, including Chen Kaige's Farewell My Concubine, Zhang Yimou's Hero and Wong Kar Wai's The Grandmaster.

Part memoir, part humor, and part myth, this entertaining and inspirational volume explores the moment the author realized his high-school basketball career would not last forever and examines why women continue to be perplexed by men's fascination with sports.

On August 10, 1938, Lucy S. Dawidowicz set sail from New York to Vilna, Poland, to study at the Yiddish Scientific Institute (YIVO). For a year, while she studied the Jewish past, she immersed herself in Vilna's present, getting to know the Jewish rich and poor, witnessing Poland's brutal anti-Semitism. Then she was forced to flee Vilna, just a week before German tanks and troops rumbled into Poland and eventually destroyed this citadel of East European Jewish culture forever. After the war Lucy Dawidowicz again sailed to Europe -- this time to work with Jewish survivors and to identify the remnants of the precious YIVO library of Vilna.

A New York Times Bestselling AuthorRiding a bicycle across the United States is one of those bucket-list goals that many dream about but few fulfill. In 2011 at the age of fifty-seven, New York Times obituary writer Bruce Weber made the trip alone and wrote about it as it unfolded mile by mile. Now, expanding upon the articles and blog posts that quickly became a must-read adventure story, Weber gives us a witty, inspiring, and reflective diary of his journey.

The women of The Feminist Memoir Project give voice to the spirit, the drive, and the claims of the Women's Liberation Movement they helped shape, beginning in the late 1960s. These 32 writers were among the thousands to jump-start feminism in our time. Here, in pieces that are passionate, personal, critical, and witty, they describe what it felt like to make history, to live through and contribute to the massive social movement that transformed the nation.

"Nearly every family has a skeleton in its closet, an ancestor who "sins" against custom and tradition and pays a double price. Karen Tintori refused to allow the truth to remain forgotten. This is a book for anyone who shares the conviction that all history, in the end, is family history."--Frank Viviano, author of Blood Washes Blood and Dispatches from the Pacific Century "Many books are called ‘page-turners' by reviewers, but this one will truly have you glued to the turning pages for hours."-- Comunes of Italy Magazine " Unto the Daughters reads like a nonfiction version of the film Godfather II--if it had been told from the point of view of a female Corleone."--Eleni N. Gage, author of North of Ithaka Karen Tintori thought she knew her family tree. Her grandmother Josie had immigrated from Sicily with her parents at the turn of the century. They settled in Detroit, and with Josie's eight siblings, worked to create a home for themselves away from the poverty and servitude of the old country. Their descendants were proud Italian-Americans. But Josie had a sister that nobody spoke of. Her name was Frances, and at age sixteen, she fell in love with a young barber. Her father wanted her to marry an older don in the neighborhood mafia--a marriage that would give his sons a leg up in the mob. But Frances eloped with her barber. And when she returned a married woman, her father and brothers killed her for it. Her family then erased her from its collective memory. Even 80 years and two generations later, Frances and her death were not spoken of, her name was erased from the family genealogy, her pictures burned, and her memory suppressed. Unto the Daughters is a historical mystery and family story that unwraps the many layers of family, honor, memory, and fear to find an honor killing in turn of the century Detroit. "Many books are called ‘page-turners' by reviewers, but this one will truly have you glued to the turning pages for hours. It's a must read for anyone researching their Italian ancestry."-- Comunes of Italy Magazine KAREN TINTORI is a writer and journalist who lives in Michigan with her family. Karen's books include Trapped, a 2002 Chicago Tribune favorite book, and The Book of Names (co-author), among others. Visit her website at: www. karentintori .com

It was 1994: post-Liz Phair, mid-Courtney Love, just shy of Alanis Morissette. After seven years of slogging it out in the Boston music scene, Jen Trynin took a hard look at herself and gave "making it" one last shot. It worked. Suddenly Trynin became the spark that set off one of the most heated bidding wars of the year. Major labels vied for her, to the tune of millions of dollars in deals. Lawyers, managers, and booking agents clamored for her attention. Billboard put her on the cover. Everyone knew she was the Next Big Thing. But then she wasn't. In a series of dizzying, hilarious, heartbreaking snapshots, Trynin captures what it's like to be catapulted to the edge of rock stardom, only to plummet back down to earth. Everything I'm Cracked Up to Be is the story of a girl who got what she wished for--and lived happily ever after anyway.

Brian Cuban was a successful lawyer—and an addict. Brian Cuban was living a lie. With a famous last name and a successful career as a lawyer, Brian was able to hide his clinical depression and alcohol and cocaine addictions—for a while. Today, as an inspirational speaker in long-term recovery, Brian looks back on his journey with honesty, compassion, and even humor as he reflects both on what he has learned about himself and his career choice and how the legal profession enables addiction. His demons, which date to his childhood, controlled him through failed marriages and stays in a psychiatric facility, until they brought him to the brink of suicide. That was his wake-up call. This is his story. Brian also takes an in-depth look at why there is such a high percentage of problematic alcohol use and other mental health issues in the legal profession. What types of therapies work? Are 12-step programs the only answer? Brian also includes interviews with experts on the subject as well as others in the profession who are now in recovery. The Addicted Lawyer is both a serious study of addiction and a compelling story of redemption.

In 1984, Phillip Lopate sat down with his mother, Frances, to listen to her life story. A strong, resilient, indomitable woman who lived through the major events of the twentieth century, she was orphaned in childhood, ran away and married young, and then reinvented herself as a mother, war factory worker, candy store owner, community organizer, clerk, actress, and singer. But paired with exciting anecdotes are the criticisms of the husband who couldn't satisfy her, the details of numerous affairs and sexual encounters, and, though she succeeded at many of her roles, accounts of how she always felt mistreated, taken advantage of. After the interviews, at a loss for what to do with the tapes, Lopate put them away. But thirty years later, after his mother had passed away, Lopate found himself drawn back to the recordings of this conversation. Thus begins a three-way conversation between a mother, his younger self, and the person he is today. Trying to break open the family myths, rationalizations, and self-deceptions, A Mother's Tale is about family members who love each other but who can't seem to overcome their mutual mistrust. Though Phillip is sympathizing to a point, he cannot join her in her operatic displays of self-pity and how she blames his father for everything that went wrong. His detached, ironic character has been formed partly in response to her melodramatic one. The climax is an argument in which he tries to persuade her--using logic, of all things--that he really does love her, but is only partially successful, of course. A Mother's Tale is about something primal and universal: the relationship between a mother and her child, the parent disappointed with the payback, the child, now fully grown, judgmental. The humor is in the details.

In August 1948, 545 passengers boarded an overcrowded, clapped-out vessel in Marseilles to face an uncertain future in Australia and New Zealand. they came from displaced persons camps in Germany, death camps in Poland, labour camps in Hungary, gulags in Siberia and stony Aegean islands. there were those who had been hunted by the Nazis and those who had welcomed them; those who had followed the Communists and those who had fled from them. the epic voyage lasted almost three months and was marked by conflict and controversy until it seemed as though this hellship had absorbed the traumas of its passengers. As the conditions on board deteriorated, tension and violence simmered above and below decks. But romances and seductions also flourished, and lifelong bonds were formed. Diane Armstrong set sail on the Derna with her parents when she was nine years old. Like a detective searching for clues, she has located over a hundred of the passengers. through their recollections and memorabilia, as well as archival documents, she has recreated the voyage and traced what became of their hopes and dreams. the result is the unique portrayal of a migrant ship and its passengers.

The many thousands of Jews from German-speaking lands who came to the United States throughout the nineteenth century played a major part in laying the foundations of the Jewish community in America. The author considers these immigrants a branch of German Jewry, compelled to seek overseas the political and civil rights denied them at home. In this volume of the Ellis Island Series, the fascinating story of this mass immigration of mostly poor, enterprising, young people is told in vivid detail. Drawing on rare letters, diaries, memoirs, period newspapers, journals, and other firsthand accounts, Barkai traces the process of family-oriented chain migration, resettlement, and acculturation, exploring as well the group's relations with the Jewish community in Germany and with German and Jewish immigrants in the New World. Often starting out as peddlers and storekeepers, the immigrants moved back and forth from East Coast towns and cities to settlements in the South, Midwest, and Far West, helping to expand the American frontier and to develop cities such as Cincinnati St. Louis, Milwaukee, and San Francisco. The narrative chronicles their experiences in the goldfields of California, on Indian reservations, and during the Civil War, in which German-Jewish soldiers in the Union and Confederate armies struggled against bigotry to assert their civil rights. These engaging personal narratives are woven into an account of the formative role played by German-Jewish immigrants in establishing the institutional framework of the American-Jewish community. Their influential network of mutual aid and philanthropic organizations would be challenged, at the turn of the century, by the great mass migration of Jews from Eastern Europe. The author's presentation of the dramatic encounter between these two groups sheds new light not only on this critical period in American-Jewish history but also on the dynamics of cultural change in a pluralist society.

Hang on for a Wild Journey through the Political and Spiritual Adventures of the Baby-Boom Generation Join Wes "Scoop" Nisker as he takes us on a hilarious, wild ride through the heyday of the Beats and the Hippies and the birth of the modern environmental movement, and the surge of Buddhism in the West.

This is a personal history of the twentieth century as seen through the eyes of Edith Kurzweil, author, teacher, editor of Partisan Review, and a recent recipient of the National Medal of Humanities. The book opens with Kurzweil early adolescence in Vienna during the Nazi takeover. It ends with the author finding herself in the new century. In between, she kept moving on and interrogating the world around her. The reader follows Kurzweil on her perilous journey, at the age of fourteen, to Belgium, through France, Spain, and Portugal, alone with her younger brother. Her fantasies of reunion with her parents in New York kept her going but came to naught: she had not expected to fall from a wealthy childhood into the life of the working-class poor, as a millinery apprentice or a diamond cutter. Instead of entering college life, she eventually became a conventional American housewife. Unhappy and anxious, she anticipated the social changes in America, and returned to Europe with her second husband and her two children. She arrived at the beginning of the Italian miracle--its post-war revitalization. In Milan she met many Americans as an active member of its community and of the British-American club. After personal tragedy she returned to New York, and only then pursued her early intellectual ambitions. The author eventually became a professor of sociology and quickly climbed up the academic ladder. Just as she had been as a little girl, she still "wanted to know everything," beginning with her study of Italian entrepreneurs and going on to European history and French thought, to psychoanalysis and anti-Semitism. Her early writings prompted William Phillips, co-founder and editor of Partisan Review, to invite her into the elite circle of New York intellectuals. She worked alongside him, first as a reader, then as executive editor, and took over the editorship of the legendary journal during its final period. Kurzweil's journey was one of courage, and of emotional and intellectual growth. Full Circle will be of interest to intellectual and cultural historians, literary and Holocaust scholars, and American studies specialists.

Search-Cover"I was four years old when my father came back to kidnap me," begins this gripping memoir about Matousek's search for James Matousek, the drifter father he never knew. Described by the New York Times as " part reminiscence, part detective story, part spiritual musing," this memoir is more than the story of one man's search for his father; it is also a look at the meaning of life and how fathers contribute to that meaning. Growing up in a family of troubled women (Matousek's sister committed suicide when the author was 29), he describes the turmoil of growing up "fatherless in America" - an experience shared by millions of children in what sociologists have called the Age of the Absent Father - and the difficult, ultimately successful, struggle to figure out what being a man really means in an age of shifting definitions, evolving sexuality, and "breaking out the man box" of stereotyping and patriarchy. With the tension of a mystery story, the climax occurs when Matousek meets a man he believes to be his father. But is he? And does Matousek, who has reconciled with his mother as she lay dying, really care? These are just two questions leading to this memoir's surprising conclusion. Praise for The Boy He Left Behind "Mark Matousek's memoir The Boy He Left Behind begins with the gripping sentence, 'I was four years old when my father came back to kidnap.' Part reminiscence, part detective story, part spiritual musing, the book is more than the story of one man's search for his father, it is also a look at the meaning of life and how fathers contribute to that meaning." -The New York Times Book Review "This thoughtful and lovingly rendered portrait of an American childhood is a refreshing addition to the genre. Matousek not only tells his own story but brilliantly evokes the troubled lives of his mother and sisters with humor, honesty, and above all, compassion." -Kathleen Norris, author of The Cloister Walk and Amazing Grace "A riveting story in the hands of a master storyteller. Mark Matousek has written a family memoir that is tight and revealing. This is one fine book." -James McBride, author of The Color of Water "[A] searing memoir....The writing is exhilarating...deeply soulful, compassionate, and self-scrutinizing. It is an explosive memoir filled with prose that sings, one that provokes readers to question where we come from and what our places are in this world. Matousek...writes from the heart. Read this book" -Los Angeles Magazine "Matousek's account of his search for the father he hadn't seen since he was four [is] sharp and funny, thanks to the punchy dialogue and dead-on character sketches." -Elle "Interweaving the frustrating suspenseful search for his long-lost father with unsparing recollections of a fatherless boyhood and his confrontation with a life-threatening disease, Mark Matousek expertly guides you through the particulars of his life into a harrowing meditation on the difficulties of becoming a man in a country without fathers. The Boy He Left Behind is beautifully crafted, artful and inspiring. It merits a place alongside the late Paul Monette's masterwork, Becoming a Man; Half a Life Story. Like Monette, Matousek's triumph is twofold - In the book he has written, and in the man he has become. Matousek's probing memoir of lost childhood and found history celebrates the power of manhood." -The Utne Reader "Mark Matousek has produced [a] riveting account of his search-at age 38, with the help of a private detective-for the father who abandoned him at age four. A searing meditation on the psychic harm suffered by men and women without fathers, this wise odyssey wrestles with questions of life and death and the search for the meaning of one's existence." -Publishers Weekly (starred review)

With his dynamic on-air personality and his trademark cry of "Burn, baby! BURN!" when spinning the hottest new records, Magnificent Montague was the charismatic voice of soul music in Chicago, New York, and Los Angeles from the mid-1950s to the mid-1960s. In this memoir Montague recounts the events of his momentous radio career, which ran from the era of segregation to that of the civil rights movement; as he does so, he also tells the broader story of a life spent in the passionate pursuit of knowledge, historical and musical. Like many black disc jockeys of his day, Montague played a role in his community beyond simply spreading the music of James Brown, Otis Redding, Aretha Franklin, and other prominent artists. Montague served as an unofficial spokesman for his black listeners, reflecting their beliefs and acting as a sounding board for their concerns. Montague was based in Los Angeles in 1965 when the Watts rioters seized on his incendiary slogan, turning the shout of musical appreciation into a rallying cry for racial violence. In Burn, Baby! BURN! Montague recalls these tumultuous times, including the personal struggle he faced over whether to remain true to his listeners or bend to political pressure and stop shouting his suddenly controversial slogan. Since the mid-1950s Montague had also expressed his passion for African American culture by becoming a zealous collector of artifacts of black history. He has built a monumental collection, taking time out from his collecting to become only the second African American to build his own radio station literally from the ground up. A compelling account of a rich and varied life, Burn, Baby! BURN! gives an insider's view of half a century of black history, told with on-the-air zest by the DJ/historian who was there to see it unfold.

In his first book of non-fiction, originally published in 1962, Herbert Gold explores some not-so-happy problems confronting people in an age of "mass destruction, mass inertia, mass everything." While acknowledging that we live in a time of utmost global significance-war on an enormous scale was a reality of the twentieth century and continues to threaten, unadulterated evil has exhibited itself in grandiose proportions-Gold tackles issues and problems which are very much of significance to the individual: teaching, writing, love, marriage, divorce, and death. In The Age of Happy Problems, Gold takes the reader through a journey of eclectic characters, situations, and locales. Part I is a selection of essays entitled "American Events." In "The Age of Happy Problems" we are presented with an analysis of the problems facing people in the middle of their lives and careers. "How to Be an Artist's Wife" explores the prospect of being married, and remaining married, to a temperamental and egotistical artist. "Divorce as a Moral Act" describes the termination of marriage as a means for renewal and the chance to start over again the search for love. "The Bachelor's Dilemma" evokes the decisions confronting the male of the "big city." And "A Dog in Brooklyn, A Girl in Detroit: A L"ife Among the Humanities" is a memoir on the paradoxes of teaching in a university. Part II is entitled "American Places." The author examines in this section various American lifestyles. In "Paris: Notes from La Vie de Boheme," Gold describes Americans abroad, why they decide to become expatriates, and how they adapt to their new surroundings. In "Greenwich Village: The Changing Village" he writes about the importance of New York City's symbol of change, experiment and nonconformity. Finally, the author meditates on "Death in Miami Beach," offering a moving account of the relationship between death and the popular Florida city. Gold writes: "How can I total it up? What is the map of the map? Well, to begin with, Plato was wrong. The life of contemplation is not sufficient...and for another thing, Plato was right. He knew that men must learn to come together in the practice of intelligence and moral privilege." Gold's essays, stemming from the author's own humanity, are just as poignant and relevant today as they were when they were first published. The Age of Happy Problems is sure to captivate, but perhaps most of all, make the reader contemplate the importance of these issues for his or her own life.

"Whenever women are honest about their struggles, they give other women a gift. Mia delivers." Elizabeth GilbertThis book is for every woman who's been told success is as simple as Lean In, Say Yes, Live Your Best Life, Beat Your Fear, Follow Your Dream... and then feel #soblessed.It's for guilty friends, bad mums, crap wives, imperfect feminists, rebellious daughters and any girl with a big mouth and at least one foot in it. It's for any woman who's ever asked: 'Am I the only one who isn't quite coping?'Here is Mia Freedman's low road to the top - a fearless, hilarious, inspiring and surprising collection of modern misadventures to read, relate to and rejoice in, then share with all the women in your life.MORE PRAISE FOR MIA FREEDMAN"Funny, raw, fierce and - at heart - profoundly generous." Annabel Crabb"There are few writers in Australia who care as much about what makes women tick as Mia Freedman and who reveal so much of themselves." Leigh Sales"Mia Freedman is one of the most inspirational, informative and accessible voices among contemporary Australian writers ... She is dedicated to improving the lives of other women. Hers is an important unique voice in our national conversation." Cate McGregor

Dr. Bernard Lown conveys in this book the excitement of the occasion, including the famous incident when a member of the audience had a heart attack and the two cardiologists, Lown and Chazov, worked together to resuscitate the man.