"The Itinerary of Benjamin of Tudela" offers a fascinating glimpse into the 12th-century world through the eyes of a medieval traveler. Benjamin of Tudela, a Jewish merchant, meticulously documented his extensive travels across Europe, North Africa, and the Middle East. This invaluable historical text provides a unique perspective on Jewish communities and their social life during the Middle Ages. Part travelogue, part historical record, the itinerary details customs, populations, and significant landmarks encountered along his journey. Readers interested in Jewish history, medieval Europe, or historical travel accounts will find this work to be an enduring source of information and insight into a world long past. Explore the routes and records of Benjamin of Tudela, a key figure in understanding 12th-century geography and culture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Maimonides was the greatest Jewish philosopher and legal scholar of the medieval period, a towering figure who has had a profound and lasting influence on Jewish law, philosophy, and religious consciousness. This book provides a comprehensive and accessible introduction to his life and work, revealing how his philosophical sensibility and outlook informed his interpretation of Jewish tradition. Moshe Halbertal vividly describes Maimonides's childhood in Muslim Spain, his family's flight to North Africa to escape persecution, and their eventual resettling in Egypt. He draws on Maimonides's letters and the testimonies of his contemporaries, both Muslims and Jews, to offer new insights into his personality and the circumstances that shaped his thinking. Halbertal then turns to Maimonides's legal and philosophical work, analyzing his three great books - Commentary on the Mishnah, the Mishneh Torah, and the Guide of the Perplexed. He discusses Maimonides's battle against all attempts to personify God, his conviction that God's presence in the world is mediated through the natural order rather than through miracles, and his locating of philosophy and science at the summit of the religious life of Torah. Halbertal examines Maimonides's philosophical positions on fundamental questions such as the nature and limits of religious language, creation and nature, prophecy, providence, the problem of evil, and the meaning of the commandments. A stunning achievement, Maimonides offers an unparalleled look at the life and thought of this important Jewish philosopher, scholar, and theologian.

But this is just part of the story, a little part of it. For I Sleep in Hitler's Room is also a book about modern anti-Semitism, about hate that refuses to disappear, about a disease that won't get cured and a curse that won't let go. All told in the clearest of style and most amazing of humor. But this is not fiction. From beginning to end "I Sleep in Hitler's Room" is a true tale, a tale about a country that created the Holocaust and a story about a continent that moves in the direction of creating another. The target group, as in the last round, is the same: the "Jews." Why is Europe, the cradle of our civilization, so obsessed with Jews? Read "I Sleep in Hitler's Room" to find the answer. "I Sleep in Hitler's Room" will make you think, make you worry, make you cry, and make you laugh out loud. It is a book you will never forget. Ever. Buy it today. And run to tell all your friends. Traveling across Germany and seeking out that elusive quality that is the German character, playwright and journalist Tuvia Tenenbom wonders whether he has identified it in any one of several striking social phenomena--the proclivity of Germans to join clubs and group activities; how their aptitude for visual design shapes their architecture and their daily life; how their daily life is suffused with soccer and beer, the omnipresent beverage for all occasions; how they proudly self-define themselves by their achievements in precision technology; and, what is most disturbing to this son of Holocaust survivors, how their crushing awareness of their dark history coexists with virulent anti-Semitism and a stubborn obsession with Israel. Tenenbom integrates deep seriousness with the most lighthearted comic touch in this critical but affectionate look at both left and right in contemporary German politics and society. Listen in on his meetings with leaders in German industry and media, including former chancellor Helmut Schmidt, as well as with scores of private citizens whose everyday conversation Tenenbom ponders even as he gently teases them.

Seeing the Insane is a richly detailed cultural history of madness and art in the Western world, showing how the portrayal of stereotypes has both reflected and shaped the perception and treatment of the mentally disturbed. Covering the Middle Ages through the end of the nineteenth century, Sander L. Gilman explores the depictions of mental illness as seen in manuscripts, sculptures, lithographs, and photography. With artistic renderings and medical illustrations side-by-side, this volume includes over 250 visual displays of the mentally ill. These images capture society's reliance on visual motifs to assign concrete qualities to abstract ailments in an attempt to understand the marginalized. Gilman's collection of images demonstrates how society has relegated the mentally ill to a state of "otherness" and portrays how society's perceived realities concerning the insane have morphed and evolved over centuries. Sander L. Gilman, PhD, is a distinguished professor of the Liberal Arts and Sciences as well as Professor of Psychiatry at Emory University. A respected educator, he has served as Old Dominion Visiting Professor of English at Princeton; Northrop Frye Visiting Professor of Comparative Literature at the University of Toronto; Mellon Visiting Professor of Humanities at Tulane University; Goldwin Smith Professor of Humane Studies at Cornell University; and Professor of the History of Psychiatry at Cornell Medical College. He has written and edited several books including The Face of Madness and Sexuality: An Illustrated History . " Seeing the Insane is a visual history of the stereotypes that have shaped the perception of the mentally ill from medieval through modern times. The result is nearly as heartbreaking as a visual history of the Holocaust. In picture after picture, the book portrays centuries of intolerance for deviance, mindless cruelty, unthinking prejudice, and self-righteous abuse of the weak and ill." - American Journal of Psychiatry "As extraordinary in concept as it is in its execution. . . . This remarkable book helps laymen as well as specialists to see the insane, but it does far more. When we study the past, we understand the present. When we see the conventional stereotype images of insanity, we find they still color our concepts of madness. Through these pictures of the insane, we see all humanity. We look, not through a glass darkly, but through a multiplicity of media, brightly." - Antiquarian Bookman Readers interested in related titles from Sander L. Gilman will also want to see: Face of Madness: Hugh W. Diamond and the Origin of Psychiatric Photography (ISBN: 9781626549234), Sexuality: An Illustrated History (ISBN: 9781626549227).

The Most Dangerous Book You Were Never Meant to Read A legendary underground classic that reshaped alternative publishing, Apocalypse Culture is a definitive collection of forbidden ideas, shocking theories, and fringe voices from the edge of modern thought. Edited by Adam Parfrey, founder of Feral House, this anthology dives deep into the darkest corners of politics, belief, and human behavior. Combining essays, interviews, and manifestos, Apocalypse Culture explores topics that mainstream media won't touch: government mind control, body modification, ritual abuse, cult psychology, taboo sexuality, social decay, eugenics, Satanic panic, and end-times theology. Many of these texts have been banned, suppressed, or ignored--until now. Since its initial release in the late 1980s, Apocalypse Culture has become a touchstone for readers interested in the occult, true crime, radical politics, and conspiracy theories. Revered by artists, feared by censors, and cited in countless works of film, music, and journalism, this book continues to challenge what it means to be civilized in an age of collapse. Whether you're a student of subversive literature or a newcomer to transgressive nonfiction, Apocalypse Culture remains a vital document of Western civilization's shadow self.

A memoir of a life in activism by one of the original defendants in the Trial of the Chicago 7, subject of the 2020 Oscar-nominated Aaron Sorkin film of the same name. In March 1969, eight young men were indicted by the federal government for conspiracy to incite a riot at the 1968 Democratic National Convention. First dubbed the Conspiracy 8 and later the Chicago 7, the group included firebrands like Abbie Hoffman, Jerry Rubin, and Bobby Seale. But it also included a little-known community activist and social worker from the South Side of Chicago named Lee Weiner, who was just as surprised as the rest of the country when his name was included in the indictment. The ensuing trial of the Chicago 7 became a media sensation, and it changed Weiner's life forever. In this irreverent, freewheeling memoir of an indelible moment in history--which Kirkus Reviews called a welcome addition to the library of the countercultural 1960s left--Conspiracy to Riot shows how a commitment to your ideals can change your destiny forever. With startling relevance to today's polarized political climate, Conspiracy to Riot is a book for anyone who hopes for a better, more just world, and offers a blueprint for how to make it happen.

The epitome of the modernist engineer-architect-artist, El Lissitzky is one of the most influential and genuinely experimental artists of the early twentieth century. Equally prolific as a painter, designer, architect and photographer, he connected countries and cultures as a leading ambassador between the Soviet and European avant-gardes of the 1920s, promoting Suprematist and Constructivist art in the West and European abstract movements in Russia. For El Lissitzky, art was conceived not as a personal expression and production of objects, but rather as a collective and social activity. Working with Malevich, he developed the new visual language of Suprematism, which he applied not only to painting, but also to print and book works, architectural and theater projects, ceramics, educational theory and propaganda. Fusing this array of media, his three-dimensional work "Proun Room" used the actual space of a room to merge painting, sculptural installation and architecture; similarly, with his students he adorned the trams and buildings of Vitebsk with Suprematist triangles and squares, and used his "Proun" motifs to design costumes and machinery for the stage (most famously for the 1920 Futurist opera, Victory over the Sun ). This volume provides a comprehensive view of Lissitzky's influential career. Eliezer (Lazar) Markovich Lissitzky, El Lissitzky (1890-1941) was one of the most experimental and controversial artists to work with the Russian and European avant-garde during the early twentieth century. After 1917, during the first communist period, El Lissitzky served as a cultural ambassador, promoting Russian art and Soviet ideas in the West. Later he worked as a propagandist for the Stalinist regime during the 1930s. He died of tuberculosis in 1941.

Between 1938-41 some 17,000 Jewish refugees from Germany, Austria, and Poland reached Shanghai, then under Japanese control. Ch. 7 (pp. 169-266), "Japanese Policy vis-à-vis the Jews", explains Japan's unusual behavior in opening the door to Jewish refugees. Describes the influence of the so-called "experts on Jewish affairs" in Japan and their unique approach to antisemitism - to make use of alleged Jewish wealth and influence on behalf of Japan's "New Order". This approach lasted until America's entry into the war when it became unfeasible and Nazi propaganda gained more influence. Discusses immigration restrictions imposed in August 1939, Nazi antisemitic propaganda, and the establishment of a ghetto in 1943 under German instigation. Japan's attitude towards Jews evolved from favorable to highly antagonistic, blaming the Jews for all economic and social ills and for a conspiracy to overthrow the government and dominate the media, aid the communists, and halt Japanese development.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

More relevant than ever as the Coronavirus, COVID-19 pandemic sweeps the globe, False Alarm (Originally released in 2008) reminds readers to look closely at the facts as the media covers the national pandemic news and spread of the virus, as well as reinforces the notion that we must arm ourselves against fear tactics that inhibit our abilities to properly make decisions in a world of uncertainty. Life today for citizens of the developed world is safer, easier, and healthier than for any other people in history thanks to modern medicine, science, technology, and intelligence. So why is an epidemic of fear sweeping America? The answer, according to nationally renowned health commentator Dr. Marc Siegel, is that we live in an artificially created culture of fear. In False Alarm , Siegel identifies three major catalysts of the culture of fear-government, the media, and big pharma. With fascinating, blow-by-blow analyses of the most sensational false alarms of the past few years, he shows how these fearmongers manipulate our most primitive instincts--often without our even realizing it. False Alarm shows us how to look behind the hype and hysteria, inoculate ourselves against fear tactics, and develop the emotional and intellectual skills needed to take back our lives.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Gossip is no trivial matter; despite its reputation, Epstein argues, it is an eternal and necessary human enterprise. Proving that he himself is a master of the art, Epstein serves up delightful mini-biographies of the Great Gossips of the Western World, along with many choice bits from his own experience. He also makes a powerful case that gossip has morphed from its old-fashioned best--clever, mocking, a great private pleasure--to a corrosive new-school version, thanks to the reach of the mass media and the Internet. Written in his trademark erudite and witty style, Gossip captures the complexity of this immensely entertaining subject.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Albert Einstein's face is still one of the most recognizable in the world and he's widely considered to be the first modern-day celebrity. While many of his discoveries continue to define our daily lives, it's not just his genius that continues to shape our world. Today, more people know Einstein as an icon rather than a theorist-decades after his death, he's a celebrity with a massive online following. The Einstein Effect shows all the ways his influence is still with us today-in our systems and in our culture. Interspersed between chapters on his long-lasting scientific legacy, author Benyamin Cohen (the mind behind Einstein's Twitter account!) also tells the story of how Einstein became an unlikely social media figure and pop culture icon in the modern age"--

"This lengthy and detailed collection of original documents provides a basic handbook to the story, significance and problems of the English Peasants' Revolt of 1381. Although one of the most famous and dramatic episodes in English history, the great revolt of 1381 is still a largely unsolved mystery. Hitherto the original authorities for the history of the rebellion have been allowed to rest in unnecessary obscurity: and it seems due time to restore the Peasants' Revolt to the comments of its participants and observers. These extracts therefore exploit all the available types of evidence for the history of the 1381 Revolt, ranging from the trial records of captured rebels to contemporary poems. Fortunately the great majority of the primary chronicles for the rebellion, as well as a representative selection from surviving governmental and legal archives, can be presented within the covers of one book. With few exceptions these documents have been especially translated from the original Latin or Norman-French texts - almost all of which are difficult of access or out of print. In several cases translations have been made directly from unpublished records in the Public Record Office, London. The Peasants' Revolt has been examined primarily for its own sake; and at the heart of this book lie the various and often contradictory accounts of the outbreak of the rising in Kent and Essex, the rebels entry into London and the final great confrontation between the young Richard I| and Wat Tyler at Smithfield. But considerable attention is paid to the risings in East Anglia and elsewhere in England as well as to the political and social background of the revolt. The suppression and aftermath of the rebellion are also illustrated in detail. Indirectly this collection of documents therefore provides an insight into the economic status and social aspirations of the late mediaeval English peasantry. The work includes detailed chronological tables (the most ambitious yet attempted), a select guide to sources, three maps and a detailed bibliography. The author's introduction discusses the implications of the revolt in general terms and its significance as an early example of a pre-industrial popular movement. A warning is sounded against any too crude a sociology of rebellion; and the book ends with a series of very different and often hilariously misconceived interpretations of the Peasants' Revolt - from Gower and Froissart, Thomas Paine and Robert Southey to Engels and William Morris."-Publisher.

Delve into the formative years of a pivotal political movement with Nahum Sokolow's "History of Zionism, Vol. 2 of 2: 1600-1918." This meticulously researched historical text explores the evolution of Zionism from its early roots to the end of World War I, providing crucial context for understanding the creation of modern Israel. Spanning centuries of Jewish history, this volume examines the key figures, events, and intellectual currents that shaped Zionist thought and action. Sokolow's work illuminates the complex interplay of European and Middle Eastern politics surrounding the movement, offering insights into the dynamics of colonialism and post-colonialism in Palestine. A vital resource for anyone seeking a comprehensive understanding of Zionism, its origins, and its enduring impact. This book remains an essential contribution to the study of 19th-century political thought, Jewish history, and the ongoing story of Israel. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

One evening in late October 1958, the deepest coal mine in North America "bumped"-its rock floors heaved up and smashed into rock ceilings. Most of the men on the shift perished. But nineteen men were trapped alive a mile below the earth's surface, struggling to survive without food, water, light, or fresh air. Almost a week passed without rescue. Hopes of finding life dwindled; then a miracle happened: Rescuers stumbled across a broken pipe that led to the cave of survivors. In the media circus that followed, the survivors' endurance was mythologized and twisted, and the state of Georgia's tourism ploy-inviting the survivors to recuperate on a Georgia beach-turned racist and pitted the miners against each other. Using long-lost stories and interviews with survivors, Greene has reconstructed an extraordinary drama of their struggle and miraculous rescue.

In 1955, shortly after Emmett Till was murdered by white supremacists in Mississippi, his grieving mother distributed to the press a gruesome photograph of his mutilated corpse. Asked why she would do this, she explained that by witnessing with their own eyes the brutality of segregation and racism, Americans would be more likely to support the cause of racial justice. "Let the world see what I've seen," was her reply. The publication of the photograph inspired a generation of activists to join the civil rights movement. Despite this extraordinary episode, the story of visual culture's role in the modern civil rights movement is rarely included in its history. This is the first comprehensive examination of the ways images mattered in the struggle, and it investigates a broad range of media including photography, television, film, magazines, newspapers, and advertising. These images were ever present and diverse: the startling footage of southern white aggression and black suffering that appeared night after night on television news programs; the photographs of black achievers and martyrs in Negro periodicals; the humble snapshot, no less powerful in its ability to edify and motivate. In each case, the war against racism was waged through pictures, millions of points of light, millions of potent weapons that forever changed a nation. This book allows us to see and understand the crucial role that visual culture played in forever changing a nation.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.