This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Product Description Poems in this collection come from several volumes published in the German between 1969-78. They expose, with bitter humor, injustice: "The freedom to open one's mouth / exists even when / some people proclaim / 'They are being made to shut up'...You need simply make a list of all / that comes out of mouths...Firstly screams / ...if all goes well / ...the voluntary confession." (p. 45) Fried was deeply involved in post World War II German politics and in politics in general. Stuart Hood writes: "Fried's poetry is remarkable because it expresses a spectrum of feeling in which there is no dividing line between the political and the personal." Political injustice is felt deeply and personally. Fried was a radical unattached to any party or idealogy. Review "A poetical voice of infallible distinction, energy and wit." --Library Journal "Fried's poetry is remarkable because it expresses a spectrum of feeling in which there is no dividing line between the political and the personal." --Stuart Hood About the Author Erich Fried 1921-1988 Born in Vienna left for London in 1938, worked with the BBC. More than 20 of his works have been published 100 Gedichte ohne Vaterland won the 1978 International Publishers Prize Prix des Sept. Poems in this volume were written 1969-1978

A Bilingual Edition Romanian poet Paul Celan (1920–1970) is celebrated for his late works in German: Breathturn (1967), Threadsuns (1968), and Lightduress (1970, all published by Green Integer). Less known are his writings in Romanian, written before his arrival in Vienna in 1947. The famously melancholic poet characterizes these early years as being touched with euphoria. "Paul Celan… has become the raw material of so much critical processing, it has become difficult to read him without hearing the voices of the commentators. The continual buzzing of the interpretive chorus around Celan’s poetry has nearly added another layer of pain to work that is already written at the synapses of raw nerves. I say 'nearly,' because happily there is Julian Semilian and Sanda Agalidi, who translate the poetry as if there are only two entities in the room: Psyche and Echo. Celan would have been proud to be thus refreshed." — Poet/critic Andrei Codrescu on Romanian Poems

"The first English translation of a major work of postwar German poetry. Austrian writer Ilse Aichinger (1921–2016) was a member of the Gruppe 47 writers’ group, which sought to renew German-language literature after World War II. From a wide-ranging literary career that encompassed all genres, Squandered Advice was Aichinger’s sole poetry collection. The book gathers poems written over several decades, yet Aichinger’s poetic voice remains remarkably consistent, frequently addressing us or a third party, often in the imperative, with many poems written in the form of a question. Even though they use free verse throughout, the poems are still tightly structured, often around sounds or repetition, using spare language. Phrases are often fragmentary, torn off, and juxtaposed as if in a collage. Isolated and haunting, the images are at times everyday, at other times surreal, suggesting dreams or memories. The tone ranges from reassuring and gentle to disjointed and disturbing, but the volume was carefully composed by the author into an integral whole, not chronological but following its own poetic logic. This new translation makes Aichinger’s critically acclaimed book, which has inspired poets in the German-speaking world for decades, available to English-language readers for the first time."--Publisher description.

Poetry. "Maxine Chernoff's THE TURNING turns at the moment 'when we survive our disappearances,' 'when murder chastises history,' in other words, right now - when all that's left is the leveled playing field of the page, where graffiti scrawled on a wall is just as likely to carry import as Kristeva or Emerson or 'memory or Memorex.' In stanzas taut as guitar strings - or purse strings pulled tight against the chest - these poems recall a kind of classic Ahkmatovan cry (though they never plangent) combined with a Tsvetaeva-like pluckiness, all of which gets overridden by Chernoff's supreme humanity, ferocity, intelligence, wit, honesty: 'I had thought I knew how the world would end, but all I really know is how to stare and point.' Then the book takes yet another turn, beyond the staring and pointing" - Gillian Conoley.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The Second Mrs. Tanqueray" by Arthur Wing Pinero is a gripping drama that delves into the complexities of love, morality, and societal expectations in Victorian England. The play centers around the character of Paula Tanqueray, a woman with a troubled past who marries for the second time and must grapple with the consequences of her previous actions. As Paula navigates the challenges of her new marriage and attempts to integrate into high society, she faces judgment and scrutiny from those around her. Despite her efforts to leave her past behind, Paula finds herself haunted by the shadows of her former life, leading to tensions and conflicts with her husband, his family, and society at large. Pinero's masterful storytelling and rich character development draw audiences into Paula's world, inviting them to empathize with her struggles and dilemmas. Through Paula's experiences, the play explores themes of forgiveness, redemption, and the enduring impact of one's past choices.

This new edition of poems draws from poems published during and shortly after the First World War by Siegfried Sassoon. Also included are several early poems showing his early naïve ignorance of the terrible reality of war, prior to the death of his brother in 1915 and his experiences at the front, and later Sassoon's A Soldier's Declaration, which marks his break with the military authorities. Such was the uproar caused by his statement, which was read aloud in parliament and published in The Times in 1917, that he was afterwards diagnosed with shell shock and incarcerated in a hospital, where he continued to write and met Wilfred Owen. Poems included in this edition are:AbsolutionA Letter HomeThe HeroThe Poet as HeroThe GeneralAttackCounter-AttackThe Rear-GuardWirersThe Humbled HeartPrelude: The TroopsDreamersHow to dieThe EffectA Soldier's DeclarationThe FathersLamentationsSuicide in the trenchesDoes it matter?Fight to a finishEditorial ImpressionGlory of womenTheir frailtyThe Hawthorn TreeThe InvestitureTrench DutyBreak of dayTo any dead officerSick leaveBanishmentSong-books of the warThrushesAutumnInvocationRepression of war experienceThe TriumphJoy BellsRemorseDead MusiciansThe DreamIn BarracksConscriptsTogetherSurvivorsEveryone SangThe book also includes a new introduction by Kenneth Grant introducing the reader to Sassoon's world and tracing the progress of his poetry from naive patriotism on the eve of war to something darker.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Boria Sax, steeped in animal studies in myth and literature, is not only a teacher and scholar, but also one of our finest lyric poets. This collection of poems and tales, centered around the mysterious world of crows and ravens that exists around us almost unnoticed, demonstrates the universality of the narratives in which animal wisdom plays, as he retells Eastern European and Native American crow/raven tales. The book is also interspersed with Sax's sensitive lyrics on other topics. Includes two "crow wheel" illustrations by Tom Fitzpatrick.

This book of poems has intent, design, and purpose. They are written to touch something hidden deep within you, something latent, undiscovered, and mysterious. I hope that you may wish to discover more about that of which I speak.For there are answers to your questions if you but seek. That hidden something is true of everyone, almost without exception, but most of us have fallen asleep to the yearning and the searching that it can give rise to. If you are not in the category of the walking dead--and you are truly searching-- perhaps this book will be for you. If you loved fairy tales as a child, would rather travel to ancient sites than take cruises or hang out on a beach, appreciate the mythology from other cultures, enjoy classical art, perhaps read philosophy and great literature, are enthralled by the wonder of the natural world--and the list goes on and on--this book may be of interest to you. Even if your yearning takes other forms, you may love what I've written as well. But the book is not an answer to your yearnings. It can, though, be a window into a world where those same yearnings are addressed, satisfied, and shown a further and meaningful path to take. I wrote it in the language of today (including a small amount of crude language), with some references to literary or artistic works of the past. Despite the simplicity of many of the poems, there is great depth of meaning, if you are open to it. My suggestion would be to read only a few poems at a time, trying to ponder what I am talking about, letting them sink in emotionally, rather than dissecting them intellectually. And certainly don't continue to read until your eyes glaze over, as that will not profit you in the least. Enjoy!

Poetry. "The world, as refracted through the lens of Tom Mandel's poetry, takes on the singularity of a new kind of order. His voice is fresh, astringent and altogether compelling. He is a dynamic presence" -John Ashbery.

"The poetry in this collection explores insights that paradoxes point to in our lives, as energizing antidotes to bland generalities. What's the present, when past and future erupt into it? Can truth be found among our very errors? Can we speak beyond the limits of language? Do we all live in the same world, if different animals see it differently? There are many sorts of poems here, about love, family, farming, war, nature ... seeking a wider view of life in our age."--

In the world of Chilean poet Ariel Dorfman, men and women can be forced to choose between leaving their country or dying for it. The living risk losing everything, but what they hold onto—love, faith, hope, truth—might change the world. It is this subversive possibility that speaks through these poems. A succession of voices—exiles, activists, separated lovers, the families of those victimized by political violence—gives an account of ruptured safety. They bear witness to the resilience of the human spirit in the face of personal and social damage in the aftermath of terror. The first bilingual edition of Dorfman’s work, In Case of Fire in a Foreign Land includes ten new poems and a new preface, and brings back into print the classic poems of the celebrated Last Waltz in Santiago. Always an eloquent voice against the ravages of inhumanity, Dorfman’s poems, like his acclaimed novels, continue to be a searing testimony of hope in the midst of despair.

âeoeOn the Way to Willowdale: Being Other Songs From a Georgia Garden, With Sonnet Interludesâe is a collection of poems by Robert Loveman, showcasing his lyrical style and deep appreciation for nature. Loveman, often compared to Robert Browning, infuses his work with vivid imagery and emotional depth. This collection presents a diverse range of subjects, from the delicate beauty of 'Morning Glories' and 'Sally Dahlia' to the dramatic intensity of a comet and tempest. Loveman's romantic sensibilities shine through in poems addressing themes of love and loss, such as 'slain my love, ' 'Mary Marigold, ' and 'Juliet.' The included sonnet interludes offer moments of introspective beauty, capturing fleeting moments of 'rapture' and 'ecstasy.' With its evocative language and timeless themes, "On the Way to Willowdale" remains a testament to Loveman's contribution to American poetry, inviting readers to revel in the 'SKIES AND BUTTERFLIES' and the 'toy of joy' found within the Georgia landscape. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The Ascent of Man" by Mathilde Blind is a powerful collection of poems exploring themes of evolution and human progress. Written by a significant woman author, this work delves into the concept of social evolution through compelling verse. This poetry examines humanity's journey, offering insightful reflections on societal development and change. A historical text meticulously prepared for print republication, Blind's poems resonate with enduring relevance, providing a unique perspective on the forces shaping our world. Explore the complexities of human advancement and the ongoing quest for a better future through the evocative language and timeless observations of Mathilde Blind. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.