Draws on personal accounts and interviews to present a profile of John Lennon, examining his life, relationships, and involvement in the peace movement of the 1970s; and contains a DVD of the author's 1968 interview with Lennon and Paul McCartney.

Along with Satre, Camus and Orwell, Arthur Koestler helped to shape the ideas of today. Once a communist, he saw through Marxism and led the intellectual counter-attack that culminated in the fall of the Berlin Wall. His writings on science introduced millions to cutting-edge theories of evolution and the workings of the human mind. His speculations on human nature and the future of mankind in the atomic age stamped a generation that grew up in the shadow of the Bomb. As restless in his personal relationships as he was in politics, his violent affairs with women were legendary. His fascinating study is t he first to make use of Koestler's private papers and draws on previously secret documents held by the KGB and the FBI, exposing the depth of his involvement in the Communist Party and, later, his relations with the CIA. It also reveals the darker side to his nature, which led to the tragic dual suicide with his third wife, Cynthia, in 1983. David Cesarani has ensured Koestler's place in the pantheon of intellectual giants of the twentieth century as surely as the 'warts and all' approach is guaranteed to perpetuate the controversy that swirled around Koestler in his life and death.

The man behind "I Could Have Danced all Night" and "Almost Like Being in Love", lyricist Alan Jay Lerner (1918-1986) is widely regarded as one of the most important figures of the American musical stage. In penning the lyrics to some of the most well-known and beloved Broadway shows, including Brigadoon, Paint Your Wagon, My Fair Lady, and Camelot, Lerner worked and corresponded with some of the greatest luminaries of popular entertainment over a career which spanned four decades, from performers like Rex Harrison and Julie Andrews to composers like André Previn, Leonard Bernstein, Charles Strouse, Andrew Lloyd Webber, and especially Frederick Loewe. In this rich collection of correspondence, most of it published for the first time, author Dominic McHugh sheds new light on Lerner's working relationships with these legendary figures. McHugh's extensive commentary reveals Lerner's turbulent partnerships with Loewe and Lane, his affection for Harrison, and his reverence for Burton. Particular emphasis is placed on Lerner's aborted projects with composers like Richard Rodgers and Arthur Schwartz. Especially valuable is the correspondence from his final years, in which he worked on a movie version of The Merry Widow, a BBC TV series about musicals, and a musical version of My Man Godfrey, none of which came to fruition. The collection ends with a poignant final exchange between Lerner and Andrew Lloyd Webber, with whom he was to have written The Phantom of the Opera. Overall, this important and lively book reveals the highs and lows of the career of one of America's wittiest and most romantic lyricists.

In a candid, witty autobiography, the distinguished American composer recalls his Brooklyn childhood, his study with Nadia Boulanger in Paris, his music, and his relationships, and offers a portrait of the era in which he lived and worked

This book is both a powerful personal memoir and the definitive history of an organization that helped change American society. Jack Greenberg was a key figure at the NAACP Legal Defense and Educational Fund (LDF) for some thirty-five years. Most of the cases we associate from that period--school integration, equal employment, fair housing, voter registration--were LDF cases, either argued by Greenberg himself or litigated under his direction. Greenberg represented Martin Luther King, Jr., in Birmingham and won for him the right to march from Selma to Montgomery. Under Greenberg's leadership, the LDF forced the University of Mississippi to admit James Meredith and integrated the University of Alabama when George Wallace stood in the schoolhouse door. Greenberg won the cases in which the Supreme Court repudiated the "all deliberate speed" doctrine, which had made school desegregation intolerably slow. Through the 1970s and 1980s, LDF tackled most of the important cases that enforced the new civil rights legislation of the 1960s involving public accommodations, employment, education, and health care, and started the campaigns for prisoners' rights and against capital punishment. More than a history of the litigation that made the LDF so important, the book offers unique insights into its strategies, courtroom techniques, values, and personal relationships. Filled with stories only Greenberg could tell of his experiences with Thurgood Marshall, Martin Luther King, Jr., Marian Wright Edelman, Lani Guinier, Roy Wilkins, Vernon Jordan, Charlayne Hunter-Gault, Lyndon Johnson, and scores of others, Crusaders in the Courts is an epic saga of a critical period in American history as well as the poignant personal story of the evolution of a white Jewish lawyer into a major civil rights advocate.

"This account of Philip Roth traces the psychological and artistic origins of his creative life. It examines the major events of his career, while identifying a series of personal themes in his writing, from his relationship with Judaism to family, marriage, Eastern Europe and America. It addresses his private challenges from romance and health, to surviving as a writer burdened with success. The book also reflects how living outside the United States, initially in Italy and then England, plus his visits to Eastern Europe and exposure to their oppressed writers affected his writing. In particular, it primed him for a new engagement with American political and social history, resulting in a renewed determination to re-write America through his American trilogy and The Plot Against America. Although chronology is the framework, this is a thematic reading of Roth's life and career with attention to family, self-identity and success. A set of contrasting angles form this approach, beginning with his prolonged sense of discontent, yet public image of success, his search for sustained relationships but then decision to end them, his idealization of his parents but persistent undercurrent of criticism. Three overlapping issues provide the impetus for this reading: the aesthetic, the emotional and the historical. The lasting importance of such themes as anger, betrayal and failure has a vital role in understanding Roth's character and work. So, too, does his sense of performance on and off the page. Location is also significant and there are extensive discussions of Newark, London, Iowa, Prague and rural Connecticut. Particular attention to writers of the Holocaust, notably Primo Levi and Aharon Appelfeld, and contemporaries such as Saul Bellow and Bernard Malamud, also frame the narrative along with discussions of John Updike, Cynthia Ozick, Norman Mailer, Nadine Gordimer and Nicole Krauss. Works receiving special attention are Portnoy's Complaint, The Ghost Writer, Sabbath's Theater and the American trilogy. The shifting patterns of Roth's writing style, often related to changes in his physical and psychological health, are also considered. But more importantly is Roth's character and how early incidents formed later behavior, especially his inability to forget the past, particularly an insult or criticism. Analysis of his life with his two wives, Margaret (Maggie) Williams and Claire Bloom also occurs, as well as his relationships with other women. Further commentary focuses on Roth's illnesses and his life after he publically announced that he had stopped writing"--

"The story of the friendship between a Jewish-American conductor and Pope John Paul II This book offers the inspirational story of an unlikely friendship and the two men who collaborated in an extraordinary way to begin to help heal centuries-old wounds. For two decades Sir Gilbert Levine and Pope John Paul II collaborated on symbolic acts of reconciliation: a series of internationally broadcast concerts designed to bring together people from all religious backgrounds under the auspices of the Vatican. These concerts broke new ground and demonstrated the Vatican's desire for rapprochement and even atonement in its relationships with Jews around the world. And it resulted in Sir Gilbert recovering his own Jewish faith in a deeper and more meaningful way. Details the extraordinary collaboration between a world-renowned musical maestro and an innovative Pope. Shows how music can act as a bridge between people of different faiths. A moving, inspirational, and personal story that appeals to music lovers and to people of all faith traditions. This is a compelling tale of faith, friendship, and the healing power of music to bring people together."--

"A frank personal account by the Grammy and Academy Award-winning songwriter traces the story of her life in and out of the recording studio, from her formative relationships to her collaborations with some of today's leading composers and music artists,"--NoveList.

Earlier this year John Suchet revealed that his beautiful 67-year-old wife Bonnie, the love of his life, is suffering from Dementia. During the past three years he has gone from lover to carer, and he has found his new job exceptionally tough. In this moving and bitterly honest account, the newsreader reveals his loneliness and his despair. For John, it was love at first sight. For many years he had admired Bonnie from afar, hoping and dreaming one day she would feel the same way. Nearly a decade after they first met, their passionate and romantic love affair began. They married in 1985, head over heels in love, and have enjoyed more than 20 years of love and laughter. Both had been married before (she had two children and he had three) but both felt, the day they married, they finally joined their other half. In March 2004, John began to notice strange quirks in Bonnie's behavior. She underwent her first set of neurological tests in March 2005, which brought back no definite results. Then, in February 2006, following a second set of tests, she was diagnosed with Dementia. For three years John personally cared for his beloved wife, keeping her condition secret from all but family and close friends. But in the middle of September this year, more than 26 years after his life with Bonnie began, John made the agonizing decision to move his wife to a full-time care home. Written in passionate and vivid prose that captures both the warmth of the good times and the utter despair of the bad times, John weaves together a series of moving and heartfelt stories.

Including the True Story of the Remarkable Love Affair between Joy Davidman and C. S. Lewis There has probably never been a less likely couple: she, an American divorcee and the mother of two young boys; he, an Oxford don and confirmed bachelor who inhabited an eccentric household with his brother, a retired Royal Army major. Yet the relationship of C. S. Lewis and Joy Davidman, portrayed in this moving autobiography by her son Douglas Gresham, was destined to become of the most deeply moving love stories of our time.

In the heavily forested foothills of the Andes Mountains in Ecuador, a Shuar healer named Alejandro Tsakimp leads many lives. He is a peasant who sells cattle and lumber, a member of the Shuar Federation, a son and a brother, a husband and a father, a student and a worker, and, finally, a troubled shaman. Being a healer has long been both a burden and a resource, for the power to cure is also the power to kill, and shamans like Tsakimp are frequently in danger from accusations of witchcraft. But the situation of the Shuar today is especially perilous, and Tsakimp must constantly negotiate relations of power not only with rival shamans and his patients, but with the better-educated and richer officials of the Shuar Federation and his own siblings as well. In his own words, Alejandro Tsakimp tells of his lives and relationships, the practice of shamanism, and the many challenges and triumphs he has encountered since childhood. He was born at the time when Shuar were first confronting the impact of Ecuadorian colonialism, which had triggered devastating intertribal conflict over the production and trade of shrunken heads and intratribal feuding fueled by accusations of witchcraft. Tsakimp was first exposed to healing practices when he was cured in the womb by a shaman. Later he actively pursued this knowledge in the hopes of curing his father, another shaman, who was ill from witchcraft. His father's death in 1990 created conflict among his heirs, who were the first generation of Shuar to inherit property. Tsakimp's family fiercely competed for the property and eventually accused one another of witchcraft and parricide. Anthropologist Steven Rubenstein, who began working with Tsakimp in 1989, has skillfully edited Tsakimp's stories and provides essential background information. Ruben-stein argues that although these stories reveal tensions between individual and collective autonomy on the colonial frontier, they also resist simplistic dichotomies such as state versus indigene and modern versus traditional. Alejandro Tsakimp provides a revealing look at the relationship between anthropologist and shaman and an insightful glimpse into the complicated lives of South American Indians today.

From the author of Mr. Wilson's Cabinet of Wonder , Calamities of Exile combines three gripping narratives that afford a sort of double CAT scan into the natures of both modern totalitarianism and timeless exile. "Beautiful but harrowing chronicles of three exiles that probe the moral and personal risks of their encounters with totalitarianism. . . . Piercing and timely."— Kirkus Reviews , starred review "Weschler . . . combines a novelist's gift for drama with the objectivity and research skills of a journalist. . . . The result is three gripping profiles of very human but also extraordinary men."— Publishers Weekly "[Weschler's] thorough accounting of the men's covert operations, assumed identities and strained relationships with fathers, wives, and colleagues creates a disturbing triptych of the perils of totalitarianism."—Lance Gould, New York Times Book Review "Weschler tells these three tragic tales with an admirable combination of psychological penetration, intellectual thrust, concision and compassion."—Francis King, Spectator "Endlessly absorbing. . . . Breathtaking."—Jeri Laber, Los Angeles Times Book Review

"Judy Chicago is America's most dynamic living artist. Her works comprise a dizzying array of media from performance and installation to the glittering table laid for thirty-nine iconic women in The Dinner Party (now permanently housed at the Brooklyn Museum), the groundbreaking Birth Project, and the meticulously researched Holocaust Project. She designed the monumental installation for Dior's 2020 Paris couture show and, in 2019, established the Judy Chicago Portal, which will help to accomplish her lifelong goal of overcoming the erasure that has eclipsed the achievements of so many women. The Flowering is her vivid and revealing autobiography, fully illustrated with photographs of her work, as well as never-before-published personal images and a foreword by Gloria Steinem. Chicago has revised and updated her earlier, classic works with previously untold stories, fresh insights, and an extensive afterword covering the last twenty years. This powerful narrative weaves together the stories behind some of Chicago's most significant artworks and her journey as a woman artist with the chronicles of her personal relationships and her understanding, from decades of experience and extensive research, of how misogyny, racism, and other prejudices intersect to erase the legacies of artists who are not white and male while dismissing the suffering of millions of creatures who share the planet. With the first career retrospective of her work forthcoming at the de Young Museum in 2021, Chicago reinforces her message of resilience for a new generation of artists and activists. The Flowering is an essential read for anyone interested in making change."--Publisher's description.

A personal memoir traces the "New York Times" sportswriter's journey through his unpromising educational years to become a writer, describing his father's influence on his character, his discovery of his writing passion, and his relationships with such individuals as columnist Red Smith, Hall of Fame coach Red Holzman, and Michael Jordan.

A meditation on the transforming nature of intimacy, stripped to its essentials in the relationship between patient and therapist." "When she begins therapy for depression after breast cancer treatment, Eve Kosofsky Sedgwick brings with her an extraordinarily open and critical mind, but also shyness about revealing herself and fear. Resisting easy responses to issues of dependence, vulnerability, desire, and mortality, she warily commits to a male therapist who shares little of her cultural and intellectual world." "Although not without pain, their improvised relationship is as unexpectedly pleasurable as her writing is unconventional: Sedgwick combines dialogue, verse, and even her therapist's notes to explore her interior life - her responses to terminal illness, her close relationships to gay male friends, the risky terrain of sexual fantasies, and the grace of her engagement with Buddhism.

The world's major religions-Judaism, Christianity, and Islam-find a common root in one man: Abraham. Yet Abraham looms so large in the realm of world religions that he has remained a ward of the Divine rather than a flesh-and-blood citizen of Humanity. In his monumental new book, David Rosenberg provides a long-overdue history of the patriarch; while revealing that the original story embedded in the Bible is actually our oldest historical biography. We also discover that the wandering ascetic of tradition cannot explain our deep-seated feelings for Abraham and his God. The road that Abraham traveled was marked by signs of civilization that we still recognize: libraries, museums, hotels, and houses of worship. He is a sophisticated, educated Sumerian; an artisan who became the first Jew. Moreover, through Rosenberg's audacious translation of the Abraham story from Genesis, we learn that many of the core tenets of the monotheistic tradition-the idea of God's covenant and the soul-are Sumerian in origin. Rosenberg first finds Abraham at his father's workshop in the cosmopolitan city of ancient Ur and follows his journey through what is today the Middle East. What kind of baggage-emotional, material, and spiritual-would Abraham have taken with him on his migration to a new land? Abraham does more than present a founding spiritual figure and his dynamic relationships with father, wife, and son. We witness this man as he transforms his heritage into an anxious embrace of religion with secular culture-the human condition in which we are still enfolded today.

Chronicles the life of Leo Castelli, a prominent American art dealer, describing his first New York City gallery and the success of his enterprise throughout the twentieth century, and discussing his Italian-Jewish heritage, personal relationships, and related topics.

"'If we have the habit of freedom and the courage to write exactly as we think, ' as Woolf puts it in A Room of One's Own , writing like a woman simply means writing like what one actually is, in sickness and health, richer and poorer, belly and bowels, the consonants and the vowels too. We may have a general sense that women poets are more likely than men, at the present time, to write in detail about their bodies; to take power relationships as a theme; to want to speak with a strong rather than a subdued voice; are less likely to seek distance, more likely to seek intimacy, in poetic tone. But generalization would be foolish here. 'Woman poet, ' like 'American poet' or 'French poet' or 'Russian poet, ' allows--even insists on--diversity, while implying something valuable in common, some shared language and life, of tremendous importance to the poet and the poet's readers." --Alicia Ostriker

Four years ago, at the age of 75, former sociology professor Morrie Schwartz learned he had Lou Gehrig's Disease: incurable, and progressively disabling. Rather than withdrawing, Morrie chose to live as fully as possible in the time he had left, and embarked on his greatest teaching adventure sharing his evolving knowledge of living and dying.Morrie's willingness to talk about his illness made him an inspiration. In 1995 Nightline ran three interviews in which Ted Koppel spoke to Morrie about life, death and the disease that was afflicting his body. In Letting Go, Morrie combined inspiring lessons with practical advice to help those who have chronic or terminal sickness and to help those close to them maintain healthy emotions and loving relationships. As life-affirming as it is life-releasing, Letting Go will have a profound effect on generations of readers.

Nearly a century and a half after his death, Abraham Lincoln remains an intrinsic part of the American consciousness, yet his intentions as president and his personal character continue to stir debate.Now, in The Lincoln Enigma, Gabor Boritt invites renowned Lincoln scholars, and rising new voices, to take a look at much-debated aspects of Lincoln's life, including his possible gay relationships, his plan to send blacks back to Africa, and his high-handed treatment of the Constitution. Boritt explores Lincoln's proposals that looked to a lily-white America. Jean Baker marvels at Lincoln's loves and marriage. David Herbert Donald highlights the similarities and differences of the Union and Confederate presidents' roles as commanders-in-chief. Douglas Wilson shows us the young Lincoln--not the strong leader of popular history, but a young man who questions his own identity and struggles to find his purpose. Gerald Prokopowicz searches for the military leader, William C. Harris for the peacemaker, and Robert Bruce meditates on Lincoln and death. In a final chapter Boritt and Harold Holzer offer a fascinating portfolio of Lincoln images in modern art.Acute and thought-provoking in their observations, this all-star cast of historians--including two Pulitzer and three Lincoln Prize winners--questions our assumptions of Lincoln, and provides a new vitality to our ongoing reflections on his life and legacy.