At one time an underground hero in the world of journalism, with prose on a par with Tolstoy and Kafka, Joseph Roth now looms large in the pantheon of European literature. Indeed, the last five years have seen a major Roth revival culminating in Report from a Parisian Paradise, a haunting epitaph by the greatest foreign correspondent of his age. An exile in Paris, Roth captured the essence of France in the 1920s and 1930s. From the port town of Marseille to the erotic hill country around Avignon, Report from a Parisian Paradise—superbly translated by Michael Hofmann—paints the sepia-tinted landscapes, enchanting people, and ruthless desperation of a country hurtling toward dissolution. Roth's book is not only a paean to a European order that could no longer hold but also a miraculous and revelatory work of transcendent philosophical clarity.

A bravura exploration of politics and writing in dark times. In "The Last Resistance," Jacqueline Rose explores the power of writing to create and transform our political lives. In particular Rose examines the role of literature in the Zionist imagination: here, literature is presented as a unique form of dissidence, with the power to expose the unconscious of nations, and often proposing radical alternatives to their dominant pathways and beliefs. While Israel-Palestine is the repeated focus, "The Last Resistance" also turns to post-apartheid South Africa, to American national fantasy post-9/11, and to key moments for the understanding of Jewish culture and memory. Rose also underscores the importance of psychoanalysis, both historically in relation to the unfolding of world events, and as a tool of political understanding. Examining topics ranging from David Grossman, through W. G. Sebald, Freud, Nadine Gordimer, the concept of evil, and suicide bombers, "The Last Resistance" offers a unique way of responding to the crises of the times.

Many women, and a minority of men, are deciding that "adequate" marriages are inadequate. They are driving an explosion of "grey" divorce and remarriage in the over-50s. With children departing into their own journeys and ever-longer lives stretching out ahead, more mature adults are leaping, unconventionally and aspirationally, at a last chance at love. Most of the existing literature discourages them. The dominant mantra of books, counsellors and media is that "staying together" is the superior, admirable choice. They insist that romantic dreams of great sex and soul mates are the Disney-esque yearnings of the naively immature. This book argues the contrary. Great relationships are not only attainable; they are a natural and admirable goal for ageing humans. And if your current mate isn't interested in working with you to craft an ever-deeper and finer partnership, then it may be your mate that requires changing a not your dreams. As a gender expert, Avivah Wittenberg-Cox frames her reflections in the context of an unprecedented, millennial shift in gender relations. As women's educational, social and economic empowerment increases, they continue to demand more for the world a and from it. This is true both at home and at work. Settling for anything less than mutually supportive, seductive and stretching relationships is so yesterday. As the number of late leavers and lovers swells, their thirst for more is redefining what relationships look like in a greying, gender-balanced world. And it looks pretty good. Many women, and a minority of men, are deciding that aadequate' marriages are inadequate. They are driving an explosion of agrey' divorce and remarriage in the over-50s. With children departing into their own journeys and ever-longer lives stretching out ahead, more mature adults are leaping, unconventionally and aspirationally, at a last chance at love. Most of the existing literature discourages them. The dominant mantra of books, counsellors and media is that astaying together' is the superior, admirable choice. They insist that romantic dreams of great sex and soul mates are the Disney-esque yearnings of the naively immature. This book argues the contrary. Great relationships are not only attainable; they are a natural and admirable goal for ageing humans. And if your current mate isn't interested in working with you to craft an ever-deeper and finer partnership, then it may be your mate that requires changing a not your dreams. As a gender expert, Avivah Wittenberg-Cox frames her reflections in the context of an unprecedented, millennial shift in gender relations. As women's educational, social and economic empowerment increases, they continue to demand more for the world a and from it. This is true both at home and at work. Settling for anything less than mutually supportive, seductive and stretching relationships is so yesterday. As the number of late leavers and lovers swells, their thirst for more is redefining what relationships look like in a greying, gender-balanced world. And it looks pretty good.

"Paul A. Cantor first probed Shakespeare's Roman plays--Coriolanus, Julius Caesar, and Antony and Cleopatra--in his landmark Shakespeare's Rome. With Shakespeare's Roman Trilogy, he now argues that these plays form an integrated trilogy that portrays the tragedy not simply of their protagonists but of an entire political community. Cantor analyzes the way Shakespeare chronicles the rise and fall of the Roman Republic and the emergence of the Roman Empire. The transformation of the ancient city into a cosmopolitan empire marks the end of the era of civic virtue in antiquity, but it also opens up new spiritual possibilities that Shakespeare correlates with the rise of Christianity and thus the first stirrings of the medieval and the modern worlds. More broadly, Cantor places Shakespeare's plays in a long tradition of philosophical speculation about Rome, with special emphasis on Machiavelli and Nietzsche, two thinkers who provide important clues on how to read Shakespeare's works. In a pathbreaking chapter, he undertakes the first systematic comparison of Shakespeare and Nietzsche on Rome, exploring their central point of contention: Did Christianity corrupt the Roman Empire or was the corruption of the Empire the precondition of the rise of Christianity? Bringing Shakespeare into dialogue with other major thinkers about Rome, Shakespeare's Roman Trilogy reveals the true profundity of the Roman plays."--

The years 1909-2009 marked a century of kibbutz life-one hundred years of achievements, challenges; and creative changes. The impact of kibbutzim on Israeli society has been substantial but is now waning. Contributors discuss the hopes, goals, frustrations, and disappointments of the kibbutz movement They also examine reform efforts intended to revitalize the institution and reinforce fading kibbutz ideals. The various studies presented in this book clarify the dynamism of the kibbutz institution and raises questions about the ways in which residential arrangements throughout the world manage change.

'Walking Back the Cat' is an unusually riveting and exotic post-Cold War thriller from a master of the espionage genre. A Soviet-era KGB agent code named Parsifal lives under deep cover in a western American town. A specialist in what the KGB describes as 'wetwork' and the rest of the world calls murder, Parsifal discovers that he has come under the orders of a new Resident - one who is preparing an operation that will shake the world. Into this cauldron of chaos comes Finn, a young veteran of the Gulf War, hoping against hope to land in a backwater where he can put the savagery he has witnessed in the desert behind him. Two incarnations of pure violence, Parsifal and Finn careen head on into each other when Finn discovers that someone is shaking down an Apache gambling casino, and Parsifal receieves instructions to kill him. 'Walking Back the Cat' plunges the reader into the mesmerizing world of KGB agents, CIA spooks and modern day Apaches desperately trying to walk the fine line between their ancestral legacy and survival in a world dominated by White Eyes run riot.

A new edition of a major philosophical work This remarkable text, first published in 1964, was a landmark of its era and remains, in the words of Michael Löwy, a work of “remarkable richness.” Drawing on Georg Lukács’ History and Class Consciousness , Lucien Goldmann applies the concept of “world visions” to flesh out the similarities between Pascal’s Pensées and Kant’s critical philosophy, contrasting them with the rationalism of Descartes and the empiricism of Hume. For Goldmann, a leading exponent of the most fruitful method of applying Marxist ideas to literary and philosophical problems, the “tragic vision” marked an important phase in the development of European thought, as it moved from rationalism and empiricism to the dialectical philosophy of Hegel, Marx and Lukàcs. Here he offers a general approach to the problems of philosophy, of literary criticism, and of the relationship between thought and action in human society.

A seductive and intriguing journey from the humble Persian Jewish quarter to the fascinating world of shahs, soothsayers, eunuchs, and sultanas, "Harem" follows three generations of strong-willed and cunning women: Rebekah -- a poor girl married to the abusive blacksmith, Jacob the fatherless -- who emerges from her disastrous match with a mysterious brand between her breasts; Gold Dust, Rebekah's treasured daughter, who enters the opulent and perilous world of the harem and captivates the shah with her singing bones; and Gold Dust's daughter, the revered and feared albino princess Raven, who will one day rule the empire.Rich in visual imagery, "Harem" vividly depicts the exotic bazaars and dangerous alleys of the city and palace chambers brimming with conspiracy and betrayal -- as well as love and redemption. A skillfully crafted, intricately textured novel, "Harem" represents the beginning of a remarkable literary career.

""A uniquely nuanced and engaging perspective on the oddness of Hollywood...Superhero goes inside baseball in all the best ways: unbiased, at times ridiculous, and wonderfully, uncomfortably accurate. It begs to be read because it is so damned good." -Amanda Seyfried A-list actor Peter Compton and producing partner Marci Levy exist in the rarefied air of Hollywood's elite. Their status as a married power couple is unmatched, their presence in any room transformative and god-like. But as their private jet lands in Atlanta to begin production on a tentpole superhero movie, even their privileged position will come under threat by the massive pressures of such an undertaking. Compton, a self-educated recovering addict, sees the role of Sparta comics superhero Major Machina as the opportunity to transcend his already stratospheric platform. As director Joel Slavkin, Oscar-winning DP Javier Benavidez, and a crew of hundreds arrive in Atlanta to begin shooting, it doesn't take long for the production to be embroiled in the tension and egos that drive the film. But when video of Peter's disastrous on-set behavior goes viral, Peter and Marci's partnership will be challenged as it never has before. As the stakes grow ever higher, it may just take a superhero to save them. With his signature wit and razor sharp dialog, Tim Blake Nelson invites the reader to walk alongside him as he enters the closely-guarded world of industrial strength cinema"--

Leonid Andreyev's "Anathema: A Tragedy in Seven Scenes" explores profound questions of faith, existence, and the nature of good and evil. This landmark work of Russian literature delves into the realm of existentialism through a dramatic and philosophical lens. Andreyev, known for his intense and thought-provoking writing, crafts a compelling narrative that challenges conventional notions of morality and the divine. As a pivotal work in European drama, "Anathema" remains a powerful and relevant exploration of the human condition. This carefully prepared print edition allows readers to experience Andreyev's enduring vision. This tragedy invites reflection on timeless themes and continues to resonate with those interested in Russian literary collections and the philosophical currents of existentialism. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Elisa - orphaned as a child, raised by a 'fallen woman', fed by fairy tales - has lived in an outlandish imaginary world for years. When her guardian dies, she feels compelled to confront her family's tortured and dramatic past, weaving the tale of her mother and grandmother through a history of intrigue, treachery, deception and desire. But as her saga of three generations of Sicilian women proceeds, it becomes something else entirely, taking in a whole legacy of oppression and injustice. By turns flamboyant and intense, raging and funny, Lies and Sorcery is a celebration of the female imagination, and the power of storytelling itself. First published in 1948, Elsa Morante's debut novel won the Viareggio Prize and earned her the lasting admiration of generations of writers from Italo Calvino and Natalia Ginzburg to Elena Ferrante. Translated by Jenny McPhee

From a small, bogside cabin in rural New England, 38-year-old Aimee Slater unravels the story of her life, attempting to make sense of the tangled thread that leads from her mother's house-a short, unbridgeable distance away-to the world she now inhabits. It is soon after the Civil War; Aimee lives alone, but is graced with visits from two friends, a crippled man and a troubled eleven-year-old girl. She is perpetually caught between the sensual world she so desires and the divine retribution passed down to her by her mother's scorn. How Aimee ultimately creates a life for herself and bridges that distance makes for a moving story of love and loss. Told in a voice of spare New England lyricism, Unravelling is a remarkably haunting account of the power of redemption.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Ben Seidel wasn't sure how serious they were when he and his wife, Shira, discussed having an open marriage. But when Shira announces that she is going on a date with Liz, any ambiguity evaporates. Suddenly, every day is new terrain for Ben, navigating between keeping things together with Shira and exploring new partners. And when one of those new partners begins to matter to him more than he ever anticipated, he discovers that the complexities of this new life are only just beginning. Bracingly honest, refreshingly sexy, and deeply empathetic, I Am My Beloveds is the work of a superior storyteller, making real a lifestyle that might be as close as your own bedroom door.

Edward L. Bernays was indeed an Austrian-American pioneer in the field of public relations and is often referred to as "the father of public relations." He was born in Vienna, Austria, in 1891 and later emigrated to the United States with his family. Bernays significantly influenced the field of public relations through his innovative approaches and theories. He emphasized the use of psychological insights and understanding of human behavior to shape public opinion and influence attitudes. Bernays believed that public relations could be used as a tool to engineer consent and promote certain ideas or products. Throughout his career, Bernays worked with various clients, including corporations, government agencies, and organizations, to shape public perception and create favorable conditions for their objectives. He applied principles of psychology, sociology, and anthropology to develop effective strategies for influencing public opinion. Some of Bernays' notable works include the book "Propaganda," published in 1928, which explored the use of public relations in shaping public opinion, and his involvement in numerous advertising and public relations campaigns.

Israeli Nobel Laureate S.Y. Agnon's famous masterpiece, his novel Only Yesterday, here appears in English translation for the first time. Published in 1945, the book tells a seemingly simple tale about a man who immigrates to Palestine with the Second Aliya--the several hundred idealists who returned between 1904 and 1914 to work the Hebrew soil as in Biblical times and revive Hebrew culture. Only Yesterday quickly became recognized as a monumental work of world literature, but not only for its vivid historical reconstruction of Israel's founding society. This epic novel also engages the reader in a fascinating network of meanings, contradictions, and paradoxes all leading to the question, what, if anything, controls human existence? Seduced by Zionist slogans, young Isaac Kumer imagines the Land of Israel filled with the financial, social, and erotic opportunities that were denied him, the son of an impoverished shopkeeper, in Poland. Once there, he cannot find the agricultural work he anticipated. Instead Isaac happens upon house-painting jobs as he moves from secular, Zionist Jaffa, where the ideological fervor and sexual freedom are alien to him, to ultra-orthodox, anti-Zionist Jerusalem. While some of his Zionist friends turn capitalist, becoming successful merchants, his own life remains adrift and impoverished in a land torn between idealism and practicality, a place that is at once homeland and diaspora. Eventually he marries a religious woman in Jerusalem, after his worldly girlfriend in Jaffa rejects him. Led astray by circumstances, Isaac always ends up in the place opposite of where he wants to be, but why? The text soars to Surrealist-Kafkaesque dimensions when, in a playful mode, Isaac drips paint on a stray dog, writing "Crazy Dog" on his back. Causing panic wherever he roams, the dog takes over the story, until, after enduring persecution for so long without "understanding" why, he really does go mad and bites Isaac. The dog has been interpreted as everything from the embodiment of Exile to a daemonic force, and becomes an unforgettable character in a book about the death of God, the deception of discourse, the power of suppressed eroticism, and the destiny of a people depicted in all its darkness and promise.

Shylock is one of the great figures of world literature, and of world mythology. Is he villain or victim?; tragic or comic? John Gross traces the elements that made up Shakespeare's portrait, and follows Shylock's fortunes in the theatres and at the hands or writers and critics. He ranges from the Bible to the Venetian ghetto, from Elizabethan money-lenders to Nazi Germany, and from Karl Marx to C.S. Lewis.

Odin's Library Classics is dedicated to bringing the world the best of humankind's literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.

The Black Diaspora tells the enthralling story of African-descended people outside Africa, spanning more than five centuries and a dozen countries of settlement, from Britain, Canada, and the United States to Haiti, Guyana, and Brazil. Ronald Segal's account begins in Africa itself, with the cultures and societies flourishing there before the arrival of the Atlantic slave trade, which transported over ten million people to the Americas, after killing at least as many in their procurement and passage. He examines the extent of the profits made through the trade by merchants, manufacturers, investors, and planters, along with the racist ideology that developed as whites strove to rationalize an enormous economic dependence. Segal describes the various ways in which the system of slavery developed and provides the most comprehensive account to date of the resistance by the slaves themselves, from escape and arson to guerrilla warfare and revolution. When emancipation finally came, the former slaves were left in the fetters of poverty and discrimination. Segal details the course of the struggle against colonial rule and the racial oppressions of self-styled democracies. In recounting his own travels through the Diaspora, he shows the continuing plight of peoples confined by the consequences of the past and the prejudices of the present: racked by violence, as in Jamaica and the ghettos of America; denied the right to assert their sense of identity, as in Cuba; acknowledged only to be repudiated, as in Brazil. Yet this is also, Segal reveals, a Diaspora of wondrous achievement. It has immeasurably enriched world culture in music, language and literature, painting, sculpture and architecture; has done much to make sports a form of art; and has invested Western culture with the ecological reverence derived from its African source. Segal argues that the black Diaspora has a unique destiny, infused by the love of freedom that is its creative impulse.