In 1941, a treaty between England and Germany unravels--and so does a different World War II. In Harry Turtledove's mesmerizing alternate history of World War II, the choices of men and fate have changed history. Now it is the winter of 1941. As the Germans, with England and France on their side, slam deep into Russia, Stalin's terrible machine fights for its life. But the agreements of world leaders do not touch the hearts of soldiers. The war between Germany and Russia is rocked by men with the courage to aim their guns in a new direction. England is the first to be shaken. Following the suspicious death of Winston Churchill, with his staunch anti-Nazi views, a small cabal begins to imagine the unthinkable in a nation long famous for respecting the rule of law. With civil liberties hanging by a thread, a conspiracy forms against the powers that be. What will this daring plan mean for the European war as a whole? Meanwhile, in America, a woman who has met Hitler face-to-face urges her countrymen to wake up to his evil. For the time being, the United States is fighting only Japan--and the war is not going as well as Washington would like. Can Roosevelt keep his grip on the country's imagination? "Coup d'Etat" captures how war makes for the strangest of bedfellows. A freethinking Frenchman fights side by side with racist Nazis. A Czech finds himself on the dusty front lines of the Spanish Civil War, gunning for Germany's Nationalist allies. A German bomber pilot courts a half-Polish, half-Jewish beauty in Bialystock. And the Jews in Germany, though trapped under Hitler's fist, are as yet protected by his fear of looking bad before the world--and by an outspoken Catholic bishop. With his spectacular command of character, coincidence, and military and political strategies, Harry Turtledove continues a passionate, unmatched saga of a World War II composed of different enemies, different allies--and hurtling toward a horrific moment. For a diabolical new weapon is about to be unleashed, not by the United States, but by Japan, in a tactic that will shock the world. Praise for "Coup d'Etat" "Turtledove's masterful presentation of an alternate WWII reaches its fourth volume with its quality undiminished. . . . A tribute to [his] commanding skills."--"Booklist "(starred review) "For lovers of alternative history, and particularly the very popular Turtledove with his appealing weaponry, battle tactics, and setting details, this story will satisfy. It sets out to entertain . . . and that it does."--Historical Novels Review "The book's grand scope and Turtledove's impressive historical knowledge are admirable."--"Kirkus Reviews"

"A thief and a nobleman, both down on their luck, cross paths on a bitter winter's day in 1701. One, known locally as "The Fowl-Filcher," is fleeing the gallows; the other, the callow Christian von Tornefeld, has escaped execution to fight for his Swedish king. Neither will reach his destination. Sent with a message to secure aid for von Tornefeld, the thief falls in love with his companion's secret fiance;e. He resolves to win her love for himself, and through a clever stratagem, exchanges his fate for the other man's. Risking everything to attain the woman and station of his dreams, he becomes the Swedish cavalier, staying one step ahead of exposure. Later, he sacrifices everything so that is daughter won't learn of his secret past. In this book he considered is masterpiece, Leo Perutz has created a picaresque world of barons and brigands, swashbuckling dragoons and spurned lovers, gentleman farmers and masked robbers, and lucky parchments, magic spells, and mystical visions. Part adventure, part historical novel of war-ravaged Europe, The Sweddish Cavalier is also a moral tale of deceit, betrayal, and redemption. "--

"History teacher Horace Edgecomb finds himself teaching the daughter of a leading "American Civil War denier" and must confront an organization determined to disprove the occurrence of the Civil War in this satire of historical revisionism"--Publisher.

Her experiences at a summer camp in the California mountains in 1945 give twelve-year-old Annie Platt new insight into her overprotective family of German-Jewish immigrants. Sequel to "Silver Days."

An epic novel of Christians and Jews in the plague years -- the Black Death of 1349. The story takes place in the monastery of Bodmin, in the misty moors of Cornwall and on the continent where Will's wife, Miriam, goes in search of her Jewish ancestors. She is a female picaresque heroine through whose eyes the devastation of the Black Death on the continent is witnessed.

'This was the original game of thrones' George R.R. Martin The royal house of France has fallen. Charles IV is dead, fulfilling the curse of the Templars once and for all. This leaves the path to the throne open for Robert of Artois to place his cousin, Philippe of Valois, upon it. Having committed fraud, perjury and murder in the name of the new king, Robert expects to receive a title and his full reward. But the days of betrayal are far from over and Robert is banished to England. In the land of France's enemies vengeance sparks fresh conflict as King Edward III and his new ally prepare for war. As swords are sharpened the lion wakes and a pretender threatens France once more ...

Product Description Set in the magnificent culture of the Middle East more than four thousand years ago, Lilah is a rich and emotionally resonant story of faith, love, and courage. Living in exile, Lilah is in love with Antinoes, a Persian warrior. They have known each other since they were children, and Antinoes dearly wants to make Lilah his wife. Yet Lilah does not feel she can marry without the blessing of her brother, Ezra. She and Ezra are close, and Lilah knows her brother well—he does not want his sister to have a husband outside their faith. Ezra is a scholar of the laws of Moses, and Lilah believes it is her brother’s destiny to lead the Jewish people back to the Promised Land. While Antinoes pressures her to accept his proposal, Lilah realizes that before she can consider her own happiness, it is her duty to help her brother accomplish the seemingly impossible task that is before him. Putting herself in grave danger, and with the help of Antinoes, Lilah wins Ezra an audience with Artaxerxes II, the King of Kings, who grants permission to lead the exiles on their journey back to the Promised Land. After a hazardous trip across the desert, Lilah, Ezra, and the thousands who join them arrive in Jerusalem. But the hardship of rebuilding the Temple takes its toll, and the religious enthusiasm of some turns to extremism. Ezra, listening to the zealots, orders all non-Jewish wives and their children banished from Jerusalem. Lilah, whose love for Antinoes has never wavered, is horrified by this command. She knows she must now choose between her brother and her conscience, which tells her that the time has come to defy him. Lilah is a timeless story of one woman’s stand against intolerance; it will linger in the reader’s mind long after the last page has been turned. From Publishers Weekly In his final installment of the Canaan Trilogy ( Sarah; Zipporah), Halter ambitiously tackles portions of the complicated biblical book of Ezra, which centers on the rebuilding of the Jerusalem temple and calls Israel to ethnic and religious purity. In the Persian town of Susa, the beautiful Lilah dreams of marrying her Persian lover and childhood sweetheart, Antinoes. However, her beloved brother Ezra, who has immersed himself in studying the laws of God, refuses to approve of their union since Antinoes is not a Jew. As the story unfolds, with scenes full of rich detail, Lilah becomes the unlikely instrument of gaining royal approval for the Jewish people to return to Jerusalem and rebuild the holy city. However, once there, Ezra orders all non-Jewish wives and children driven away in what is surely one of the most heart-wrenching episodes directly from scripture. A horrified Lilah repudiates her brother and leaves with them. As the cast-off women wander unprotected outside the city, rape, murder and mayhem ensue. (It's confusing that Lilah narrates one violent scene, but readers are unsure how she survives it.) As in Sarah and Zipporah, there is plenty of highly charged sexuality and some imaginative storytelling. Unfortunately, as with its predecessors, the story trails off, and the ending is unsatisfactory. (June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From AudioFile Ellen Reilly brings the story of Lilah, sister of Ezra, the biblical prophet, to life. Perhaps not many are familiar with the story of Ezra, which takes place more than four thousand years ago during a sad time in Israel's history. Lilah is torn between her love for her brother, Ezra, and her love for a Persian warrior. She must choose, and her choice will bring far-reaching consequences. All the emotion and turmoil in the story are made real by the talented Ellen Reilly. One can easily feel the heartache, passion, and drama of this book. Fascinating and well worth a listen. N.L. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine About the Author Mar

"The film Casablanca opens with the words, "With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas." Leslie Epstein's Hill of Beans is the story of how one nation, one industry, and in particular one man responded to that desperate hope. That man is Jack Warner. His impossible goal is to make world events--most importantly, the invasion of North Africa by British and American forces in 1942--coincide with the release of his new film about a group of refugees marooned in Morocco. Arrayed against him are Stalin and Hitler, as well as Josef Goebbels, Franklin Roosevelt, a powerful gossip columnist, and above all a beautiful young woman with a terrible secret. His only weapons are his hutzpah and his heroism as he struggles to bring cinema and city, conflict and conference together in an epic command performance. Hill of Beans is the novel that Leslie Epstein--the son and nephew of Philip and Julius Epstein, the screenwriters of Casablanca--was born to write"--

In the 1980s, former New York City police commissioner and mayor Isaac Sidel becomes president of the United States after the former president resigns due to corruption, but Sidel must evade assassins sent by a shady cabal of Swiss bankers.

A thrilling tale of danger, friendship and loyalty from Roman Mysteries bestseller Caroline Lawrence, set against the backdrop of the ancient world. Gorgeous and evocative, this captivating new teen novel imagines the life of a heroine of early Rome. Particularly suitable for struggling, reluctant and dyslexic readers aged 12+ Few have ever seen her, but all of Laurentum knows the story of Camilla - tied to a spear and thrown across a river by her father as he fled for his life. The Goddess Diana saved the baby, and now it is Camilla's turn to save Laurentum as the Trojans march on the town. But Camilla is a wild girl from the forest, not the Amazon they imagine, and so Acca must step in to help her new friend adjust to the great destiny before her. Particularly suitable for struggling, reluctant and dyslexic readers aged 12+

A moving and powerful narrative from bestselling Roman Mysteries author Caroline Lawrence, inspired by Virgil's tale of the ill-fated night raid of Euryalus and Nisus. Particularly suitable for struggling, reluctant and dyslexic readers aged 14+ A powerful novel inspired by Virgil's tale of the ill-fated night raid of Euryalus and Nisus, from Roman Mysteries author Caroline Lawrence. The Trojan War is over. The survivors must find new land on which to settle, and there is war. Euryalus and Nisus, two teenage warriors among Aeneas's Trojan refugees, make a disastrous decision to raid the camp of their enemy. Particularly suitable for struggling, reluctant and dyslexic readers aged 14+

Sent by his father to observe and evaluate his uncle's South Carolina rice plantation, New York Jew Nathaniel Pereira is horrified by his first brush with the brutal realities of slavery, especially the irony of how a people who themselves lived in bondage for so long could now own slaves. His moral dilemma becomes even more complex after he becomes captivated by Liza, a beautiful slave who harbors a shattering secret.

"Until someone tells you, you never know in whose dreams you appear..." - From the prologue of To Catch the Lightning What is the price of our dreams? Beginning in the late 1890s, Edward Sheriff Curtis undertook the seemingly overwhelming odyssey of capturing the past, of documenting and photographing the fading way of life of the American Indian. In To Catch the Lightning , Alan Cheuse has created a remarkable portrait of the man who would become a legend. Drawn on his epic journey by a series of female muses, Curtis turns his lens on a landscape of unparalleled beauty and tradition. Curtis@ desire to complete his destiny as foretold by Chief Joseph, to photograph all of the hundreds of western American Indian tribes, is a haunting tale of the struggle between ambition and duty. The architect of the finest lasting visual record of a culture close to extinction, Curtis stands as a testament to the power of the sacrifices we make for the dreams that compel us. With the ear of a poet and the eye of a historian, Cheuse has crafted a masterwork of American historical fiction. Lyrical, beautifully written, and impressively researched, To Catch the Lightning is a novel of the American spirit. PRAISE FOR TO CATCH THE LIGHTNING: "To Catch the Lightning is a story of loss - of choices made and prices paid, of the future coming fast and the past disappearing faster. Cheuse@s narrative is refracted through multiple voices, each distinct, but each containing its own poetic precision. A wonderful, wonderful book of quiet power and great beauty." - Karen Joy Fowler, author of Wit@s End and The Jane Austen Book Club "To Catch the Lightning tells Curtis@ story vividly and eloquently. It is a great American story, about a life spent preserving and honoring those elements of life which are most respected and beloved. Alan Cheuse is to be congratulated for this vivid novel." - William Kittredge, author of The Willow Field and The Next Rodeo "Bravo to Cheuse for this incarnation of a major and unfairly forgotten American artist, capturing an era so crucial in native American, and therefore American history. I found it immediate and innovative." - Diane Johnson, author of Le Divorce and Lulu in Marrakech "The photography and cinema of Edward Curtis exist at the intersection of art, history, anthropology, and technology. He was an essentially American kind of genius, and Alan Cheuse has transformed his life into compelling fiction that digs deep into the mystery and sacrifice and selfishness of creative vision." - Charles Frazier, author of Cold Mountain and Thirteen Moons "... the narrative brims with keen insight." - Publishers Weekly "Curtis devoted his life to creating the most significant and comprehensive retrospective of American Indian culture, which he viewed as @one of the great races of mankind.@ Curtis correctly predicted that the culture was near extinction ... and much of his work remains the only recorded history of a civilization even then becoming the stuff of legend." - ForeWord Magazine Catch Alan Cheuse in your town: Key West, FL: January - Key West Lit

"First published in French in 1892 and never before translated fully into English, The King in the Golden Mask gathers 21 of Marcel Schwob's cruelest and most erudite tales. Melding the fantastic with historical fiction, these stories describe moments of unexplained violence both historical and imaginary, often blending the two through Schwob's collaging of primary source documents into fiction. Brimming with murder, suicide, royal leprosy and medieval witchcraft, Schwob's stories portray clergymen furtively attending medieval sabbaths, Protestant galley slaves laboring under the persecution of Louis XIV and dice-tumbling sons of Florentine noblemen wandering Europe at the height of the 1374 plague. These writings are of such hallucinatory detail and linguistic specificity that the reader is left wondering whether they aren't newly unearthed historical documents. To read Schwob is to encounter human history in its most scintillating form as it comes into contact with this unparalleled imagination"--Page 4 of cover.

Product Description Murder in Our Midst: The Holocaust, Industrial Killing, and Representation examines the emergence, implementation, and representation of industrial killing, an inherent and crucial component of modernity whose most extreme manifestation was the Holocaust.The mechanized, impersonal, and sustained mass destruction of human beings, organized and legitimized by states, scientists, jurists, and intellectuals, is rooted in the industrial slaughterhouse of the Great War. In Murder in Our Midst, Omer Bartov argues that the Nazi death factories are best understood in the context of modern warfare, beginning with the First World War. He shows how the way we understand ourselves reflects the ambivalent effects of the Holocaust on our perceptions of war and violence, history and memory, progress and barbarism.Analyzing a wide array of historical texts, works of fiction, films, and museums, Bartov leads the reader from ancient myths of heroism to the trenches of the Western Front, from Thomas Mann's romantic vision of war to Primo Levi's stark depictions of genocide, from colonial war museums to the visual art of the Holocaust. These representations of killing share some of the same important features. They attempt to form coherent images from horrific events, to draw didactic lessons from them, and to use them for political ends. About the Author Omer Bartov is Associate Professor of History at Rutgers University.

This volume incorporates Darko Suvin's thinking on utopian horizons in fiction and on eutopian and dystopian readings of historical reality since the 1970s. While the focus is on the United States and the United Kingdom, the essays also draw on French, German and Russian sources. The book is composed of eighteen chapters, including four sets of poems. The chapters include heretic reflections on utopian fiction, science fiction and utopian studies, explorations of dystopias, and epistemological examinations of political standpoint. Throughout, plebeian history is the stance from which all the author's value judgements are made. The essays and poems engage with the empirical world and identify areas of hope. In a dark dystopian time, they reaffirm eutopia, the radically better place to be striven for in every here and now.

Raoul Wallenberg, the Swedish diplomat who saved thousands of Budapest Jews in 1944-45, was arrested by the Soviets and taken to Moscow where he disappeared. Now, more than 70 years after these events, many mysteries about Wallenberg's life and fate persist. As both a literary detective story and historical investigation Alan Lelchuk uses a fictional investigation to explore what really happened.

A revelatory work that examines the intricate relationship between history and literature, truth and fiction—with some surprising conclusions. Focusing on three literary masterpieces—Charles Dickens's Bleak House (1853), Gustave Flaubert's Madame Bovary (1857), and Thomas Mann's Buddenbrooks (1901)—Peter Gay, a leading cultural historian, demonstrates that there is more than one way to read a novel. Typically, readers believe that fiction, especially the Realist novels that dominated Western culture for most of the nineteenth century and beyond, is based on historical truth and that great novels possess a documentary value. That trust, Gay brilliantly shows, is misplaced; novels take their own path to reality. Using Dickens, Flaubert, and Mann as his examples, Gay explores their world, their craftsmanship, and their minds. In the process, he discovers that all three share one overriding quality: a resentment and rage against the society that sustains the novel itself. Using their stylish writing as a form of revenge, they deal out savage reprisals, which have become part of our Western literary canon. A New York Times Notable Book and a Best Book of 2002.