Includes bibliographies and index. Jews - Soviet Union - History - 1917-Jews - Russia - History. Jews in Russia - History - 1917- - Addresses, essays, lectures. Soviet Union - History. Russia - History - 1917- - Addresses, essays, lectures. Soviet Union - Jews - 1917-1977 Jews - Soviet Union, 1917-1977.

"Murder by poison alarmed, enthralled, and in many ways encapsulated the Victorian age. Linda Stratmann's dark and splendid social history reveals the nineteenth century as a gruesome battleground where poisoners went head-to-head with authorities who strove to detect poisons, control their availability, and bring the guilty to justice. She corrects many misconceptions about particular poisons and documents how the evolution of issues such as marital rights and the legal protection of children impacted poisonings. Combining archival research with a novelist's eye, Stratmann charts the era's inexorable rise of poison cases both shocking and sad"--

The Real Situation in Russia, first published in 1928, contains three of Trotsky's harshest rebuttals of Stalin's takeover of the Russian Revolution following the death of Lenin. The first part contains a defence of the 'Opposition Platform' against the Stalinist denunciation; the second details Trotsky's view of the precise nature of the Stalinist program, as well as its disastrous consequences for Russia; and the third demonstrates the unashamed falsification of the history by Stalin with regard to the beginning of the Revolution. Including a sympathetic, but nonetheless astute, introduction to Trotsky's argument by the translator, The Real Situation in Russia will prove to be of value to all students of twentieth-century Marxism, and in particular to those interested in the Russian Revolution - not only its origins and early development, but also, perhaps, the reasons for its ultimate failure.

The book "" The Bolsheviki and World Peace, has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> Greek Thinkers: Book V. (continued) Plato. 1905; Volume 3 Of Greek Thinkers: A History Of Ancient Philosophy; Laurie Magnus <authors> Theodor Gomperz, Laurie Magnus, George Godfrey Berry <translated by> Laurie Magnus, George Godfrey Berry <publisher> Scribners̓, 1905 <subjects> Philosophy, Ancient

In 1965, Joseph R. Levenson began working on a new trilogy to follow his earlier study of modern Chinese intellectual history, Confucian China and Its Modern Fate. By 1969, he had already sketched out basic outlines of the work, which was to be called Provincialism, Nationalism, and Cosmopolitanism. It was to consist of three volumes: one sounding the general themes of the arrangement, and two other elaborating its motifs. Accidental death tragically cut short Levenson's life and the preparation of the work. He did leave behind, however, an embryo of it in the form of this book, Revolution and Cosmopolitanism. Based upon a careful analysis of a wide selection of Western plays translated into Chinese during the twentieth century, Revolution and Cosmopolitanism tries to set the Communist Cultural Revolution into a new kind of historical perspective. Beginning with the demise of a Confucian China which "new youth" intellectuals found too provincial for their palates, Levenson shows how those same cosmopolitans in the 1920s and 1920s damed later Communist intellectuals of the 1950s for being to receptive to non-Chinese values. As Red Guards attacked symbols of a feudal Confucian past and a bourgeois foreign present, China slipped into a new sort of provincialism. Levenson analyzes their transformation with profound subtlety. Convinced that revolutionary China cannot forever seal itself off from universal cosmopolitan influences, he expresses sympathy throughout with the dilemma of rootless intellectuals in a society searching for a particular non-intellectual identity. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971.

World Without War is a book written by J. D. Bernal, which explores the idea of creating a world without war. The book is a philosophical and political treatise that examines the root causes of war and proposes solutions to prevent it. Bernal argues that war is not a natural or inevitable part of human existence, but rather a product of specific historical and social conditions. He believes that these conditions can be changed, and that it is possible to create a world without war. The book is divided into three parts. The first part explores the causes of war, including economic factors, nationalism, and the arms race. The second part proposes solutions to prevent war, including disarmament, international cooperation, and the creation of a world government. The third part examines the implications of a world without war, including the possibility of a more peaceful and prosperous world, and the challenges of building a new global order. Throughout the book, Bernal draws on a wide range of sources, including history, philosophy, and science. He argues that war is not only destructive but also irrational, and that it is in the interest of all people to work towards a world without war. World Without War is a thought-provoking and inspiring book that challenges readers to think critically about the root causes of war and to imagine a better future for humanity.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Written by one of the foremost scholars of Jewish religion and culture in the 19th century, this book provides a detailed and authoritative account of the Jewish law as interpreted by Moses in the Old Testament. From the Ten Commandments to the dietary regulations, from the Sabbath to the jubilee year, Leeser offers a clear and insightful discussion of the key aspects of Jewish life and faith. Anyone interested in the history and theology of Judaism will find this book a valuable resource. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Living in Palestine as the wife of the British Attorney-General, Helen Bentwich was immersed in the politics and society of the early years of the British Mandate. Despite her connections she remained in some ways an outsider - a critical observer, writing candid weekly letters to her mother that give insight into the cauldron of races and traditions, the intolerance and the idealism, that lie behind the history of 20th-century Palestine and the foundation of the state of Israel. The selection of her letters in this book mixes political comment with details of personal life and gossip. The gossip reveals a society that has gone, but the political and religious problems are familiar today. Her family were well aware of the situation in Palestine, and she wanted to amuse rather than alarm them, but the frustrations and worries break through the letters' superficial cheerfulness to provide a picture of the period.

Ely Devons (1913-67) was a British economist and statistician who made notable contributions to a variety of areas. Originally published in 1950, this book contains a study of the way in which the Ministry of Aircraft Production planned production during the Second World War. Based upon Devons' firsthand experience within the planning division of the Ministry, the text forms a highly personal record of the ways in which production was planned, incorporating criticisms and judgements where necessary. A linear historical perspective is avoided, in favour of a systematic approach focusing on various aspects of the production process in turn. This book will be of value to anyone with an interest in British aircraft production and military history.

What has given the Jewish people their resilience, their power of survival, and their ability to adapt to radically new conditions without losing their identity? What combination of religious faith, social organization, intellectual toughness, and poetic imagination constitutes Jewishness? Eighteen eminent scholars address these questions in this richly illustrated survey of Jewish history from its earliest days to the foundation of Israel. Equal weight is given to Judaica and to the ways in which Judaism has coped with the challenges of modernity. This unparalleled work of scholarship is enhanced throughout by a plethora of superbly reproduced illustrations, from manuscript illuminations and liturgical objects to medieval prints and popular art. 436 illustrations, 135 in color. Edited by Elie Kedourie, a distinguished historian and political philosopher, the book includes essays by Haim Beinart, T. Carmi, Amnon Cohen, S. Ettinger, Shelomo Dov Goitein, A. Grossman, Oscar Handlin, Arthur Hertzberg, Arthur Hyman, Lionel Kochan, Hyam Maccoby, Jacob Neusner, H. W. F. Saggs, Amnon Shiloah, Ezra Spicehandler, David Vital, R. J. Zwi Werblowsky, and Zvi Yavetz.

Previous studies of nineteenth-century Egypt have often been premature in identifying the existence of an independent nation state. In a way which will permanently affect our view of Egyptian history, this book argues that in the mid-nineteenth-century period Egypt was still an Ottoman province, with a provincial Ottoman elite which was only gradually becoming Egyptian. Part one discusses the creation of a dynastic order in Egypt, especially under Abbas Pasa (1848-1854), and the formation of an Ottoman-Egyptian ruling class. Part two deals with the non-elite groups, the vast majority of Egypt's population. A final chapter offers a convincing picture of the social and cultural life of the period in a way which has never before been attempted in a Middle East context. The author's valuable knowledge of Ottoman and Arabic as well as European documents and his use of a wide variety of sources, including police and court records, chronicles and travel literature, have enabled him to make an important contribution to a neglected period of Egyptian history and indeed to our understanding of other provinces and dependencies in the region.

Rekindling the Torch: The Story of Canadian Zionism begins with the long and troubled history of the Jewish people that informed the nineteenth-century idea of Zionism: the search for a homeland. After surviving anti-Semitic laws and pogroms, Jewish refugees faced not only the ultimate crime against humanity, but also the shocking indifference of the West when they were turned back from safe havens. Far from weakening the spirit, these combined tragedies strengthened their collective will. In Canada, Jewish immigrants created communities, pooled their resources, and rose to become captains of industry, among them the Bronfmans, the Batshaws, and the Hayes. They organized and actively pursued the goals of nationhood in Palestine. Richly illustrated and extensively researched, Rekindling the Torch celebrates the struggle of the Canadian Jewish people and their contributions to the state of Israel.

This textbook aims to provide, in accessible form, a full history of Jewish religion and tradition. Within a broad outline of the history and religion of the Jewish people, this volume highlights cultural and spiritual developments which have shaped Jewish self-consciousness through the centuries. Beginning with an account of the history and religion of the ancient Near East, the book focuses on the influence of ancient Near Eastern civilization on the Hebrew scriptures. This discussion is followed by an outline of ancient Israelite history, emphasizing the role of the patriarchs, the exodus from Egypt, the rise of monarchy and the emergence of prophecy. The book then examines later biblical history, the development of Judaism in Hellenistic times, and the emergence of classical Rabbinic literature and theology. The Medieval period in Islamic and Christian lands is also investigated, giving special attention to the rise of Jewish philosophy, theology and mysticism. Turning to the modern period, the rise of Hasidism is examined as is the emergence of religious reform. Finally, the study concentrates on the development of Jewry in the 19th and 20th centuries, and concludes with a discussion of the future of Judaism as a living faith. Through this overview of the Jewish heritage, the reader is asked to approach Judaism in an appreciative spirit - to examine sympathetically its beliefs, doctrines and ideals in an historic context. The book aims to provide both factual information about the development of the Jewish tradition and a survey of a range of Jewish issues through the centuries to the present day.

The publication of the apocryphal Acts of the Apostles has unveiled a vast yet unexplored domain in ancient Christian literature. These Acts, particularly the oldest ones, provide insights into second-century Christianity. They are vital for understanding early Christian worship practices and offer a glimpse into divine services held in homes, complementing the Acts of the Apostles. They also hold significance in the history of Christian poetry, notably within Gnostic circles. Despite their mix of fact and fiction, these Acts are relevant to educators, preachers, missionaries, and historians. The oldest and most significant Acts are presented in this volume. These Acts are crucial for early Church literature and provide valuable insights into Christian history. Bernhard Pick (1842–1917) was a German-American Lutheran pastor and prolific scholar, studied at New York City's Union Theological Seminary. He contributed extensively to theological encyclopedias, provided critical indexes, and delved into hymnology. This Reader's Edition is based on a public domain text. This text has been thoroughly spellchecked and proofread to correct errors that appear in the public domain edition. The formatting has also been altered to provide a cleaner, more readable experience. Introductions and footnotes not native to the text have been removed to avoid interruptions to and distractions from the text. Many readers find that this allows them a greater ability to focus on the text itself. It is our hope that this Reader's Edition will provide you with the best possible reading experience of this classic text. Our mission is to breathe new life into the pages of the past by removing barriers between the reader and the text.

Hailed as a masterpiece when it was first published in France in 1977, The Desert tells the story of al-Mammi, a young exiled prince of a now-destroyed Jewish kingdom in southern Morocco in the late fourteenth century. Fighting battles in the service of kings and narrowly escaping imprisonment, the prince travels the Islamic world absorbing lessons, often painfully, on how to govern himself, as well as a country. At that same time, al-Mammi engages upon a spiritual journey to obtain inner wisdom rather than material riches. Memmi chronicles the prince’s fortunes as they rise and fall, drawing upon the traditions of Maghrebian storytelling and Arabian tales to offer a highly imaginative and allegorical novel that provocatively blends history with fiction.

Art for art's sake. Art created in pursuit of personal expression. In Art in an Age of Counterrevolution , Albert Boime rejects these popular modern notions and suggests that history—not internal drive or expressive urge—as the dynamic force that shapes art. This volume focuses on the astonishing range of art forms currently understood to fall within the broad category of Romanticism. Drawing on visual media and popular imagery of the time, this generously illustrated work examines the art of Romanticism as a reaction to the social and political events surrounding it. Boime reinterprets canonical works by such politicized artists as Goya, Delacroix, Géricault, Friedrich, and Turner, framing their work not by personality but by its sociohistorical context. Boime's capacious approach and scope allows him to incorporate a wide range of perspectives into his analysis of Romantic art, including Marxism, social history, gender identity, ecology, structuralism, and psychoanalytic theory, a reach that parallels the work of contemporary cultural historians and theorists such as Edward Said, Pierre Bourdieu, Eric Hobsbawm, Frederic Jameson, and T. J. Clark. Boime ultimately establishes that art serves the interests and aspirations of the cultural bourgeoisie. In grounding his arguments on their work and its scope and influence, he elucidates how all artists are inextricably linked to history. This book will be used widely in art history courses and exert enormous influence on cultural studies as well.

From the European revolutions of 1848 through the Italian independence movement, the American Civil War, and the French Commune, the era Albert Boime explores in this fourth volume of his epic series was, in a word, transformative. The period, which gave rise to such luminaries as Karl Marx and Charles Darwin, was also characterized by civic upheaval, quantum leaps in science and technology, and the increasing secularization of intellectual pursuits and ordinary life. In a sweeping narrative that adds critical depth to a key epoch in modern art’s history, Art in an Age of Civil Struggle shows how this turbulent social environment served as an incubator for the mid-nineteenth century’s most important artists and writers. Tracing the various movements of realism through the major metropolitan centers of Europe and America, Boime strikingly evokes the milieus that shaped the lives and works of Gustave Courbet, Edouard Manet, Émile Zola, Honoré Daumier, Walt Whitman, Abraham Lincoln, and the earliest photographers, among countless others. In doing so, he spearheads a powerful new way of reassessing how art emerges from the welter of cultural and political events and the artist’s struggle to interpret his surroundings. Boime supports this multifaceted approach with a wealth of illustrations and written sources that demonstrate the intimate links between visual culture and social change. Culminating at the transition to impressionism, Art in an Age of Civil Struggle makes historical sense of a movement that paved the way for avant-garde aesthetics and, more broadly, of how a particular style emerges at a particular moment.

In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.—R. W. Liscombe, Choice

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.