Reprint of 1938 edition. The Rape of Palestine is a scathing indictment of the British administration in Palestine. It is well documented and makes full use of quotations from the writings of non-Jewish persons who served under that administration and themselves complained of the anti-Semitism shown by government officials. Among them was Douglas V. Duff, who complained that "it did not pay for one's seniors to think that one had any undue sympathy for the returning Jews". Even if only one-half of the evidence amassed by the author were true, he would have proved that nearly all the persons sent out to administer Palestine were anti-Semitic and determined to evade the Mandate and destroy the Jewish national home.

An interesting presentation of an extraordinary type of correspondence between communities and foremost Jewish authorities during the past fifteen hundred years by which social, economic and religious problems were discussed and solved.

In 1944, a band of Jewish guerrillas joined the Russian army in its attack on Vilna, Lithuania. The band, called the Avengers, was led by Abba Kovner. In the ghetto, Abba had built bombs, sneaking out through the city's sewer tunnels to sabotage German outposts. Abba's lieutenants were two teenage girls, Vitka Kempner and Ruzka Korczak. After the liquidation of the ghetto, the Avengers escaped to the forest, where they fought alongside other partisan groups, and ultimately bombed Vilna in order to pave the way for its liberation.After the war, Vitka and Abba were instrumental in orchestrating the massive Jewish exodus to Israel, and Ruzka went to Palestine, where she would be the first person to bring a first-hand account of the Holocaust to Jewish leaders.The Avengers is the story of what happened to these rebels in the ghetto and in the forest, and how, fighting for the State of Israel, they moved beyond the violence of the Holocaust and made new lives.

This collection of articles by Rena Molho addresses Salonica's Jewish community during the nineteenth century and the first fifty years of the twentieth century, when the city was home to a large Jewish population.

The first anthology by Jewish women of color, with the original edition published in 2003, The Flying Camel 2022 edition remains ahead of the curve and includes new material: a cover and introduction featuring celebrity Yemenite-Israeli band A-WA, along with a musical framework for understanding issues addressed throughout the anthology; a preface sharing how the book was birthed into being and how to use it today; original poems by editor Loolwa Khazzoom, matched with the themes of each essay in the book; and a comprehensive study guide for book clubs and university courses. Like the proverbial phoenix rising from the ashes, the seventeen women of The Flying Camel boldly emerge from the wreckage of their ancient civilizations and invite readers on an intimate journey of self-discovery, creativity, and defiance. Drawing from personal and ancestral memories, amidst the pursuit of soul-filled dreams and longings, anthology contributors navigate geopolitical upheaval and cultural homelessness, crisscrossing four continents and stepping back and forth through the spiritual portals of time. Nothing is quite as it seems, we learn, with identity constructs, loyalties, and politics dependent on so many variables that, ultimately, the borders perhaps dissolve into the greater expansiveness of who we are. Alternately raw and fierce, vulnerable and tender, these gripping stories are deeply personal and uniformly honest, providing a secret passageway deep below the narrow scripts and slogans of today's identity politics, and leading straight into the chamber of the heart. Reflecting a diversity of experience and perspective, and drawing from a collective wealth of knowledge, the stories naturally weave through topics including exile, body image, sexuality, class division, religious practice, domestic violence, the Middle East conflict, and other pertinent issues, in ways that are both insightful and refreshing.

With the Nazi era being one of the most discussed periods in history, there are still many people who are unaware of collaboration between Zionism and the fascist regimes of Hitler and Mussolini. Now in paperback and featuring an updated article on the Iron Wall' by Vladimir Jabotinsky, 51 Documents brings to light the immense disservice the Zionists did to many other Jews during this period.'

In the 1993 Oslo accords, Israel embraced Yasser Arafat as its "peace partner." It then installed him in Gaza and the West Bank as head of a nascent Palestinian government, allowed him to bring with him some 7,000 of his loyalist gunmen, and provided the gunmen with weapons, even as Arafat continued to support terrorist attacks on Israelis and to assure Palestinians and other Arabs his goal remained Israel's destruction.Why did Israel pursue the path of Oslo? Why did it persist on that path when, in the wake of the initial Oslo agreements, the Palestinians unleashed an unprecedented wave of anti-Israel terror? Palestinian leaders also routinely called for holy war against Israel and compared Oslo to the Treaty of Hudaibiya, which Mohammed had signed in 628 and abandoned when his forces became strong enough to overwhelm his adversaries. Arafat and his subordinates told Arab audiences that Oslo was a step in the PLO's 1974 "plan of phases," a strategy of acquiring whatever land could be won by negotiations and using that territory as a base for pursuing Israel's annihilation. Yet Israel responded with additional concessions. What psychological, historical and communal forces spawned policies that undermined Israel's security and even threatened its survival? Dr. Levin's original and powerfully persuasive analysis relates Israeli diplomacy of the nineteen-nineties to psychological responses common among chronically besieged populations, whether minorities subjected to defamation, discrimination and assault or small nations under chronic attack by their neighbors. More particularly, he demonstrates links between the evolution of Oslo and the long history of Diaspora Jews being subjected to persistent abuse. The reaction of many enduring such abuse was to seek to improve their predicament by endorsing elements of the surrounding societies' bigoted indictments and embracing delusions of salvation through self-effacement and concessions. This case study in the psychology of a community under chronic attack takes on broader significance at a time when even traditionally safe and secure societies such as the United States are confronting the psychological challenges posed by terrorist assaults.

Jacob Beck, a young Jewish boy growing up in Canada in the 1950s, experiences Christmas as a member of a minority in another culture as he searches for a present for his best friend, Larry, longing to share in his world while remaining true to himself.

Drawing on a mass of unpublished writings and archival sources from prerevolutionary Russian conservatories, this book offers an insightful account of the Jewish search for a modern identity in Russia through music, rather than politics or religion.

This volume presents two works by acclaimed Polish journalist Hanna Krall: The Subtenant, a semi-autobiographical novel, and To Outwit God, a remarkable interview with Marek Edelman, the last surviving leader of the Warsaw Ghetto uprising. The Subtenant explores the troubled and ever-shifting relationships between Poles and Jews, beginning with the author's concealment as a child during the Nazi years and ending in 1981 when martial law was declared in Poland. In To Outwit God, Edelman's words assault conventional assumptions about heroes and heroism, taking in his time not only in the Warsaw Ghetto but his careers as a physician and a Solidarity activist. Taken together, the two works form a powerful memoir of Jewish survival, a meditation on Polish-Jewish relations, and a commentary on the forces that have produced modern Polish opposition movements.

A New York Times “Books for Summer Reading” selection Winner of the 2003 National Jewish Book Award for History By the time he died in 1993 at the age of 73, Irving Howe was one of the twentieth century’s most important public thinkers. Deeply passionate, committed to social reform and secular Jewishness, ardently devoted to fiction and poetry, in love with baseball, music, and ballet, Howe wrote with such eloquence and lived with such conviction that his extraordinary work is now part of the canon of American social thought. In the first comprehensive biography of Howe’s life, historian Gerald Sorin brings us close to this man who rose from Jewish immigrant poverty in the 1930s to become one of the most provocative intellectuals of our time. Known most widely for his award-winning book World of Our Fathers, a rich portrayal of the East European Jewish experience in New York, Howe also won acclaim for his prodigious output of illuminating essays on American culture and as an indefatigable promoter of democratic socialism as can be seen in the pages of Dissent, the journal he edited for nearly forty years. Deeply devoted to the ideal of democratic radicalism and true equality, Howe was constantly engaged in a struggle for decency and basic fairness in the face of social injustice. In the century of Auschwitz, the Gulag, and global inter-ethnic mass murder, it was difficult to sustain political certainties and take pride in one's humanity. To have lived a life of conviction and engagement in that era was a notable achievement. Irving Howe lived such a life and Gerald Sorin has done a masterful job of guiding us through it in all its passion and complexity.

Contradictory stereotypes about Jewish sexuality pervade modern culture, from Lenny Bruce's hip eroticism to Woody Allen's little man with the big libido (and even bigger sexual neurosis). Does Judaism in fact liberate or repress sexual desire? David Biale does much more than answer that question as he traces Judaism's evolving position on sexuality, from the Bible and Talmud to Zionism up through American attitudes today. What he finds is a persistent conflict between asceticism and gratification, between procreation and pleasure. From the period of the Talmud onward, Biale says, Jewish culture continually struggled with sexual abstinence, attempting to incorporate the virtues of celibacy, as it absorbed them from Greco-Roman and Christian cultures, within a theology of procreation. He explores both the canonical writings of male authorities and the alternative voices of women, drawing from a fascinating range of sources that includes the Book of Ruth, Yiddish literature, the memoirs of the founders of Zionism, and the films of Woody Allen. Biale's historical reconstruction of Jewish sexuality sees the present through the past and the past through the present. He discovers an erotic tradition that is not dogmatic, but a record of real people struggling with questions that have challenged every human culture, and that have relevance for the dilemmas of both Jews and non-Jews today.

The present volume is the first collection of studies by Charles Mopsik to be published in English. It contains the contents of two separate volumes published in French, with an additional study which was published elsewhere. These seven studies focus on the function and character of sex and gender in Jewish Mysticism: (1) The Primeval Couple and the Primordial One in the Religions of the World; (2) The Masculine Woman; (3) Creation and Procreation: Beyond the Bounds of the Body - From the Hebrew Bible to Medieval Jewish Mysticism; (4) Genesis 1: 26-27: The Image of God, Man and Wife, and the Status of Women in the writings of the Early Kabbalists; (5) Genesis 2:24: 'They Become One Flesh': Several Interpretations by Medieval Jewish Mystics; (6) Union and Unity in the Kabbalah: The Proclamation of the Divine Unity and the Male/Female Couple; (7) The Secret of the Marriage of David and Batsheva.

At the age of five, Zoltan Zinn-Collis was torn from his home in Slovakia and cast into the deepest horrors of a Nazi concentration camp. In Bergen-Belsen concentration camp he survived the inhuman brutality of the Ss guards, the ravages of near starvation, disease, and squalor. All but one of his family died there, his mother losing her life on the very day the British finally marched into the camp. Discovered by a Red Cross nurse who described him as 'an enchanting scrap of humanity', Zoltan was brought to Ireland and adopted by one of the liberators, Dr Bob Collis, who raised him as his own son on Ireland's east coast. Now aged 65, Zoltan is ready to speak. His story is one of deepest pain and greatest joy. Zoltan tells how he lost one family and found another; of how, escaping from the ruins of a broken Europe, he was able to build himself a life – a life he may never have had.

Newsweek' s Jerusalem bureau chief Joshua Hammer arrived in the West Bank in October 2000 -- just after Ariel Sharon made his inflammatory visit to the Haram al-Sharif, otherwise known as the Temple Mount. Sharon's trip ignited the worst violence the Middle East had seen in decades. Overnight, the peace process gave way to an ever-worsening cycle of attack, revenge, and retaliation, destabilizing the entire region, killing thousands, and culminating in Israel's reoccupation of Palestinian towns in 2002. A Season in Bethlehem is the story of one West Bank town's two-year disintegration, as witnessed by a reporter who was there from the beginning. Woven together from Hammer's own firsthand reportage plus hundreds of interviews, it follows a dozen characters whose lives collided on the streets of this biblical city. They include a Bedouin tribesman who rose to become the commander of Bethlehem's most feared and brutal gang of gunmen; the beleaguered governor, an opponent of the al-Aqsa intifada, who believed he had a mandate to stop the violence, only to discover that Yasser Arafat was undermining him; a Christian businesman who watched helplessly as his community was squeezed between Muslim militants and the Israeli army; an eighteen-year-old female honors student turned suicide bomber; and an Israeli reservist, son of a leader of the Peace Now movement, who wrestled with his left-wing convictions as he rode to battle through the predawn streets. The narrative reaches a climax with a moment-by-moment recreation of the epochal drama that drew many of these characters together: the thirty-nine-day siege of the Church of the Nativity. A clear-eyed chronicle of deepening chaos and violence, in which Hammer lets the opposing sides speak for themselves, A Season in Bethlehem is both a timely and timeless look at how longstanding religious and political tensions finally boiled over in a place of profound resonance: the birthplace of Jesus.

Here for the first time is a stirring collection of 110 rare songs from the Holocaust in sixteen languages with singable English translations, songs of resistance, despair, rage, hope, and even humor, written in the face of utter evil. The very existence of these songs raises haunting questions. Who composed them? Who sang them? Who listened? The lyrics, along with extensive historical notes and insightful survivor testimony in this groundbreaking volume, provide moving answers. Musicologist Jerry Silverman has compiled an expansive collection of Holocaustera songs-in Yiddish, German, Hebrew, Spanish, French, Dutch, Italian, Ladino, Serbo-Croatian, Greek, Norwegian, Czech, Polish, Russian, Hungarian, and Englishwhich he situates within a vivid historical framework. This volume comprises then work of concentration camp prisoners and inhabitants of the ghettos of Eastern Europe as well as subversive European cabaret music, anti-Fascist anthems inspired by the Spanish Civil War, Red Army songs, and songs of Resistance fighters. Silverman conducted exhaustive research that included interviews with survivors and visits to international archives. In some cases, where the original music has been lost, he has set the words to music usingmtraditional melodies or his original compositions. Included are songs of prewar Germany, of ghettos and camps during the height of the murderous "Final Solution;' and of postwar reflection by such balladeers as Pete Seeger, Janis Ian, Si Kahn, and Tom Paxton.