Pesach Bursrein, an old trouper from the Yiddish theater, recalls dramas both onstage and off in this memoir, which he dictated to his wife, Lillian Lux Burstein. The Story of Burstein's successful stage career is played out against the background of political turmoil in Europe, vignettes of life in small towns and big cities, friendships and rivalries among theater folk, family life, emigration to the United States, and tours through Europe, South America, Israel, and South Africa. Every personal anecdote tells the larger history: theater history and also the history of the Yiddish communities who were his audiences. While Burstein is a legend in Yiddish cheater, he was little known outside that world until he was celebrated in Arnon Goldfinger's acclaimed documentary Der Komedia11t. This memoir provides the first window for English readers into the other side of Yiddish culture—the Yiddish burlesque, the traveling Yiddish theater, and the music hall. It will not only delight readers but also reveal a social and cultural history never before described in such detail. Burstein's life is the story of popular Yiddish theater in the first half of the century.

"A complex evocation of the elusive, beautiful Sarah Cameron whose intermittent appearances over forty years have provided Hellman with a tantalizing, inconsistent mosaic of fantasy, deliberate falsehoods, and touches of unalloyed evil." -- Amazon.com viewed April 30, 2021.

Text: English, German (translation)

"City of lions presents two essays, written more than a half century apart-but united by one city"--Book flap.

John Marks is something of a national treasure. Warm, funny, passionate, opinionated and occasionally contrary, he is a man whose life for more than 40 years marched in beat with that of the National Health Service. There is scarcely a medical issue or controversy in which John Marks was not involved. Abortion law reform, the doctors' 1970s revolt against the General Medical Council, the foundation of the Royal College of General Practitioners, countless NHS reorganizations, and the bloody battle over NHS pay beds and the pay of junior doctors are just a sample.Then there was the fierce, principled battle over how the medical profession and the public should respond to the terror of a new disease - AIDS. And the great war that was fought over the Conservatives introduction of market forces into the NHS in the late 1980s and early 1990s - an approach to running the NHS that lives on, reincarnated, under the current Labor government.In all of these John Marks played more than a walk-on part. In many he was a principal actor. For anyone wanting fully to understand the BMA's role in all this, this book is thus required reading. But it is much more than just a dry history of times past. It is laced with anecdote, from the horrifying to the hilarious, and on to high politics. John Marks' account of his life and times provides the tale of a warm, human, liberal and occasionally buccaneering man whose passion for life and causes leaves even those who do not always agree with him eager to count him among their friends.

"This book begins describing the onset of Parkinson's, the arrival of the dark unexpected. In a Monty Python skit, someone is nagged by questions. "I didn't expect the Spanish Inquisition," he complains. Suddenly Michael Palin, in red 16th century costume, bursts into the room. "Nobody expects the Spanish Inquisition!" he shrieks. Who expects the onset of Parkinson's? Or cancer? Or stroke? Or the loss of a child? The terrible surprise isn't limited to Parkinson's. It's the existential condition of everyone's life. In fourteen sketches, John J. Clayton links the experience of PD with the experience of childhood sickness, family battles, the struggle to make a good life out of a painful life"--

"Franz Baermann Steiner (1909-52) provided the vital link between the intellectual culture of central Europe and the Oxford Institute of Anthropology in its post-Second World War years. This book demonstrates his quiet influence within anthropology, which has extended from Mary Douglas to David Graeber, and how his remarkable poetry reflected profoundly on the slavery and murder of the Shoah, an event which he escaped from. Steiner's concerns including inter-disciplinarity, genre, refugees and exile, colonialism and violence, and the sources of European anthropology speak to contemporary concerns more directly now than at any time since his early death"--

Here, in Klima's own powerful words, is the motivation behind his writing - the necessity to bear witness to his country's turbulent history. In the title essay of this collection of essays, Klima invokes the spirit of the city that has shaped and sustained him: ironical, cultural, accustomed to adversity but full of hope. A city which has spawned and inspired Milan Kundera, Josef Skvorecky and Pavel Kohut.

In July 1961, just before David Aaronovitch's seventh birthday, Yuri Gagarin came to London. The Russian spaceman was everything the Aaronovitch family wished for - a popular and handsome embodiment of modern communism, of the forward march of history. When Gagarin went to Highgate to visit the tomb of Karl Marx, the local communists came out to cheer, David's father, a full-time worker for the Communist Party, and his mother among them. But who were they, these ever hopeful, defiant and (had they but known it) historically doomed people? In a sense they were like a non-magical version of the wizards of J K Rowling's world, living part secretly with and parallel to the non-communist majority, sometimes persecuted, sometimes ignored, but carrying on their own ways and traditions. Where others went to church they went to Socialist Sunday School, where others watched the Black and White Minstrels they went to see the Red Army Choir (always providing that visas had been issued). Society's up was their down, its heroes were their villains and vice versa. Trade unions were never more noble than when militant, the blacks were right and the whites were wrong. Who wanted American TV when you could have Russian movies? A memoir of early life among communists and an exploration of the world that created that life, Party Animals first took David Aaronovitch back through his own memories of belief and action. But there was much more to it. He found himself studying the old secret service files, his mother's diaries and letters, uncovering the unspoken shame and fears that provided the unconscious background to his own existence as a party animal. Only then did he begin to understand what had come before - both the obstinate heroism and the monstrous cowardice. And the elements that shape our fondest beliefs

Text: English, German (translation)

Aram Saroyan tells of the intimate sides of the life of his father, Pulitzer Prize-Winning playwright and novelist William Saroyan.

Book by Codrescu, Andrei

This book obviously does not set out a complete record of the Nixon scandals or of the Nixon career. It doesn't even include all the cartoons about Nixon or relating to him--which probably number more than those Block did on almost any other public figure (good or bad), including such long-in-the-limelight persons as Franklin D. Roosevelt and Joseph Stalin. It does include a large number of the Nixon cartoons, along with dates of some incidents, and comments and recollections about their subject--a political career which in some way has affected all of us.

Leopold von Ranke (1795-1886), generally recognized as the founder of the school of modern critical historical scholarship, and Jacob Burckhardt (1818-1897), the great Swiss proponent of cultural interpretation, are fathers of modern history--giants of their time who continue to exert an immense influence in our own. They are usually seen as contrasts, Ranke as representative of political history and Burckhardt of cultural history. In five essays, each flowing gracefully into the next, the distinguished historian Felix Gilbert shows that such contrasts are oversimplifications. Despite their interest in different aspects of the past, Ranke's and Burckhardt's views arose from common elements in the first half of the nineteenth century, the time in which they grew up and in which their first masterworks attracted such wide attention. This concise volume clarifies the beginnings of history as an autonomous discipline, while forcing us to examine our views on basic questions in historical scholarship. In the case of Ranke, relating his work to his times counteracts the current tendency to disregard the difference between the historical concepts of the eighteenth and nineteenth centuries. By focusing on this difference, Gilbert emphasizes the originality and novelty of Ranke's ideas about history. Although Burckhardt is often portrayed as an intellectually lonely figure, this book reveals the importance of relating his thought to the intellectual trends of his time. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.