I. Group Extensions, Simple Algebras and Cohomology.- II. Classifying Spaces and Group Cohomology.- III. Invariants and Cohomology of Groups.- IV. Spectral Sequences and Detection Theorems.- V. G-Complexes and Equivariant Cohomology.- VI. The Cohomology of the Symmetric Groups.- VII. Finite Groups of Lie Type.- VIII. Cohomology of Sporadic Simple Groups.- IX. The Plus Construction and Applications.- X. The Schur Subgroup of the Brauer Group.- References.

LETTERS TO A YOUNG FEMINIST is a visionary message from a leading feminist to the next generation of feminists. Phyllis Chesler discusses basic aspects of feminism, explains feminism's relevance in a world that has taken it for granted and derided it, and helps the next generation reclaim feminism for itself. Chesler examines sisterhood, sex, families, motherhood, work, feminist heroism, and the economics of power, providing guidance to the generation to come.

In 1947, at the time of completing Volume I of the History of the Labor Movement in the United States, Foner reflected on the role of a Marxist historian of labor. Foner summed up the role this way: to present an "historical view which will enlighten our present struggles, will stimulate the foresight of labor's thinkers and leaders, and give to the great mass of our workers the clarity, courage and determination to forge ahead for the attainment of their immediate ends, and for the accomplishment of the historical mission of the working class: the abolition of the exploitation of man by man." In Volume XI Foner remained true to this goal. The book radiates enlightenment for current struggles and encouragement for those fighting for a socialist future.

Whether Europe will ever have anything resembling the “common foreign and security policy” described in the Maastricht Treaty will depend most of all on whether France and Germany are able to align their foreign policy goals and means. This thoughtful and original study examines the Franco-German security partnership in its post–Cold War context and analyzes the implications of that partnership for both Europe and the United States. Utilizing French and German sources and extensive interviews in Paris, Bonn, and Washington, Philip Gordon traces the evolution of Franco-German security cooperation since World War II, focusing especially on post-1989 developments. The book's historical and conceptual approach provides a framework for assessing the foundations of the Euro-optimism and -pessimism at odds with each other today.Gordon argues that Franco-German cooperation in the post–Cold War era will be more challenging than it was during a time when the Soviet threat united the two countries in a U.S.-led alliance. The book demonstrates how the end of the Cold War, German unification, a declining U.S. role in Europe, and emerging instabilities to Europe's east and south will test the strength of the Franco-German partnership, and it examines how French and German leaders have stood up to the new challenges so far. Detailed case studies of the Persian Gulf War, the debates over the “Eurocorps,” policies toward Eastern Europe, and the war in Yugoslavia make an invaluable contribution to our understanding of French, German, and Alliance policies in the post–Cold War world. Gordon also identifies new trends in French and German security policies since 1989 and analyzes their effects on the potential for Western and European cohesion.The book concludes that the general commitment in Paris and Berlin to continued cooperation is not in doubt but that a truly common and effective Franco-German or European security policy is unlikely; the national interests of the two countries and their Western partners not only remain different, but they are probably more divergent today than during the Cold War. Consequently, Gordon also argues that U.S. and European fears of Franco-German bilateralism are exaggerated and indeed that the allies have more to gain than to lose from Franco-German cooperation. The problem for the West is not so much that France and Germany have formed a cohesive political-military force within Europe but that they have failed to do so.

The year is 2040. Mark Chadwick is a brilliant psychiatrist who is on the verge of a major scientific breakthrough. By combining functional imaging of the brain with computer technology, he can not only predict intentions but also decode human thought processes. It is this discovery which immediately attracts the attention of Robert Dufresne, a senior officer in Home Security who is determined to use this novel technique in the fight against the enemies of the Surveillance State. As Mark is relentlessly pursued by Dufresne, the changing relationships with his family, friends and colleagues.

This unique guide is the first book to: identify everything you need to know about destination weddings, marriage renewals, and honeymoon packages offered by more than 135 elegant hotels and cruise ships in the Caribbean, Mexico, Hawaii and US; tell you which resorts will marry you or renew your vows FOR FREE if you stay there; reveal what hundreds of people really thought about the resorts after staying there. The resorts chosen for this book will put everything together for your wedding (or renewal). All offer a ceremony with an official. Many also include a beautifully decorated wedding site, flowers, cake, photographers, and special touches, like free romantic dinners, or breakfast in bed after the ceremony. And in many places -- and only this book tells you where -- they will even provide all of this for free! You will also learn the low-down that you won't find in any other guidebooks. The secrets and details your travel agent doesn't even know. Vital information that will help you decide which resort you want to choose.

Part fictional narrative, part send-up of the New Age movement, and part comedic triumph, Tales of Tongue Fu splits the reader's sides with hilarious misadventures and wicked social commentary. The book's hero, Tongue Fu, evolves from the humble son of a radioactive mother and a kamikaze pilot father to a guru -- with an incredibly long tongue, which he uses for both romance and martial arts. Tongue Fu meets a cadre of riotous characters along his way, from Baba Blabla, who has been silent for 30 years, to Rosebud Zwaliyeh, an activist who joins a cult. At every turn, comedy legend Krassner skewers phony spiritualism with his formidable wit, and endlessly entertains with his razor-sharp satire and notorious sense of humor, as Trina Robbins delights with her singular artistic vision.

Paul Gottfried's critical engagement with political correctness is well known. The essays in Revisions and Dissents focus on a range of topics in European intellectual and political history, social theory, and the history of modern political movements. With subjects as varied as Robert Nisbet, Whig history, the European Union election of 2014, and Donald Trump, the essays are tied together by their strenuous confrontation with historians and journalists whose claims about the past no longer receive critical scrutiny. According to Gottfried, successful writers on historical topics take advantage of political orthodoxy and/or widespread ignorance to present questionable platitudes as self-evident historical judgments. New research ceases to be of importance in determining accepted interpretations. What remains decisive, Gottfried maintains, is whether the favored view fits the political and emotional needs of what he calls "verbalizing elites." In this highly politicized age, Gottfried argues, it is necessary to re-examine these prevalent interpretations of the past. He does so in this engaging volume, which will appeal to general readers interested in political and intellectual history.

This book argues that the American conservative movement, as it now exists, does not have deep roots. It began in the 1950s as the invention of journalists and men of letters reacting to the early Cold War and trying to construct a rallying point for likeminded opponents of international Communism. The resulting movement has exaggerated the permanence of its values; while its militant anti-Communism, instilled in its followers, and periodic suppression of dissent have weakened its capacity for internal debate. Their movement came to power at least partly by burying an older anti-welfare state Right, one that in fact had enjoyed a social following that was concentrated in a small-town America. The newcomers played down the merits of those they had replaced; and in the 1980's the neoconservatives, who took over the postwar conservative movement from an earlier generation, belittled their predecessors in a similar way. Among the movement's major accomplishments has been to recreate its own past. The success of this revised history lies in the fact that even the movement's critics are now inclined to accept it.

From February 1942 to July 1944, Oskar Rosenfeld served in the statistics department of the Lodz ghetto. A playwright and journalist, he kept his own notes on life and conditions in the ghetto for a fictionalized account he hoped to write one day. Though Rosenfeld eventually perished at Auschwitz, In the Beginning Was the Ghetto projects his voice at last to the wider world.

Why I Left America and Other Essays by Oliver W. Harrington edited, with an introduction, by M. Thomas Inge To American black newspapers of the 1930s and 1940s "Ollie" Harrington was a prolific contributor of humorous and editorial cartoons. He emerged as an artist during the Harlem Renaissance and created Bootsie, the popular cartoon figure that became a fixture in black newspapers. Langston Hughes praised Harrington as America's greatest black cartoonist. After serving as a war correspondent in Italy, he returned to his homeland and the impediment of racism that pervaded American life. As director of public relations for the NAACP, he crusaded against America's policies of institutionalized racism, openly supporting leftist reform leaders. Upon hearing in this era of "red-baiting" that he was targeted for investigation, Harrington left America. In the culturally rich American community on the Left Bank in Paris that would come to include Chester Himes, James Baldwin, and Richard Wright, he became a fixture. In 1961 he found himself trapped behind the Berlin Wall, but he chose to remain in East Germany. His cartoons appeared in East German magazines and in the American Communist newspaper The Daily World. Although he became a favorite with Eastern Bloc students and intellectuals, in America Harrington was mainly forgotten. The autobiographical pieces included in Why I Left America and Other Essays, written mainly during the 1960s and 1970s, detail Oliver W. Harrington's experiences as an African American artist in exile. One theme that persists in these writings and his cartoons is his intolerance of racism. Hence, as an artist, he has found it impossible not to be political. One essay, from Ebony magazine, fuels speculation about the mysterious circumstances in the death of his friend Richard Wright. In another piece Harrington details how he created the celebrated Bootsie. He writes in others of his life in New York during the Harlem Renaissance and in Paris with fellow black expatriate figures. Why did this African American choose to live in exile for over forty years? In an affectionate foreword to this volume Richard Wright's daughter Julia gives clues to the answer. Her insights, along with M. Thomas Inge's introductory essay about Harrington's life and achievements, bring special focus to the experiences of an outstanding African American artist and social critic who has been virtually without recognition in his homeland. Oliver W. Harrington (1912-1995), cartoonist and political satirist, was an outspoken advocate for civil rights. He lived in exile in East Berlin for many years. M. Thomas Inge is the Robert Emory Blackwell Professor of Humanities at Randolph-Macon College.

A text which draws on traditional sources, mainly but not exclusively Jewish, to address contemporary issues, ranging from conservation of the environment, through to business and commercial ethics, to relations between State and religion.

"Saying No to Hate grounds readers in the history of antisemitism in America, emphasizing the strategies Jews have used to address threats and thereby preparing us to recognize, understand, and confront hatred today"--

Edenborn begins with a stark vision--a microbial apocalypse called Black Ep has wiped humanity from the globe, yet not all is lost. Six individuals have survived the epidemic and are now committed to the task of rebuilding a peaceful civilization. But not everyone shares the same vision, and soon two very different societies begin to form. As we follow a child from each 'family' someone - or something - begins to threaten their innocence. And as the mystery mounts, a mutated strain of Black Ep makes a deadly return. Now the architects who gave breath to this new world must scramble to protect their children from a two-front assault.

Presents the story of civilians who have died as a result of America's recent wars, introducing some of those who died in Iraq and Afghanistan, the rescue workers who tried to save them, and the American soldiers coming to terms with their deaths.

Ain't capitalism a bitch? Copies of "You're A Racist" are available for $20 at www.thebrickofgold.com. You're A Racist is a collection of powerful, funny, insightful, somewhat random thoughts on race in America by artist and author Nate Fish. "The notes in this book are simply reflections of my lifelong inner struggle to understand myself and my country," Fish says. "Some are contradictory, I know. Others are extreme. All, to me, are sensible." You're A Racist, designed by The Independent Group, contains an extended introduction, anecdotes, and protest-style posters of statements ranging from personal to philosophical. One says, "Radicals do not have radical ideas. We have almost embarrassingly childish notions about fairness... We're all born radicals and revolutionaries." This book will leave you feeling inspired and a bit pissed off, like the revolutionary you were born to be.

In this stimulating study, the author explores how Conrad, T.S.Eliot, Woolf, Joyce, Faulkner, Hemingway, Huxley and others responded to the immediate challenges of their time, to the implications of Freudian psychology, molecular theory, relativist theory, and the general weakening of religious faith. Assuming that artists and writers, in coping with those problems, would develop techniques in many ways comparable, even where there was no direct contact, he positions Modernist literature within the context of contemporary painting, architecture and sculpture, thereby providing some fascinating insights into the nature of the literary works themselves.