Five years in the making, the Edgeworks Abbey Archive represents Harlan Ellison's last word on his written legacy. Researched and edited by Ellison's long-time associate, Jason Davis, under the supervision of Harlan and Susan Ellison, this collection assembles the preferred texts of each story and essay along with previously uncollected and unpublished material to create the definitive edition.HONORABLE WHOREDOM AT A PENNY A WORD collects the hard-boiled fiction Ellison wrote for the mystery/suspense digests of the 1950s, along with a few later contributions to the genre from the men's magazines of the 1960s. In these pages, you will find Ellison's only recurring character, insurance investigator-turned-fixer Jerry Killian, as well as the diminutive private dick Big John Novak, a character intended to continue, but only appearing in one suspenseful outing. His aborted second appearance, "In Small Packages," makes its debut herein, alongside a pair of first drafts that showcase the rapid development of Ellison's craft across his first years as a professional writer-a time when pros were paid a penny a word.

The author of the widely syndicated "Uncivil Liberties" column ruminates on everything from Fidel Castro to the calorie count of his favorite food. "Trillin is a curmudgeon's curmudgeon".--People.

"The collected short stories of Jonathan Carroll"--Jacket.

"A laugh on every page, Christina Oxenberg is one of the most lethal wits of the western world." - Robert F. Kennedy Jr.Humorous, short stories by Christina Oxenberg, an author known for her sharp imagery and dark sense of humor.This collection of short stories cover topics like Oxenberg's love of dancing in the clubs of Key West, Florida all night long and forays North to supper with the social set, and at all times with a questioning eye, taking note.

With letters from Mordecai Richler, Mavis Gallant, and Brian Moore Getting Started is a wonderful memoir, a collection of extraordinary letters, and a brilliant recreation of a time when Canadian writers were set to make their mark in the world for the first time. Writer Brian Moore emigrated from Ireland to Canada in the late 1940s and found work at the Montreal Gazette, where he also found William Weintraub embarking upon a career as a freelance journalist. When he travelled to Paris, Weintraub saw an old friend and former Gazette writer, Mavis Gallant, who filled him in on the tribulations of the expatriate writer’s life ( “My room is enormous and the radiator very small indeed” ). Gallant introduced Weintraub to another Montreal writer, Mordecai Richler, also pursuing a career as a novelist while living a gloriously Bohemian life. Weintraub joined Richler for a while in Ibiza (he later introduced him to Brian Moore), and later they kept in touch. ( “Dear Bill: I got your highly unintellectual letter yesterday and it confirmed my suspicions that you slipped a chair under your arse in the Deux Magots as soon as you arrived in Paris and probably haven’t moved since.” ) In these years, Gallant had her short stories published for the first time in the New Yorker, Moore methodically churned out money-making thrillers while working on The Lonely Passion of Judith Hearne , and Richler wrote his first acclaimed book, The Acrobats . Weintraub, meanwhile, returned to Montreal, where he saw published his brilliant comic novel, Why Rock the Boat? William Weintraub weaves together his own memories of the 1950s with letters both to and from his literary colleagues. The letters and his recollections are always fascinating, often hilarious, and provide intimate insight into the lives and work of some of Canada’s finest contemporary writers. From the Hardcover edition.

Working from the 1960s on, the French writer, artist and illustrator Roland Topor (1938-97) was an all-round maverick known for his paintings and drawings as much as for his novels (such as The Tenant , filmed by Roman Polanski), plays and short stories, all dominated by a sense of irrational, everyday menace. He was also a filmmaker, actor (appearing as Renfield in Herzog's Nosferatu ) and the cofounder, with Arrabal and Jodorowsky, of the Panic performance art movement. The tone of Topor's fiction and art could be interpreted as humorous, but it's a humor pushed deep into discomfort, almost to the point of total horror. From the collision of these factors, rooted in the author's experiences and his irrepressible personality, come works increasingly seen as unique in European art and writing of the late 20th century. Head-to-Toe Portrait of Suzanne tells of an isolated, misanthropic narrator and his encounter with the beautiful Suzanne, an old flame from his past. It is at once a fable, a love story of enormous tenderness and a tale of increasingly unpleasant events that culminate in horror and atrocity. With its distinct blend of sympathetic cynicism and grotesquerie, Head-to-Toe Portrait of Suzanne --Topor's first work to be translated into English in half a century--offers an ideal introduction to the work and worldview of an artist currently undergoing a major reassessment and rediscovery in his home country and beyond.

Robert Silverberg needs little introduction to anyone at all familiar with the history of the science fiction field. Fan. Author. Editor. Creative force. He has been an integral part of the field for longer than most of his readers have been alive. Earlier this year, he kindly agreed to put together a MEGAPACK(R) of his short stories, so here, then, is a selection of early works by one of the all-time greats. Included are: ALAREE BIRDS OF A FEATHER BLAZE OF GLORY DELIVERY GUARANTEED THE DESSICATOR THE HAPPY UNFORTUNATE THE HUNTED HEROES THE IRON STAR THE ISOLATIONISTS THE LONELY ONE THE MAN WHO CAME BACK NEUTRAL PLANET OZYMANDIAS THE PAIN PEDDLERS THE PLEASURE OF THEIR COMPANY POINT OF FOCUS POSTMARK GANYMEDE PRIME COMMANDMENT THE SONGS OF SUMMER SPACEROGUE THERE WAS AN OLD WOMAN THE WOMAN YOU WANTED VALLEY BEYOND TIME WE KNOW WHO WE ARE

MACKINLAY KANTOR Pulitzer Prize-winning author of Andersonville VALLEY FORGE Poignant, tender, and powerful, VALLEY FORGE brings into sharp new focus one of the most tensely dramatic episodes of the American Revolution. With warmth and wit, compassion and sensitivity, MacKinlay Kantor evokes the flavor, pulse and texture of the last quarter of the eighteenth century, transporting the reader into the houses and workshops, kitchens and stables, parlors and bedrooms of ordinary citizens. Here are not only the soldiers of Valley Forge, but the panorama of the Revolution itself. George Washington, lamenting the remoteness and lack of valor in the Congress, anticipating new battle; the sprightly, good-humored Martha, always loyal and loving to a fault; the Marquis de Lafayette, whose poise and dignity belied his youth; Baron von Steuben whose halting English made the soldiers laugh, but whose fierce devotion won their respect. And the multitude-young Mum, a sixteen-year-old deserter savagely trampled by Tarleton's Raiders; Malachi Lennan whose gift of a horse gained him entry into Mad Anthony Wayne's Drovers; Billy, the turncoat, wailing for his mother as he was dragged to the gallows. Sons of farmers and tradesmen, trappers and teachers-some too young to fight, and some too old-surge through these pages, giving life, breath, scope and humanity to the American Revolution and the winter at Valley Forge. MacKINLAY KANTOR was born in Webster City, Iowa in 1904. He began to write seriously at sixteen, became a newspaper reporter at seventeen, and an author at twenty-three. Since his first-published novel in 1928, more than forty books have appeared in print, including verse, short stories, novellas, histories, and books for children. His best-selling, and Pulitzer Prize- winning Andersonville was published in 1955. MacKinlay Kantor's other than book accomplishments range from Hollywood screenwriting to police patrolling (N. Y. P. D.), to combat experience (RAF and U.SAF) in two wars. VALLEY FORGE is grandly conceived, but the quality is equal to the concept. The climate of the war, its taste and smell and the harsh texture of its life, are evoked with mystery. Neither souped-up nor toned-down under fashionable pressures, this is an extraordinarily honest and human book. I am greatly impressed.-MARY RENAULT

In The Apex Book of World SF 2, editor Lavie Tidhar collects short stories by science fiction and fantasy authors from Africa and Latin America. An expedition to an alien planet; Lenin rising from the dead; a superhero so secret he does not exist. In The Apex Book of World SF 2, World Fantasy Award nominated editor Lavie Tidhar brings together a unique collection of stories from around the world. Quiet horror from Cuba and Australia; surrealist fantasy from Russia and epic fantasy from Poland; near-future tales from Mexico and Finland, as well as cyberpunk from South Africa. In this anthology one gets a glimpse of the complex and fascinating world of genre fiction from all over our world. Featuring work from noted international authors such as Will Elliot, Hannu Rajaniemi, Shweta Narayan, Lauren Beukes, Ekaterina Sedia, Nnedi Okorafor, and Andrzej Sapkowski. "

Product Description Originally published in Poland in 1948, and acclaimed as one of the finest postwar Polish novels, Ashes and Diamonds takes place in the spring of 1945, as the nation is in the throes of its transformation to People' Poland. Communists, socialists, and nationalists; thieves and black marketeers; servants and fading aristocrats; veteran terrorists and bands of murderous children bewitched by the lure of crime and adventure--all of these converge on a provincial town's chief hotel, a microcosm of an uprooted world. About the Author Jerzy Andrzejewski (1909-1983) published his first book, Unavoidable Roads, a collection of short stories, in 1936. Two years later he won several prizes, incuding one from the Polish Academy of Literature, for his first novel, Mode of the Heart. Ashes and Diamonds, originally published in 1948, was made into a highly esteemed film and was awarded the International Critics' Prize at the 1959 Venice Film Festival.

A brazen guide for sane Americans to bypass trench warfare and win our life or death struggle for civilization. Are we in phase 8 of America's 250 year civil war? This book explores the possibility of using agility -- winning political battles with the shifting dexterity of jiu jitsu -- that never occurs to many politicians or strategists. Sure, talk show hosts milk each day's outrage for humor, indignation and ratings. But does anyone consider ways to get off the hoary, insipid "left-right political axis" and maneuver in three dimensions? Amid the latest tweet-storm and news-grabbing stunt, what pundit ever steps back to ask "Hey, what actually just happened?" Across today's fast-changing political landscape, Brin explores how to confront our neighbors not with familiar chasms, but commonalities - things both you and they know to be true. How to counter the all-out war against facts and all fact-using professions, including science and the "fake news" media. Using actual outcomes to demolish comfy oft-told narratives -- by seeking better strategies against deficits, at engendering a healthy economy and even at fostering open-creative-competitive enterprise. Polemical Judo ranges from electoral cheating to the economy; from saving the planet to troubles with Russia and China; from conspiracies to racism, to forging a Big Tent Coalition. It also explores more extreme "exit strategies" -- impeachment, indictment, the 25th Amendment and all that, as well as incorporating bold ideas from Lincoln, FDR, MLK and the Greatest Generation. Because those brave geniuses fought earlier battles for us. And they won.... plus tactics, tactics, tactics that you've never seen before. They might -- or might not work. But shouldn't someone at least try some of them? David Brin's best-selling novels include The Postman (filmed in 1997) plus explorations of our near-future in Earth and Existence. His award-winning novels and short stories explore vividly speculative ideas through a hard-science lens. His nonfiction book, The Transparent Society, won the American Library Association's Freedom of Speech Award for exploring 21st Century concerns about security, secrecy, accountability and privacy.

Do these Gloves Make my Ass Look Fat? is Christina Oxenberg's collection of funny, punchy short stories and anecdotes which chronicles the life of the eccentric author. Scenes and scenarios revolve around her experiences in her adopted home of Key West, Florida & her hometown of New York City, and its environs.

Who says summer reading means a lurid potboiler or sleazy celeb tell-all? Not "Tin House." Renowned for its beautiful design as well as its compelling content, the award-winning "Tin House" is a multisensory delight, as popular with critics as it is with readers. Each issue features the best writers of the day alongside a new generation of talent who are poised to become the most important voices of the future. Its summer issue offers an eclectic collection of short stories, profiles, author interviews, poetry, and essays, as well as unique departments such as Lost and Found, reviews of overlooked or underrated books, and Blithe Spirits and "Readable Feast, which present tales and recipes for drinks and food in a literary way. Breezy, sunny, funny, and always thought-provoking, "Tin House Summer Reading 2009" is beach reading for the smart set."

Formerly titled "In the Face of Surrender," this updated, revised book is a compendium of short, simple stories of the love and strength of ordinary Christians who reflected the extrordinary love of Christ in the face of unspeakable evil, even if it cost them their lives. Pastor Wurmbrand calls these Christians, "the persecuted saints," and rather than be horrifed by the stories of atrocities they suffered, many of which he personally witnessed, he found grace, peace, and triumph in them. Moreover, he leads the reader into this same perspective. The effect is both inspiring and humbling.

This anthology presents an ambitious cross-section of Jewish American short fiction. It covers a full century of extraordinary writings, from turn-of-the-century immigrant fiction to stories by some of the finest young contemporary American writers. To read through its pages is to encounter a remarkable?and remarkably diverse?literary tradition. The volume opens with stories by two important immigrant writers from the early twentieth century, Abraham Cahan and Anzia Yezierska. There follows a generous selection of modern Jewish American stories by such celebrated authors as Isaac Bashevis Singer, Saul Bellow, Grace Paley, Tillie Olsen, Bernard Malamud, and Philip Roth. The collection concludes with a rich sampling of stories by contemporary writers whose works illustrate the impressive variety and vitality of recent Jewish American fiction. Equally suited to scholars, students, and general readers, American Jewish Fiction provides an invaluable survey of literary works that have enriched and transformed American?and world?literature.

Like her celebrated short fiction, Paley's poems are street-smart yet vulnerable, full of earthy observations and a refreshing bemusement; they display a wonderful ear for the rhythm of the speech of her native New York, where "talk is cheap but comes in variety." She "tells the story of the stories" told by children and grandmothers, which resonate "in the mind's ear" as "talk talk talk/the tickling tongue/of strangers." These poems are rich with the fullness of everyday life: the doings of Paley's Greenwich Village neighborhood, summers in Vermont, fulltime political activism, memories of family and friends. Paley's wonderful economy with words recalls William Carlos Williams and the objectivist poets. ISBN 0-88448-098-4: $19.95.

A master of the short form, Gina Berriault stands somewhere between Chekhov and Isaac Babel in style and psychological acuity—and in this beautiful new edition of one of her most beloved novellas, she traces the changing relationships between one woman and two fellow novelists. When it was first published, Andre Dubus said of The Lights of Earth , "Like her stories, it's masterly. Its central character is a woman, Ilona Lewis, who confronts loss of earthly love. But Ilona's experience is far more complex than losing a man because he has become a celebrity. It involves the hearts of all of us seeking the lights of earth, the soul's blessing in its long, dark night." Forsaken by her lover as he gains fame as a novelist, Ilona is stirred by the need to remember the brother she left behind long ago. Revealing the precious worth of life that emerges from the depths of loss, The Lights of Earth is a deeply moving exploration of the soul and a masterwork of style and psychological acuity from one of the most celebrated voices in contemporary fiction. Gina Berriault’s work as a storywriter of great psychological empathy and extraordinary elegance and subtlety was widely praised at the end of her life and, with this reissue of one of her more celebrated short novels, her work can be discovered by a new generation of readers.

international praise for Diane Armstrong: 'Mosaic flows like a novel which, once started, is hard to put down. It is a compelling family history of extraordinary people played out against some of the most frightening events of our century. The depth of emotions evoked is stunning. I was thrilled and deeply moved.' Joseph Heller author of Catch-22 'Diane Armstrong's book is a source of delight to the reader. Written with fervor and talent, it will capture your attention and retain it to the last page.' Elie Wiesel Nobel Prize winner a family story you'll never forget ... This extraordinary true story begins in the Polish city of Krakow in 1890 and spans one hundred years and four continents. It is the story of a Jewish family whose patriarch, Daniel Baldinger, divorces the wife he loves because she is barren. He believes 'a man must have sons to say Kaddish for him when he dies.' To ensure having children, he marries a girl of eighteen. By 1913, Daniel has eleven children - including six sons to say Kaddish for him. Impatient for his God-given son to begin learning the sacred language of the Torah, Daniel sent Avner to cheder at Chevre Tilem when he was three years old. Most boys were enrolled at four or five, but Daniel couldn't wait for Avner's rabbinical training to begin. Cheder was the place where childhood ended. At this religious day school, Jewish boys learned Hebrew and studied the Torah. No coloured pictures, childish stories or lively games relieved the tedium of this dour classroom where Avner had to memorise words he didn't understand, learn hundreds of rules and write strange squiggles. But although God has answered Daniel's prayers, it is with a bitter twist: each of his six sons rebels against his religion, and not one of them says Kaddish for him when he dies. This richly textured portrait follows these eleven children from the 1890s, through the terrifying years of the Holocaust (when Diane and her parents assumed non-Jewish names and passed themselves off as Catholics in the little village of Piszczac), to the present. A long shadow fell across the little girl tracing patterns in the dirt with a stick. After watching her for a few minutes, the stranger asked, 'What's your name, little girl?' Without looking up, she replied, 'Danusia Boguslawska.' 'But what was your name before that?' he insisted. My father, Henek, who was standing by the open window, froze when he heard the last question. Instead of rushing outside and grabbing the child to prevent her from answering that insidious question, he was struck dumb and stood there helplessly awaiting her reply, on which all their lives depended. Mosaic is compelling storytelling at its best: from the fascinating detail of Polish Jewish culture at the turn of the century and the rivalries and dramas of family life, to its moving account of lives torn apart by war and prejudice, this is a remarkable story of a family, and of one woman's journey to reclaim her heritage. For centuries Poland has been a battleground whose fields, watered by more blood than rain, have nurtured ancient hatreds. Jews have not had a monopoly on suffering, grief and loss. Before we drive away from Szczakowa, I look back at the leafy street where the synagogue and mikveh stood, just a short stroll from the house on Parkowa Street. If I close my eyes, I can see a dapper white-haired gentleman in top hat and patent leather shoes like mirrors striding ahead of his wife in a flowered hat with feathers, her long full skirt rustling as she tries to keep up with him as they walk to the synagogue on Kilinskiego Street for the marriage of their daughter Lieba to Daniel Baldinger. In this forgotten country town, I've found important pieces of the mosaic.

THE STORIES: When Peter finally gets a good break for his Hollywood script, he finds himself PITCHING TO THE STAR of the pilot show. Promised control over something he's worked long and hard on, he finds his integrity and his storyline attacked eve