Karla Kuskin's first book for children is as fresh and funny toady as it was in 1956, when it was first published. This fanciful blending of words and pictures portrays a variety of animals and the noises they make.

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Gathers all of Ginsberg's poems in the order in which they were published, and includes notes and a brief introduction by the author

With more than 700,000 copies of her books sold, Adrienne Rich's work is unequaled today in reclaiming serious poetry from scholars and returning it to the lives of general readers. Collected here for the first time are more than 200 poems: all those in her first six books plus a dozen others of those decades. From her first publication, when she was twenty-one, in the prestigious Yale Younger Poets series, the successive volumes of Rich's poems have both charted the growth of her own mind and vision, and mirrored our tempestuous, unsettled age. Her unmistakable voice, speaking even from the earliest poems with rare assurance and precision, wrestles with urgent questions while never failing to explore new poetic territory. This collection is a triumphant assertion of the centrality of poetry in our intertwined personal and political realms, and it confirms Rich's position among the enduring poets of our language.

An English-language rendering of the world's oldest epic follows the journey of conquest and self-discovery by the king of Uruk, in an edition that includes an introduction that places the story in its historical and cultural context.

A cumulative nursery rhyme about the chain of events that started when Jack built a house.

"Rich's poems do not demand the willing suspension of disbelief. They demand belief, and it is a measure of her success as a poet that most of the time they get it. . . . The affirmation and the occasional moments of pure joy in these poems are quiet but fully earned."--Margaret Atwood, New York Times Book Review

"Tony Kushner's HOMEBODY/KABUL is the most remarkable play in a decade...without a doubt the most important of our time." John Heilpern, New York Observer "This compelling evening testifies that Mr Kushner can still deliver his sterling brand of goods: a fusion of politics, poetry and boundless empathy transformed through language into passionate, juicy theater...a reminder of how essential and heartening Mr Kushner's voice remains." Ben Brantley, The New York Times "What a feast of a play. No playwright in the English language has a greater passion for language than Kushner. And to this Kushner adds that rare quality in American theater, a yearning to go beyond domestic stories and into the great world of political struggle. Brilliant. It keeps us thinking." Richard Christiansen, Chicago Tribune "HOMEBODY/KABUL is a rich and intelligent piece." Peter Brook "An extraordinary play...a deeply felt expansively ruminative drama." Paul Taylor, The Independent

"In this remarkable new book, M. H. Abrams definitively studies the Romantic Age (1789-1835)--the age in which Shelley claimed that "the literature of England has arisen as it were from a new birth." Abrams shows that the major poets of the age had in common important themes, modes of expression, and ways of feeling and imagining; that the writings of these poets were an integral part of a comprehensive intellectual tendency which manifested itself in philosophy as well as poetry, in England and in Germany; and that this tendency was causally related to drastic political and social changes of the age. But Abrams offers more than a work of scholarship, for he ranges before and after, to place the age in Western culture. he reveals what is traditional and what is revolutionary in the period, providing insights into those same two forces in the ideas of today. He shows that central Romantic ideas and forms of imagination were secularized versions of traditional theological concepts, imagery, and design, and that modern literature participates in the same process. Our comprehension of this age and of our own time is deepened by a work astonishing in its learning, vision, and humane understanding." -- Provided by publisher.

This warm and lyrical semi-autobiographical first novel by singer-songwriter Leonard Cohen charts the coming of age of Lawrence Breavman, the only son of a Jewish Montreal family. 'Children show scars like medals. Lovers use them as secrets to reveal. A scar is what happens when the world is made flesh.' Lawrence Breavman seeks two things: love and beauty. Beginning with the innocent games of delicious misadventure with first love Lisa and the absorbing wanders through Montreal with best friend Krantz, Breavman's tale is a distant echo of 'Catcher in the Rye' and 'Portrait of the Artist as a Young Man' - injected with 1960s aesthetics and Cohen's unique poetry. As Breavman grows into a young man, the emerging writer continues his quest for beauty and love, finding himself in the arms of Shell and a burgeoning realisation of his own talent for appreciating majesty in the grotesque. Semi-autobiographical, the angst and beauty of Cohen's voice deftly channel the painful confusion of the journey into adulthood, and the friendships, wars and lovers that are our guides.

This guide to the Jewish Bible explains what the Jewish Bible is, how it developed, its structure and differences between it and Christian Bibles. It also includes short histories of Bible translations and commentaries, a guide to characters and places, plus an introduction to Biblical poetry, storytelling, law and Bible study.

In his powerful bestseller The Soul's Code, James Hillman brilliantly illuminated the central importance of character to our spiritual and emotional lives. Now, in this magnificent new book, Hillman completes his exploration of character with a profound and revolutionary reflection on life's second half. "Character requires the additional years," declares Hillman. "The last years confirm and fulfill character." Far from blunting or dulling the self, the accumulation of experience concentrates the essence of our being, heightening our individual mystery and unique awareness of life. Drawing on his grounding in Jungian psychology, Hillman explains here the archetypes and myths that govern the self's realignment in our final years. The Force of Character follows an enriching journey through the three stages of aging--lasting, the deepening that comes with longevity; leaving, the preparation for departure; and left, the special legacy we each bestow on our survivors. Along the way the book explores the meanings and often hidden virtues of characteristic physical and emotional changes, such as loss of memory, alterations in sleep patterns, and the mysterious upsurge in erotic imagination. Steeped in the wisdom of a lifetime, radiant with Hillman's reading in philosophy, poetry, and sacred texts, charged with a piercing clarity, The Force of Character is a book that will change--and affirm--the lives of all who read it.

"In The Blues, Wald surveys a genre at the heart of American culture. Wald sees blues less as a style than as a broad musical tradition within a constantly evolving pop culture. He traces its roots in work and praisse songs and shows how it was transformed by such professional performers as W.C. Hardy, who first popularized the blues a century ago. He follows its evolution from Ma Rainey and Bessie Smith through Bob Dylan and Jimi Hendrix; identifies the impace of rural field recordings of Blind Lemon Jefferson, Charley Patton, and others; explores the role of blues in the development of both country music and jazz; and looks at the popular rhythm and blues trends of the 1940s and 1950s, from the uptown West Coast style of T-Bone Walker to the "down home" Chicago sound of Muddy Waters. Wald brings the story up to the present, touching on the effects of blues on American poetry and its connection to modern styles such as rap."--Front flap.

Sarah Kay's powerful spoken word poetry performances have gone viral, with more than 10 million online views and thousands more in global live audiences. In her second single-poem volume, Kay takes readers along a lyrical road toward empowerment, exploring the promise and complicated reality of being a woman. During her spoken word poetry performances, audiences around the world have responded strongly to Sarah Kay's poem The Type. As Kay wrote in The Huffington Post: "Much media attention has been paid to what it means to 'be a woman,' but often the conversation focuses on what it means to be a woman in relation to others. I believe these relationships are important. I also think it is possible to define ourselves solely as individuals... We have the power to define ourselves: by telling our own stories, in our own words, with our own voices." Never-before-published in book form, The Type is illustrated throughout and perfect for gift-giving.

"The great poems, plays, novels, stories teach us how to go on living. . . . Your own mistakes, accidents, failures at otherness beat you down. Rise up at dawn and read something that matters as soon as you can." So Harold Bloom, the most famous literary critic of his generation, exhorts readers of his last book: one that praises the sustaining power of poetry. "Passionate. . . . Perhaps Bloom's most personal work, this is a fitting last testament to one of America's leading twentieth-century literary minds." -- Publishers Weekly "An extraordinary testimony to a long life spent in the company of poetry and an affecting last declaration of [Bloom's] passionate and deeply unfashionable faith in the capacity of the imagination to make the world feel habitable"--Seamus Perry, Literary Review "Reading, this stirring collection testifies, 'helps in staying alive.'"-- Kirkus Reviews , starred review This dazzling celebration of the power of poetry to sublimate death--completed weeks before Harold Bloom died--shows how literature renews life amid what Milton called "a universe of death." Bloom reads as a way of taking arms against the sea of life's troubles, taking readers on a grand tour of the poetic voices that have haunted him through a lifetime of reading. "High literature," he writes, "is a saving lie against time, loss of individuality, premature death." In passages of breathtaking intimacy, we see him awake late at night, reciting lines from Dante, Shakespeare, Milton, Montaigne, Blake, Wordsworth, Hart Crane, Jay Wright, and many others. He feels himself "edged by nothingness," uncomprehending, but still sustained by reading. Generous and clear‑eyed, this is among Harold Bloom's most ambitious and most moving books.

During the coldest season, when the world feels scary -- what do you remember about being warm? Baked potatoes. Trust. A kettle on the stove. Blankets. A smile. And, most of all, the reassurance that you belong. In his powerful and moving poem, featuring illustrations from thirteen extraordinary artists, bestselling author and UNHCR Goodwill Ambassador Neil Gaiman draws together many different memories to answer the question, 'what do you need to be warm?'

Bill Bryson meets Thomas Frank in this deeply insightful, unexpectedly hilarious story of how politicians hijacked American democracy and how we can take it back The democracy you live in today is different--completely different--from the democracy you were born into. You probably don't realize just how radically your republic has been altered during your lifetime. Yet more than any policy issue, political trend, or even Donald Trump himself, our redesigned system of government is responsible for the peril America faces today. What explains the gap between what We, the People want and what our elected leaders do? How can we fix our politics before it's too late? And how can we truly understand the state of our democracy without wanting to crawl under a rock? That's what former Obama speechwriter David Litt set out to answer. Poking into forgotten corners of history, translating political science into plain English, and traveling the country to meet experts and activists, Litt explains how the world's greatest experiment in democracy went awry. (He also tries to crash a party at Mitch McConnell's former frat house. It goes poorly.) The result of Litt's journey is something you might not have thought possible: a page-turner about the political process. You'll meet the Supreme Court justice charged with murder, learn how James Madison's college roommate broke the Senate, encounter a citrus thief who embodies what's wrong with our elections, and join Belle the bill as she tries to become a law (a quest far more harrowing than the one in Schoolhouse Rock!). Yet despite his clear-eyed assessment of the dangers we face, Litt remains audaciously optimistic. He offers a to-do list of bold yet achievable changes--a blueprint for restoring the balance of power in America before it's too late.

Throughout this book, a milestone in the poet's work and in the poetry of our time, Rich gathers images of our lives and focuses them blindingly in memory's "smoky mirror". As always, she maps out new territory, charting the landscapes of our lives amid the beauties and cruelties of a difficult world.

Poet Adrienne Rich presents works from throughout her career, from 1951's "Storm Warnings" to 2001's "Ends of the Earth."