Elana Sztokman arrived in Israel in 1993 as a young religious mother wearing a long skirt and a hat covering her hair. Today, nearly 30 years later, after spending years fighting for women's rights in Orthodoxy, writing books about gender in religion, and eventually leaving that world behind, she confronts the personal struggles behind the public persona, revealing the traumas from her past that affected her entire relationship with her body. From two-time winner of the National Jewish Book Council Award comes a refreshing and very personal exploration of cultures of the female body in Jewish life. This collection of essays - marking the 25-year anniversary of her feminist awakening and spanning a diverse career of research, writing, and advocacy around Jewish women's experiences - offers political and personal insights and retrospectives on some of the most burning issues today. Topics include: sexuality, relationships, body-image, body-cover, ritual immersion, fat-shaming, slut-shaming, domestic violence, and sexual abuse. Elana brings her characteristic honesty, courage, wit, and profound insight into her writing, and shares some of her own traumas that set her on a sometimes tortuous life path.

Offers both a subjective history of our times and a true poet's journal. Spender has preserved his memories of people and events, drafts of poems, plays and stories, vivid travel notes from all over the world, insights into painting and music, and the impressions of a life devoted to literature.

Summing up the work of libertarian economist and historian Murray N. Rothbard (1926-1995) and noting its stunning range, philosopher David Gordon once wondered "if there are really three, four, or five geniuses writing under his name." These lively essays display one of those geniuses: Rothbard the journalist, cultural critic, political observer, and movement organizer. Even more remarkable, they represent just a fraction of what he wrote in his spare time, for just one publication, and in just the last few years of his life. His articles combined libertarian anti-government economics, decentralist local patriotism, anti-war isolation, and a reactionary cultural outlook that saw government as the key to the loss of the Old Republic. He defended land-rights groups against environmentalists, citizen militias against gun grabbers, isolationists against imperialists, paleoconservatives against neoconservatives, populists against party regulars, anti-New World Order conspiracy theorists against the establishment, nationalists against internationalists, states righters against libertarian centralists, the Christian right against its own leadership, and much more. These essays show forth not only Rothbard's intellectual vigor, but the complete joy with which he embraced life, and how his extreme optimism made even the most severe setbacks tolerable. He experienced great disappointments and great successes, but through it all he was heroic, undaunted, and irrepressible. In this, as in everything else, Murray Rothbard is the model for those who long for liberty, and work for it.

Analyzes poetry by four Americans, none of whom directly experienced the Holocaust. For these poets, writing becomes a moral obligation as commemoration, catharsis, atonement, history, insistence on human sensitivities, resistance to brutalization, indifference, and flight from consequences. Plath attempts to work herself out of her private turmoil by using the Holocaust as a metaphor for this pain. While God and the Holocaust are equally impenetrable and unfathomable, Plath's recourse is to be found in Christian symbolism. Heyen, whose parents emigrated from Germany in 1928, leaving behind members of the family who became Nazis, felt driven to confront history as part of his own background. Stern, who grew up in the safety of America, must expiate this guilt by envisaging and transposing himself into the victims. When Rothenberg visited Poland, he realized that his parents' native town was only 15 miles from Treblinka, where nearly all of his relatives were murdered. The silence of the death camp created for him "a vacuum in which the dead are free to speak". States that if Adorno's proposition - "to write poetry after Auschwitz is barbaric" - were to be taken literally, it would undermine the validity of this endeavor. But poets from time immemorial did not permit their world to collapse because of catastrophe and calamity. Includes an introductory chapter addressing the issue raised by Adorno, as well as a survey and interpretation of the components of the Holocaust genre.

"More than forty years of scribble, scribble, scribble, and I have been sued only once..." But this collection of essays is no less a pleasure to read for all that. Mordecai Richler is an exuberant essayist, with a combative wit and sharp eye, regularly offending some, endearing himself mightily to others, and always hugely entertaining. Like all great satirists, he is passionate about the world in which we live; it's that appetite for life and friendship, his love of sanity and common sense as much as his hatred for sacred cows, that lies at the heart of this irresistible book.

Gerald Abraham's reputation as an authority on Russian music has tended to obscure his deep interest in the music of Poland and Czechoslovakia and in the music of the nineteenth-century generally. From a lifetime's devoted scholarship in these fields the author has now selected his best work to make up a volume of exceptional breadth and fascination. The subjects range from the relationship of Slavonic music to the western world to detailed essays on figures such as Chopin, Dvorak, Rubinstein and Mussorgsky. There are two new unpulished essays. A study of realism in Janacek's operas contains a particularly fine analysis of 'From the House of the Dead' and there is an account of the fantastic 'erotic diary' for piano in which Fibich, one of the best, recorded the secrets of his love affair with Anezka Schulzova. This book is welcomed as much by specialists in the field as by the general reader.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Abstract: "In June 2012, an early manuscript by renowned art historian Erwin Panofsky was discovered in a vault in a government building in Munich. The manuscript was quickly identified as Panofsky's habilitationsschrift on Michelangelo, a long-missing and legendary document that certified Panofsky to lead university courses, and about which scholars had speculated for decades. The manuscript's origins date back to late spring of 1920 (and was completed when its author was twenty-eight), but in 1933, Panofsky was forced to flee Nazi Germany without being able to go through his office or papers. The manuscript disappeared in the years leading up to World War II and was thought destroyed in the fire-bombing of Hamburg. Following his emigration to the United States in 1934, Panofsky joined the faculty of the newly-formed Institute for Advanced Study, and went on to author a dozen books, including three with Princeton University Press.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Istvan Anhalt, himself a composer of many vocal works, has written an interdisciplinary study of the innovative vocal and choral music that has emerged in Europe and North America since the Second World War. This music has amazed, confused, sometimes shocked, and often deeply moved its listeners, and the author probes its very roots. Anhalt sketches briefly the antecedents of this revolutionary music and then illustrates the subject by looking closely at works by three of the greatest composers of modern vocal and choral music: Luciano Berio’s Sequenza III for female solo voice, Gyӧrgy Ligeti's Nouvelles Aventures for three solo voices and small instrumental ensemble, and Witold Lutoslawski’s Trois Poèmes d’Henri Michaux for large chorus and orchestra. The author next seeks to formulate a conceptual framework to explain post-war vocal composition. He discusses relationships between poetry and music, speaking and singing, theatre and music, and composers and performers. He identifies and examines recurring themes in his corpus, including hallowed and cursed names, repetition as a mythical and/or mystical technique, the arcane, magical elements in music and language, and music as spectacle or celebration and as a search for the past. Anhalt also considers the structural elements and compositional procedures used in creating this type of music. The complex associations with other creative activities that typify modern vocal composition help to make it, as Anhalt shows clearly, an extraordinary rich mosaic of alternative voices.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Les Discours Du Docteur O'Grady André Maurois B. Grasset, 1922 History; Military; World War I; Fiction / Literary; History / Military / World War I; Literary Criticism / European / French

This book analyzes seven important works in the field of Modern Hebrew fiction that were translated to English and adapted into films. The author presents a brief history of Modern Hebrew literature, and a brief survey of Israeli cinema and of the adaptation of Israeli prose fiction into films. The chapters include a presentation of the literary world of the author whose work is studied and an itemization of his literary works in English translations. At the end of each chapter there is a discussion of the cinematic adaptation of the literary work studied in that chapter followed by a bibliography.

Explore the life and legacy of one of France's most celebrated women writers with "Famous Women: George Sand," a biography by Bertha Thomas. This meticulously prepared edition offers a window into the 19th century and the extraordinary life of Amantine Lucile Aurore Dupin, known to the world as George Sand. Delve into the story of a woman who defied societal expectations and carved her own path as a novelist, challenging conventions and captivating readers with her passionate prose. This biography examines Sand's literary contributions and her significant role in French literature. Discover the key moments and influences that shaped Sand's life and work, solidifying her place as a prominent figure and enduring symbol of female authorship. "Famous Women: George Sand" is a valuable resource for those interested in biography, women's studies, and the rich tapestry of 19th-century literary history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Recounts the main events and relationships of Maugham's long life and analyzes most of the important plays, stories, novels, and essay collections, with a glance at film scripts and miscellanea