Tristes Tropiques was an immensely popular bestseller when it was first published in France in 1955. Claude Levi-Strauss's groundbreaking study of the societies of a number of Amazonian peoples is a cornerstone of structural anthropology and an exploration by the author of his own intellectual roots as a professor of philosophy in Brazil before the Second World War, as a Jewish exile from Nazi-occupied Europe, and later as a world-renowned academic (he taught at New York's New School for Social Research and was French cultural attache to the United States). Levi-Strauss's central journey leads from the Amazon basin through the dense upland jungles of Brazil. There, among the Amerindian tribes - the Caduveo, Bororo, Nambikwara, and Tupi-Kawahib - he found "a human society reduced to its most basic expression". Levi-Strauss's discussion of his fieldwork in Tristes Tropiques endures as a milestone of anthropology, but the book is also, in its brilliant diversions on other, more familiar cultures, a great work of literature, a vivid travelogue, and an engaging memoir - a demonstration of the marvelous mental agility of one of the century's most important thinkers. Presented here is the translation by John and Doreen Weightman of the complete text of the revised French edition of 1968, together with the original photographs and illustrations.

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Its stories may be the best known in the world, but its locations have long been a mystery. Where did Noah's ark land? Where did Moses receive the Ten Commandments? Where are the lost cities of Sodom and Gomorrah? Now, inWalking the Bible: A Photographic Journey, New York Times bestselling author Bruce Feiler offers an unprecedented heart-stirring adventure through the landscape of some of history's most storied events. Featuring Bruce Feiler's own photography as well as his selections from professional collections,Walking the Bible: A Photographic Journey brings together breathtaking vistas, intimate portraits, and fascinating panoramas, providing firsthand access to the inscrutable land where three of the world's great religions were born—and finally puts a face on the stories that have long inspired the human spirit. Over several years, Feiler traveled nearly ten thousand miles through the deserts of the Middle East, which led first to his runaway national bestseller Walking the Bible. This new illustrated book follows his route, offering a thrilling photographic voyage through the actual places of some of the Bible's most memorable events—from the heights of Mount Ararat, where Noah's ark landed, to the desert outpost in Turkey, where Abraham first heard the words of God, to the summit where Moses overlooked the Promised Land. Walking the Bible: A Photographic Journey chronicles a landscape that nurtured the relationship between humans and the divine, breathing new meaning into stories that have been a timeless source of inspiration.

"This Young Readers Edition brings the story of a World War II Nazi conspiracy to kill the "Big Three" world leaders to young readers for the first time"-- Provided by publisher.

"Where do our ideas about economics and economic policy come from? Critics of contemporary economics complain that belief in free markets, among economists and many ordinary citizens too, is a form of religion. It turns out that there is something to the idea: not in the way the critics mean, but in a deeper, more historically grounded sense. Contrary to the conventional historical view of economics as entirely a secular product of the Enlightenment, religion exerted a powerful influence from the outset. Benjamin M. Friedman demonstrates that the foundational transition in thinking about what we now call economics, beginning in the eighteenth century, was decisively shaped by the hotly contended lines of religious thought within the English-speaking Protestant world. Beliefs about God-given human character, about our destiny after this life, and about the purpose of our existence, were all under challenge in the world in which Adam Smith and his contemporaries lived. Those debates explain the puzzling behavior so many of our fellow citizens whose views about economic policies, and whose voting behavior too, seems sharply at odds with what would be to their own economic benefit. Understanding the origins of the relationship between religious thinking and economic thinking, together with its ongoing consequences, provides insights into our current economic policy debates and ways to shape more functional policies for all citizens"--

"Bad News is a response to Thomas Frank's 2004 book "What's the Matter with Kansas." I ask the same question he asked about the right, but about the left: Why is the media obsessed with racism, even though it's getting objectively better by every measure we have? I argue that the liberal media is mainstreaming a woke culture war based on ideas that were relegated to the academic fringe as recently as a decade ago because it's in their economic interests to do so. It explores how digital media and social media supplied journalists, now part of the American elite, with an alternative way to feel like heroes while further consolidating power and wealth in the hands of the few rather than the many. The book then explores the larger context of the great American class divide, and how journalism has been both a product and accelerator of inequality"--

Between 1999 and 2017, an estimated 250,000 Americans died from overdoses involving prescription painkillers, a plague ignited by Purdue Pharma's aggressive marketing of OxyContin. Families, working class and wealthy, have been torn apart, businesses destroyed, and public officials pushed to the brink. Meanwhile, the drugmaker's owners, Raymond and Mortimer Sackler, whose names adorn museums worldwide, made enormous fortunes from the commercial success of OxyContin. In Pain Killer, Barry Meier tells the story of how Purdue turned OxyContin into a billion-dollar blockbuster. Powerful narcotic painkillers, or opioids, were once used as drugs of last resort for pain sufferers. But Purdue launched an unprecedented marketing campaign claiming that the drug's long-acting formulation made it safer to use than traditional painkillers for many types of pain. That illusion was quickly shattered as drug abusers learned that crushing an Oxy could release its narcotic payload all at once. Even in its prescribed form, Oxy proved fiercely addictive. As OxyContin's use and abuse grew, Purdue concealed what it knew from regulators, doctors, and patients. Here are the people who profited from the crisis and those who paid the price, those who plotted in boardrooms and those who tried to sound alarm bells. A country doctor in rural Virginia, Art Van Zee, took on Purdue and warned officials about OxyContin abuse. An ebullient high school cheerleader, Lindsey Myers, was reduced to stealing from her parents to feed her escalating Oxy habit. A hard-charging DEA official, Laura Nagel, tried to hold Purdue executives to account. In Pain Killer, Barry Meier breaks new ground in his decades-long investigation into the opioid epidemic. He takes readers inside Purdue to show how long the company withheld information about the abuse of OxyContin and gives a shocking account of the Justice Department's failure to alter the trajectory of the opioid epidemic and protect thousands of[Bokinfo]

Depicting the daily struggle of the individual against a tyrannical dictatorship, We the Living shows the terrible impact of a revolution on three people who demand the right to live their own lives and pursue their happiness. Kira, determined to maintain her independence and courageous in the face of starvation and poverty; Leo, upper class and paralysed by state repression; and Andrei, an idealistic communist and officer in the secret police who nonetheless wants to help his friends.

"All of the [students], black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Rich and complex."- Kirkus Reviews "As always, Grimes gives young people exactly

Collects the writings of a diverse group of people who survived imprisonment in the Gulag, recounting their experiences and relationships, and offering insight into the psychological aspects of life in the camps.

Chronicles the life of Lady Georgiana Spencer, the great-great-great-great-aunt of Diana, Princess of Wales.

"From the editor in chief of Breitbart News, a firsthand account of how the establishment media became weaponized against Donald Trump and his supporters on behalf of the political left"--

World War I stands as one of history's most senseless spasms of carnage, defying rational explanation. In his riveting narrative, Hochschild brings it to life as never before while focusing on the long-ignored moral drama of the war's critics, alongside its generals and heroes

In the summer of 1940, fewer than three thousand young fighter pilots of the Royal Air Force stood between Hitler and the victory that seemed almost within his grasp. In this superb history of three epic months that saved the world, Michael Korda brilliantly re-creates the intensity of combat in "the long, delirious, burning blue" of the sky above southern England—while tracing, perhaps for the first time, the entire complex web of political, diplomatic, scientific, industrial, and human decisions during the 1930s that inexorably led to the world's first, greatest, and most decisive air battle. With Wings Like Eagles brings to vivid life the extraordinary men and women on both sides of the conflict—from Winston Churchill, Neville Chamberlain, and Reichsmarschall Hermann GÖring to the ground crews, the German pilots, the American volunteers, and the courageous airmen and airwomen of the RAF.

A witty and penetrating look at the celluloid culture of the 1960s by the Village Voice 's celebrated film critic. In The Dream Life , Village Voice film critic J. Hoberman turns his attention to the 1960s, the era when politics and culture became one. With wildly entertaining reinterpretations of key Hollywood movies (such as Dr. Strangelove, Bonnie and Clyde, The Wild Bunch , and Shampoo ), Hoberman reconstructs the hidden political history of 1960s cinema. Meanwhile, against the pageantry of four national elections1960 to 1972he describes the formation of America's spectacular, image-laden political culture. In the era when the missile gap, the sexual revolution, and the Vietnam War became inseparable from the triumph of television, the development of political image-making, and the advent of Pop Art, American politics, mass media, and publicity became the new social spectacle. Through meditations on the personas of Che Guevara, John Wayne, Patty Hearst, Jane Fonda, Ronald Reagan, and Dirty Harry, Hoberman moves deftly between the political backgrounds of movies and the fantastic dimensions of politics, producing a brilliant and comic cultural history of the rise of our mass-mediated politics.

The Romanovs were the most successful dynasty of modern times, ruling a sixth of the world's surface for three centuries. How did one family turn a war-ruined principality into the world's greatest empire? And how did they lose it all? This is the intimate story of twenty tsars and tsarinas, some touched by genius, some by madness, but all inspired by holy autocracy and imperial ambition. Simon Sebag Montefiore's gripping chronicle reveals their secret world of unlimited power and ruthless empire-building, overshadowed by palace conspiracy, family rivalries, sexual decadence and wild extravagance, with a global cast of adventurers, courtesans, revolutionaries and poets, from Ivan the Terrible to Tolstoy and Pushkin, to Bismarck, Lincoln, Queen Victoria and Lenin. To rule Russia was both imperial-sacred mission and poisoned chalice: six of the last twelve tsars were murdered. Peter the Great tortured his own son to death while making Russia an empire, and dominated his court with a dining club notable for compulsory drunkenness, naked dwarfs and fancy dress. Catherine the Great overthrew her own husband (who was murdered soon afterward), enjoyed affairs with a series of young male favorites, conquered Ukraine and fascinated Europe. Paul I was strangled by courtiers backed by his own son, Alexander I, who in turn faced Napoleon's invasion and the burning of Moscow, then went on to take Paris. Alexander II liberated the serfs, survived five assassination attempts and wrote perhaps the most explicit love letters ever composed by a ruler. The Romanovs climaxes with a fresh, unforgettable portrayal of Nicholas II and Alexandra, the rise and murder of Rasputin, war and revolution--and the harrowing massacre of the entire family. Dazzlingly entertaining and beautifully written from start to finish, The Romanovs brings these monarchs--male and female, great and flawed, their families and courts--blazingly to life. Drawing on new archival research, Montefiore delivers an enthralling epic of triumph and tragedy, love and murder, encompassing the seminal years 1812, 1914 and 1917, that is both a universal study of power and a portrait of empire that helps define Russia today.

Foreign affairs journalist Kaplan lets readers experience up close the American military worldwide in the air, at sea, and on the ground: flying in a B-2 bomber, living on a nuclear submarine, and traveling with a Stryker brigade on missions around the world. Provided unprecedented access, Kaplan moves from destroyers off the coast of Indonesia to submarines in the central Pacific, from simulated Iraqi training grounds in Alaska to technology bases in Las Vegas. He goes deep into their highly technical and exotic worlds, and tells this story through the words and perspectives of the enlisted personnel and junior officers themselves--men and women who, as he writes, have "had their national identities as Americans engraved in sharp bas-relief." He not only conveys the vast scope of America's military commitments, but also shows us astonishing and vital operations as they unfold--from the point of view of the troops themselves.--From publisher description

Five essential and challenging essays by leading post-modern theorists on the art and nature of interpretation: Jacques Derrida, Harold Bloom, Geoffrey Hartman, Paul de Man, and J. Hillis Miller.