On May 13, 1939, the luxury liner SS St. Louis sailed away from Hamburg, Germany, bound for Havana, Cuba. On board were more than 900 Jewish refugees fleeing persecution in Nazi Germany. After being denied landing rights in Havana, the refugees were turned away by the United States and Canada and forced to sail back to Europe, where the gathering storm of the Holocaust awaited them. Two of those refugees were Alex Goldschmidt, a sixty-year-old veteran of World War I, and his seventeen-year-old son Klaus Helmut Goldschmidt. After their trans-Atlantic voyage, they landed in France. They would spend the next three years in one French camp after another before being shipped to Auschwitz in 1942. Sixty-nine years later, Martin Goldsmith, Alex's grandson and Helmut's nephew, retraced their sad journey. The book offers a compelling history of the voyage of the St. Louis, including testimony from those on board, a tale of espionage, and the brave resolve of Captain Gustav Schroeder. It also offers a harrowing chronicle of the vast network of camps in France, many of which were organized by the French themselves with little or no encouragement from the Germans.

On May 13, 1939, the luxury liner SS St. Louis sailed away from Hamburg, Germany, bound for Havana, Cuba. On board were more than 900 Jewish refugees fleeing persecution in Nazi Germany. After being denied landing rights in Havana, the refugees were turned away by the United States and Canada and forced to sail back to Europe, where the gathering storm of the Holocaust awaited them. Two of those refugees were Alex Goldschmidt, a sixty-year-old veteran of World War I, and his seventeen-year-old son Klaus Helmut Goldschmidt. After their trans-Atlantic voyage, they landed in France. They would spend the next three years in one French camp after another before being shipped to Auschwitz in 1942. Sixty-nine years later, Martin Goldsmith, Alex's grandson and Helmut's nephew, retraced their sad journey. The book offers a compelling history of the voyage of the St. Louis, including testimony from those on board, a tale of espionage, and the brave resolve of Captain Gustav Schroeder. It also offers a harrowing chronicle of the vast network of camps in France, many of which were organized by the French themselves with little or no encouragement from the Germans.

"An exploration narrative of the highest order: the bestselling author of Over the Edge of the World brings alive the extraordinary life and adventures of Sir Francis Drake, whose mastery of the seas during the reign of Queen Elizabeth I changed the course of history-as a pirate raiding Spanish galleons, as the first explorer to successfully circumnavigate the globe, and as a naval hero who defeated the Spanish Armada and reshaped the global order"--

Sir Isaac Newton is among the giants of the scientific era. It was Newton who conceived the imperial vision of mathematical physics and Newton again who created the first and perhaps the greatest of scientific theories. Physicists searching for the elusive final theory that will conclusively explain matter in all of its manifestations are his heirs. Yet for all that, Newton has remained inaccessible to most modern readers, and even to many scientists, indisputably great but indisputably remote. In this witty, engaging, and often moving examination of Newton's life, David Berlinski recovers the man behind the mathematical breakthroughs. The story carries the reader from Newton's unremarkable childhood to his awkward undergraduate days at Cambridge and then to the astonishing year in which, working alone, he laid the foundation for his system of the world. Thereafter, Berlinski describes the creation of Newton's masterpiece, the "Principia Mathematica," the monumental feuds that poisoned his soul and that wearied his supporters, and Newton's final re-creation of himself as the master of England's financial system. This is less an exhaustive biography than an appreciation of Newton's greatest accomplishment. When he brought together years of work and towering logic into his "system of the world," Newton projected just one human mind to the outermost stars and planets. At once, he forever redefined the meaning of "nature," and of man's place in the cosmos. This seminal creative act has proved more powerful than that of any politician or king and more long-lasting than any dynasty. "Newton's Gift" is an edifying celebration of a transcendent man.

"A dazzling biography of one of the twentieth century's most respected painters, Helen Frankenthaler, as she came of age as both an artist and a woman in the vibrant art world of 1950s New York"--

From Pulitzer-Prize-nominated author Susan Griffin comes an unprecedented, provocative look at the dazzling world of the West’s first independent women, whose lively liaisons brought them unspoken influence, wealth, and freedom. While they charmed some of Europe’s most illustrious men honing their social skills as well as their sexual ones, the great courtesans gained riches, power, education, and sexual freedom in a time when other women were denied all of these. From Imperia of sixteenth-century Rome, who personified the Renaissance ideal of beauty; Mme. de Pompadour, the arbiter of all things fashionable in eighteenth-century Paris and Versailles; Liane de Pougy, known in France during the Belle Epoque as “Our National Courtesan”; to Sarah Bernhardt, who, following in her mother’s footsteps, supported herself in her early career with a second profession, The Book of the Courtesans tells the life stories and intricacies of the lavish lifestyles of these women. Unlike their geisha counterparts, courtesans neither lived in brothels nor bent their wills to suit their suitors. They were strong- willed, autonomous, and plucky. An open secret, their presence can be felt throughout our culture. The muses who enflamed the hearts and imaginations of our most celebrated artists, they were also artists in their own right. They wrote poetry and novels, invented the cancan at the Moulin Rouge, and presented celebrated acts at the Folies Bergères. They helped to influence and shape the sensibility of modern literature, painting, and fashion. When Greek sculptor Praxiteles wanted to depict Venus he used a famous courtesan as a model, as in later centuries Titian, Veronese, Raphael, Giorgione, and Boucher did when they painted goddesses. When Marcel Proust was a young man it was the courtesan Laure Hayman who took him under her wing, introducing him to the right people, and providing inspiration for one of literature’s greatest masterpieces. And they often had considerable political influence too. When King Louis XV needed advice on foreign affairs or appointments of state he turned to Jeanne du Barry as well as Pompadour. In her witty and insightful prose, as Griffin celebrates these alluring and fascinating women, she restores a lost legacy of women’s history. She gives us the stories of these amazing women who, starting from impoverished or unimpressive beginnings, garnered chateaux, fine coaches, fabulous collections of jewelry, and even aristocratic titles along the way. And through a brilliant exploration of their extraordinary abilities, skills, and talents which Griffin playfully categorizes as their virtues "Timing, Beauty, Cheek, Brilliance, Gaiety, Grace, and Charm" her book explains how, while helping themselves, through their often outrageous, always entertaining examples, the great courtesans not only enriched our cultural heritage but helped to liberate women from the social, sexual, and economic strictures that confined them. Intensively researched and beautifully crafted, The Book of the Courtesans delves into scintillating but often hidden worlds, telling stories gleaned from many sources, including courtesans’ memoirs, presented along with stunning rare photographs to create memorable portraits of some of the most pivotal figures in women’s history.

"Ever since an Ottoman army led by Mehmed II conquered Constantinople in 1453, it has been common to see the Ottoman Empire as the Islamic, Asian antithesis of the Christian, European West. But in reality the Ottoman dynasty ruled a multiethnic, multilingual, and multireligious empire that stretched across parts of Europe, Africa, and Asia. The Ottomans: Sultans, Khans, and Caesars offers a bold new history of this empire that straddled East and West for nearly five hundred years and negotiated the challenges of religious difference in ways that had a profound influence on the emergence of our modern world. As historian Marc David Baer shows, the Ottomans enjoyed a tripartite inheritance as they rose from a frontier principality to a world empire. The dynasty's origins can be traced to the tribes of Turks and Tatars pushed westward into Anatolia by Mongol expansion in the thirteenth and fourteenth centuries. But it was equally indebted to the Islamic scholars and Sufi sheikhs who proselytized Islam across this region and legitimated Ottoman rule. And from the Byzantine empire they supplanted, the Ottomans borrowed bureaucracy, culture, and claims to universal rule as the successors of Rome. Ottoman rulers did not only call themselves khans and sultans, but also caliphs, emperors, and caesars. The Ottomans managed their diverse empire by striking a delicate balance: amid a profoundly hierarchal society, they pioneered the principles and practices of toleration of religious minorities, even as they also freely used religious conversion to integrate conquered peoples into the imperial project. Indeed, the Ottomans were the only world empire to rely on converts to make up its ruling dynasty and to populate its military and administrative leadership. By receiving them as converts to Islam, they brought everyone from Byzantine and Serbian royalty to enslaved captives to common herdsmen into the elite fold as princesses, statesmen, and battlefield commanders. It was only in the final decades of the nineteenth century that the Ottomans began to turn away from this approach, trying to save the empire by making it into an exclusively Ottoman Muslim polity, and then into a Turkish one. The tragic consequence was ethnic cleansing and genocide, and the dynasty's demise in the wake of the First World War. For better and for worse, the Ottoman Empire was as magnificent and as horrible as any of its European contemporaries. The Ottomans reveals its history in full, showing how again and again it remade the world from the Renaissance and the Enlightenment to the dawn of a brutal century world war"--

“Relevant...fascinating...vividly reconstructed.” — The New York Times Book Review “Riveting reading...a mesmerizing look at Cold War espionage.” — USA TODAY This astonishing real-life spy thriller, filled with danger, misplaced loyalties, betrayal, treachery, and pure evil, with a plot twist worthy of John le Carré, is relevant today as a tale of fanaticism and the lengths it takes us to. True Believer reveals the life of Noel Field, an American who betrayed his country and crushed his family. Field, once a well-meaning and privileged American, spied for Stalin during the 1930s and '40s. Then, a pawn in Stalin’s sinister master strategy, Field was kidnapped and tortured by the KGB and forced to testify against his own Communist comrades. How does an Ivy League-educated, US State Department employee, deeply rooted in American culture and history, become a hardcore Stalinist? The 1930s, when Noel Field joined the secret underground of the International Communist Movement, were a time of national collapse: ten million Americans unemployed, rampant racism, retreat from the world just as fascism was gaining ground, and Washington—pre FDR—parched of fresh ideas. Communism promised the righting of social and political wrongs and many in Field’s generation were seduced by its siren song. Few, however, went as far as Noel Field in betraying their own country. With a reporter’s eye for detail, and a historian’s grasp of the cataclysmic events of the twentieth century, Kati Marton captures Field’s riveting quest for a life of meaning that went horribly wrong. True Believer is supported by unprecedented access to Field family correspondence, Soviet Secret Police records, and reporting on key players from Alger Hiss, CIA Director Allen Dulles, and World War II spy master, “Wild Bill” Donovan—to the most sinister of all: Josef Stalin. A story of another time, this is a tale relevant for all times.

"A bestselling music historian follows Jelly Roll Morton on a journey through the hidden worlds and forbidden songs of early blues and jazz. In Jelly Roll Blues: Censored Songs and Hidden Histories, Elijah Wald takes readers on a journey into the hidden and censored world of early blues and jazz, guided by the legendary New Orleans pianist Jelly Roll Morton. Morton became nationally famous as a composer and bandleader in the 1920s, but got his start twenty years earlier, entertaining customers in the city's famous bordellos and singing rough blues in Gulf Coast honky-tonks. He recorded an oral history of that time in 1938, but the most distinctive songs were hidden away for over fifty years, because the language and themes were as wild and raunchy as anything in gangsta rap. Those songs inspired Wald to explore how much other history had been locked away and censored, and this book is the result of that quest. Full of previously unpublished lyrics and stories, it paints a new and surprising picture of the dawn of American popular music, when jazz and blues were still the private, after-hours music of the Black 'sporting world.' It gives new insight into familiar figures like Buddy Bolden and Louis Armstrong, and introduces forgotten characters like Ready Money, the New Orleans sex worker and pickpocket who ended up owning one of the largest Black hotels on the West Coast. Revelatory and fascinating, these songs and stories provide an alternate view of Black culture at the turn of the twentieth century, when a new generation was shaping lives their parents could not have imagined and art that transformed popular culture around the world--the birth of a joyous, angry, desperate, loving, and ferociously funny tradition that resurfaced in hip-hop and continues to inspire young artists in a new millennium"--

"Jennifer Shahade, a two-time US Women's Chess Champion, spent her teens and twenties travelling the world playing chess. Tournaments have taken her from Istanbul to Moscow, and introduced her to players from Zambia to China. In this ultra male-dominated sport, Jennifer found shocking sexism, but she also found friendships, feminism and hope. Through her own story as well as interviews with international players, Jennifer invites us into the extremely competitive world of chess. She shows us the rivalry and the camaraderie; the ecstatic highs and the excruciating losses; the glamour and the hard work. She describes the coach who told her that her period will affect her standard of play, and gives us thrilling blow by blow accounts of the matches that made history. Intertwined with Jennifer's own story are those of the top female players from around the world. We meet the famous Polgar sisters, the three Hungarian girls who were all child prodigies; we meet the glamorous jet setters who travel the world partying, and the players who escaped war-torn countries to become champions against the odds. Chess Queens is a fascinating glimpse into the exhilarating world of chess and an essential book for all the aspiring chess queens of today"--Publisher's description.

"Elissa and Rita have forever struggled to find their place in each other's worlds. Rita, an overreaching, makeup-addicted, narcissistic Manhattan singer couldn't be more different from Elissa, her gay, taciturn New England writer daughter. Stuck in an outrageous maelstrom of codependency, mother and daughter cannot seem to extricate themselves from the center of each other's lives. Motherland is their universal story: a kaleidoscopic journey built on the ferocity of mother-daughter love, moral obligation, and the possibility and promise of healing. Having survived a harrowing childhood at the hands of her mother, Elissa is finally settled in Connecticut with her wife of almost twenty years. After much time, therapy, and wine, Elissa is at last in a healthy place, orbiting around her mother, but keeping far enough away from her to preserve the independent, quiet life she has built for herself. All of this is suddenly at risk when Rita, whose days are spent traversing the streets of Manhattan from Bergdorf's to Bloomingdale's and back again, suffers an incapacitating fall that leaves her fully dependent on her only child. Forced to confront her mother's desperate need for beauty, her view of the world through a medley of men, her lost days in the spotlight, addiction, and the money that has mysteriously disappeared in the name of maintaining her youth, Elissa must navigate the waters of their shared history, obligation, the problems of caregiving and age, and the frenetic, co-dependent love that has defined their obsessive relationship. Motherland asks the universal mother-daughter question: How much love is too much love?"--

"Elissa and Rita have forever struggled to find their place in each other's worlds. Rita, an overreaching, makeup-addicted, narcissistic Manhattan singer couldn't be more different from Elissa, her gay, taciturn New England writer daughter. Stuck in an outrageous maelstrom of codependency, mother and daughter cannot seem to extricate themselves from the center of each other's lives. Motherland is their universal story: a kaleidoscopic journey built on the ferocity of mother-daughter love, moral obligation, and the possibility and promise of healing. Having survived a harrowing childhood at the hands of her mother, Elissa is finally settled in Connecticut with her wife of almost twenty years. After much time, therapy, and wine, Elissa is at last in a healthy place, orbiting around her mother, but keeping far enough away from her to preserve the independent, quiet life she has built for herself. All of this is suddenly at risk when Rita, whose days are spent traversing the streets of Manhattan from Bergdorf's to Bloomingdale's and back again, suffers an incapacitating fall that leaves her fully dependent on her only child. Forced to confront her mother's desperate need for beauty, her view of the world through a medley of men, her lost days in the spotlight, addiction, and the money that has mysteriously disappeared in the name of maintaining her youth, Elissa must navigate the waters of their shared history, obligation, the problems of caregiving and age, and the frenetic, co-dependent love that has defined their obsessive relationship. Motherland asks the universal mother-daughter question: How much love is too much love?"--

"A middle grade adaptation of Bergreen's adult title of the same name, about Magellan's historic voyage around the globe"--

The Nazis came late to Hungary because, until early 1944, Germany and Hungary were allies. But when they did arrive, their orders were to put the "Final Solution" into effect with deliberate speed. Soros, a Jewish lawyer in Budapest, secured fake Christian identities for himself, his wife, and his two sons following the German invasion of Hungary on March 19, 1944. In a narrative reminiscent of the great Primo Levi, Soros recounts his experiences with a beguiling humor, deep humanity, and a wisdom that is humbling. Superbly translated by Humphrey Tonkin, Masquerade is.

"In the eighteenth and early nineteenth centuries a small but conspicuous fringe of the Jewish population became the world's most resolute, intellectually driven, and philosophical revolutionaries, among them the pre-Marxist Karl Marx. Yet the roots of their alienation from existing society and determination to change it extend back to the very heart of the Enlightenment, when Spinoza and other philosophers living in a rigid, hierarchical society colored by a deeply hostile theology first developed a modern revolutionary consciousness. Leading intellectual historian Jonathan Israel shows how the radical ideas in the early Marx's writings were influenced by this legacy, which, he argues, must be understood as part of the Radical Enlightenment. He traces the rise of a Jewish revolutionary tendency demanding social equality and universal human rights throughout the Western world. Israel considers how these writers understood Jewish marginalization and ghettoization and the edifice of superstition, prejudice, and ignorance that sustained them. He investigates how the quest for Jewish emancipation led these thinkers to formulate sweeping theories of social and legal reform that paved the way for revolutionary actions that helped change the world from 1789 onward-but hardly as they intended"--

The mayor of London and former Spectator editor challenges popular misconceptions to assess Churchill's enduring influence on the world, discussing the many contradictions of his life and his considerable political and military achievements.

After a childhood spent on Hollywood film sets, Meghan Markle fought hard for stardom. But even when she landed her breakthrough role on Suits, her dream of worldwide celebrity remained elusive until she met the man who would change her life--Prince Harry. Their whirlwind romance culminated with Meghan's ultimate fairy tale ending: their 2018 wedding at Windsor Castle. Finally, the world was her stage. It seemed that the dizzying success of the wedding between the new Duke and Duchess of Sussex marked the beginning of a fresh era for the British Royal Family. Yet, within one tumultuous year, the dream became a nightmare. Now, with extensive research and exclusive insider interviews, Britain's leading investigative biographer unravels the tangled web of courtroom drama, courtier politics, and thwarted childhood dreams to reveal this story of love, betrayal, secrets, deceit, and revenge.

First time in paperback, with a new Introduction and final chapter World affairs expert and intrepid travel journalist Robert D. Kaplan braved the dangers of war-ravaged Afghanistan in the 1980s, living among the mujahidin—the “soldiers of god”—whose unwavering devotion to Islam fueled their mission to oust the formidable Soviet invaders. In Soldiers of God we follow Kaplan’s extraordinary journey and learn how the thwarted Soviet invasion gave rise to the ruthless Taliban and the defining international conflagration of the twenty-first century. Kaplan returns a decade later and brings to life a lawless frontier. What he reveals is astonishing: teeming refugee camps on the deeply contentious Pakistan-Afghanistan border; a war front that combines primitive fighters with the most technologically advanced weapons known to man; rigorous Islamic indoctrination academies; a land of minefields plagued by drought, fierce tribalism, insurmountable ethnic and religious divisions, an abysmal literacy rate, and legions of war orphans who seek stability in military brotherhood. Traveling alongside Islamic guerrilla fighters, sharing their food, observing their piety in the face of deprivation, and witnessing their determination, Kaplan offers a unique opportunity to increase our understanding of a people and a country that are at the center of world events.

"As an orphaned survivor and witness to the horrors of Auschwitz, Elie Wiesel (1928-2016) compelled the world to confront the Holocaust with his searing memoir Night. How did this soft-spoken man from a small Carpathian town become such an influential figure on the world stage. Drawing on Wiesel's prodigious literary output and interviews with his family, friends, scholars, and critics, Joseph Berger seeks to answer this question."--

"From the author of the definitive biography of Frank Sinatra, the story of how jazz arrived at the pinnacle of American culture in 1959, told through the journey of three towering artists-Miles Davis, John Coltrane, and Bill Evans-who came together to create the most famous and bestselling jazz album of all time, Kind of Blue The myth of the 60s depends on the 1950s being the before times of conformity, segregation, straightness-The Lonely Crowd and The Organization Man. This all carries some truth, but it does nothing to explain how, in 1959, the great indigenous art form, jazz, reached the height of its power and popularity, led there by a number of Black geniuses so iconic they go by one name-Monk, Mingus, Rollins, Coltrane, and above all, Miles. 1959 saw Miles, Coltrane, Bill Evans, and the other members of Miles's sextet come together to record what is widely considered the greatest jazz album of all time, and certainly the best-selling: Kind of Blue. 3 Shades of Blue is James Kaplan's magnificent account of the paths of the three giants Miles, Coltrane and Evans to the mountaintop of 1959 and their path on from there. It's a book about music, and business, and race, and heroin, and the towns that gave jazz its home, from New York and LA to Philadelphia, Chicago and Kansas City. It's an astonishing meditation on creativity and the strange hothouses that can produce its full flowering. It's a book about the great forebears of this golden age, particularly Charlie Parker, and the people, like Ornette Coleman, who would take the music down strange new paths. And it's about why this period has never been replicated, why the world of jazz most people visit is a museum to it. But above all this is a book about three very different men-their struggles, their choices, their tragedies, their greatness. Bill Evans had a gruesome downward spiral, John Coltrane took the mystic's path into a space far away from mainstream concerns. Miles had three or four sea changes in him before the end. The tapestry of their lives is, in Kaplan's hands, an American Odyssey, with no direction home. It is also a masterpiece, a book about jazz that is as big as America"--