"A major influence on the BBC and independent television in Britain in the 1960s, as well as on CBC and the National Film Board in Canada, Sydney Newman acted as head of drama at a key period in the history of television. For the first time, his comprehensive memoirs--written in the years before his death in 1997--are being made public. Born to a poor Jewish family in the tenements of Queen Street in Toronto, Newman's artistic talent got him a job at the NFB under John Grierson. He then became one of the first producers at CBC TV before heading overseas to the U.K. where he revitalized drama programming. Harold Pinter and Alun Owen were playwrights whom Newman nurtured, and their contemporary, socially conscious plays were successful, both artistically and commercially. At the BBC, overseeing a staff of 400, he developed a science fiction show that flourishes to this day: Doctor Who. Providing further context to Newman's memoir is an in-depth biographical essay by Graeme Burk, which positions Newman's legacy in the history of television, and an afterword by one of Sydney's daughters, Deirdre Newman."--

Tired of trying to be confident, positive, and spiritually centered? Now the real you can shine through! You can be happy, productive, and well adjusted while remaining as neurotic as ever. That's the premise of The Happy Neurotic: How Fear and Angst Can Lead To Happiness And Success! by counselor and stand-up comic David Granirer. Granirer states, "Many self-help books promise us wealth, perfect health, and even to reverse the aging process if only we love ourselves, say positive affirmations, and eliminate all negativity. But most of us aren't getting any richer, healthier or younger, and we're starting to feel like idiots as we go around chanting, 'I am a perfect being of love and light' while cutting people off in traffic. Negative emotions are not only impossible to eradicate, they are also keys to our happiness and success." Instead of wasting time and money on futile attempts to become totally confident and relentlessly positive, Granirer's readers learn how to achieve the common sense and attainable reality of the Happy Neurotic - someone who uses negative emotions to create happiness and success and has a sense of humor about it all. The book even includes a special chapter teaching readers how to use humor as a powerful tool for accepting and even celebrating their dysfunctions. According to Granirer, "Everyone is dysfunctional to some degree. This book helps readers make their dysfunctions work for them." This funny and highly irreverent book also challenges many popular New Age teachings. Readers learn why they shouldn't trust the universe, why programming themselves for success often doesn't work, and about negative, fear-driven people who live charmed lives. Counsellor and stand-up comic David Granirer's work teaching comedy to people with mental illness as a way of building confidence and fighting public stigma has been featured by media across North America. He also helps hundreds of organizations use humor to cope with stress and adversity. Granirer lives in Vancouver, Canada. Book jacket.

"Miller and Upton is by far the most cited macroeconomics text in front line academic research journals over the last ten years. It has become a contemporary classic."—Roger C. Kormendi, University of Michigan "The most innovative approach to introducing macroeconomics that I have seen. . . . A 'classic' in the sense that every serious student of macroeconomics is likely to want it in his or her library."—John P. Gould, University of Chicago "The task the authors set out to perform is ambitious: to write a macroeconomics textbook structured around a neoclassical growth model. And in this task they have succeeded."—Clifford W. Smith, Jr., Journal of Finance "This is a superb book. As a vehicle for teaching economics I have to place it right behind Henderson and Quant ( Microeconomics ) and Dorfman, Samuelson, and Solow ( Linear Programming ). Moreover, it is an exciting book both to read and to think about. . . . It is not just that these authors have something to say, but their way of saying it is generally superior."—F. E. Banks, Kyklos

Procedural languages are generally well understood and their formal foundations cast in the forms of various lambda-calculi. For object- oriented languages however the situation is not as clear-cut. In this book the authors propose and develop a different approach by developing object calculi in which objects are treated as primitives. Using object calculi,the authors are able to explain both the semantics of objects and their typing rules and demonstrate how to develop all of the most important concepts of object-oriented programming languages: self, dynamic dispatch, classes, inheritance, protected and private methods, prototyping, subtyping, covariance and contravariance, and method specialization. Many researchers and graduate students will find this an important development of the underpinnings of object-oriented programming.

* Will appeal to the same (large) audience as Joel on Software * Contains exclusive commentary by Joel * Lots of free publicity both because of Joel’s influence in the community and the influence of the contributors

This comprehensive study of dynamic programming applied to numerical solution of optimization problems. It will interest aerodynamic, control, and industrial engineers, numerical analysts, and computer specialists, applied mathematicians, economists, and operations and systems analysts. Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Programming Linguistics examines a wide range of programming language designs, from Fortran to the newest research languages, to discover their common patterns, relationships, and antecedents. In studying the evolution of programming languages, the authors are also studying a series of answers to the central (and still unanswered) questions of what programs are and how they should be built.Programming Linguistics approaches language design as an attempt to define the nature of programming and the shape and structure of programs, rather than as the attempt to solve a series of narrow, disjoint technical problems. It emphasizes the structural-engineering rather than mathematical approach to programming, the importance of aesthetics and elegance in the success of language design, and provides an integrated treatment of concurrency and parallelism.Its readable and informal but rigorous coverage of the gamut of programming language designs is based on a simple and general programming model called the Ideal Software Machine. There are helpful exercises throughout.

In the mid-1990s, two major Hollywood studios, Warner Bros. and Paramount Pictures, each launched their own broadcast television network with the hope of becoming the fifth major player in an industry long dominated by ABC, CBS, NBC, and, more recently, Fox. Despite the odds against them, the WB and UPN went on to alter the landscape of primetime television, only to then merge as the CW network in 2006—each a casualty of conflicting personalities, relentless competition, and a basic failure to anticipate the future of the entertainment business. Unfolding amid this backdrop of high-stakes business ventures, fanatical creative struggles, and corporate power plays, Season Finale traces the parallel stories of the WB and UPN from their prosperous beginnings to their precipitous demise. Following the big money, big egos, and big risks of network television, Susanne Daniels, a television executive with the WB for most of its life, and Cynthia Littleton, a longtime television reporter for Variety, expose the difficult reality of trying to launch not one but two traditional broadcast networks at the moment when cable television and the Internet were ending the dominance of network television. Through in-depth reportage and firsthand accounts, Daniels and Littleton expertly re-create the creative and business climate that gave birth to the WB and UPN, illustrating how the race to find suitable programming spawned a heated rivalry between the two but also created shows that became icons of American youth culture. Offering insider stories and never-before-published details about shows such as Buffy the Vampire Slayer, Dawson's Creek, 7th Heaven, Gilmore Girls, Smallville, Felicity, Girlfriends, Everybody Hates Chris, and America's Next Top Model, Daniels and Littleton provide an exhaustive account of the two creative teams that ushered these groundbreaking programs into the hearts, minds, and living rooms of Americans across the country. But in spite of these successes, the WB and UPN unraveled, and here the authors elucidate the corporate miscalculations that led to their undoing, examining the management missteps and industry upheaval that brought about their rapid decline and the surprising teamwork that united them as the CW. The result is a cautionary and compelling entertainment saga that skillfully captures a precarious moment in television history, when the dramatic transformation of the broadcast networks signaled an inevitable shift for all pop culture.

In 1961, when Newton N. Minow was President Kennedy's chairman of the Federal Communications Commission, he astonished the American public with his blunt criticism of television broadcasting as a "vast wasteland". To Mr. Minow today, after decades in communications and public service, and to his colleague Craig L. LaMay, the problem is more urgent than ever, for we all - broadcasters, parents, public officials, and teachers - have abandoned our children to a wasteland of vacuous, often violent, and openly consumerist television programming that represents none of the values we claim to cherish and that threatens our future. The commercial interests dominating television today argue that the Constitution gives them the right to broadcast whatever they wish. But Minow and LaMay persuasively demonstrate that this is a false application of the First Amendment. They remind us that broadcasters are required by law to serve the public interest, and that the Supreme Court and Congress regard service to children as a broadcaster's obligation under law. They argue that the First Amendment can be used on behalf of children, to help make television a force that will nurture and not harm them. They offer many hardheaded, workable ideas for an effective children's television policy (America is alone among the Western democracies in not yet having one) and for new ways to ensure that our children travel safely on the information superhighway.

A candid insider's tale of how the media really works and why it doesn't work the way it should, The More You Watch, The Less You Know has emerged as a key catalyst in the debate on media reform. The More You Watch, The Less You Know recounts Schechter's media adventures, from when he was "Danny Schechter the News Dissector" on Boston's WBCN radio, to his stints as a producer at ABC's 20/20 and CNN, to his personal odyssey chronicling the anti-Apartheid revolution in South Africa, to his development of innovative programming like South Africa Now and Rights & Wrongs as an independent producer. In this age of telecommunications bills and media mergers, The More You Watch, The Less You Know is an insider’s passionate plea for freedom of the (electronic) press.

Real American Food draws from Burt Wolf's lifetime of experiences traveling the country producing programming for PBS. Packed with fascinating trivia and history, this book defines the distinctive contributions of key regions to American cuisine.

From Dr. Michael F. Jacobson, author of The Fast-Food Guide , and Bruce Maxwell, here is a necessary guide for every parent. Part expos, and part handbook, it's an impeccably researched look at kids, diet, government, and the food industry. It explains why the same dietary villains afflicting adults-too much fat, cholesterol, sugar, salt-are equally bad for kids. How big food business develops brand loyalty. How the FCC allows junk food advertisers almost unlimited access to children's programming. But it also explains what you can do about it-and how to get your kids on a healthier track.

"This is the first of four volumes of the collected papers of Leonid Hurwicz, one of the premier mathematical economists of the 20th century whose research spanned over 6 decades. A co-recipient of the 200 7NobelMemorial Prize (with Eric Maskin and Roger Myerson) for "laying the foundations of mechanism design" - the design of decentralized institutions to bring about socially desirable outcomes when markets may fail to do so - Leo's contribution to economics has been far wider, ranging from econometrics, programming, and decision theory to microeconomic theory. It has been said that his classic 1971 paper with Hirofumi Uzawa on the integrability of demand functions alone qualifed him for the Nobel"--

The subject of competition between religion and television has, if only indirectly, received considerable attention, particularly from religionists disturbed by the threat posed by television programming to traditional religious beliefs, values, and attitudes. This detailed study considers the competing cultural forces of television and religion from a wider and more theoretical perspective. Newman examines the major forms of competition and the various motives and strategies of the people and groups involved. His philosophical approach allows us to see that the most important aspect of competition between television and religion is their rivalry as cultural forces. In this rivalry, religion continues to have a profound influence on the shaping of television, just as it has always had on all newly developing forms of culture.

In this book, the author presents a new vision of learning through design and production, and describes computer programming as a source of a learning and design power. As means of studying this extended notion of children's programming, the author implemented Instructional Software Design Projects to explore the learning that takes place when students develop complete mathematical software products designed for other students in their school. The results demonstrate that the young designers learned not only about mathematics (fractions) and programming (Logo), but also about design and user interfaces, as well as representational, pedagogical, and communicational issues.

Computer A Mixed Language Approach describes computer programming from a mixed language perspective. More specifically, it examines how to make effective use of the hardware and software aspects of the total system using the mixed languages that are a composite of the absolute machine languages and the more facile problem-oriented languages. In addition to the absolute machine language required by the computer "hardware" and the problem-oriented language provided by the "software" of symbolic assembly programs and compilers, a third kind of programming language is considered, namely, the symbolic machine language. Comprised of nine chapters, this book illustrates mixed language programming using Fortran and the Fortran Symbolic Assembly Program. The discussion begins by describing a modern digital computer and introducing the general theory of number systems. Subsequent chapters focus on the way in which computing machines are organized to perform their functions; how a computer executes the sequence of instructions and performs a given calculation, a process known as coding; and non-arithmetic instructions used on computers. Subroutines, input-output, and assembly of complete programs are also explored. The final chapter is devoted to Fortran and programs written completely in Fortran, as well as executive programs and programs in mixed languages. This monograph is intended for both professional programmers-to-be and non-professionals in computer programming.

A beautiful female assassin's memory is purged after every hit to protect her and her masters. As she becomes self-aware, Aphrodite begins to surpass her programming to rebel against those who use her. Re-imagining and re-collecting the complete, original Aphrodite IX series drawn by superstar artist David Finch ( Batman: The Dark Knight ), this collection has been completely rescripted, rebooted, and updated in celebration of the Aphrodite IX ongoing series. Only 500 copies of this glorious, oversized hardcover will be produced!