"In The Damned Don't Cry -- They Just Disappear, literary historian and Lamba Award--winning novelist Harlan Greene has created a portrait of a nearly forgotten Southern writer, unearthing information from archives, rare books, film libraries, and small-town newspapers. Greene brings Harry Hervey (1900-1951) to life and explicates his works to reveal him as a hardworking writer and master of many genres, bravely unwilling to conform to conventional values. As Greene illustrates, Hervey's novels, short stories, nonfiction books, and film scripts contain complex mixtures of history and thinly disguised homoerotic situations and themes. They blend local color, naturalism, melodrama, and psychological and sexual truths that provide a view of the circles in which he moved. Living openly with his male lover in Savannah, Georgia, and Charleston, South Carolina, Hervey set novels in these cities that scandalized the locals and critics as well. He challenged the sexual mores of his day, sometimes subtly and at other times brazenly presenting texts that told one story to gay male readers, while still courting a mainstream audience. His novels and nonfiction may have been coded and thus escaped detection in their day, but twenty-first-century readers can decipher them easily" --

"After reading Cocktails with Molotov, you'll wonder if there's anything Barry Farber hasn't done, if there's anywhere he hasn't been. From a young age, Farber had a knack for being in the right place at the right time. In Cocktails with Molotov, Barry Farber's collection of real life short stories, you'll read of his encounters with Alfred Hitchcock, the King of Albania, and Buzz Aldrin; of his knowledge of 26 foreign languages and how foreign language came through for him in the knick of time. He shares tales from his childhood in North Carolina and his time spent venturing abroad, from his life as a young reporter and as a seasoned journalist, along with astounding narratives of everything in between. A lifelong seeker of adventures and excitement, Barry Farber's lighthearted and humorous storytelling will keep you occupied for hours"--Jacket.

Gathers stories by Philip Roth, Donald Barthelme, John Hawkes, Robert Stone, John Berryman, and Gabriel Garcia Marquez

A collection of Algren’s lost and unfinished writings, including his last novel and several stories considered to be among his masterpieces, with a new introduction by Algren's biographer Colin Asher. "You should not read [Algren] if you can’t take a punch. Mr. Algren can hit with both hands and move around and he will kill you if you are not awfully careful." —Ernest Hemingway Nelson Algren sought humanity in the urban wilderness of postwar America, where his powerful voice rose from behind the billboards and down tin-can alleys, from among the marginalized and ignored, the outcasts and scapegoats, the punks and junkies, the sex workers and down-on-their luck gamblers, the punch-drunk boxers and skid-row drunkies and kids who knew they'd never reach the age of twenty-one. Algren admired them all for their vitality and no-bullshit forthrightness, their insistence on living, their self-awareness, and their ability to find a laugh and a dream in the unlikeliest places. Entrapment and Other Writings contains his unfinished last novel, previously unpublished or uncollected stories and poems, and reportage. Algren speaks to our time as few of his American contemporaries of the 1940s and ’50s do, in part because he was always the outsider.

Characters make discoveries about themselves and their relationships, in seven stories that comment on topics ranging from surburbia to Central American politics

Born in Clinton, Mississippi, Barry Hannah has been a major force in southern literature since the 1970 publication of his first novel, Geronimo Rex, which won the Bellman Foundation Award in fiction. It was followed by his first collection of stories, Airships (1978), winner of the prestigious Arnold Gringrich Short Fiction Award, and the acclaimed novel Ray (1980). The honesty of Hannah's vision and his varied narrative voices have won him comparison to Walker Percy, William Faulkner, Eudora Welty, and Flannery O'Connor. One of the South's most original writers, Hannah explores the human psyche; he may write primarily about his experiences in the South, but his experiments with prose are not restricted to region. In this first full-length critical study of Hannah's works--six novels and two volumes of short stories--Mark Jay Charney deftly explores Hannah's connections with southern writers like Faulkner and Welty by examining both his progression as a fiction writer and his experiments with language, voice, and form. Expertly combining biographical information with critical analysis, Charney correlates Hannah's literary themes and techniques with the influences shaping his life. The book is organized chronologically to illustrate Hannah's growing preoccupation with unconventional narrative form and to delineate the thematic shift from violence and isolation to peaceful alternatives and community acceptance. This book is a most welcome introduction to the works of a writer who promises to remain one of South's most startling and iconoclastic voices.

Tom Perkins had a dream. It wasn't to get rich, acquire power, or marry into fame. As the man most responsible for creating Silicon Valley, he had done all that. His venture-capital firm, Kleiner Perkins Caufield & Byers, remains the most celebrated money machine since the Medicis. He'd helped found Genentech and fund Google. And in 2006 his resignation from the Hewlett-Packard board triggered the revelation of a spying scandal that dominated the front pages. Along the way, he also managed to get himself convicted of manslaughter in France and become Danielle Steel's Husband No. 5. No, as he hit his seventies, Perkins wanted to create the biggest, fastest, riskiest, highest-tech, most self-indulgent sailboat ever—the "perfect yacht." His fantasy would be a modern clipper ship—as long as a football field, forty-two feet wide, with three masts each rising twenty stories toward the heavens. This $130 million square-rigger—The Maltese Falcon—would evoke the era of magnificent vessels that raced across the oceans in the nineteenth century. But the Falcon is more than a tribute to the past. Gone are all the deckhands to climb the yardarms. Gone is the intricate rigging that helped give the square-riggers of yore their impressive look. Instead, the Falcon's giant carbon-fiber masts are entirely freestanding and rotate by computer. The bridge looks like something out of Star Trek. And the fifteen huge sails unfurl at the touch of a screen. In short, this is a revolutionary machine—the most significant advance in sailing in 150 years. With keen storytelling and biting wit, Newsweek's David A. Kaplan takes us behind the scenes of an extraordinary project and inside the mind of a larger-than-life character. We discover why any sane man would gamble a sizeable chunk of his net worth on a boat; we meet the cast of engineers who conspired with him; and we learn about the other two monumental yachts just built by gazillionaires that Perkins is ever eyeing. In a battle of egos on the high seas, Perkins loves to preen, "Mine's better! Mine's Bigger!" On the Falcon's climactic maiden voyage across the Mediterranean—sixteen hundred nautical miles from Istanbul to Malta to the Riviera—we revel with Perkins as his creation surges along at record-breaking speeds. This is the biography of a remarkable boat and the man who built it. More than a tale of technology, Mine's Bigger is a profile of ambition, hubris, and the imagination of a legendary entrepreneur.

Drawing from a broad range of articles, speeches, short stories, pamphlets, sermons, debates, laws, public statements, Supreme Court decisions and conventions, this documentary history demonstrates the persistence of a humanist, if not an anti-racist, pulse in American society in the face of discriminatory government policy and prevalent anti-Asian ideology and treatment. Focusing on support for the rights of Japanese and Chinese immigrants and their descendants, the book traces a 130-year period, culminating with the governmental redress for survivors of the Japanese evacuation and internment during WWII. Foner and Rosenberg highlight expressions from the clergy, the labor movement, the abolitionists, and public figures such as Wendell Phillips, Charles Sumner, Frederick Douglass, Mark Twain, John Stuart Mill, Norman Thomas and Carey McWilliams. It includes material never before published showing Black support for Asian rights and demonstrates the consistency of the Industrial Worker of the World's solidarity with Chinese and Japanese-American workers. It is also the first work to give serious treatment to clergymen's efforts against anti-Asian discrimination. After the introduction, Foner discusses law and dissent. The next four sections are devoted to statements by public figures, the views of the clergy, the labor movement and African-Americans. The final section covers relocation and protest. The book provides a valuable contribution to the debates on American dissent in general and against racism in particular, the meaning of American nationality, the criminality of the evacuation and internment of Japanese-Americans during World War II and the immigration policies of the United States government.

Ten short stories about "boyhood"--About boys who age but can't grow up, about boyhood in the messes adults make. They collect under Hemingway's rueful remark about American men: "It's that some of them stay little boys so long, sometimes all their lives. Their figures stay boyish when they're fifty. The great American boy-men. Damned strange people."--publisher description.

Product Description Welcome to Mark Leyner’s America, where you can order gallium arsenide sushi at a roadside diner, get loaded on a cocktail of growth hormones and anabolic steroids, and support your habit by appearing on TV game shows. Welcome to a wildly post-Einsteinian fictional universe where the locals include a speech pathologist with a waterbug fetish, a kamikaze airline pilot, and the lead singer for Brazil’s most notoriously nihilistic samba band. From Publishers Weekly These 17 loosely linked short stories are intelligent, funny and incredibly bizarre. Though not all are science fiction, each displays a supercharged cyberpunk writing style jam-packed with elements of tabloid journalism, bits of advertising slogans, references to kung fu films, literary allusions, television trivia, deadpan non sequiturs, puns and poetry. The fiercely imaginative Leyner ( I Smell Esther Williams ) announces: "Dad was in the basement centrifuging mouse spleen hybridoma, when I informed him that I'd enrolled at the Wilford Military Academy of Beauty." He also discusses the difficulty of finding a haberdashery near the Mitsubishi Heavy Industries shipyard and speculates on a televised encounter between Tennessee's youngest member of the House of Representatives and 17th-century metaphysician Baruch Spinoza. Squads of displaced, armed and dangerous combatants inhabit a young boy's bedroom in the marvelous "In the Kingdom of Boredom, I Wear the Royal Sweatpants." It's an exuberant, adventurous and audacious collection. Some of the pieces were originally published in Esquire, Harper's and Fiction International , among other magazines. Copyright 1990 Reed Business Information, Inc. Review "I really, really liked it. It's like nothing else. I laughed out loud in the bathroom." -- David Byrne Welcome to Mark Leyner's America, where you can order gallium arsenide sushi at a roadside diner, get loaded on a cocktail of growth hormones and steroids, and support your habit by appearing on TV game shows. Welcome to a wildly post-Einsteinian fictional universe where the locals include a speech pathologist with a waterbug fetish, a kamikaze airline pilot, and the lead singer for Brazil's most notoriously nihilistic samba band. My Cousin, My Gastroenterologist is fiction the brain can dance to, by one of the funniest and most subversive young writers of this or any other decade. "Most current fiction is as well made and exciting as floral wallpaper; but here is a writer willing to decorate the room with the contents of his own dynamited head." -- Entertainment Weekly "Reading this is like fishing in some hallucinated lake of the subconscious. No telling what term, idea, or thing you'll pull up next." -- Houston Post From the Back Cover This book is fiction the brain can dance to, by one of the funniest and most subversive young writers of this or any other decade. About the Author Mark Leyner is the author of two novels, Et Tu, Babe and The Tetherballs of Bougainville; two collections of stories , I Smell Esther Williams and Other Stories and My Cousin, My Gastroenterologist; and a collection of fiction, plays, and journalism, Tooth Imprints on a Corn Dog. His work has also appeared in The New Yorker, Esquire, The New Republic, George, and Harper’s.

Product Description Marcus Brennan is a successful small-town lawyer on the verge of a breakdown. His wife, Schelle, thinks it’s post-traumatic stress disorder from his years as a POW in Vietnam. Planning the dedication of a memorial for Vietnam soldiers, she asks Marcus to say a few words at the ceremony, hoping the experience will help to exorcise his demons. But after agreeing to defend Estella Pritchett, a social worker accused of murdering her lover, Marcus begins a downward spiral into the murky depths of his own past–where sex is violent, where love means betrayal, and where his own memories have the power to destroy him. . . . From Publishers Weekly The author of Harry and Catherine and Absent Friends , among other distinguished literary works, Busch has reached a new level of achievement with this taut and gripping novel. Former Marine Phantom pilot Mark Brennan is a small-town attorney in upstate New York. He has a devoted wife who was active as an anti-war demonstrator, a high-school-age son who seems to be on the edge of big trouble, a daughter in New York who may have made a fatal romantic liaison, and his own demons--memories of Vietnam. Code-named Goblin, Brennan was shot down and captured by the Viet Cong. After several soul-crushing months enduring diabolical torture, he managed a bloody escape. Uncomfortable with his local-hero status and his wife's determination to perpetuate it, Brennan has an uneasy and distant relationship with his family; he lives inside his head most of the time, trying to suppress almost hallucinatory flashbacks to his desolate childhood and his later torments as a POW. But when he takes a pro bono murder case, defending a woman accused of killing her lover during rough sex, the past starts to intrude. Layer upon layer of lies and unbearable truths are peeled away as the trial progresses and Brennan succumbs to his own despair. In his disturbing, thrilling, imaginative exploration of some of the darkest sides of human experience, Busch has deftly transmuted rage and anguish into an extraordinary novel, one that packs a visceral wallop. Copyright 1991 Reed Business Information, Inc. From Library Journal Mark Brennan was a Marine pilot who became a prisoner of the Vietcong. Now a lawyer in upstate New York, he confronts a failing marriage, a troubled son, and a dangerously seductive client on trial for murdering her lover in a motel bed. Both attorney and client suffer a dark legacy of past violence, and in both cases post-traumatic stress disorder leads to further destruction. As first-person narrator, Brennan observes that "the best defense is a good story," and his carefully wrought closing argument becomes a moving apology for his own life. Although the subplot involving Brennan's daughter (whom we encounter only via long-distance telephone) is not entirely convincing, the central narrative remains powerful. Busch's two previous works are Harry and Catherine (LJ 3/1/90) and Absent Friends (LJ 4/1/89), a collection of short stories. - Al bert E. Wilhelm, Tennessee Technologi cal Univ., Cookeville Copyright 1991 Reed Business Information, Inc. From Kirkus Reviews ``The best defense is a good story,'' Vietnam vet/lawyer hero Mark Brennan obsessively tells himself. The disintegration of Brennan's own ``story'' through his involvement with a sex killing makes a painfully focused one for Busch (Harry and Catherine, 1990, etc.). Brennan's client, tiny Estella Pritchett, is accused of strangling almost-divorced radio-station owner Larry Ziegler during a bout of rough sex. Brennan plans to defend Estella by arguing that Ziegler's abusive behavior caused her to flash back to her abused childhood and strike out to defend herself. But he knows that Estella wasn't really defending herself: she'd already tied Ziegler to the bed at the Stone's Throw Motel--the same bed she's begun to use for her increasingly dangerous liaisons with Brennan. Drawn as he is to Estella, Brennan--already

In That's Life, William Herrick's view of humanity is unsparing yet compassionate. He sees life as commitment--to ideals, friends, family--but no one, least of all Herrick, said it was going to be easy. His portraits of the members of a distinctly American family--a novella, five short stories, and a group of five letters--comprise not quite a novel but more than a collection of stories. "I think of it as a co-operative structure," the author says, "in which each character owns and occupies his or her own place, yet it is the entire family which operates the building. To simplify matters, I call the book a fiction." And so we learn the past and present of each of the Millers: Max and Rebecca, Rebecca's mother Ruth (in an old folks' home), and the three Miller children--Eli, an obsessive artist, Peter, an amateur student of life as he bums rides across the country, and teen-ager Nina, a not-so-innocent working-class child away at prep school on a scholarship. But we learn about them in counterpoint and mosaic as Herrick turns our attention, and our allegiance, first to one member of the family and then another. There are few books where human weaknesses are so fully displayed and yet where human endurance and capacity for joy are so palpably present.

Most readers north of the Rio Grande are not aware that waves of immigrants have created an ethnically diverse culture in Latin America, a mosaic of particular visions and voices that includes a cohesive Jewish community with roots in Eastern Europe and as far back as pre-Columbian Spain. In this unique anthology, Ilan Stavans - who is at home both in Jewish and Latino cultures - introduces us to engaging writers, the histories of the different communities in which they emerged, their literary tradition and cultural predicament.

Final Edition is a one-issue-only political magazine written by people who are aesthetes and literary writers and edited by Wallace Shawn, who seriously believes that part of our national problem is that the people who run the country have a crude and minimal imaginative life and are too little acquainted with the quartets of Beethoven. The issue consists of five pieces: "Before the Election—Fragments from a Diary 2004" by Wallace Shawn The diarist broods on the analogy between the addiction to pornography and nationalistic obsessions, and he wonders whether a collection of people who vote in a kind of sleepwalking ignorance can ever be called a democracy. "Invitation to a Degraded World" by Jonathan Schell In this essay, Schell meditates on the comic book/disaster movie view of life, in which bin Laden and George Bush are both immersed, and discusses the "standing army" stationed in all of our homes, the media. "The Webern Variations" by Mark Strand Strand’s hauntingly delicious poem explores what is most poignantly beautiful, while exploring the themes of darkness, descent, decline, and nothingness. Wallace Shawn Interviews Noam Chomsky For those with no acquaintance with Chomsky, this could make a wonderful introduction, while offering surprising insights to those who know him well. Chomsky is electric with vitality, wit, and rage as he ranges ferociously across the present and ancient worlds, giving his thoughts on the development of the internet, the 2004 election, and the God of the Bible. In an odd way, the interview highlights the inspirational and optimistic quality of this enormously angry man. "The Twilight of the Superheroes" by Deborah Eisenberg In this brooding, passionate, and brilliant short story, Deborah Eisenberg paints a brutally honest portrait of New York City today and of our lives today, wherever we live. Through observing the lives of some sophisticated residents of the great metropolis, we encounter truths which are both poetic and deeply political.

The twelve contemporary fiction writers interviewed in Passion and Craft go beyond the merely autobiographical, revealing that, despite their differences, they share passionate devotion and discipline for their craft. Included are Richard Ford, winner in 1995 of both the Pulitzer Prize and the PEN/Faulkner Award; Gina Berriault, 1997 winner of the National Book Critics Circle Award; Bobbie Ann Mason; T. Coraghessan Boyle; Rick Bass; Leonard Michaels; Christopher Tilghman; Thom Jones; Julia Alvarez; Andre Dubus; Jayne Anne Phillips; and Tobias Wolff. Their comments will interest readers devoted to their novels and stories, other writers, and aspiring writers.

Albert the mouse finds the perfect clubhouse for his playroom--a human shoe--but first he must measure it and avoid Groucho the cat.

From Kirkus Reviews paper 0-8142-0780-4 A second collection from English professor (U. of Mass.) and critic Clayton, the first winner of the Sandstone Prize for Short Fiction. Clayton's new volume is, in many ways, a maturing of the concerns of his previous collection. As in Bodies of the Rich (1984), he focuses on the minutiae of daily life as a reflection of the ways in which his intelligent, middle-class protagonists express and experience loss. In Radiance, the protagonists are almost all Jews, assimilated to varying degrees but aware of and generally comfortable with their ethnic/religious identity. What they arent comfortable with is their lives--marriage as an act of settling for less, marriages that are failing or have long since dissolved, friends and family who die, parents who commit suicide. For several of his low-key heroes--in ``Glory,'' ``Open-Heart Surgery,'' and the most fully realized piece here, ``The Man Who Could See Radiance''--coping with loss takes the form of a sort of magic realist device in which people see and feel beyond their senses, becoming aware of a larger presence that may be understood as having a religious significance. The use of this device in three stories out of only ten, though, makes for a certain repetitiveness. Two tales, ``Muscles'' and ``Time Exposure,'' about episodes in an unhappy marriage that involves the husband's domineering brotherall as experienced by the couples sonhave the feeling of sketches for a novel-in-progress; theyre affecting but seem unfinished. Still, Clayton's best, ``Talking to Charlie'' and ``History Lessons,'' have a poignance that comes from an intense sensitivity to the quiet suffering that most often goes unexpressed in the rush of daily life. Uneven but distinctive short fiction from an author with a genuine gift. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. Product Description A collection of short stories about the lives of assimilated American Jews, who attempt to reach an opening into the spiritual realm while dealing with unsuccessful marriages, middle-class life, and the unhappiness of existence Review ...[Clayton writes] with compassion, simplicity and power... -- The New York Times Book Review, Patrick Farrell

First printing. A title in Capra Back-to-Back Series. Two collections of short stories. SIGNED by Gold on his portrait on cover of his side. 71 and 67 pp.