“I was twenty-three and I had set off for Asia to become a writer, intrigued by lurid tales of booms, busts, drugs, sex, violence, magic. There was a wicked sorcery in Asia, in the economic profligacy of the early nineties, in the way financiers and businessmen took a rapidly wiring and developing continent and looted billions, like a titanic parlor trick converting all that wealth into abandoned office complexes and half-completed shopping malls. . . . I wanted it all—the money, the sex, the drugs. And to this day I believe that if I am honest with myself, despite all I have learned the hard way over the past decade, I would still want it all again, the fucking and the getting loaded and the scheming to get enough money to pay for that life.” In the late 1980s, not long out of college, Karl Taro Greenfeld found himself stranded in New York, a failed writer before his career had even begun. His Jewish-American father angrily cut off support; his Japanese mother suggested he go to Japan to teach English. He did, accepting a job with no more promise than he’d had before. But he stayed in Asia for the next several years, working his way through a series of journalistic posts, watching a culture erupt before his eyes and facing his own demons. Through a series of vividly imagistic stories that range from the rigidly journalistic to the deeply intimate, Standard Deviations recounts Greenfeld’s experiences—both professional and personal—during Asia’s wild ride at the end of the twentieth century. Whether drinking Japanese cough syrup to get high with other Western expatriates, visiting a free-sex ashram in Bombay, or watching a former high school pal self-destruct as an equity analyst in Jakarta, Greenfeld evokes the spirit of a continent in flux at an explosive “bubble” economy’s end—and a man confronting his own identity and aspirations. Raunchy, insightful, eloquent and moving, Standard Deviations is an uncompromising work of cultural observation and self-exploration.

“The Hollywood memoir that tells all . . . Sex. Drugs. Greed. Why, it sounds just like a movie.”— The New York Times Every memoir claims to bare it all, but Julia Phillips’s actually does. This is an addictive, gloves-off exposé from the producer of the classic films The Sting, Taxi Driver, and Close Encounters of the Third Kind —and the first woman ever to win an Academy Award for Best Picture—who made her name in Hollywood during the halcyon seventies and the yuppie-infested eighties and lived to tell the tale. Wickedly funny and surprisingly moving, You’ll Never Eat Lunch in This Town Again takes you on a trip through the dream-manufacturing capital of the world and into the vortex of drug addiction and rehab on the arm of one who saw it all, did it all, and took her leave. Praise for You'll Never Eat Lunch in This Town Again “One of the most honest books ever written about one of the most dishonest towns ever created.” — The Boston Globe “Gossip too hot for even the National Enquirer . . . Julia Phillips is not so much Hollywood’s Boswell as its Dante.” — Los Angeles Magazine “A blistering look at La La Land.” —USA Today “One of the nastiest, tastiest tell-alls in showbiz history.” —People

Star reporter for the New York Times , the world's most powerful newspaper; foreign correspondent in some of the most dangerous fields; Pulitzer winner; longest jailed correspondent for protecting her sources, Judith Miller is highly respected and controversial. In this memoir, she turns her reporting skills on herself with the intensity of her professional vocation. Judy Miller grew up near the Nevada atomic proving ground. She got a job at the New York Times after a suit by women employees about discrimination at the paper and went on to cover national politics, head the paper's bureau in Cairo, and serve as deputy editor in Paris and then deputy at the powerful Washington bureau. She reported on terrorism and the rise of fanatical Islam in the Middle East and on secret biological weapons plants and programs in Iraq, Iran, and Russia. She covered an administration traumatized by 9/11 and an anthrax attack three weeks later. Miller shared a Pulitzer for her reporting. She turns her journalistic skills on herself and her controversial reporting which marshaled evidence that led America to invade Iraq. She writes about the mistakes she and others made on the existence in Iraq of weapons of mass destruction. She addresses the motives of some of her sources, including the notorious Iraqi Chalabi and the CIA. She describes going to jail to protect her sources in the Scooter Libby investigation of the outing of CIA agent Valerie Plame and how the Times subsequently abandoned her after twenty-eight years. The Story describes the real life of a foreign and investigative reporter. It is an adventure story, told with bluntness and wryness.

A groundbreaking new biography of Jack Kerouac from the author of the award-winning memoir Minor Characters Joyce Johnson brilliantly peels away layers of the Kerouac legend in this compelling new book. Tracking Kerouac’s development from his boyhood in Lowell, Massachusetts, through his fateful encounters with Allen Ginsberg, William S. Burroughs, Neal Cassady, and John Clellon Holmes to his periods of solitude and the phenomenal breakthroughs of 1951 that resulted in his composition of On the Road followed by Visions of Cody , Johnson shows how his French Canadian background drove him to forge a voice that could contain his dualities and informed his unique outsider’s vision of America. This revelatory portrait deepens our understanding of a man whose life and work hold an enduring place in both popular culture and literary history.

This is the untold story of the secret scandal behind baseball's most legendary moment:The Shot Heard Round the World. A Washington Post Best Book of the Year. At 3:58 p.m. on October 3, 1951, Bobby Thomson hit a home run off Ralph Branca. The ball sailed over the left field wall and into history. The Giants won the pennant. That moment—the Shot Heard Round the World—reverberated from the West Wing of the White House to the Sing Sing death house to the Polo Grounds clubhouse, where hitter and pitcher forever turned into hero and goat. It was also in that centerfield block of concrete that, after the home run, a Giant coach tucked away a Wollensak telescope. The Echoing Green places that revelation at the heart of a larger story, re-creating in extravagant detail and illuminating as never before the impact of both a moment and a long-guarded secret on the lives of Bobby Thomson and Ralph Branca.

An uproarious and frank memoir of illness and recovery, No Laughing Matter is a story of friendship and recuperation from the author of the classic Catch-22 . It all began one typical day in the life of Joe Heller. He was jogging four miles at a clip these days, working on his novel God Knows , coping with the complications of an unpleasant divorce, and pigging out once or twice a week on Chinese food with cronies like Mel Brooks, Mario Puzo, and his buddy of more than twenty years, Speed Vogel. He was feeling perfectly fine that day—but within twenty-four hours he would be in intensive care at Manhattan's Mount Sinai Hospital. He would remain hospitalized for nearly six months and leave in a wheelchair. Joseph Heller had Guillain-Barré syndrome, a debilitating, sometimes fatal condition that can leave its victims paralyzed from head to toe. The clan gathered immediately. Speed—sometime artist, sometime businessman, sometime herring taster, and now a coauthor—moved into Joe's apartment as messenger, servant, and shaman. Mel Brooks, arch-hypochondriac of the Western world, knew as much about Heller's condition as the doctors. Mario Puzo, author of the preeminent gangster novel of our time, proved to be the most reluctant man ever to be dragged along on a hospital visit. These and lots of others rallied around the sickbed in a show of loyalty and friendship that not only built a wild and spirited camaraderie but helped bring Joe Heller, writer and buddy extraordinaire, through his greatest crisis. This book is an inspiring, hilarious memoir of a calamitous illness and the rocky road to recuperation—as only the author of Catch-22 and the friend who helped him back to health could tell it. No Laughing Matter is as wacky, terrifying, and greathearted as any fiction Joseph Heller ever wrote.

Barack Obama’s inauguration as president on January 20, 2009, inspired the world. But the great promise of “Change We Can Believe In” was immediately tested by the threat of another Great Depression, a worsening war in Afghanistan, and an entrenched and deeply partisan system of business as usual in Washington. Despite all the coverage, the backstory of Obama’s historic first year in office has until now remained a mystery. In The Promise: President Obama, Year One , Jonathan Alter, one of the country’s most respected journalists and historians, uses his unique access to the White House to produce the first inside look at Obama’s difficult debut. What happened in 2009 inside the Oval Office? What worked and what failed? What is the president really like on the job and off-hours, using what his best friend called “a Rubik’s Cube in his brain?" These questions are answered here for the first time. We see how a surprisingly cunning Obama took effective charge in Washington several weeks before his election, made trillion-dollar decisions on the stimulus and budget before he was inaugurated, engineered colossally unpopular bailouts of the banking and auto sectors, and escalated a treacherous war not long after settling into office. The Promise is a fast-paced and incisive narrative of a young risk-taking president carving his own path amid sky-high expectations and surging joblessness. Alter reveals that it was Obama alone—“feeling lucky”—who insisted on pushing major health care reform over the objections of his vice president and top advisors, including his chief of staff, Rahm Emanuel, who admitted that “I begged him not to do this.” Alter takes the reader inside the room as Obama prevents a fistfight involving a congressman, coldly reprimands the military brass for insubordination, crashes the key meeting at the Copenhagen Climate Change conference, and bounces back after a disastrous Massachusetts election to redeem a promise that had eluded presidents since FDR. In Alter’s telling, the real Obama is an authentic, demanding, unsentimental, and sometimes overconfident leader. He adapted to the presidency with ease and put more “points on the board” than he is given credit for, but neglected to use his leverage over the banks and failed to connect well with an angry public. We see the famously calm president cursing leaks, playfully trash-talking his advisors, and joking about even the most taboo subjects, still intent on redeeming more of his promise as the problems mount. This brilliant blend of journalism and history offers the freshest reporting and most acute perspective on the biggest story of our time. It will shape impressions of the Obama presidency and of the man himself for years to come.

On 13 May 1940, Winston Churchill stood before the House of Parliament to deliver his first speech as prime minister. German troops were advancing across Europe; Neville Chamberlain's government had fallen three days earlier. Churchill needed to prove himself an able leader, and he also needed to convince an unwilling nation to support his stand against Hitler. In this taut meditation on a great leader under great pressure, Lukacs demonstrates that Churchill delivered his triumphant speech despite his own sense that England might soon fall to Hitler's armies. A riveting portrait of leadership in its confrontation with radical evil, Lukacs's book is essential reading for WWII buffs, Churchill aficionadi, and anyone interested in leadership.

In the game of chess, the strongest piece?the Queen?is often referred to as ?bitch, ? and being female has been long considered a major disadvantage. Chess Bitch, written by the 2004 U.S. Woman's Chess Champion, is an eye-opening account of how today's young female chess players are successfully knocking down the doors to this traditionally male game, infiltrating the male-owned sporting subculture of international chess, and giving the phrase ?play like a girl? a whole new meaning. Through interviews with and observation of the young globetrotting women chess players who challenge male domination, Chess Bitch shines a harsh light on the game's gender bias. For those who think of chess as two people sitting quietly across a table, Shahade paints a colorful world that most chess fans never knew existed.

Dick Cheney is the most powerful yet most unpopular vice president in American history. He has thrived alongside a president who, from day one, had little interest in policy and limited experience in the ways of Washington. Yet Cheney's relentless rise to prominence over three decades has happened almost by stealth. Now veteran reporters Lou Dubose and Jake Bernstein reveal the disturbing truth about the man who has successfully co-opted executive control over the U.S. government, serving as the de facto 'shadow president' of the most dominant White House in a generation. Cheney has always been an astute politician. He survived the collapse of the Nixon presidency, finding a position of power in the administration of Gerald Ford. He was then elected to the House of Representatives and later served in the cabinet of the first Bush presidency. But when he became George W. Bush's running mate, Cheney reached a new level of influence. From the engineering of his own selection as vice president to his support of policies allowing torture as a permissible weapon in the 'war on terror', Cheney has consistently steered America to the right. With unique access to numerous first-hand sources, Vice provides an unprecedented expose of Cheney's career. Its startling revelations concern the war in Iraq, his relationship with the CIA and with big business, his involvement with Enron, his attitude towards Iran and his ruthless manoeuvering which today effectively puts him in charge of American policy at home and abroad. In the tradition of Carl Bernstein and Bob Woodward's All the President's Men , this powerful work of investigative journalism takes us behind the scenes in Washington, into hitherto secret meetings and deep into the heart of political decision-making. Utterly gripping, Vice chronicles and exposes the hijacking of the American presidency and illustrates the arrogance of power as never before.

When Jacqueline met Anne on her way home from school in the 1940s, the two girls formed an instant friendship. But with every day came an increasing sense of fear, especially as the Nazis took over Amsterdam. Despite the impending war, the friendship between Anne Frank and Jacqueline van Maarsen would never be broken, even when Anne was forced into hiding. In this beautiful memoir, Jacqueline remembers Anne, their friendship, and the chilling Holocaust experience of barely escaping deportation by the Nazis, helplessly watching friends and family disappear, and starting her life again after the war. Through Jacqueline's memories and black-and-white photos, Anne Frank will come to life and continue to be remembered. "[A] fascinating account of Anne, her family, and her friends before she went into hiding . . . This absorbing book vividly portrays life in occupied Amsterdam and throws interesting sidelights on Anne Frank's story."— Booklist

A Medal of Honor recipient looks back at his own service in the Vietnam War—and ahead to America’s future. Jack Jacobs was acting as an advisor to the South Vietnamese when he and his men came under devastating attack. Wounded, 1st Lt. Jacobs took command and withdrew the unit, returning again and again, saving fourteen lives—for which he received the Medal of Honor. Here, Col. Jacobs tells his stirring story of heroism, honor, and the personal code by which he has lived his life, and expounds with blunt honesty and insight his views on our contemporary world, and the nature and necessity of sacrifice. If Not Now, When? is a compelling account of a unique life at both war and peace, and the all-too-often unexamined role of the citizenry in the service and defense of the Republic.

Donna Karan is the most prominent and successful figure in American fashion. Her popularity derives from a philosophy of designing real clothes for real women - beautiful yet practical creations that are as easily worn in everyday life as on the catwalk. She is the archetypal New Yorker, drawing her inspiration from the energy, pace, and style of the world's most sophisticated city. Originating as a womenswear label, her company now produces menswear, childrenswear, and accessories, all perpetuating the uniquely modern style that has brought Donna Karan world recognition.

From award-winning actress Illeana Douglas comes a memoir about learning to survive in Hollywood while staying true to her quirky vision of the world. In 1969 Illeana Douglas' parents saw the film Easy Rider and were transformed. Taking Dennis Hopper's words, "That's what it's all about man" to heart, they abandoned their comfortable upper middle class life and gave Illeana a childhood filled with hippies, goats, free spirits, and free love. Illeana writes, "Since it was all out of my control, I began to think of my life as a movie, with a Dennis Hopper-like father at the center of it." I Blame Dennis Hopper is a testament to the power of art and the tenacity of passion. It is a rollicking, funny, at times tender exploration of the way movies can change our lives. With crackling humor and a full heart, Douglas describes how a good Liza Minnelli impression helped her land her first gig and how Rudy Valley taught her the meaning of being a show biz trouper. From her first experience being on set with her grandfather and mentor-two-time Academy Award-winning actor Melvyn Douglas-to the moment she was discovered by Martin Scorsese for her blood-curdling scream and cast in her first film, to starring in movies alongside Robert DeNiro, Nicole Kidman, and Ethan Hawke, to becoming an award winning writer, director and producer in her own right, I Blame Dennis Hopper is an irresistible love letter to movies and filmmaking. Writing from the perspective of the ultimate show business fan, Douglas packs each page with hilarious anecdotes, bizarre coincidences, and fateful meetings that seem, well, right out of a plot of a movie. I Blame Dennis Hopper is the story of one woman's experience in show business, but it is also a genuine reminder of why we all love the movies: for the glitz, the glamor, the sweat, passion, humor, and escape they offer us all.

Celine Dion Behind the Fairytale

Millions of adult Americans will fondly remember such entertaining movies as Carousel, The Jackpot, and There's No Business Like Show Business. Phoebe and Henry Ephron, who wrote the screenplays for these and other films, were a unique team in that they used their special talents, working with dozens of great names of screen and stage, to create everything from the comic to the somber under circumstances both humorous and quite the opposite. Whether they were working on a Carousel, starring Shirley Jones and Gordon MacRae or a new What Price Glory, or Fred Astaire's Daddy Long Legs, the Ephrons were always learning something new and exciting about a magical assortment of people (Henry remembers the famous director John Ford the day he was faulted by his producer for being two days behind in shooting a film. He tore up six pages and said: "Tell the SOB I'm six days ahead!") This is also a story of the thirty-seven-year marriage of two people who started out with very little, realized their dreams of having a play produced on Broadway, and then went to Hollywood, where they wrote major scripts for some of the biggest stars. Woven throughout the story is the family element of raising four daughters in the make-believe atmosphere of Southern California. As the two Ephrons worried about the work they'd done on one major script, the make-believe turning into a glorious reprieve when it was reported to them that Darryl Zanuck had just told a friend, "I'll never know how the Ephrons took that old chestnut and turned it into this great screenplay." Here, a professional storyteller is at his best in a personal narrative which also brings onstage a fascinating supporting cast.

"An astounding collection of adventures and observations, woven into a dramatic account that helps to clarify some of the mysteries of our nation's recent history....Hamilton's story offers a rare combination of insight, wry humor, and real inspiration." -- Jimmy Carter, in the Foreword Hamilton Jordan has had a life full of personal struggles, from firsthand encounters with racial hatred in the Civil Rights-era South to exposure to Agent Orange as a civilian volunteer in Vietnam and his tumultuous years as the youngest chief of staff in presidential history, under Jimmy Carter. But a more powerful opponent has defined Jordan's life -- cancer. Three times in the last twenty years he has been diagnosed with the disease: non-Hodgkin's lymphoma, melanoma, and prostate cancer. Each time, Jordan credits early detection, being well-informed, and keeping positive as the keys to his survival. In this beautifully written book, Jordan weaves together his remarkable life to date with the uplifting story of his victories over cancer. Moving, inspiring, and powerful, No Such Thing As A Bad Day is a read that no one will soon forget.

'Perec is serious fun' The Guardian Both an affectionate portrait of mid-century Paris and a daring memoir, Georges Perec's I Remember is now available in English to UK readers for the first time, with an introduction by David Bellos. In 480 numbered statements, all beginning identically with 'I remember', Perec records a stream of individual memories of a childhood in post-war France, while posing wider questions about memory and nostalgia. As playful and puzzling as the best of his novels, I Remember is an ode to life: the ordinary, the extraordinary, and the sometimes trivial, as seen through the eyes of the irreplaceable Georges Perec.

The dramatic story of the defense attorney's 1912 bribery trial and the spectacular events leading up to it. A revisionist biography and a rich courtroom drama, here is a fascinating look at L.A. law at the turn of the century and the corruption of justice by the wealthy and powerful. 8 pages of photos.

Book by Goldman, Emma, Berkman, Alexander