Sisters Peyton and Skye--one the co-anchor of a hit morning show, the other a stay-at-home mom in the New York suburbs--seem to have everything, until an Ivy League college admissions sting involving Peyton's husband threatens all they have worked for.

"Taran Ferguson, laird of his clan, is determined that his ancient (if not so honorable) birthright be secured before he dies. When both his nephews refuse to wed, the old reprobate takes matters into his own hands: he raids a ball and makes off with four likely brides"--P. [4] of cover.

Fictional memoir of Dr. Max Aue, a former Nazi officer who survived the war and has reinvented himself, many years later, as a middle-class entrepreneur and family man in northern France. Max is an intellectual steeped in philosophy, literature, and classical music. He is also a cold-blooded assassin and the consummate bureaucrat. Through the eyes of this cultivated yet monstrous man, we experience the horrors of the Second World War and the Nazi genocide of the Jews in graphic, disturbingly precise detail from the dark and disturbing point of view of the executioner rather than the victim. During the period from June 1941 through April 1945, Max is posted to Poland, the Ukraine, and the Caucasus; he is present at the Battle of Stalingrad, at Auschwitz and Cracow; he visits occupied Paris and lives through the chaos of the final days of the Nazi regime in Berlin. Although Max is a totally imagined character, his world is peopled by real historical figures, such as Eichmann, Himmler, Göring, Speer, Heydrich, Hoss, and Hitler himself.

#1 New York Times bestselling author Jennifer Weiner takes readers into the heart of women’s lives in an unforgettable, timely tale. Jules Strauss is a Princeton senior on a full scholarship who plans on selling her “pedigree” eggs to help save her father from addiction. Annie Barrow, a struggling Pennsylvania housewife, thinks that carrying another woman’s child will help her recover a sense of purpose and will bring in some much-needed cash. India Bishop, thirty-eight (really, forty-three) and recently married to the wealthy Marcus Croft, yearns for a baby for reasons that have more to do with money than with love. When her attempts at pregnancy fail, she turns to Jules and Annie to make her dreams come true. But each of their plans is thrown into disarray when Bettina, Marcus’s privileged daughter, becomes suspicious that her new stepmother is not what she seems... Told with Jennifer Weiner’s trademark wit and sharp observations, Then Came You is a hilarious, tender, and timely tale that explores themes of class and entitlement, surrogacy and charity, the rights of a parent and the measure of a mother.

New York Times bestselling author Jennifer Weiner’s unforgettable story of adjusting to suburbia—and all the surprises hidden behind its doors. For Kate Klein, a semi-accidental mother of three, suburbia has been full of unpleasant surprises. Her once-loving husband is hardly ever home. The supermommies on the playground routinely snub her. Her days are spent carpooling and enduring endless games of Candy Land, and at night, most of her orgasms are of the do-it-yourself variety. When a fellow mother is murdered, Kate finds that the unsolved mystery is the most exciting thing to happen in Upchurch, Connecticut, since her neighbors broke ground for a guesthouse and cracked their septic tank. Even though the local police chief warns her that crime-fighting's a job best left to the professionals, Kate launches an unofficial investigation -- from 8:45 to 11:30 on Mondays, Wednesdays, and Fridays, when her kids are in nursery school. As Kate is drawn deeper into the murdered woman's past, she begins to uncover the secrets and lies behind Upchurch's picket-fence facade -- and considers the choices and compromises all modern women make as they navigate between marriage and independence, small towns and big cities, being a mother and having a life of one's own.

"Allison Weiss has a great job ... a handsome husband ... an adorable daughter ... and a secret. Allison Weiss is a typical working mother, trying to balance a business, aging parents, a demanding daughter, and a marriage. But when the website she develops takes off, she finds herself challenged to the point of being completely overwhelmed. Her husband's becoming distant, her daughter's acting spoiled, her father is dealing with early Alzheimer's, and her mother's barely dealing at all. As she struggles to hold her home and work life together, and meet all of the needs of the people around her, Allison finds that the painkillers she was prescribed for a back injury help her deal with more than just physical discomfort--they help her feel calm and get her through her increasingly hectic days. Sure, she worries a bit that the bottles seem to empty a bit faster each week, but it's not like she's some Hollywood starlet partying all night, or a homeless person who's lost everything. It's not as if she has an actual problem. However, when Allison's use gets to the point that she can no longer control--or hide--it, she ends up in a world she never thought she'd experience outside of a movie theater: rehab. Amid the teenage heroin addicts, the alcoholic grandmothers, the barely-trained "recovery coaches," and the counselors who seem to believe that one mode of recovery fits all, Allison struggles to get her life back on track, even as she's convincing herself that she's not as bad off as the women around her. With a sparkling comedic touch and tender, true-to-life characterizations, All Fall Down is a tale of empowerment and redemption and Jennifer Weiner's richest, most absorbing and timely story yet"--

Jacob Rappaport, a Jewish soldier in the Union army during the Civil War is ordered to murder his own uncle in New Orleans, who is plotting to assassinate President Lincoln. After this harrowing mission, Jacob is recruited to pursue another enemy agent, the daughter of a Virginia family friend. But this time, his assignment isn't to murder the spy, but to marry her.--From publisher's description.

Running a successful fashion empire in Paris and New York that hides the pain of a failed marriage, Timmie O endures a sequence of meaningless relationships before a surprise bout of appendicitis places her under the care of alluring but married French doctor, Jean-Charles Vernier.

For once, business is going well for Quark, even if the inhabitants of Deep Space Nine don't seem to appreciate his talents. He's just about to clinch the deal of a lifetime ... when he suddenly finds himself right in the middle of a major dispute between Bajor and the Ferengi Alliance. The Grand Nagus Zek is refusing to sell one of the lost Orbs of the Prophets to the Bajoran government, and Bajor's response is to ban all Ferengi trading activity within Bajoran space. Quark finds himself losing both his bar and his freedom, with only his cunning and his lobes left to help him get back on top - and prevent an interstellar war!

Miss Lonelyhearts is Nathanael West's second novel. He began writing it early in 1930 and completed the manuscript in November of 1932. Published in 1933, it is an Expressionist black comedy set in New York City during the Great Depression. In the story, Miss Lonelyhearts is an unnamed male newspaper columnist writing an advice column for the lovelorn and lonesome, a duty that the other newspaper staff considers a joke. As Miss Lonelyhearts reads letters from desperate New Yorkers, he feels terribly burdened and falls into a cycle of deep depression, accompanied by heavy drinking and occasional bar fights. He is also the victim of the pranks and cynical advice of Shrike, his feature editor at the newspaper. Miss Lonelyhearts tries several approaches to escape the terribly painful letters he has to read: religion, trips to the countryside with his fiancée Betty, and affairs with Shrike's wife and Mrs. Doyle, a reader of his column. However, Miss Lonelyheart's efforts do not seem to ameliorate his situation. After his sexual encounter with Mrs. Doyle, he meets her husband, a poor crippled man. The Doyles invite Miss Lonelyhearts to have dinner with them. When he arrives, Mrs. Doyle tries to seduce him again, but he responds by beating her. Mrs. Doyle tells her husband that Miss Lonelyhearts tried to rape her. In the last scene, Mr. Doyle hides a gun inside a rolled newspaper and decides to take revenge on Miss Lonelyhearts. Lonelyhearts, who has just experienced a religious enlightenment after three days of sickness, runs toward Mr. Doyle to embrace him. The gun "explodes", and the two men roll down a flight of stairs together. The general tone of the novel is one of extreme disillusionment with Depression-era American society, a consistent theme throughout West's novels. However, the novel is a black comedy, characterized by a dark sense of humor and irony. Justus Neiland, among others, has pointed out the use of Bergsonian laughter, in which "the attitudes, gestures, and movements of the human body are laughable in exact proportion as that body reminds us of a machine." The novel can be read through a Marxist lens as a condemnation of alienation and the colonization of social life by commodification, foreshadowing the stance of the Situationists and Guy Debord in particular. Miss Lonelyhearts is unable to fulfill his role as advice giver in a world in which both people and advice (in the form of newspaper ads, for example) are mass-produced. People are machines for the sole purpose of laboring as far as the rest of society is concerned (thus Miss Lonelyhearts' name), and any advice for them is as mass-produced as a manual for a machine. Lonelyhearts is unable to find a personal solution to his problems because they have systemic causes. West, who worked in the newspaper business before writing Miss Lonelyhearts, is also an advice giver of a sort as a novelist. Miss Lonelyhearts is similar to a détournement because it uses a form to critique the same form. The novel also condemns itself by condemning art, which is repeatedly derided by Shrike and compared to religion as an opiate of the masses. Many of the problems described in Miss Lonelyhearts describe actual economic conditions in New York City during the Great Depression, although the novel carefully avoids questions of national politics. Moreover, the novel is particularly important due to its existential import. The characters seem to be living in an amoral world. Hence, they resort to heavy drinking, sex, and parties. Miss Lonelyhearts has a "Christ complex", which stands for his belief in religion as a solution to a world devoid of values. (wikipedia.org)

A Muslim immigrant teen struggles to hold her family together in the wake of 9/11 in this poignant novel from acclaimed author Marina Budhos. You forget. You forget you don’t really exist here, that this isn’t your home. Since emigrating from Bangladesh, fourteen-year-old Nadira and her family have been living in New York City on expired visas, hoping to realize their dream of becoming legal US citizens. But after 9/11, everything changes. Suddenly being Muslim means you are dangerous, a suspected terrorist. When Nadira’s father is arrested and detained at the US-Canada border, Nadira and her older sister, Aisha, are told to carry on as if everything is the same. The teachers at Flushing High don’t ask any questions, but Aisha falls apart. Nothing matters to her anymore—not even college. It’s up to Nadira to be the strong one and bring her family back together again.

Suelette Dreyfus and her co-author, WikiLeaks founder Julian Assange, tell the extraordinary true story of the computer underground, and the bizarre lives and crimes of an elite ring of international hackers who took on the establishment. Spanning three continents and a decade of high level infiltration, they created chaos amongst some of the world's biggest and most powerful organisations, including NASA and the US military. Brilliant and obsessed, many of them found themselves addicted to hacking and phreaking. Some descended into drugs and madness, others ended up in jail. As riveting as the finest detective novel and meticulously researched, Underground follows the hackers through their crimes, their betrayals, the hunt, raids and investigations. It is a gripping tale of the digital underground.

Brimming with more than 140 dramatic images, this is the stunning, visual companion to Steven Spielberg's epic adventure, set in rural England and Europe, about a young man and his horse and their separate journeys through the battlefields of the First World War. One of the great stories of friendship and war, the successful novel War Horse not only inspired the award-winning stage play, but also inspired one of the great directors in film history to commit his talent, vision, and resources to make this extraordinary movie, which was shot in the countryside of England. "I first fell in love with the story of War Horse because I was moved by the relationship between a boy and an animal in Michael Morpurgo's novel and the screenplay by Richard Curtis and Lee Hall," writes Steven Spielberg in his foreword. "But, ultimately, I made it because of what the book and the screenplay say about courage. I t is about the courage of the horse Joey and what he endures to survive, and the courage of Albert in his attempt to find his best friend in a time of war. With every frame of this film, it was my hope to issue a call for courage in our daily lives. A call to ‘be brave.'" Additional forewords by producer Kathleen Kennedy, novelist Michael Morpurgo, and co-screenwriter Richard Curtis reveal their feelings about the story and the process of moving it from page to screen. The main body of the book is divided into three sections: Part 1: Joey's Journey —A visual retelling, along with script excerpts and filmmakers' comments, of the journey taken by Joey, the horse trained by his beloved Albert, from the striking verdant countryside of Dartmoor, Devon, to training in the British cavalry, to trench warfare in France. Part 2: The Making of War Horse —An insider's glimpse of the movie-making process highlighted with fascinating insights from the international cast and the crew about the casting, locations, costumes, horse training, and much more. Part 3: The History of War Horses —An illuminating section on the role of horses in battle, illustrated with iconic images from history, vivid drawings, paintings and photographs. This beautiful book is a testament to what can be done when people become impassioned about a goal. As producer Kathleen Kennedy expresses in her foreword: " War Horse was one of those unusual productions that comes together in an incredibly short time, and for all the right reasons. Everyone involved understood the film's potential, the richness of the characters, the depth of emotion, and the strength of the story's message."

Product Description Both an enhanced digital edition―the first edited specifically for undergraduates―and a handsome print volume, The Norton Shakespeare, Third Edition, provides a freshly edited text, acclaimed apparatus, and an unmatched value. The attractive print and digital bundle offers students a great reading experience at an affordable price in two ways―a hardcover volume for their dorm shelf and lifetime library, and a digital edition ideal for in-class use. Students can access the ebook from their computer, tablet, or smartphone via the registration code included in the print volume at no additional charge. As one instructor summed it up, “It’s a long overdue step forward in the way Shakespeare is taught.” Book Description with The Norton Shakespeare Digital Edition registration card About the Author Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature, he is the author of eleven books, including Tyrant, The Rise and Fall of Adam and Eve: The Story that Created Us, The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Marvelous Possessions: The Wonder of the New World; Learning to Curse: Essays in Early Modern Culture; and Renaissance Self-Fashioning: From More to Shakespeare. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA’s James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve, the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters. Walter Cohen (Ph.D. Berkeley) is Professor of English at the University of Michigan, Ann Arbor, and Professor of Comparative Literature Emeritus at Cornell University, where he received the Clark Distinguished Teaching Award. He is the author of Drama of a Nation: Public Theater in Renaissance England and Spain, as well as numerous journal articles on Renaissance literature, literary criticism, the history of the novel, and world literature. He has recently completed a critical study entitled A History of European Literature: The West and the World from Antiquity to the Present. Jean E. Howard (Ph.D., Yale) is the George Delacorte Professor in the Humanities at Columbia University. A past president of the Shakespeare Association of America, she is the author of numerous books on Renaissance drama, including Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (1984), The Stage and Social Struggle (1994), Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, with Phyllis Rackin (1997), Theater of a City: The Places of London Comedy 1598–1642 (2007), and Marx and Shakespeare with Crystal Bartolovich (2012). She is at work on a book about the English history play from Shakespeare to Caryl Churchill and another on the invention of Renaissance tragedy. Katharine Eisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professor of English at the University of Virginia. She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; an

"The Hospital of the Transfiguration is a very early novel by Lem. it was written in 1948, but supppressed by Polish censors, and was not published until 1955. The book appeared in an English translation in 1988. The censorship of this early realist novel is partly what drove Lem to write in the vein of science fiction almost exclusively for the next thirty years. The book is partly autobiographical, about a doctor working in a Polish asylum during World War II. At first the asylum seems like a bucolic refuge to the young doctor, but a series of encounters and incidents reveal an underlying brutality. he begins to seek relief in the strange conversation of the poet Sekulowski, who is posing as a patient in a bid for safety from the occupying German forces. Resistance fighters stockpile weapons in the surrounding woods. In the end, German troops arrive and, under euthanasia program Action T4, slaughter most of the patients and staff. Kirkus reviews noted, "Absorbing, also, to watch Lem outline many of the themes and ideas that he will later develop brilliantly in his science fiction. All in all, not for the fainthearted, even though Lem is not yet at full power here.""--

"Readers can find comfort in the dedication V.I. gives the cries for help she hears from friends, neighbors, and strangers... Very few series authors deliver as masterfully as Sara Paretsky.” — San Francisco Book Review Legendary detective V.I. Warshawski uncovers a nefarious conspiracy preying on Chicago’s weak and vulnerable, in this thrilling novel from New York Ti[Bokinfo]

NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST "A proper hero for these times . . . To us, V.I. is perfect." -- THE NEW YORK TIMES BOOK REVIEW "Sara Paretsky's gloriously kick-ass private eye, V.I. "Vic" Warshawski, is back . . . in a political-rot thriller that's the definition of perfection in the genre." -- THE WASHINGTON POST Chicago's legendary detective, V.I. Warshawski, knows her city's rotten underbelly better than most, but she's unable to avoid it when her goddaughter drags her into a fight over lakefront land use, in this propulsive novel from New York Times bestseller Sara Paretsky. Chicago may be the city of broad shoulders, but its political law is "Pay to Play." Money changes hands in the middle of the night, and by morning, buildings and parks are replaced by billion-dollar projects. Chicago PI V.I. Warshawski gets pulled into one of these clandestine deals through her impetuous goddaughter, Bernie Fouchard. Bernie tries to rescue Lydia Zamir, a famed singer-songwriter now living on the streets; Zamir's life fell apart when her lover was murdered next to her in a mass shooting at an outdoor concert. Not only does Bernie plunge her and V.I. headlong into the path of some ruthless developers, they lead to the murder of the young man Bernie is dating. He's a computer geek working for a community group called SLICK. V.I. is desperate to find a mysterious man named Coop, who roams the lakefront in the middle of the night with his dog. She's sure he holds the key to the mounting body count within SLICK. Coop may even know why an international law firm is representing the mass murderer responsible for Lydia's lover's death. Instead, the detective finds a terrifying conspiracy stretching from Chicago's parks to a cover-up of the dark chapters in America's meddling in South American politics. Before she finds answers, this electrifying novel pushes V.I. close to the breaking point: People who pay to play take no prisoners.

The sequel to the bestselling and highly acclaimed The House of God One of the most prominent and enduring titles in medical fiction is the bitingly funny House of God, which has sold more than 2 million copies, becoming required reading for generations of medical students and health care professionals. With Man's 4th Best Hospital, Samuel Shem "the comic genius and holy terror of medicine"* returns us to the hilarious and heartbreaking world of modern medicine. After The House of God, the resident known as The Fat Man and his eccentric band of interns scattered to the four corners of the country. Today Fats, now rich and famous, has been lured across town to the House of God's WASPy rival, Man's Best Hospital. But the august institution has sunk from being ranked the best hospital in the country to an embarrassing, and unacceptable, 4th! Fats' mission? To help the hospital climb back up the rankings. But as always, he's pursuing his own agenda. . . At his new Future of Medicine Clinic, the team comes back together to renew their life-changing friendships and teach a new generation of interns and residents. In a medical landscape dominated by computer screens and corrupted by money, they have a daunting goal: "To put the human back into healthcare." What follows is an emotional and laugh-out-loud novel that reflects the issues in American healthcare today, from the tyranny of computer screens to doctor burnout to the greed of the health insurance industry. * Bill McKibben

'With the open-hearted rashness that belongs to every true writer, Saviano returns to tell the story of the fierce and grieving heart of Naples.' Elena Ferrante In Naples, a new kind of gang rules the streets: the 'Paranze', the 'Children's Gangs', groups of teenage boys who divide their time between Facebook or playing Call of Duty on their PlayStations and patrolling the streets armed with pistols and AK-47s, terrorizing local residents in order to mark out the territories of their Mafia bosses. Roberto Saviano's eye-opening novel The Piranhas tells the story of the rise of one such gang and its leader, Nicolas - known to his friends and enemies as the 'Maharajah'. But Nicolas's ambitions reach far beyond doing other men's bidding: he wants to be the one giving orders, calling the shots, and ruling the city. But the violence he is accustomed to wielding and witnessing soon spirals out of his control . . .