"Tony Greenstein offers a comprehensive and incisive analysis of the indissoluble nexus between anti-Semitism and Zionism. This connection is exposed in its ugliest form during the Holocaust. You can trust a courageous and committed fighter against anti-Semitism, such as Tony, to guide us through this particular dark moment when Zionism and antiSemitism interacted in Europe's darkest hour to educate us about its historical manifestations and implications for our time." Ilan Pappe, Professor of Middle East History, Exeter University "This book is essential reading. Understanding the politics of the thirties and forties is essential if we are to ensure the horrors of World War Two never happen again. Tony Greenstein's detailed reference to original sources leads to conclusions that cannot be ignored." Ken Loach, socialist film maker "In this timely scholarly polemic Tony Greenstein authoritatively demystifies Zionism, convincingly depicting its long obscured and misunderstood connections with anti-Semitism, especially during its horrifying climax in the Holocaust. Essential reading for anyone that wants to understand Israel as a state built upon the premise of Jewish supremacy and sustained by a cruel apartheid regime to deny basic rights to the Palestinian people in their own country." Richard Falk, Professor of International Law Emeritus, Princeton University and Chair of Global Law, Queen Mary University London "The present book is about the entire history of this relationship between Zionism and anti-Semitism. Tony's encyclopaedic familiarity with the dispersed relevant publications and his achievement in arranging the vast material in a coherent account are second to none." Emeritus Professor Moshé Machover, King's College, London University "This is a work of remarkable historical scholarship and analysis, its subject matter is as telling and relevant today as it ever was." Dr Derek Summerfield, Honorary Senior Clinical Lecturer King's College, University of London "Greenstein's book, meticulously researched and liberally peppered with quotations from original sources, will make uncomfortable reading for anyone who feels a sneaking sympathy for Zionism". Dr. Susan Blackwell, Dept of Languages, Literature and Communication, University of Utrecht "The historical relationship of Zionism with antisemitic and racist regimes and movements has been an area long neglected by normative research, influenced as it is by Zionist assumptions; this is why Tony Greenstein's book is so crucial, further developing the pioneering work by Lenni Brenner. Greenstein work is epic in scope, shedding light on dark corners, covering an immense historical, geographic, political and discursive arena; It provides an updated, comprehensive account and evaluation of Zionism's complex interrelation with, as well as its uses and abuses of the Holocaust." Professor Haim Bresheeth, School of Oriental and African Studies, University of London "In this substantial, detailed and scrupulously referenced account, the history of Zionist policies and practices before, during and after the Nazi Holocaust is examined in all its awfulness. Greenstein will no doubt be vilified by predictable opponents, but he offers a powerful alternative to the way most people would think about Zionism, given its current status as beyond criticism, on pain of accusations of antiSemitism." Patrick Williams, Emeritus Professor, Nottingham Trent University

Richard Hofstadter, the distinguished historian and twice winner of the Pulitzer Prize, brilliantly assesses the ideas and contributions of the three major American interpretive historians of the twentieth Frederick Jackson Turner, Charles A. Beard and V.L. Parrington. These men, whose views of history were shaped in large part by the political battles of the Progressive era, provided the Progressive movement with a usable past and the American liberal mind with a historical tradition. The Progressive Historians is at once a critique of historical thought during this decisive period of American development and an account of how these three writers led American historians into the controversial political world of the twentieth century. Turner, in developing his idea that American democracy is the outcome of the experience of frontier expansion and the settlement of the West, introduced his fellow historians to a set of new concepts and methods, and in doing so doing re-drew the guidelines of American historiography. Beard insisted upon the elitist origins of the Constitution, crusaded for the economic interpretation of history, and ultimately staked his historical reputation on an isolationist view of recent American foreign policy. Parrington emphasized the moral and social functions of literature, and read the history of literature as a history of the national political mind. In recent years, the tide has run against the Progressive historians, as one specialist after another has taken issue with their interpretations. The movement of contemporary historical thought has led to a rediscovery of the complexity of the American past. Although he cannot share the faith of the Progressive historians in the sufficiency of American liberalism as a guide to the modern world, Richard Hofstadter believes we have much to learn about ourselves from a reconsideration of their insights.

The world of comedy and comedians of the last five decades. By the man the New York Times calls a comic institution himself, the only comedian (twenty-six years in stand-up) to have made Elie Wiesel laugh, as well as having appeared on The Tonight Show (140 times, second only to Bob Hope, but who's counting). From the director of TV comedy series Mad About You, Seinfeld, Friends, Weeds and Curb Your Enthusiasm . Larry David: "I'm lucky. I know and love David Steinberg. You don't. Now's your chance. Don't blow it! "David has always been a comedy hero to me. One of his many gifts is the ability to inspire funny people to be even funnier, as you will discover in this truly hilarious, insightful book." --Martin Short From David Steinberg, a rabbi's son from Winnipeg, Canada, who at age fifteen enrolled at Hebrew Theological College in Chicago (the rabbinate wasn't for him) and four years later, entered the master's program in English literature at the University of Chicago, until he saw Lenny Bruce, the Blue Boy of Comedy, the coolest guy Steinberg had ever seen, and joined Chicago's Second City improvisational group, becoming, instead, the comedian's comedian, director, actor, working with, inspired by, teaching, and learning from the most celebrated, admired, complicated comedians, then and now--a funny, moving, provocative, insightful look into the soul, wit, and bite of comedy and comedians--a universe unto itself--of the last half-century. From the greats: George Burns, Lenny Bruce, Sid Caesar, Lucille Ball, Mel Brooks, and Carl Reiner, et al., to the newer greats: Carol Burnett, Steve Martin, Lily Tomlin, Billy Crystal, Bob Newhart, and the man for all comedy, Martin (Marty) Short; to the greats of right now: Chris Rock, Dave Chappelle, Julia Louis-Dreyfus, Wanda Sykes; and more . . . Steinberg, through stories, reminiscences, tales of directing, touring, performing, and, through the comedians themselves talking (from more than 75 interviews), makes clear why he loves comedy and comedians who have been by his side in his work, and in his life, for more than sixty years. Here are: Will Ferrell, Eric Idle, Whoopi Goldberg, Mike Myers, Groucho himself and the greatest of them all (at least of the last half century), Jonathan Winters . . .

For more than twenty years David Brion Davis has been recognized as a leading authority on the moral and ideological responses to slavery in the Western world. From Homicide to Slavery, Davis's first book of collected essays, brings together selections reflecting his wide-ranging interests in colonial history, Afro-American history, the social sciences, and American literature. The essays are interconnected by Davis's central concern with violence, irrationality, and the definition of moral limits during a period when Americans believed they were breaking free from historical constraints and acquiring new powers of self-perfection. Topics range from a socially revealing murder trial in 1843 to debates over capital punishment, movements of counter-subverison, the iconography of race, the cowboy as an American hero, the portrayal of violence in American literature, the historiography of slavery, and the British and American antislavery movements.

Norman Mailer, Susan Mailer's father, was among the most celebrated, talented, and controversial writers of the 20th Century. The Naked and the Dead (1948), inspired by his experience in World War II, was a bestseller and made him famous at the age of 25. Notoriously combative and egotistical, her father enjoyed a good fight both physically and verbally. Whether cheered or booed, Mailer was front and center in America's cultural battles for more than 50 years. He married six times and was father to nine children. Susan, born in 1949, is the eldest. Susan's parents separated when she was a baby. She grew up shuttling between her mother's home in Mexico and New York. Later she would marry a Chilean activist, spending the majority of her adult life in Chile, where she is a practicing psychoanalyst. In Another Place tells the story of her intense and complex relationship with her father, her five stepmothers and nine siblings, and the joys and pains of being part of the large Mailer clan. It is a tale of separation, and of the rewards and struggles of living in two very different cultures. Of being someone who belongs everywhere and nowhere, always longing for a life . . . In Another Place.

This book tells the story of an event that changed the world forever and raises important issues that are still relevant today

Join Flavia, Jonathan, Nubia, and Lupus as they explore fascinating facets of life in ancient Rome. Evocative text and vivid full-color illustrations bring to life the themes, settings, and personalities in the bestselling series. Topics covered include Flavia on the class system in Roman society, favorite myths and legends, and holidays and celebrations; Jonathan discovering the world of Roman sport and leisure and the different religions; Nubia on animals in Roman times; and Lupus on childhood in Roman times, plus ancient cultures' fascination with number and alphabet puzzles and games.A timeline of key events in Roman history and a map of the Roman Empire are included."

"Ancient Mesopotamia - the area now called Iraq - has received less attention than Ancient Egypt and other long-extinct and more spectacular civilizations. But numerous small clay tablets buried in the desert soil for thousands of years make it possible for us to know more about the people of ancient Mesopotamia than any other land in the early Near East. Professor Oppenheim, who has studied these tablets for more than thirty years, has used his intimate knowledge of long-dead languages to put together a distinctively personal picture of the Mesopotamians of some three thousand years ago. He outlines Babylonian and Assyrian history; discusses the social structure and psychology of the Mesopotamian people; describes their daily life, religion, literature, technology, and scientific tradition. This precise and unbiased presentation focuses on those unique cultural features of the ancient land that enabled the Mesopotamian civilization to last for more than three millennia. The result is a deft "portrait," a candid appraisal of the very essence of ancient Mesopotamia." --

Written by one of American theater's most avid and knowledgeable proponents, "No Legs, No Jokes, No Chance" traces the American musical from its rich and varied beginnings in European opera, American minstrel shows, and vaudeville through its many permutations to its current state--from, as Sheldon Patinkin puts it, La Boheme to Rent . Minstrelsy, burlesque, revue, dance, and choreographers, the "texts" of musical theater so often overlooked by its historians, finally receive due consideration in this thorough and thoroughly entertaining book about how American musical theater came to be and developed into what it is today. Patinkin writes about the infancy of the musical--the revues, operettas, and early musical comedies, as well as the groundbreaking shows like Oklahoma !, and Show Boat that brought the form to its "golden age" during World War II. With insightful references to how history, literature, theater, fashion, popular music, and movies influenced musical theater generally and certain shows in particular, he traces a direct lineage from older forms to contemporary musicals. The result is a broad, clear, and detailed picture of American musicals within both an aesthetic and a historical context. Patinkin conveys the pleasure of the ever-changing forms of musical theater even as he gives readers the analytical tools and terms to understand and better appreciate this uniquely American art. The book features a selection of black and white photographs from historical musical productions, and each chapter includes suggestions for materials to watch and listen to at home or in the classroom.

"Life was harsh in the town of Bialystok, particularly for a Jewish boy like Leyzer Zamenhof. But Leyzer thought he knew the reason for the anger and distrust. With every group speaking a different language, how could people understand each other? Without understanding, how could there be peace? Zamenhof had an idea: a "universal" second language everyone could speak. But a language that would be easy to learn was not easy to invent, especially when even his own father stood between him and his dream. Yet when at last in 1887 "Doctor Esperanto" sent his words into the world, a boy's idea became a community that spread across the globe."--Book jacket.

'Brisk, smart, witty, elliptical ... Recalls the directors of the New Wave ... Bracing and brilliant' Independent When Patrick Modiano was awarded the 2014 Nobel Prize for Literature he was praised for using the 'art of memory' to bring to life the Occupation of Paris during the Second World War. Born in 1945, Modiano's brilliant, angry writings burst onto the Parisian literary scene and caused a storm. His first, ferociously satirical novel, La Place de l'Étoile , was remarkable in seriously questioning both Nazi collaboration in France and the myths of the Gaullist era. The Night Watch tells the story of a man caught between his work for the French Gestapo and for a Resistance cell. Ring Roads recounts a son's search for his Jewish father, who disappeared ten years previously. These brilliant, almost hallucinatory, evocations of the Occupation attempt to exorcise the past by exploring the morally ambiguous worlds of collaboration and resistance.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

Venice for Lovers is a memorable collaboration by two fine stylists who have fashioned their own personal homages to Venice, one with a novella, the other with a personal essay. Every year for all the thirty they have been married, Begley and Muhlstein have escaped to Venice to write. In her contribution to the book, Muhlstein charmingly describes how she and her husband dine at the same restaurant every night for years on end, and how becoming friends with restaurateurs has been an unsurpassed means of getting to know the city and its inhabitants, far from the tourists in San Marco Square. In his short novella, Begley writes a story of falling in love with--and in--Venice. His twenty-year-old protagonist, enamored with an older, far worldlier woman of twenty-seven, is lured by her to the City of Water, only to be unceremoniously dumped and left to fend for himself after a brief rendezvous. But he discovers a lasting love for Venice itself--not an uncommon romance, as Begley's brilliant literary essay on the city's place within world literature demonstrates: Henry James, Marcel Proust, and Thomas Mann were all illustrious predecessors.

The papers in this book represent a unique integration of Jewish history and classics. They tackle from different angles the extent to which Jews in the Graeco-Roman period differed from other peoples in the Mediterranean region, and how much Jewish evidence can be used for the history of the wider classical world. The authors make extensive use not only of types of evidence familiar to classicists, such as inscriptions and the writings of Josephus, but also Jewish religious literature, including Rabbinic texts. The various studies demonstrate that, although Jews lived to some extent apart from others with distinctive customs, in many ways their history also highlights the cultural presuppositions and preoccupations of their non-Jewish contemporaries. The book aims to encourage wider use of the Jewish evidence by classicists and will be important for all students of the classical world.

Described as “a continuous carnival” and “the crossroads of the world,” Times Square is a singular phenomenon: the spot where imagination and veracity intersect. To esteemed scholar and author Marshall Berman, it is also the flashing, teeming, and strangely beautiful nexus of his life. In this remarkable book, Berman takes us on a thrilling illustrated tour of Times Square, revealing a landscape both mythic and real. On the Town is a unique look through the lens of the ideas and works of art that inspired–or were inspired by–this landmark’s allure. Times Square pulses with life, drawing countless millions who long to be surrounded by too many in the midst of too much. Beyond the immense crowds, the intoxicating lights, the imposing architecture, and even the recent incursion of corporate headquarters that limn the Square’s present boundaries, there is an indefatigable humanity (and undeniable sexual tension) that, for more than a century, has nourished creative expression. Interleafing his own recollections with astute social commentary, Berman reveals how movies, graphic arts, literature, popular music, television, and, of course, the Broadway theater have reflected Times Square’s voluminous light to illuminate a vast spectrum of themes and vignettes. Berman shows us Times Square as it is seen in Alfred Eisenstadt’s iconic photography, the movies of Busby Berkeley, John Schlesinger, and Martin Scorsese, and the stage choreography of Jerome Robbins. Conversely, we see how Times Square’s distinctive aura finds its source in a stunningly diverse list of performers, writers, and impresarios, including Theodore Dreiser, Florenz Ziegfeld, Ethel Merman, Al Jolson, Bob Dylan, and Bruce Springsteen. Berman also celebrates the unsung heroes of Times Square–the artists, engineers, and hucksters behind the Square’s landmark signs that, throughout the decades, re-created raging waterfalls, blew smoke rings, bathed onlookers in the Square’s eerily welcoming light, and projected the image of what Americans want to be against a surface of who we really are. Part love letter, part revelatory semiotic exposition of a place known to all, On the Town is a nonstop excursion to the heart of American civilization, written by one of our keenest, most entertaining cultural observers.

The words ‘hasid’ and ‘hasidism’ have become so familiar to people interested in the Jewish world that little thought is given to understanding exactly what hasidism is or considering its spiritual and social consequences. What, for example, are the distinguishing features of hasidism? What innovations does it embody? How did its founders see it? Why did it arouse opposition? What is the essential nature of hasidic thought? What is its spiritual essence? What does its literature consist of? What typifies its leadership? What is the secret of its persistence through the centuries? How have scholars explained its origins? Is hasidism an expression of mystical ideas, or a response to changing social circumstances? What is its connection to kabbalah? To Shabateanism? To messianism? What is its relationship to the traditional structures of authority in the Jewish world? This book aims to answer all these questions in a lucid and accessible manner. Rachel Elior focuses on the fundamental positions and the factors of primary importance: the substantial issues that recur in the hasidic texts, including how hasidim have seen themselves over the centuries, how they have constructed a new spiritual and social ideal, and how that ideal has stood the test of reality. The goal is to present the main characteristics of the hasidic movement and to examine the social implications of its mystical ideas. The text is fully supported by references to the relevant hasidic sources and academic literature. The book concludes with a list of the hasidic texts on which the discussion is based and a comprehensive bibliography of scholarly works on kabbalah and hasidism.

"It was one of history's great vanishing acts. As early as 3500 BCE, scribes in the mud-walled city-state of Sumer used a reed stylus to press tiny wedge-shaped symbols into clay. For three thousand years, the script chronicled the military conquests, scientific discoveries, and epic literature of the grand kingdoms of Mesopotamia - Assyria, Babylon, the mighty Achaemenid Empire - along with precious minutia about everyday life so long ago. But as the palaces of these once great kingdoms sank beneath the desert sands, the meaning of these characters was lost. London, 1857. Colossal sculptures of winged bulls and alabaster bas-reliefs depicting cities under siege and vassals bearing tributes to Biblical kings lined the halls of the British Museum. In the Victorian era's obsession with the triumph of human progress, the mysterious kingdoms of ancient Mesopotamia - the very cradle of civilization - had captured the public imagination. Yet Europe's best philologists struggled to decipher the strange characters. Cuneiform seemed to have thousands of symbols - with some scholars claiming each could be pronounced in up to eight, nine, even ten different ways. Others insisted they'd cracked the code and deciphered inscriptions that corresponded precisely to the Old Testament - proving the veracity of the Word of God. Was it all a hoax? A delusion? A rollicking adventure through the golden age of archaeology, The Writing on the Wall tracks the decades-long race to decipher the oldest script in the world. It's the story of a swashbuckling young archeologist, a suave British military officer, and a curmudgeonly Irish rector, all vying for glory - from the ruins of Persepolis to the opulence of Ottoman-era Baghdad - in a quest to unearth the relics of lost civilizations and unlock the secrets of humanity's past"--

Based on years of research and thousands of notes left by John Bennett, Mr. Skylark is an unusually intimate biography of a pivotal figure in the Charleston Renaissance, the brief period between the two World Wars that first witnessed many of the cultural and artistic changes soon to sweep the South. The book not only examines Bennett's life but also reveals the rich tapestry of the literary and social history of Charleston. An outsider who became an insider by marrying into the local aristocracy, Bennett was perfectly placed to observe social and artistic change and to prompt it. He published the first scholarly treatise on Gullah, the language of the coastal Southern blacks, and collected African American spirituals and tales. But after breaking several racial taboos of the time, he was publicly condemned, and it was only through mentoring such writers as Hervey Allen and DuBose Heyward that he was eventually welcomed back into the heart of the city. Today, the Charleston aesthetic, which mourned the loss of beauty in a modernizing South, is often overlooked in the study of Southern literature, but Bennett, through his extensive private correspondence and notes, offers insight into the forces that shaped this cultural movement. Restored to us in all his complexity and humor, Bennett is important for his own accomplishments, but also for providing a lens through which to view southern literary history and the complexities of a changing South.

In the immediate aftermath of World War II, more than a quarter million Jewish survivors of the Holocaust lived among their defeated persecutors in the chaotic society of Allied-occupied Germany. Jews, Germans, and Allies draws upon the wealth of diary and memoir literature by the people who lived through postwar reconstruction to trace the conflicting ways Jews and Germans defined their own victimization and survival, comprehended the trauma of war and genocide, and struggled to rebuild their lives. In gripping and unforgettable detail, Atina Grossmann describes Berlin in the days following Germany's surrender--the mass rape of German women by the Red Army, the liberated slave laborers and homecoming soldiers, returning political exiles, Jews emerging from hiding, and ethnic German refugees fleeing the East. She chronicles the hunger, disease, and homelessness, the fraternization with Allied occupiers, and the complexities of navigating a world where the commonplace mingled with the horrific. Grossmann untangles the stories of Jewish survivors inside and outside the displaced-persons camps of the American zone as they built families and reconstructed identities while awaiting emigration to Palestine or the United States. She examines how Germans and Jews interacted and competed for Allied favor, benefits, and victim status, and how they sought to restore normality--in work, in their relationships, and in their everyday encounters. Jews, Germans, and Allies shows how Jews were integral participants in postwar Germany and bridges the divide that still exists today between German history and Jewish studies.

Islamic antisemitism is as old as Islam itself, and is not a mere borrowing from non-Muslim sources, as has been claimed. The Legacy of Islamic Antisemitism provides comprehensive, meticulously documented evidence that a readily discernible, uniquely Islamic antisemitism—specific Muslim hatred of Jews—has been expressed continuously since the advent of Islam. Writing in 1971, S.D. Goitein, the pre-eminent scholar of Muslim-Jewish relations as revealed in the Geniza documentary record of the high Middle Ages (950-1250 C.E.), employed the term antisemitism, “…in order to differentiate animosity against Jews from the discrimination practiced by Islam against non-Muslims in general. Our scrutiny of the Geniza material has proved the existence of ‘antisemitism’ in the time and the area considered here…”. Goitein cited as concrete proof of his assertion that a unique strain of Islamic Jew hatred was extant at that time (i.e., up to a millennium ago)—exploding the common assumption of its absence—the fact that letters from the Geniza material, “…have a special word for it and, most significantly, one not found in the Bible or in Talmudic literature…but one much used and obviously coined in the Geniza period.” Important examples of antisemitic motifs in the foundational Muslim texts are presented: from the Koran and Koranic exegesis by the greatest classical and modern Muslim commentators; the hadith (words and deeds of the Muslim prophet Muhammad as recorded by pious Muslim transmitters), the sira (earliest Muslim biographies of Muhammad), as well as the writings of influential Muslim jurists, theologians, and scholars, from the Middle Ages through the contemporary era. These primary sources, and seminal secondary analyses translated here for the first time into English such as Hartwig Hirschfeld’s mid 1880s essays on Muhammad’s subjugation of the Jews of Medina, and George Vajda’s elegant, comprehensive 1937 study of the hadith—detail the sacralized rationale for Islam’s anti-Jewish bigotry. Numerous complementary historical accounts illustrate the resulting the plight of Jewish communities in the Muslim world across space and time, culminating in the genocidal threat posed to the Jews of Israel today. The Legacy of Islamic Antisemitism debunks the conventional wisdom which continues to assert that Muslim Jew hatred is entirely a 20th century phenomenon, a loose amalgam of re-cycled medieval Christian Judeophobic motifs, calumnies from the Czarist Russia “Protocols of the Elders of Zion”, and standard Nazi propaganda, that only arose after the advent of the Zionist movement and the protracted Arab-Jewish conflict over all of the lands comprising the original 1922 Mandate for historical Palestine. Scholars, educators, and interested lay readers will find this collection an invaluable resource for understanding the phenomenon of Muslim antisemitism, past and present. An updated Author’s Preface for this new edition—which includes materials through January 3, 2020—elucidates the current global pandemic of Muslim Antisemitism, and its resulting violent manifestations, in Israel, Western Europe, and the United States. Doctrinal drivers of this hatred, as espoused by iconic Muslim religious leaders representing the pinnacles of institutional Islamic religious education—both Sunni and Shiite—are introduced. This compendious, timely exposé rivets upon freshly translated samples of modern, seminal Koranic glosses—rife with Jew-hatred—which shape current understandings of Islam’s holy book, and Islam itself, by the Muslim masses. The new Preface concludes with a focused discussion about why non-Muslim religious leaders, especially Jews, must admonish institutional Islam to begin its own process, akin to Vatican II/Nostre Aetate, of expunging at least the most virulent Jew-hating motifs from Islam’s core theology.