Comedy Characters: 2 male 3 female Combination interior exterior set Isabel is a modern young woman who lives alone and works in a book shop. When she is not pining after a handsome author she is visiting her grandmother (Bubbe) in Manhattan's Lower East Side. This irascible granny and her friend the matchmaker have found a "good catch" for Isabel whose initial reluctance gives way to a blossoming romance when she finally meets Sam the pickle vendor as the end of the

A visually dynamic homage to the paperback. In 1968, John Leonard, then editor of The New York Times Book Review , listed the many merits of mass-market paperbacks: "They can be stuffed in purses, left in buses, dropped in toilets, used as coasters, eaten and thrown away. Their covers can be ripped off! Their spines can be broken! To buy a paperback today is to buy the means of revenging oneself on Western culture." Fast-forward forty years. Leonard’s affectionately flippant assessment may need to be revised as the explosion of digital media threatens the livelihood of the printed word. More than an act of revenge on Western culture, to buy a paperback may be a means of preserving one of its more charismatic—and socially, politically, and aesthetically influential—species. Breathless Homicidal Slime Mutants celebrates the mass-market paperback and gives it its due. A vibrant tour that starts with books from the late nineteenth century up to today, examining the most popular genres—mystery, romance, Westerns, how-to, cooking, and diet, and highbrow literature packaged for the broader audience—it focuses on the history of the art and design of the format and how it is inseparable from the history of American literacy, tastes, and mores of the twentieth century.

Jewish Stories of Love and Marriage offers a treasury of tales that speak to the tenderness and passion, difficulties and blessings of love. Jewish tradition overflows with love stories from the Bible, Talmud, and Midrash. Folktales continue the tradition, and contemporary writers highlight the way their faith and love interweave and enrich each other. From Adam and Eve to Song of Songs, from legends of Solomon to the letters of Alfred and Lucie Dreyfus, these are stories of heartbreak, devotion, and celebration. They tell of how people fall in love and how they grow in love. The narratives are as old as the Bible and as new as the twenty-first century. They come from places as far-ranging as Yemen and New York. The relationships are heterosexual and homosexual, arranged and spontaneous, young and mature. Though the stories reflect the times and places in which they were told, they have a universal message about longing and romance, relationship, respect, and commitment. Noted storyteller Peninnah Schram and Rabbi Sandy Eisenberg Sasso collect these narratives and letters for the first time, inviting readers to delve into these stories for entertainment and inspiration, at engagements, weddings, and anniversaries, to recall what once brought people close and what continues to hold them in love.

God, Man, and Devil is an anthology of five Yiddish plays in translation, plus two additional independent scenes, all written by well-known playwrights in the first quarter of the twentieth century. The settings range widely—a luxurious parlor, a haunted graveyard, a farmyard, a sweatshop on strike, a subway, and the boardwalk of Atlantic City. The plays evoke tears and laughter through melodrama, expressionism, satire, fantasy, farce, suspense, and romance. But all consider the same question: what is life’s moral purpose? And all display the theatrical flair that made Yiddish audiences such passionate fans of their dramas and their stars. Translated and edited to make them more accessible for both reading and performance, the plays are accompanied by prefaces and notes to help students of theater and of Jewish culture by providing historical context, production histories, and elucidation of references.

Long Remember is the first realistic novel about the Civil War. Originally published in the 1930s, and out of print sincer the 50s, this book received rave reviews from the NY Times Book Review, and was a main selection of the Literary Guild. It is the account of the Battle of Gettysburg, as viewed by a pacifist who comes to accept the nasty necessity of combat, and lives an intense and skewed romance along the way.

Venice for Lovers is a memorable collaboration by two fine stylists who have fashioned their own personal homages to Venice, one with a novella, the other with a personal essay. Every year for all the thirty they have been married, Begley and Muhlstein have escaped to Venice to write. In her contribution to the book, Muhlstein charmingly describes how she and her husband dine at the same restaurant every night for years on end, and how becoming friends with restaurateurs has been an unsurpassed means of getting to know the city and its inhabitants, far from the tourists in San Marco Square. In his short novella, Begley writes a story of falling in love with--and in--Venice. His twenty-year-old protagonist, enamored with an older, far worldlier woman of twenty-seven, is lured by her to the City of Water, only to be unceremoniously dumped and left to fend for himself after a brief rendezvous. But he discovers a lasting love for Venice itself--not an uncommon romance, as Begley's brilliant literary essay on the city's place within world literature demonstrates: Henry James, Marcel Proust, and Thomas Mann were all illustrious predecessors.

Beloved author Louis Begley returns to the monied halls of the Upper East Side with a sharp new comedy of manners. Divorced after decades of comfortable marriage, retired journalist Hugo Gardner sets out to explore paths not travelled. After four decades of what he believes to be a happy, healthy partnership, Hugo Gardner's world is overturned when he learns that his wife, Valerie, is not only requesting a divorce but has left him for a younger, more vital man. Hugo, an octogenarian political writer and retired journalist for Time , must rethink the way he's lived, and reassess how he'd like to spend his remaining years. Reconsidering past relationships in his mind, with years of distance, Hugo begins to see things in a new light: Valerie, whose youth and ambition eventually came between them; his children, whose support might be more financially than emotionally motivated; and his friends, who, like him are rapidly aging before his very eyes. With an ominous oncologist's report hanging over his head, Hugo decides to get away for a bit, to a conference in Paris. There, a new romance blooms and Hugo finds himself wondering if growing old in Paris might be the perfect antidote to the drama he left behind in New York. Unflinching, witty, and urbane as ever, Louis Begley delivers a spot-on satire of the world of New York's aging elite, and uncovers the unexpected delights a late-in-life change can offer.

"Scarified sensibility, subversive intellect, and predatory wit make her a writer like no other I know." -New York Times Book Review The Childlike Life of the Black Tarantula , Kathy Acker's debut and the first in this three-novel collection, began as an episodic handmade pamphlet that Acker mailed out to influential writers and artists whose addresses she managed to get her hands on. In the novel, Acker steps into the biography of a Mississippi murderess who falls in love with a famous lawyer, and mixes in fragments from porn, historical romance, pulp fictions, and The Story of O . Collect with her second novel, the dreamy exploration of desire I Dreamt I was a Nymphomaniac , and her third, The Adult Life of Toulouse Lautrec , Portrait of an Eye is dive into the frenzy of sexual wanting, the search for identity, and the invention of a new literary language. Now with an introduction by Kate Zambreno contextualizing the resurrection of these three early Acker novels, this new edition of Portrait of an Eye reminds us of all there is still to learn from Kathy Acker, a writer and artist whose work "remains radical and uncanny, entirely inimitable, a smash and grab on the history of literature" ( Guardian ).

A hysterical new novel from the author of What's Wrong with Dorfman? Once a gangly teenager in oversized clothes, Plato G. Fussell is now handsome and independently wealthy. But inside he's still a bundle of neuroses and anxieties, with a tendency to engage in moronic word games in the presence of beautiful women. In the midst of working on his definitive ten-volume biography of Millard Fillmore, Plato finds himself dodging his vile ex-wife, trying to please his demanding elderly mother by inquiring weekly about the state of her bowels, and attempting to remain verbally coherent while courting a young woman whom he meets after her errant Frisbee connects with his cranium. As Plato blunders on in search of true love, romance, and an acceptable degree of worldwide cleanliness, he discovers that loving someone and knowing them needn't go hand-in-hand.

"This groundbreaking collection brings together 28 stunning stories by literary talents never before assembled in a single volume. With contributions from both established and bright new voices in lesbian fiction, 'Women on Women' ranges from the subtlety and restraint of Willa Cather's 'Tommy, the Unsentimental' to Sapphire's daring and highly erotic 'Eat' and Valerie Miner's suspenseful 'Trespassing.' Some of the stories are universal in theme - the joy and excitement of new romance, the ageless problems of family life, and the pain of lost love and of death. And many are written by or about members of racial, ethnic, and other minorities within the gay community. These are stories that offer stirring, eloquent, often passionate insights into the lesbian experience in a long-overdue collection that represents the best of lesbian short fiction from past to present"--Amazon.com.

Tony Curtis, born Bernard Schwartz on June 3rd, 1925, Manhattan, New York City, New York, U.S., was a film actor whose career spanned six decades, having been most popular in the 1950s and early 1960s. He acted in more than 100 movies, in roles covering a wide range of genres, from light comedy to serious drama. In his later years, Curtis made many TV appearances. Although he got his early film roles partly for his good looks, by the latter half of the 1950s he'd developed a strong screen presence, with the range to act in many dramatic and comedy roles. In his earliest roles he acted in a string of mediocre films, including swashbucklers, westerns, light comedies, sports films and a musical. However, by the time Curtis starred in Houdini (1953) with his wife Janet Leigh, "his first clear success," as stated critic David Thomson, his acting had greatly progressed. Curtis received his first serious recognition as a dramatic actor in Sweet Smell of Success (1957) with co-star Burt Lancaster. The following year he was nominated for an Oscar for Best Actor in The Defiant Ones (1958) then gave what was probably his best performance, with three interrelated roles in the comedy Some Like It Hot (1959). Janet Leigh, born Jeanette Helen Morrison in Merced, California, US, on July 6th, 1927 was an actress, singer, dancer & author, whose career lasted over 5 decades. Raised in Stockton, California by working-class parents, Jeanette was discovered when aged 18 by actress Norma Shearer, who helped her get a contract with Metro-Goldwyn-Mayer. Leigh featured in radio programs before getting into acting, making her movie debut in the drama The Romance of Rosy Ridge (1947). She appeared in many motion pictures from a wide variety of genres, including the crime-drama Act of Violence (1948), the drama Little Women (1949), the comedy Angels in the Outfield (1951), the romance Scaramouche (1952) then western drama The Naked Spur (1953). Janet played dramatic roles during the late '50s, starring in Safari (1956) then Orson Welles's film noir Touch of Evil (1958), among others. Jeanette had her biggest hit as Marion Crane in Alfred Hitchcock's classic psychological thriller Psycho (1960), winning the Golden Globe Award for Best Supporting Actress then being nominated for the Academy Award for Best Supporting Actress for her performance. She continued to appear in movies intermittently, including Bye Bye Birdie (1963), Harper (1966), Night of the Lepus (1972) then Boardwalk

"Jacob Appel's acrobatic imagination is always a thrill to watch in action. These stories fly through the air and grip your heart. Appel's naturalness as a storyteller makes The Liars' Asylum a total pleasure, a collection in a league of its own. Each story-- there are no duds here-- engages and entertains. Each is beautifully measured and composed, populated by characters I worried for, crushed on, and hoped with."-- Kelly Luce "In this excellent collection of stories, Jacob Appel mines everything for what it is and what it might be: the ordinary, the bizarre, the poignant. The voice, regardless of the narrator, is always crisp and exuberant, in ways subtle and fresh. I could say he is a writer to watch, but actually he is publishing well and frequently. He's a writer to read."-- Fred Leebron "While the plants and ponds might be aggressively artificial in Jacob Appel's newest collection of stories, there's not a single false note when it comes to Appel's characters and their intertwined lives. Romance blooms despite vast differences in ages and circumstance, and near connections plunge into a unique melancholy optimism that will propel readers from one story to the next."-- Suzanne Greenberg "Jacob M. Appel's brilliant new story collection manages to pull off the rarest of literary feats-- delivering eight fantastic stories, each as entertaining as it is philosophically rich. A book of laugh-out-loud wit braided with intellectual fearlessness, The Liars' Asylum offers delights for the mind on every page. Best of all, these irreverent, lovingly subversive stories upend dusty assumptions about what it means to be alive and allow the reader to experience her own existence with a fresh eye. A stunning book that will remain with you long after the last page is turned."-- Alethea Black "Across eight compelling stories, Jacob Appel offers us glimpses into the lives of people keeping secrets, broaching taboos, and testing the limits of their relationships. From a former teacher's suicide to an epidemic of storms that forces those caught in them to tell the truth, The Liars' Asylum beautifully and artfully exposes the mysteries and longings of the human heart."-- Anne Valente "Jacob M. Appel new collection, The Liars' Asylum , confirms his status as one of our most skillful, and appealing, practitioners of short fiction. Indeed, Appel is one of those blessed and nimble writers who, like Chekhov, can find a story anywhere. On ample display are his trademark first-person narrators (often young women), his deliciously light touch, his mastery of the 'reversal of fortune' moment. His new cast of characters includes a girl tasked with ensuring her aunt a 'beau, ' an immigrant Finn who teaches us the meaning of endurance, and a ER psychiatrist dealing with a mass hysteria of truth-telling. Appel's fiction is a brilliant and reassuring example of Horace's maxim: The role of the artist is to inform and delight."-- Catherine Browder

A romance story of John and Abigail Adams

Love has 10,000 names, a million faces. America's most destructive contribution to 20th century living has been that damaged product plastic romance. It twists & savages us. After a lifetime of lies about what love's supposed to be, are you finally angry & depressed enough to be part of a recall on that shabby, mildewed merchandise? If so, join Ellison as he dissects the soul & body of love in our time. In 16 scalpel-sharp stories ranging from legalized Nevada whorehouses to steaming Georgian lynch towns, from Tijuana abortion mills to Hollywood sound stages, the one whom Oui magazine charmingly named "the perpetually angry young punk of the bizarre" rips the Saran-Wrap off love, hate, sin & twittering passion--to disclose the raw meat beneath. Here are 16 poisoned arrows from fantasy's improbable Cupid in which he presents a world of hearts & flowers guaranteed to revise thinking about where love's found & how it looks.New Having an Affair with a Troll (1976) essayIntroduction to 1st Edition (1976) essayNeither Your Jenny nor Mine (1964) storyThe Universe of Robert Blake (1962) storyG.B.K.-A Many-flavored Bird (1962) story Riding the Dark Train Out (1961) A True Memoir (1972) essayThe Resurgence of Miss Ankle-strap Wedgie (1968) novellaDaniel White for the Greater Good (1961) storyBlind Bird, Blind Bird, Go Away from Me! (1963) storyWhat I Did on My Vacation This Summer by Little Bobby Hirschhorn, Age 27 (1964) story Mona at Her Windows (1962) story When I Was a Hired Gun (1973) essay A Path Through the Darkness (1963) noveletteBattle Without Banners (1964) story A Prayer for No One's Enemy (1966) novelettePunky & the Yale Men (1966) novelette I Curse the Lesson & Bless the Knowledge (1976)

In "Men I'm Not Married To," Dorothy Parker offers a sharp, witty collection of essays and character sketches that explore the complexities of love, desire, and disillusionment through her incisive lens. Known for her acerbic humor and keen observations of the societal norms of her time, Parker employs a conversational yet poignant literary style, weaving personal anecdotes with broader social critiques. This work emerges from the early 20th century, a pivotal era in American literature marked by a burgeoning feminism and shifting gender dynamics, which Parker critiques with a blend of irony and authenticity. Dorothy Parker, a prominent member of the Algonquin Round Table, was known for her biting wit and advocacy for women's rights, often reflecting her personal experiences with romance and disappointment. Her own tumultuous relationships and her struggles within the patriarchal society profoundly influenced her writing. Parker's work not only illuminates her individual concerns but also resonates with the broader existential questions of her generation, establishing her as a significant voice in American literature. "Men I'm Not Married To" is an essential read for those who appreciate humor laced with wisdom. Parker's insightful commentary on relationships remains relevant, inviting readers to reflect on the intricacies of human connections, making this collection a timeless exploration of love's transient nature.

Many books in Japanese have been devoted to the poet and critic Ishikawa Takuboku (1886-1912). Although he died at the age of twenty-six and wrote many of his best-known poems in the space of a few years, his name is familiar to every literate Japanese. Takuboku's early death added to the sad romance of the unhappy poet, but there has been no satisfactory biography of his life or career, even in Japanese, and only a small part of his writings have been translated. His mature poetry was based on the work of no predecessor, and he left no disciples. Takuboku stands unique. Takuboku's most popular poems, especially those with a humorous overlay, are often read and memorized, but his diaries and letters, though less familiar, contain rich and vivid glimpses of the poet's thoughts and experiences. They reflect the outlook of an unconstrained man who at times behaved in a startling or even shocking manner. Despite his misdemeanors, Takuboku is regarded as a national poet, all but a saint to his admirers, especially in the regions of Japan where he lived. His refusal to conform to the Japan of the time drove him in striking directions and ranked him as the first poet of the new Japan.

Few know the story of the Warsaw Ghetto and the Polish Resistance ... Even fewer know the stories of the children caught in it ... She closed her eyes and listened to the forbidden Chopin nocturne ... its magic hung in the air. It is Warsaw, 1939, and Elz'unia is an indulged teenager who longs for a heroic life filled with romance. But the outbreak of war shatters all her dreams. As bombs fall, she meets Adam, a taciturn airman whose fate becomes entwined with hers. In despair over the occupation, Adam joins the Polish resistance, then flies bombers for the RAF. Forced into the Warsaw Ghetto, Elz'unia learns that even children must create their own rules to survive. When the Ghetto defies the invaders, and later the entire city of Warsaw rises up, Elz'unia finds strength in ways she never imagined. NOCtURNE is a powerful and inspiring testament to resilience and courage in the face of cruelty and betrayal.

The Book Smugglers is the nearly unbelievable story of ghetto residents who rescued thousands of rare books and manuscripts--first from the Nazis and then from the Soviets--by hiding them on their bodies, burying them in bunkers, and smuggling them across borders. It is a tale of heroism and resistance, of friendship and romance, and of unwavering devotion--including the readiness to risk one's life--to literature and art. And it is entirely true. Based on Jewish, German, and Soviet documents, including diaries, letters, memoirs, and the author's interviews with several of the story's participants, The Book Smugglers chronicles the daring activities of a group of poets turned partisans and scholars turned smugglers in Vilna, "The Jerusalem of Lithuania." The rescuers were pitted against Johannes Pohl, a Nazi "expert" on the Jews, who had been dispatched to Vilna by the Nazi looting agency, Einsatzstab Reichsleiter Rosenberg, to organize the seizure of the city's great collections of Jewish books. Pohl and his Einsatzstab staff planned to ship the most valuable materials to Germany and incinerate the rest. The Germans used forty ghetto inmates as slave-laborers to sort, select, pack, and transport the materials, either to Germany or to nearby paper mills. Based on Jewish, German, and Soviet documents, including diaries, letters, memoirs, and the author's interviews with several of the story's participants, The Book Smugglers chronicles the daring activities of a group of poets turned partisans and scholars turned smugglers in Vilna, "The Jerusalem of Lithuania." The rescuers were pitted against Johannes Pohl, a Nazi "expert" on the Jews, who had been dispatched to Vilna by the Nazi looting agency, Einsatzstab Reichsleiter Rosenberg, to organize the seizure of the city's great collections of Jewish books. Pohl and his Einsatzstab staff planned to ship the most valuable materials to Germany and incinerate the rest...

Romance novelist, Nat Noland, is suffering from writer's block when he makes up a silly email address sending a list to God of ideas for punishments. When God replies, Nat, a die hard atheist is shocked. Now, Nat keeps getting messages from God and he's having a very hard time concentrating on his new novel.

High school was pretty much like this huge party I wasn't actually invited to, but I still had to show up to every day. Hailey Harper has always felt invisible. Now her dad has a new job and the family is moving to Hollywood. Just what Hailey needs: to start a new high school. As she's packing, Hailey finds a journal that belonged to her older sister, Noel, who is away at college. Called "How to be a Hater," it's full of info Hailey can really use. Has Hailey found the Bible of Coolness? Will it help her reinvent herself at her new school? Will her crush notice her? Will she and the other Invisibles dethrone the popular mean girls? After all, they deserve it. Don't they? In Confessions of a Hater , Caprice Crane's funny—and deeply felt—observations about high school, bullies, popularity, friendship, and romance will leave teens thinking . . . and talking.