"A breathtaking journey across Iran where war and superstition, jealousy and betrayal, and passion and loyalty rage behind the impenetrable walls of mansions and the crumbling houses of the Jewish Quarter. Against the tumultuous background of World War II, Dr. Yaran will find himself caught in the thrall of the anti-Semitic Governor General, the most powerful man in the country. Dr. Yaran falls in love with the Governor General's defiant wife, Velvet, upending not only the life of the doctor's beloved daughter, but the entire community. In his quest to save everything and everyone he loves, Dr. Yaran will navigate the intersections of magic, science, lust, and treachery. His sole ally is the Governor General's servant, an exotic eunuch, who will do anything to aid his mistress in her dangerous quest to attain forbidden love." --

Now in paperback and "brimming with wondrous surprises . . . There's magic in The Pinch " ( The Boston Globe ) Steve Stern's prodigious imagination finds a wondrous home in the Pinch, a once-thriving Jewish community in Memphis. The Pinch revolves around a single enchanted day containing years, during which the antics of a group of Jewish mystics threaten to ravage the life of general store proprietor Pinchas Pin with miracles, and his nephew Muni's ardor for an alluring tightrope walker collides with his passion for chronicling the wonders of North Main Street. Their stories, gleaned by a hapless bookseller from a fabulist history book, transform the fate of the neighborhood. Now in paperback, The Pinch is a sparkling reminder that Steve Stern is one of our most talented and inimitable storytellers. "[A] big, rangy, saturated, antic new novel, a Pynchonian tragicomedy . . . Stern, an ebullient maestro of words and mayhem, wonder and conscience, orchestrates a cacophonous, whirling, gritty, tender, time-warping saga that encompasses a cavalcade of horror, stubborn love, cosmic slapstick, burlesque humor, and a scattering of miracles." -- Booklist (starred review) "Weird and wonderful . . . [ The Pinch is] a backdrop to Stern's poignant and antic drama, a playground on which his exuberant, larger-than-life characters can run wild . . . The Pinch is composed of . . . perfectly calibrated moments, all of which pulse with a dynamic inventiveness." -- Star Tribune (Minneapolis)

Clementine Harper is 12 and learning to tap dance at Madame Pearl's Stage School in Finchley when war breaks out. As the air raids start to hit London, she and her two younger brothers, Ronnie and Ernie, are evacuated. Arriving in a tiny Devon village, they're sent to live with an eccentric widow who lives in a drafty mansion in the middle of wintry woods. Clementine is thrilled to meet another fi sh out of water - Giesele, a sophisticated Jewish girl, who has escaped from Nazi Germany and they become soul mates immediately. Giesele's parents are still in hiding in Berlin and her sister Klara has gone missing. If only they could help somehow. The girls are enlisted by the local Girl Guides who, they soon fi nd out, are training to do SO much more than bake cakes and tie knots. They're asked to help put on a Christmas show for the American soldiers at the military base nearby. But the show is a cover for a very secret mission, and the girls' lives are soon fi lled with mystery and adventure.

"This vast, rich family saga is set in the crowded courtyards of Jewish Baghdad before World War I. Sami Michael portrays a family exploding with power struggles and intrigue, seductions and betrayals, witches and hunchbacks, ghouls and spirits of flesh and blood. At the centre is Victoria, a woman of character who stands head and shoulders above the courtyard's tumult and dissipation. Victoria is the daughter of the head of the tribe, enslaved to the needs of her family as are all the women of the courtyard. She has been on love with her cousin Rafael since childhood and her story, told from the distance of an old-age home in Israel, is the story of their lifelong relationship, fraught with lies and humiliation, hope and heartache, and stubborn, enduring love." -- Inside front jacket flap

Moses Wine's plans to get closer to his sons and to find love and freedom are delayed by a double murder case involving a guerilla journalist, an old Jewish gangster, Cuban exiles, and the mysterious Sexual Liberation League

"A community grows as neighbor helps neighbor in this heartwarming story inspired by the Golden Ladder, a Jewish approach to charity intended to create a fair society"--

An inner life of Johannesburg that turns on the author’s fascination with maps, boundaries, and transgressionsThis singular memoir begins with a transgression—the invasion of a private home in Johannesburg. But it is far more than the story of a theft. Lost and Found in Johannesburg is a luminous exploration of place, one in which the author’s and the reader’s assumptions are constantly being tested. As a child growing up in apartheid South Africa, Mark Gevisser was obsessed with maps—and with Holmden’s Register , Johannesburg’s street guide, in particular. He played a game called Dispatcher with this eccentric guide, transporting himself across the city into places that would otherwise be forbidden to him. It was through Dispatcher that he discovered apartheid by realizing that he could not find an access route to the neighboring township of Alexandra and, later, by realizing that Soweto was not mapped at all. This was the beginning of his lifelong obsession with maps and photographs, and what they tell us about borders and boundaries—how we define ourselves by staying within them or by transgressing them. This memoir is an account of getting lost in one’s hometown, and then finding oneself as a gay Jewish South African who was raised under apartheid and who eventually married a man of a different race as the country moved toward freedom. Using maps, shards of memory, photographs, and stories, Gevisser constructs a stunning portrait of race and sexuality, heritage and otherness.

It is the story of Jozsef Sondor, a tough, irreverently witty Jewish boy growing up in World War II Hungary. Jozsef carries the reader into the whirl of everyday life in war-torn Budapest, from the eve of the Holocaust in Hungary to the Russian liberation in 1945. Through his eyes, we witness history, or, as he sees it, the adult world gone mad. What is this "Jewish problem", he asks. And what can God be thinking of? Jozsef soon finds that his questions have no simple answers, but they do lead him on a journey to understanding the war, politics, religion, and, in the end, the complexity of human nature.

An illustrated collection of twelve folk tales, ten African and two Jewish.

Soul of Wood made Jakov Lind's reputation as one of the most boldy imaginative postwar writers and it remains his most celebrated achievement. In the title novella and six subsequent stories, Lind distorts and refashions reality to make the deepest horrors of the twentieth century his own. Set during World War II, "Soul of Wood" is the story of Wohlbrecht, a peg-legged veteran of World War I, who smuggles Anton Barth, a paralyzed Jewish boy, to a mountain hideout after the boy's parents have been sent to their deaths. Abandoning the helpless boy to the elements, Wohlbrecht returns to Vienna, where, having been committed to an insane asylum, he helps the chief psychiatrist to administer lethal injections to other patients. But Germany is collapsing and the war will soon be over. The one way, Wohlbrecht realizes, that he can evade retribution is by returning to the woods to redeem "his" hidden Jew. Others, however, have had the same bright idea.

A genre-defying account of confinement and its literary echoes through history. As the pandemic sweeps through Paris in March 2020, the writer HC faces a choice: stay in Paris or flee to the countryside? The weight of historical responses bears down on her--those of her ancestors and Jewish writers during moments of persecution. Still uncertain, she flees to the country at the last moment, with her cats and her daughter, with her diaries and notebooks. What will she do here? Write? What will she write about? Can she write about the experience of being confined? She will write about her cats; every day she will observe their lives and take notes about how they cope with being housebound, and later, in the spring, with the outdoors. Thucydides, Defoe, Camus, Kafka--she will compare her experiences with those of others who have been confined by malady or persecution. She will write of her mother, who fled impending disaster on many occasions and always kept a suitcase ready. She too will endure. The important thing is to have a good death, surrounded by those she loves, not locked down in a hospital.

In this autobiographical novel, the author moves among the dead poets of Stalin's Russia with the poet Marina Tsvetaeva, mingling with the ghosts of writers such as Anna Akhmatova, Boris Pasternak, Osip Mandelstam and Joseph Brodsky. The author, herself of Russian descent, reconstructs the lives and fates of Russian, often Jewish, writers during the long age of Soviet terror, re-establishing them at the heart of the European tradition.

Having left Nazi-occupied Vienna a year ago, thirteen-year-old Jewish refugee Stephie Steiner adapts to life in the cultured Swedish city of Gothenburg, where she attends school, falls in love, and worries about her parents who were not allowed to emigrate.

"A devastating novel about the attrocities of WWII, and the unspeakable things people did to survive, by one of Yugoslavia's great literary voices. Lamian is a survivor, but a survivor of a very special kind. He was a Kapo, a prisoner who served as a camp guard in order to save himself. But has Lamian saved himself? The war over, he resumes life in the Bosnian town of Banja Luka, works in a land-surveying office, rents a room, eats as many hot potatoes as he likes, not even bothering to salt them--the quantity is what matters. If only he could stop looking over his shoulder, and flinching on the street in the fear that some stranger will step forward, smack his face, and say in a loud voice, "Here's one!" If only he could stop worrying about Helena Lifka, who turned out to be Yugoslav too, and Jewish too, one of the women he made come naked into the toolshed where he hid the gold, and sit on his lap in exchange for bread and butter and a little warm milk. She could turn up any day, an old woman now, and point an accusing finger. In this masterful novel, Aleksandar Tišma shows step by step how fear can turn an ordinary human being into a monster"--

Two families . . . One bloodline . . . and a city named Jerusalem When Bilal, a radicalised Palestinian youth, is shot during a botched terrorist attack, his life is saved by a young Jewish surgeon, Yael Cohen. But when Yael makes the startling discovery that her DNA is identical with Bilal's, they become caught up in a high-stakes conspiracy - a disturbing plot that will blow the region to pieces and stun the world with its audacity. But unknown to Bilal and Yael, theirs is the last and bloody chapter in a story that crosses millennia. Century after century, two ancient families - bloodline ancestors of Yael and Bilal - defied the corrupt power of kings and conquerors, and their struggles forged a fiercely proud people and an enduring hope for peace. But through war and atrocity, kinships were shattered, forcing dynasties apart and allowing evil to gain a foothold. And in modern Israel, confronted with exposure, those sinister forces will do anything to take control of the Holy Land and silence Yael and Bilal, who must run for their lives. Through imprisonment, assassination attempts and political machinations, they must ultimately confront the truth of who they are. But is blood enough?

To the Land of the Cattails evokes the uncanny atmosphere of Europe on the brink of the Holocaust with the same dreamlike realism that made The Age of Wonders a modern classic. In the summer of 1938, a Jewish woman living in Austria, suddenly gripped by a longing for her native land, departs with her adolescent son for the interior of Eastern Europe. As she proceeds, the landscape turns increasingly ominous and her son progressively more loutish. Just short of their goal, the young man falls into a drunken stupor. When he finally rouses himself and rushes to join his mother he is told she has been shipped off on a mysterious train to an unspecified destination. To the Land of Cattails is a haunting parable of the human spirit and an unforgettable account of the destiny of modern European Jewry.

In Israel, militant settlers establish a secessionist kingdom on the West Bank. They are led by Jerry Goldberg, a onetime Bronx social worker who becomes king. When the Israeli army moves in, the militants gather in the necropolis under Hebron to stage a second Masada. A tragicomedy by the author of Mara.

This is the story of Mara, a Jewish girl from Riverside Drive, and a hippie from Israel whom everyone distrusts, and the Orthodox wedding that unites them.

Nathan, a blind Jewish scribe, tells the story of the coming of the Messiah in the person of one Simon Stern—from his birth on the Lower East Side, through his career as a millionaire dealer in real estate, to his building of a refuge for the Jewish remnant of World War II. "A majestic work of fiction that should stand world literature's test of time, to be read and reread. A masterpiece."— Commonweal "This book ensnares one of the most extraordinarily daring ideas to inhabit an American novel in a number of years. For one thing, it is that risky devising, dreamed of only by the Thomas Manns of the world, a serious and vastly conceived fiction bled out of the theological imagination. For another, it is clearly an 'American' novel—altogether American, despite its Jewish particularity: it is not so much about the history of the Jews as it is about the idea of the New World as haven. . . . In its teeming particularity every vein of this book runs with a brilliance of Jewish insight and erudition to be found in no other novelist. Arthur Cohen is the first writer of any American generation to compose a profoundly Jewish fiction on a profoundly Western theme."—Cynthia Ozick, New York Times Book Review "This stately, ambitious amalgam of Jewish myth, history, theology, and speculations on the Jewish soul is like an enormous Judaic archeological ruin—often hard for the uninitiated to interpret, but impressive. . . . Intelligent, inventive, fascinating."— New Yorker