From The New York Times best-selling author of Paris to the Moon and beloved New Yorker writer, a memoir that captures the romance of New York City in the 1980s. When Adam Gopnik and his soon-to-be-wife, Martha, first arrived in 1980, New York City was a pilgrimage site for the young, the arty, and the ambitious. But it was also becoming a place where both life’s consolations and its necessities were increasingly going to the highest bidder. At the Strangers’ Gate is a vivid portrait of this time, told through the story of one couple’s journey—from their excited arrival as aspiring artists to their eventual growth into a New York family. Through a series of comic mini-anthropologies that capture the fashion, publishing, and art worlds of the era, Adam Gopnik transports us from his tiny basement room on the Upper East Side to a SoHo loft, from his time as a graduate student-cum-library-clerk to the galleries of MoMA. Filled with tender and humorous reminiscences—including affectionate reflections on Richard Avedon, Robert Hughes, and Jeff Koons, among many others— At the Strangers’ Gate is an ode to New York striving.

In the summer of 1959, A. J. Liebling, veteran writer for the New Yorker, came to Louisiana to cover a series of bizarre events which began when Governor Earl K. Long was committed to a mental institution. Captivated by his subject, Liebling remained to write the fascinating yet tragic story of ?Uncle Earl?s? final year in politics. First published in 1961, The Earl of Louisiana recreates a stormy era of Louisiana politics and captures the style and personality of one of the most colorful and paradoxical figures in the state?s history. This new edition of the work includes a foreword by T. Harry Williams, Pulitzer prize-winning author of Huey Long: A Biography.

An extraordinary autobiography story from a legend in American comics.A roman ø clef about Eisner's early years in the thriving comics industry prior to World War II€”featuring new annotations that reveal comics pioneers such as Bob Kane and Jack Kirby who appear under pseudonyms.

"Taking as his point of departure the authors, the audience, and the texts of Victorian writings on sex in general and of Victorian pornography in particular, Steven Marcus offers a startling and revolutionary perspective on the underside of Victorian culture. The way these subjects were regarded--and the way our notions of the Victorians continue to change, as the efforts of contemporary scholarship restore them to their full historical dimensions--are matters today of some surprise and wonder. Marcus first examines the writings of Dr. William Acton, who may be said to represent the "official views" of sexuality held by Victorian society, and Henry Spencer Ashby, the first and most important bibliographer-scholar of pornography. He then turns to the most significant work of its kind from the period, the eleven-volume anonymous autobiography My Secret Life. There follows an analysis of four pornographic Victorian novels--an analysis that throws an oblique but fascinating light on the classics of Victorian literature--and a review of the odd flood of Victorian publications devoted to flagellation. The books concludes with a chapter propounding a general theory of pornography as a sociological phenomenon. Most of the writers and writing being discussed by Marcus belong to Victorian sub-literature rather than to literature proper; in this way the work remains connected to a consideration of the exotic sub-literature. A brilliantly written book in its own right, this work transformed the study of the Victorian period as did no other." -- Provided by publisher

She is everyone's favorite sex therapist; a four-foot-seven dynamo who answers the most intimate questions with disarming candor and heartening warmth. Yet few really know the real Dr. Ruth-her loves, her losses, and the irrepressible spirit that has helped her through it all-until now. Meet the child orphaned by the Holocaust, the Israeli soldier wounded on her 20th birthday, and the extraordinary woman who has called five countries home. ALL IN A LIFETIME is the revealing autobiography of a fighter who has survived heartache with her spirit intact, including the shattering loss of her husband, and how she's learned to thrive.

"The autobiography of the first designated hitter to play in the MLB-now in paperback! On April 6, 1973, Ron Blomberg took a swing at home plate that changed baseball history. Through a quirk of fate the young Jewish Yankee became the first designated hitter to play an MLB game. At the time, George Steinbrenner had just taken control of the Bronx Bombers, the National League was still refusing to adopt the DH rule, and New Yorkers were pinning their hopes on a new generation of players. In this heart-warming autobiography, now in paperback, Blomberg relives the moment that made his career and the countless experiences before and after that helped boost him to legendary heights. In Designated Hebrew Blomberg recounts a time when baseball, and America itself, were changing. Before Blomberg arrived in New York, the Yankees only employed three Jews in the entire organization. Though his career goals were eventually thwarted by injury, Blomberg still represented hope and pride to millions of Americans across the country. This unforgettable story is the journey of one man as he learns to balance life, religion, and ultimately, baseball"--

This autobiography and self-help book by the performer and comedy writer examines how the author's ability to laugh got her through the rough times of her life and includes the personal weight-loss programs of dozens of stars

How do we come to terms with what can't be forgotten? How do we bear witness to extreme experiences that challenge the limits of language? This remarkable volume explores the emotional, political, and aesthetic dimensions of testimonies to trauma as they translate private anguish into public space. Nancy K. Miller and Jason Tougaw have assembled a collection of essays that trace the legacy of the Holocaust and subsequent events that have shaped twentieth-century history and still haunt contemporary culture. "Extremities" combines personal and scholarly approaches to a wide range of texts that bear witness to shocking and moving accounts of individual trauma: Toni Morrison's "Beloved", Sylvia Plath's "Daddy" and "Lady Lazarus," Kathryn Harrison's "The Kiss", Tatana Kellner's Holocaust art, Ruth Klger's powerful memoir "Still Alive", and Binjamin Wilkomirski's controversial narrative of concentration camp suffering, "Fragments". The book grapples with the cultural and social effects of historical crises, including the Montreal Massacre, the Warsaw Ghetto Uprising, and the medical catastrophes of HIV/AIDS and breast cancer. Developing insights from autobiography, psychoanalysis, feminist theory and gender studies, the authors demonstrate that testimonies of troubling and taboo subjects do more than just add to the culture of confession--they transform identities and help reimagine the boundaries of community. "Extremities" offers an original and timely interpretive guide to the growing field of trauma studies. The volume includes essays by Ross Chambers, Sandra M. Gilbert, Susan Gubar, Marianne Hirsch, Wayne Koestenbaum, Eve Kosofsky Sedgwick, and others.

The author of The Group , the groundbreaking bestseller and 1964 National Book Award finalist that shaped a generation of women, brings reminiscences of her girlhood to this intimate and illuminating memoir How I Grew is Mary McCarthy's intensely personal autobiography of her life from age thirteen to twenty-one. Orphaned at six, McCarthy was raised by her maternal grandparents in Seattle, Washington. Although her official birthdate is in 1912, it wasn't until she turned thirteen that, in McCarthy's own words, she was "born as a mind." With detail driven by an almost astonishing memory recall, McCarthy gives us a masterful account of these formative years. From her wild adolescence--including losing her virginity at fourteen--through her eventual escape to Vassar, the bestselling novelist, essayist, and critic chronicles her relationships with family, friends, lovers, and the teachers who would influence her writing career. Filled with McCarthy's penetrating insights and trenchant wit, this is an unblinkingly honest and fearless self-portrait of a young woman coming of age--and the perfect companion to McCarthy's Memories of a Catholic Girlhood .

The rollicking autobiography of the iconic guitarist who took thrash metal behemoths Megadeth from the edge of collapse to their highest peak before departing to Japan for the joy of J-Pop. Marty Friedman’s upbringing was as atypical as his career. Growing up in a Jewish household in Maryland, the son of an NSA executive, he lacked motivation until he accidentally discovered the guitar and immediately found his calling. Enjoying a hazy adolescence overflowing with partying, music, and teen antics, he achieved local stardom in Deuce, then burst onto the national scene by pioneering a radically new style of playing, bringing attention to the guitar aficionado label, Shrapnel Records. Acclaim didn’t breed success or money, but undeterred, Friedman moved to California, and after attempts to join Madonna, KISS, and Ozzy Osbourne, finally scored a gig in Megadeth at a time when the band members were just recovering from the verge of self-destruction, and Marty was in and out of homelessness. Friedman is the most revered guitarist to play in any Megadeth lineup. During his ten years, his exotic, innovating style helped define the sound of their biggest albums, and while it elevated him to guitar hero status with all the accompanying perks, it came at a significant cost. As the only clean and sober member, Friedman vividly recalls the triumphs and trials of each album cycle and more, bringing to light previously undisclosed personal feelings surrounding the circumstances that forced the band into hiding in the midst of the Countdown to Extinction Tour and the brutal effort it took to get the band back up and running. His profound and complicated relationship with frontman Dave Mustaine was symbolic of the band’s insane dynamic, and Marty poignantly and generously shares his experiences within the band’s inner sanctum during the highs, lows, and daily routines. ButDreaming Japanese is far more than a memoir about Friedman’s multi-Platinum years in Megadeth. The riveting narrative captures his relentless perseverance as he struggles to start again from nothing. Spontaneously leaving his home in the US and feeling lost in the middle of Tokyo, with few connections or concrete plans, the story traces his journey to acclimate and assimilate into the inner core of an alien society, language and culture, almost like a double agent spy. In fascinating detail and clarity, Marty shares how he gradually made inroads into the Japanese entertainment industry, becoming a household name and fixture on mainstream television and earning respect as a highly influential solo artist. Dreaming Japanese follows the wildly entertaining, inspiring, and above all, unprecedented path of a rock and roll guitar player who took the biggest risk, leaving worldwide success to start over from scratch in a country, culture and society far from his own, ultimately becoming an official ambassador of Japan.

Children have obligations to their parents: the Talmud says "one must honor him in life and one must honor him in death." Beside his father’s grave, a diligent but doubting son begins the mourner’s kaddish and realizes he needs to know more about the prayer issuing from his lips. So begins Leon Wieseltier’s National Jewish Book Award–winning autobiography, Kaddish, the spiritual journal of a man commanded by Jewish law to recite a prayer three times daily for a year and driven, by ardor of inquiry, to explore its origins. Here is one man’s urgent exploration of Jewish liturgy and law, from the 10th-century legend of a wayward ghost to the speculations of medieval scholars on the grief of God to the perplexities of a modern rabbi in the Kovno ghetto. Here too is a mourner’s unmannered response to the questions of fate, freedom, and faith stirred in death’s wake. Lyric, learned, and deeply moving, Wieseltier’s Kaddish is a narrative suffused with love: a son’s embracing the tradition bequeathed to him by his father, a scholar’s savoring they beauty he was taught to uncover, and a writer’s revealing it, proudly, unadorned, to the reader.

A group of notable writers--including UK poet laureate Simon Armitage, Julian Barnes, Margaret MacMillan, and Jenny Uglow--celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the past What can a house tell us about the person who lives there? Do we shape the buildings we live in, or are we formed by the places we call home? And why are we especially fascinated by the houses of the famous and often long-dead? In Lives of Houses, a group of notable biographers, historians, critics, and poets explores these questions and more through fascinating essays on the houses of great writers, artists, composers, and politicians of the past. Editors Kate Kennedy and Hermione Lee are joined by wide-ranging contributors, including Simon Armitage, Julian Barnes, David Cannadine, Roy Foster, Alexandra Harris, Daisy Hay, Margaret MacMillan, Alexander Masters, and Jenny Uglow. We encounter W. H. Auden, living in joyful squalor in New York's St. Mark's Place, and W. B. Yeats in his flood-prone tower in the windswept West of Ireland. We meet Benjamin Disraeli, struggling to keep up appearances, and track the lost houses of Virginia Woolf and Elizabeth Bowen. We visit Benjamin Britten in Aldeburgh, England, and Jean Sibelius at Ainola, Finland. But Lives of Houses also considers those who are unhoused, unwilling or unable to establish a home--from the bewildered poet John Clare wandering the byways of England to the exiled Zimbabwean writer Dambudzo Marechera living on the streets of London. With more than forty illustrations, Lives of Houses illuminates what houses mean to us and how we use them to connect to and think about the past. The result is a fresh and engaging look at house and home. Featuring Alexandra Harris on moving house; Susan Walker on Morocco's ancient Roman House of Venus; Hermione Lee on biographical quests for writers' houses; Margaret Macmillan on her mother's Toronto house; a poem by Maura Dooley, "Visiting Orchard House, Concord, Massachusetts"--the house in which Louisa May Alcott wrote and set her novel Little Women; Felicity James on William and Dorothy Wordsworth's Dove Cottage; Robert Douglas-Fairhurst at home with Tennyson; David Cannadine on Winston Churchill's dream house, Chartwell; Jenny Uglow on Edward Lear at San Remo's Villa Emily; Lucy Walker on Benjamin Britten at Aldeburgh, England; Seamus Perry on W. H. Auden at 77 St. Mark's Place, New York City; Rebecca Bullard on Samuel Johnson's houses; a poem by Simon Armitage, "The Manor"; Daisy Hay at home with the Disraelis; Laura Marcus on H. G. Wells at Uppark; Alexander Masters on the fear of houses; Elleke Boehmer on sites associated with Zimbabwean writer Dambudzo Marechera; Kate Kennedy on the mental asylums where World War I poet Ivor Gurney spent the last years of his life; a poem by Bernard O'Donoghue, "Safe Houses"; Roy Foster on W. B. Yeats and Thoor Ballylee; Sandra Mayer on W. H. Auden's Austrian home; Gillian Darley on John Soane and the autobiography of houses; Julian Barnes on Sibelius and Ainola.

There is no summarizing or explaining the writings of Gertrude Stein. With the exception of her fledgling efforts like Three Lives or her funny, successful memoir, The Autobiography of Alice B. Toklas , her fictions are without conventional plot, setting, or character. They are intellectual flowers, each sentence growing or receding from the one before it, repeating its main points with subtle, telling changes. In Lucy Church Amiably , first published in Paris in 1930 and long out of print, Stein describes the landscape and pastoral life of central France (while writing, she was staying near a small village named Lucy) in and through her character Lucy "Gradually remembering a lake. Gradually. Remembering. A lake. In gradually remembering a lake by the shore of the lake where they were sitting." Yet Stein is not opaque or purely she always provides solid details in unexpected places, specializing, as the critic Fred Dupee put it, in "the mingling of apparent conviction with transparent nonsense." She is a central figure in the modernist movement, but her relentless pleasure in her quirky, handmade idiom can repel the unwary reader. Although it is a delight to have this reprint, a brief introduction would have been useful for the uninitiated. Those interested in Stein should also turn to her Selected Writings , or, for a painless entrée to her work, begin with The Autobiography of Alice B. Toklas . --Regina Marler

� Vision on Fire is a historical treasure.��Howard Zinn This carefully chosen collection features the most important writings from the turbulent last four years of Emma Goldman�s life. This incredible follow-up her popular autobiography, Living My Life , reveals her struggles with the contradictions of the Spanish Revolution and her efforts to maintain integrity and vision in the heat of political activism. An influential and well-known anarchist, Emma Goldman was an early advocate of free speech, birth control, feminism, and workers� rights. David Porter received his PhD from Columbia University. He has taught for two decades at Empire State College.

In the era of identity politics, whose is the I of cultural criticism? And what does the invention of an autobiographical persona have to do with contemporary theory? In Getting Personal, Nancy K. Miller reflects upon the ways in which contingencies of identity and location shape the writing of academic argument and the living of an academic life. Getting Personal explores the new territory of feminist cultural studies and its connections to literary interpretation. The book is organized around a number of academic scenes in which Miller analyses the stakes of feminist critical performance. The focus on occasions, from the conference to the seminar to the professional colloquium, produces an autobiographical perspective on the mini-drama of institutional politics - whether faculty struggles over the canon in elite universities, or student strivings for self-authorization in large urban ones. Writing as a feminist critic, Miller describes the dilemmas of a responsible pedogogic practice: the contradictory demands of authority and complicity for a feminist teacher of literature. Getting Personal examines the rhetorical strategies of a feminism traversed by internal debates over its own self-representations. Working through and among quotations of voices that might otherwise not address each other, Miller assesses a crisis and offers a project for moving on.

A glimpse into the mind and life of one of the most creative and enigmatic visionaries of our time, filmmaker Alejandro Jodorowsky • Retraces the spiritual and mystical path Jodorowsky has followed since childhood, vividly repainting events from the perspective of an unleashed imagination • Explores the development of the author’s psychomagic and metagenealogy practices via his realization that all problems are rooted in the family tree • Includes photos from Jodorowsky’s appearance at the 2013 Cannes Film Festival and from the film based on this book, which debuted at Cannes Retracing the spiritual and mystical path he has followed since childhood, Alejandro Jodorowsky re-creates the incredible adventure of his life as an artist, filmmaker, writer, and therapist--all stages on his quest to push back the boundaries of both imagination and reason. Not a traditional autobiography composed of a chronological recounting of memories, The Dance of Reality repaints events from Jodorowsky’s life from the perspective of an unleashed imagination. Like the psychomagic and metagenealogy therapies he created, this autobiography exposes the mythic models and family templates upon which the events of everyday life are founded. It reveals the development of Jodorowsky’s realization that all problems are rooted in the family tree and explains, through vivid examples from his own life, particularly interactions with his father and mother, how the individual’s road to true fulfillment means casting off the phantoms projected by parents on their children. The Dance of Reality is autobiography as an act of healing. Through the retelling of his own life, the author shows we do not start off with our own personalities, they are given to us by one or more members of our family tree. To be born into a family, Jodorowsky says, is to be possessed. To peer back into our past is equivalent to digging into our own souls. If we can dig deep enough, beyond familial projections, we shall find an inner light--a light that can help us through life’s most difficult tests. Offering a glimpse into the mind and life of one of the most creative and enigmatic visionaries of our time, The Dance of Reality is the book upon which Jodorowsky’s critically acclaimed 2013 Cannes Film Festival film of the same name was based.

The memoirs of Mary Rodgers—writer, composer, Broadway royalty, and “a woman who tried everything.” “What am I, bologna?” Mary Rodgers (1931–2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened: how Mary grew from an angry child, constrained by privilege and a parent’s overwhelming gift, to become not just a theater figure in her own right but also a renowned author of books for young readers (including the classic Freaky Friday ) and, in a final grand turn, a doyenne of philanthropy and the chairman of the Juilliard School. But in telling these stories—with copious annotations, contradictions, and interruptions from Jesse Green, the chief theater critic of The New York Times — Shy also tells another, about a woman liberating herself from disapproving parents and pervasive sexism to find art and romance on her own terms. Whether writing for Judy Holliday or Rin Tin Tin, dating Hal Prince or falling for Stephen Sondheim over a game of chess at thirteen, Rodgers grabbed every chance possible—and then some. Both an eyewitness report from the golden age of American musical theater and a tale of a woman striving for a meaningful life, Shy is, above all, a chance to sit at the feet of the kind of woman they don’t make anymore—and never did. They make themselves.

Profiling Canada's leading poet-singer, this concise biography surveys the remarkable 40-year career of Leonard Cohen that has produced 11 books and 11 records. Focusing on the evolution of Cohen's international reputation, the book begins with a review of the Montreal years. The popularity of works like The Spice Box of Earth and Beautiful Losers is examined in detail. Cohen's musical career receives special attention, from his first studio session to his latest record. The biography concludes with a discussion of Stranger Music .

A New York Times Noteworthy Paperback, 1997

The letters Kafka addressed to the woman to whom he was twice engaged make up a collection of some of the most startling "love letters" of our time. They form a revealing record of five crucial years in his life and of his relationship to the one woman who decisively influenced his writing. These letters will take their place alongside Kafka's major novels and stories.