Magnes' book provides a comprehensive look at the Jewish community in turn-of-the-century New York. From their religious practices to their political involvement, this book traces the lives of Jewish immigrants and their descendants as they struggled to reconcile their Jewish identity with their American experience. With analytical depth and riveting anecdotes, this book is an indispensable read for historians and anyone interested in the Jewish experience in America. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

If the new generation is not told accurate information, then not only will the new generation and the generations that follow be misguided but, more importantly, the policy makers of the future will be making decisions based on mis-assessments. There are three areas in which the truth of the past has been tragically misrepresented: The actions of the President, the role of the media, and the buried legacy of the South Vietnamese, the Laotians, the Cambodians and, of course, the Americans who gave their lives for the liberty of others. There is no higher morality than dying for the well-being of a stranger, and that is what they did. Their enemies were not only on the battlefield: many of their enemies are still revising the history of those days, either to justify their past actions, or to cloak their consciences, or they simply don't know the truth because they have been bombarded by those who rejected it. Their recorded words and fictionalized images are, at best, what they think is true, and at worst, are meant to deceive you.

Beyond the Cold War represents the first-ever attempt by media scholars and journalists to dissect the Cold War by examining mutual media images in the United States and the former Soviet Union. The result of a bilateral conference in Moscow in 1989, this volume offers an original journalistic assessment of the Cold War and its aftermath as a communications phenomenon. Discussions include the past and present state of Cold War rhetoric, the portrayal of Russians and Americans on television in the two countries, and images of self and other as portrayed by the two media.

For most of its history, the American gay movement has been part of the democratic Left. Gay liberation’s founders were Communists, and its activist core is still overwhelmingly progressive. But in recent years, a more affluent group of gay men has begun to make its mark. Though they are a minority in the queer community (which includes people of all races, classes and genders), conservatives have become the loudest gay voices in the mainstream media. With their withering contempt for feminism and radical politics, these ‘gayocons’ are changing the movement’s public image. Unless their rise is met by a persuasive critique, they may also alter its heart and soul. The Attack Queers offers such a critique. It describes how the gay Right agenda differs from the one the queer community has long embraced. Never abandoning its analysis of the complex relationship between homosexuals and liberal society, the book examines the conflict between liberationists and assimilationists that has raged since the Stonewall era, and explores how political success tipped the balance and facilitated the rise of the gay Right. Finally this book offers an alternative to gay conservatism grounded in queer humanism, a distinct sensibility that has been a major force in progressive thought for more than a century.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Hans Kohn's classic work provides a comprehensive overview of the history of Western civilization in the Near East. From ancient Greece to the Islamic Golden Age, Kohn examines the ways in which Western culture has been both shaped and influenced by the Near East. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

""Film in the Battle of Ideas"" is a book written by John Howard Lawson, a screenwriter and member of the Hollywood Ten who was blacklisted during the McCarthy era. The book explores the role of film in shaping public opinion and political ideology, particularly in the United States during the 1930s and 1940s. Lawson argues that film is a powerful tool for propaganda and that Hollywood has the ability to shape public opinion and influence political discourse. He examines the ways in which films have been used to promote various political ideologies, including fascism, communism, and capitalism, and argues that filmmakers have a responsibility to use their medium for the greater good. The book also delves into the political and cultural climate of Hollywood during the time period, including the effects of the Hays Code and the Red Scare. Overall, ""Film in the Battle of Ideas"" is an insightful and thought-provoking analysis of the intersection between film and politics.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This book is a transcript of the debate between two notable figures, Samuel Gompers and Henry J. Allen, at Carnegie Hall in 1920. The debate covered a wide range of topics related to labor, including the value of unions, the role of the government in labor disputes, and the pros and cons of the closed shop system. The book provides a valuable insight into the historical labor debates and how they have shaped labor policies and practices today. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This title was first published in 2000. Published in two volumes, "Work and the Image" addresses a critical theme in contemporary social and cultural debates whose place in visual representation has been neglected. Ranging from Greek pottery to contemporary performance, and exploring a breadth of geo-national perspectives including those of France, Britain, Hungary, Soviet Russia, the Ukraine, Siberia and Germany, the essays provide a challenging reconsideration of the image of work, the meaning of the work process, and the complex issues around artistic activity as itself a form of work even as it offers a representation of labour. With a shared focus on the 20th century, the era of modernity and its postmodern aftermath, the essays in this volume examine the diverse ways in which the social relations of work in industrial societies from both capitalist and socialist regimes were publicly and privately mediated by changing forms of visual representation. The authors discuss traditional analyses of the image of the worker in the light of contemporary critical theories that address the question of the subjectivity of the worker in relation to class, gender, nationhood and the concept of modernity.