"Where did they all go?" Sixteen-year-old orphan William Wythers, is eager to try life in the New World. He and the other settlers face an arduous voyage and difficult months ahead on Roanoke Island, off the coast of Virginia. Yet there is a wonderful freedom in defining the rules for this new world in America. And when William falls in love with a young Native American woman, it seems that life is going to be happy after all. But when John White arrives from England with fresh supplies for the settlement, not a single person remains. Who knows what happened? An unsolved mystery in American history comes brilliantly alive in Sonia Levitin's historical novel about the lost colony in Roanoke.

One of the most important original documents about the assassination of President John F. Kennedy to be published on the 50th anniversary of the event. The never before published diary of Edward Jay Epstein's investigation into the assassination reveals startling new details. Epstein, one of America's most acclaimed investigative journalists and widely acknowledged as the premier expert on the assassination, while still an undergraduate at Cornell, interviewed the members of the Warren Commission and its staff of investigators, and obtained their key files. He was the only journalist, ever, to have gained this access. His full findings are disclosed here for the first time. In his investigation, Epstein also interviewed the top officials of the CIA, including at length the legendary chief of counter-intelligence James Jesus Angleton. He was the only journalist to interview Yuri Nosenko, the KGB officer who claimed to be Oswald's KGB case officer. Jim Garrison, the New Orleans district attorney, who attempted to reopen the case, confided his methods and sources in Epstein. Epstein was, moreover, the last person to see George De Mohrenschildt, Oswald's mysterious White Russian friend, who he interviewed for hours until the moment when he took his secrets with him in death. The JFK Assassination Diary is the true story at last of the incredible answers Epstein unearthed in pursuit of the greatest crime of the 20th century. Praise for Edward Jay Epstein "A grand figure of modern journalism...Show Epstein a juicy crime and he will show you how it has been subverted by unseen powers for their own agenda, by the inevitable incompetence of investigative authorities and by the media because it likes a simple story line." -Michael Wolff, USA Today "Epstein believes that conspiracies are more common than most journalists credit; for much of his career, he has reveled in the kind of tantalizing clues that could lead somewhere, or nowhere." -Joe Nocera, The New York Times "Epstein is a bulldog researcher." -Jonathan Yardley, The Washington Post "A brilliant investigator." - Lou Dobbs Praise For Agency of Fear "Epstein tells all." -John Leonard, New York Times " Part detective story, part farce, part exposé, and part textbook on investigative reporting. It is ingenious, perverse, hilarious, and shocking." -Victor Navasky "Exciting research, impressive thesis." -Norman Mailer Praise For Legend: The Secret World of Lee Harvey Oswald A fascinating, alarming, and enormously significant book on the mystery of Lee Harvey Oswald-- The New York Times Book Review ABOUT THE AUTHOR Edward Jay Epstein is the author of fifteen books. He studied government at Cornell and Harvard and received a Ph.D from Harvard in 1973. His thesis on the search for political truth became a best-selling book, Inquest: The Warren Commission and the Establishment of Truth. His doctoral dissertation on television news was published as News From Nowhere. He is the recipient of numerous foundation grants and awards, including the prestigious Financial Times/Booz Allen & Hamilton Global Business Book Award for both best biography and best business book for Dossier: The Secret History of Armand Hammer. He has written for Vanity Fair, The New Yorker, The Atlantic, The New York Times Magazine, and the Wall Street Journal. He lives in New York City.

" What if time could be taken from us-the minutes, the hours, the years of our lives, extracted like organs taken for transplant? What would it mean for the world? And what would it do to the person from whom it's taken? Grace Berney is a mid-level bureaucrat in the Food and Drug Administration, a woman who once brimmed with purpose but somehow turned into a middle-aged single mom with a dull government job and a melancholy sense that life has passed her by. Until the night a strange photo comes across her desk, of a young woman in a hospital bed who has been subjected to a mysterious procedure. Against orders and against common sense, Grace sets out to bring the girl to safety, and finds herself risking her job, her future, and her life on whether she can find the missing girl before an obsessive and violent mercenary who's also looking. Big Time is a fast-paced thriller and a metaphysical mystery about the very nature of our lives." -- Amazon.

Homicide has many social and psychological implications that vary from culture to culture and which change as people accept new ideas concerning guilt, responsibility, and the causes of crime . A study of attitudes toward homicide is therefore a method of examining social values in a specific setting. Homicide in American Fiction, 1798-1860 is the first book to contrast psychological assumptions of imaginative writers with certain social and intellectual currents in an attempt to integrate social attitudes toward such diverse subjects as human evil, moral responsibility, criminal insanity, social causes of crime, dueling, lynching, the "unwritten law" of a husband's revenge, and capital punishment. In addition to works of literary distinction by Cooper, Hawthorne, Irving, and Poe, among others, Davis considers a large body of cheap popular fiction generally ignored in previous studies of the literature of this period. This is an engrossing study of fiction as a reflection of and a commentary on social problems and as an influence shaping general beliefs and opinions.

CONTENTS: I. The Needless Mystery of Court House Government. II. Fights and Rights. III. Facts Are Guesses. IV. Modern Legal Magic. V. Wizards and Lawyers. VI. The "Fight" Theory versus the "Truth" Theory. VII. The Procedural Reformers. VIII. The Jury System. IX. Defenses of the Jury System--Suggested Reforms. X. Are Judges Human? XI. Psychological Approaches. XII. Criticism of Trial-Court Decisions--The Gestalt. XIII. A Trial as a Communicative Process. XIV. "Legal Science" and "Legal Engineering." XV. The Upper-Court Myth. XVI. Legal Education. XVII. Special Training for Trial Judges. XVIII. The Cult of the Robe. XIX. Precedents and Stability. XX. Codification. XXI. Words and Music: Legislation and Judicial Interpretation. XXII. Constitutions--The Merry-Go-Round. XIII. Legal Reasoning. XXIV. Da Capo. XXV. The Anthropological Approach. XXVI. Natural Law. XXVII. The Psychology of Litigants. XXVIII. The Unblindfolding of Justice. XXIX. Classicism and Romanticism. XXX. Justice and Emotions. XXXI. Questioning Some Legal Axioms. XXXII. Reason and Unreason--Ideals.

Laurel Wang knows that the ghost of her beloved great-grandfather lives in the oak tree outside her house. But now her grandparents are arriving from China, and the family must move to a bigger place, leaving the protective spirit behind. Twelve-year-old Jonathan and his family are moving into Laurel's house -- and he's not too happy either. He's living with a stepfather he can't stand and a dog he didn't choose; now he has to say goodbye to his old neighborhood and his wonderful Uncle Jake. But moving blues soon give way to angry ghosts, fortune cookies that predict the future, and a very scary accident, as the two teenagers with very different backgrounds join together to investigate a mystery and in the process discover something remarkable about each other.

"What are the words we use to describe something that we never thought we'd have to describe? In Seven American Deaths and Disasters, Kenneth Goldsmith transcribes historic radio and television reports of national tragedies as they unfurl, revealing an extraordinarily rich linguistic panorama of passionate description. Taking its title from the series of Andy Warhol paintings by the same name, Goldsmith recasts the mundane as the iconic, creating a series of prose poems that encapsulate seven pivotal moments in recent American history: the John F. Kennedy, Robert F. Kennedy, and John Lennon assassinations, the space shuttle Challenger disaster, the Columbine shootings, 9/11, and the death of Michael Jackson. While we've become accustomed to watching endless reruns of these tragic spectacles -- often to the point of cliché -- once rendered in text, they become unfamiliar, and revealing new dimensions emerge. Impartial reportage is revealed to be laced with subjectivity, bias, mystery, second-guessing, and, in many cases, white-knuckled fear. Part nostalgia, part myth, these words render pivotal moments in American history through the communal lens of media"--Front flap

The second book in a rip-roaring adventure series set in the wild west! After escaping the ruthless desperados, P.K. finally feels safe in Virginia City and is ready to set up a new private eye business. But all the mysteries in town seem to be pranks—until the day P.K. meets a young maid named Martha. Martha’s employer has been found dead . . . and now the killer is after her. The mystery takes a grave turn when Martha disappears, so P.K. consults Poker Face Jace, an expert at people reading. With his help, P.K. inspects saloons and billiard rooms, and even tries sneaking into the coroner’s office. But time is quickly running out for P.K., and Martha’s life has never been in more danger.

A wry, thought-provoking fictional portrayal of ten pivotal weeks in the life of Leon Trotsky, inspired by the Russian revolutionary's exile in New York City in 1917, by the New York Times bestselling author of The Company January 12, 1917: An ocean liner docks in New York Harbor. Among the disembarking emigrants is one Lev Davidovich Bronshtein—better known by his nom de guerre, Leon Trotsky. Bronshtein has been on the run for a decade, driven from his beloved Russia after escaping political exile in Siberia. He lives for—and is ready to sacrifice his life for—a workers’ revolution, at any cost. But is he ready to become an American? In the weeks leading up to the February Revolution that will eventually see Lenin’s Bolsheviks seize power, Bronshtein haunts the streets, newspaper offices, and socialist watering holes of New York City, wrestling with the difficult questions of his personal revolutionary ideology, his place in his own family, his relationship to Lenin, and, above all, his conscience. Master of the espionage novel Robert Littell brings to life the world-famous revolutionist’s sojourn in the Bronx in this extraordinary meditation on purpose, passion, and the price of progress.

Burdened by his own psychological scars, forensic psychiatrist Dr Frank Clevenger has endured the most extreme twists of the human mind. Then he receives a disturbing call from Nantucket’s chief of police. The five-month-old daughter of prominent billionaire Darwin Bishop has been found murdered in her crib. The obvious suspect is Darwin’s adopted sociopathic son, Billy. But even Clevenger can’t fathom the motive behind the troubled boy’s murder of an infant. What is Billy really running from? Does Darwin’s stunning wife Julia know? If she does, she isn’t talking. Neither is Bishop’s other son who’s harbouring terrible secrets of his own. Falling for Julia is Clevenger's first mistake. Investigating the Bishops' twisted emotional landscape is his second. As his own demons rise to the surface, he must play the ultimate mind game to catch the killer – and make it out alive... 'Fascinating' New York Times 'A first-rate thriller' Washington Post ' Compulsion is compulsive reading' Harlan Coben

Sustained by a deep religious faith, Jason Harrow has built a stable family and become a pillar of principle and patriotism in the Midwest. Then the phone rings, and his past is on the other end of the line. A woman with whom he once shared a life of violence and desire claims her daughter is missing—and Jason is the one man who can find her. Returning to New York City, Jason finds himself entangled in a murderous conspiracy only he can see and only he can stop—a plot that bizarrely links his private passions to the turmoil of a world at war. Hunted by terrorists and by the police, Jason has only hours to unravel an ex-lover’s lies and face the unbearable truth: In order to prevent a savage attack on his country, he’s going to have to risk his decency, his sanity, and his life.

"Emma Lazarus's most famous poem gave a voice to the Statue of Liberty, but her remarkable life has remained a mystery until now. She was a woman so far ahead of her time that we are still scrambling to catch up with her-a feminist, a Zionist, and an internationally famous Jewish American writer before thse categories even existed. Drawing upon a cache of personal letters undiscovered until the 1980, Esther Schor brings this vital woman to life in all her complexity. Born into a wealthy Sephardic family in 1849, Lazarus published her first volume of verse at seventeen and gained entree into New York's elite literary circles. Although she once referred to her family as "outlaw" Jews, she felt a deep attachment to Jewish history and peoplehood. Her compassion for the downtrodden Jews of Eastern Europe-refugees whose lives had little in common with her own-helped redefine the meaning of America itself. In this groundbreaking biography, Schor argues persuasively for Lazarus's place in history as a poet, an activist, and a prophet of the world we all inhabit today-a world that she helped to invent."--Publisher's website. A portrait of the iconoclastic poet and activist whose words are are set on the Statue of Liberty follows the complex life and times of Emma Lazarus, from her early literary success, to her roles as a feminist, Zionist, and renowned Jewish-American writer.

A MOSES WINE MYSTERY Despite a string of successful cases, despite the fact that his work has, on occasion, garnered national attention, when the opportunity suddenly presents itself for private eye Moses Wine to become head of security at the Tulip Computer Corporation, he jumps at the chance. But then one of Tulip's young geniuses is killed, and Moses quickly finds himself trailing a murderer from Northern California to Los Angeles, then across an ocean to the mean streets of Tokyo. Along the way, he discovers that there's far more to the ins and outs of life in Silicon Valley than corporate in-fighting and bureaucratic bungling -- especially when it involves international computer theft, the Japanese mafia, and the GRU.

"You think you know your father-but what if he kept secrets until the day he died? Just hours after delivering his father's eulogy, Ken Weintraub learns that this hardworking, unassuming man spent three years in prison. Consumed by the astonishing news, Ken sets out to unravel the mystery. As he pries information from old friends, relatives, and others, he pieces together a portrait that's full of contradictions. Was his father an assassin's accomplice? A gullible victim? Or a heroic, loyal friend? Everywhere he turns, he hears stories that surprise him. Even when he thinks he knows the whole truth, there's still more to learn"--

MACKINLAY KANTOR Pulitzer Prize-winning author of Andersonville VALLEY FORGE Poignant, tender, and powerful, VALLEY FORGE brings into sharp new focus one of the most tensely dramatic episodes of the American Revolution. With warmth and wit, compassion and sensitivity, MacKinlay Kantor evokes the flavor, pulse and texture of the last quarter of the eighteenth century, transporting the reader into the houses and workshops, kitchens and stables, parlors and bedrooms of ordinary citizens. Here are not only the soldiers of Valley Forge, but the panorama of the Revolution itself. George Washington, lamenting the remoteness and lack of valor in the Congress, anticipating new battle; the sprightly, good-humored Martha, always loyal and loving to a fault; the Marquis de Lafayette, whose poise and dignity belied his youth; Baron von Steuben whose halting English made the soldiers laugh, but whose fierce devotion won their respect. And the multitude-young Mum, a sixteen-year-old deserter savagely trampled by Tarleton's Raiders; Malachi Lennan whose gift of a horse gained him entry into Mad Anthony Wayne's Drovers; Billy, the turncoat, wailing for his mother as he was dragged to the gallows. Sons of farmers and tradesmen, trappers and teachers-some too young to fight, and some too old-surge through these pages, giving life, breath, scope and humanity to the American Revolution and the winter at Valley Forge. MacKINLAY KANTOR was born in Webster City, Iowa in 1904. He began to write seriously at sixteen, became a newspaper reporter at seventeen, and an author at twenty-three. Since his first-published novel in 1928, more than forty books have appeared in print, including verse, short stories, novellas, histories, and books for children. His best-selling, and Pulitzer Prize- winning Andersonville was published in 1955. MacKinlay Kantor's other than book accomplishments range from Hollywood screenwriting to police patrolling (N. Y. P. D.), to combat experience (RAF and U.SAF) in two wars. VALLEY FORGE is grandly conceived, but the quality is equal to the concept. The climate of the war, its taste and smell and the harsh texture of its life, are evoked with mystery. Neither souped-up nor toned-down under fashionable pressures, this is an extraordinarily honest and human book. I am greatly impressed.-MARY RENAULT

"Theodore Draper is one of the two or three most cogent and thoughtful social historians in the United States today. Everything he writes merits close attention." -Irving Howe "Theodore Draper is a historian of today's world in a class by himself-formidably equipped with learning and experience, fearless in attacking the naivet of the left and the cruelty of the right." -Alfred Kazin Theodore Draper is one of America's most trenchant and informed critics. A Present of Things Past gathers together ten of his most recent and most powerful selected essays, in which Draper, with his customary acuity and wit, tackles a host of issues that define America's political culture. A Present of Things Past is concerned with a reexamination of the Second World War in both its military and its political aspects; the trajectory of American conservatism as it manifested itself during the Reagan years; the rise of Gorbachev and the history of "reform" in the Soviet Union; the revisionist debate over the origins and history of American communism; and the persistent mystery of a man named Max Eitingon, who was, depending on one's reading of the sources, either an important figure in the history of psychoanalysis or an agent of the Soviet secret police, or both. In "American Hubris," Draper illuminates the assumptions that have guided American foreign policy in the postwar period, and concludes that our costly misadventures-in Korea, Vietnam, Lebanon, and elsewhere-cannot be considered a string of aberrations. They were, he argues, a consequence of the Truman Doctrine. In "Reagan's Junta," Draper observes: "This is supposed to have been the era of the imperial presidency. It has turned out to be the era of presidencies that have tried to make themselves imperial-and failed." Throughout these compelling essays, Draper demonstrates the uses and abuses to which history has been put by ideologues of both the left and the right. He finds unacceptable, for example, the practice of many journalists of fictionalizing their sources. The New York Times has called Draper "one of the clearer-eyed observers of the issues that torment us." A Present of Things Past enhances that reputation. Theodore Draper is the author of numerous books, including Present History: On Nuclear War, Dtente & Other Controversies and American Communism. He is a Fellow of the American Academy of Arts and Sciences and lives in Princeton, New Jersey. "Is especially recommended for students of political science, the Cold War era, and twentieth century American history as a powerful, thought-provoking view of the people and events that shaped nations, and through nations the world."-- Library Bookwatch

My Mother's Body, Marge Piercy's tenth book of poetry, takes its title from one of her strongest and most moving poems, the climax of a powerful sequence of Poems to her mother. Rooted in an honest, harrowing, but ally ecstatic confrontation of the mother / daughter relationship in all its complexity and intimacy, it is at the same time an affirmation of continuity and identification. "The Chuppah" comprises poems actually used in her wedding ceremony with Ira Wood. This section sings with powerfully female love poetry. There is also a sustained and direct use of her Jewish identity and faith in these poems, as there is in a number of other poems throughout the volume. Readers of Piercy's previous collections will not be surprised to encounter her mixture of the personal and the political, her love of animals and the Cape landscape. There are poems about doing housework, about accidents, about dreaming, about bag ladies, about luggage, about children's fears of nuclear holocaust; about tomcats, insects in the rafters, the influence of a name, appleblossoms and blackberries, pollution, and some of the ways women objectify one another. In "Does the light fail us, or do we fail the light?" Piercy writes with lacerating honesty about our relationships with the elderly and about hers with her father. Some of the most moving poems are domestic, as in the final sequence, "Six underrated pleasures," which finds in daily women's tasks both pleasure and mystery, affirmation of serf and connection with the mother. In all, My Mother's Body is one of Piercy's most powerful and balanced collections.

From the author of The Last Testament comes the true love of Bonnie Prince Charlie, her adventures in America and her lasting legacy. In the page-turning popular genre trail-blazed by Antonia Fraser and Phillippa Gregory, The Pretender’s Lady , Alan Gold’s meticulously researched novel, accurately opens history’s pages on a peerless woman who helped change the course of history and whose legend lives on in Scotland today—Flora MacDonald. She was the most famous Scotswoman of her day, single handedly saving Bonnie Prince Charlie. This is her fictionalized life story—her relations with the Prince, her flight to America, Ben Franklin’s influence, and her return to Britain to lobby for peace But what’s hidden from history, revealed now for the first time in Gold’s dazzling new work of fiction, is the result of Flora’s and Charlie’s love: a beautiful and talented boy raised on an American farm. But only she knows his true heritage and his claim to the world’s greatest throne. And only the genius of Ben Franklin understands how to use this naïve boy to change the history of America. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

A collection of conversations between Licht and Will Oldham, aka musician Bonnie Prince Billy, about his two personas and his life in music and film. Presenting conversations with longtime friend and associate, the author probes his highly individualistic approach to music making and the music industry, one that cherishes notions of intimacy, community, mystery, and spontaneity.

Life Out of Context begins as a powerful, brooding and humorously honest examination of Mosley's own sense of cultural dislocation as an African American writer. But due to a series of serendipitous events -- the screening of a documentary about Africa, an encounter with Harry Belafonte and Hugh Masakela -- Mosley, rather like the protagonist in one of his mystery novels, has a series of epiphanies on the role of a black intellectual in America. He asks: What can we do to fight injustice, poverty, exploitation, and racism? What is globalization doing to us? Through these late night meditations, Mosley attempts to transcend his earlier feelings of living a "life out of context" and seeks instead to find a political context. He ends with a call to arms, proposing that African Americans have to break their historic ties with the Democrat Party, and form a party of their own.