"We cannot help wincing, cannot help feeling that the author has committed an error of taste, cannot help hoping with all the vigour at our command that his example will not be followed. [...] We are compelled by conviction to express in clear terms the disfavour with which we regard audacious enterprises such as the one undertaken by the author of this novel." -- The Literary World, May 25, 1900 "Richard Marsh, author of A Second Coming , is the author also of 'The Beetle' and 'The Crime and the Criminal.' This, therefore, is his third coming. If one wishes to read one of his books, let it be 'The Crime' or 'The Beetle.' It may be better than 'A Second Coming.' It cannot easily be worse." -- The Critic, July, 1900 A Second Coming (1900) was the first attempt at serious literature by popular novelist Richard Marsh, and when it was published by the influential London publisher Grant Richards, whose publishing house helped launched the careers of George Bernard Shaw, G. K. Chesterton, and James Joyce, it appeared Marsh was on his way toward success as a respected literary writer. But the reviews were uniformly negative, decrying the book as blasphemous, and Marsh's bold and fascinating work was declared a failure and quickly consigned to oblivion. In A Second Coming , Marsh imagines what would happen if the long-awaited second coming of Christ took place in present-day London. How would he be received in a modern, industrialized world that had begun to question the relevance of his teachings and had tacitly given up hope of his return? Surprising and thought-provoking, Marsh's novel and the questions it raises are perhaps as relevant as ever. This edition features the unabridged text of the novel, a reproduction of its original cover, and a new introduction by Paul Fox.

Gilbert Frankau (1884 - 1952) was a popular British novelist. He was known also for verse (he was a war poet of World War I) including a number of verse novels, and short stories. His novels, while having conventional romantic content, also contained material from his own conservative politics and meditations on Jewish identity in the climate of the times.

Edelweiss: A Story , by Berthold Auerbach, is a classic work of 19th-century literature that transports readers to a simpler time and place. Auerbach's narrative is a window into the past, depicting the nuances of village life. This edition allows a new generation to appreciate Auerbach's storytelling. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Step into the surreal world of Feodor Sologub, a mystical and masterful storyteller. In this collection of tales, readers will encounter witches, wizards, and other fantastical creatures unlike anything they have seen before. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.