Recollections of the first bat mitzvah at the only synagogue in Indonesia, a poignant bat mitzvah memory of World War II Italy, and an American bat mitzvah shared with girls in a Ukrainian orphanage—these are a few of the resonant testimonies about the transition from Jewish girl to Jewish woman collected in Today I Am a Woman. Introduced by brief biographical notes and descriptions of Jewish communities around the world, these stories reveal how Judaism defines this important rite of passage in a girl's life in widely disparate settings. The contributions are from bat mitzvah girls of the past and present, their parents, communities, and religious leaders. Including evocative family photos—some recent, some from decades past—this rich compilation is an ideal gift for bat mitzvah celebrants, their families, and friends.

In the course of his forty-year-career as one of America's most admired journalists, Robert Scheer's work has been praised by Gore Vidal, Susan Sontag, and Joan Didion, who deems him "one of the best reporters of our time." Now, Scheer brings a lifetime of wisdom and experience to one of the most overlooked and dangerous issues of our time - the destructive influence of America's military-industrial complex. Scheer examines the expansion of our military presence throughout the world, our insane nuclear strategy, the immorality of corporations profiting in Iraq, and the arrogance of our foreign policy. Although Scheer is a liberal, his view echoes that of former Republican president General Dwight Eisenhower, who, in his farewell speech to the American people, spoke prophetically about need to guard against the growing influence of the military-industrial complex. In George W. Bush's America, politicians like Ike and Richard Nixon seem like prudent centrists. The views of libertarians, liberals, and pacifists are often overlooked or ignored by America's mainstream media. The Pornography of Power is the culmination of a respected journalist's efforts to change the terms of debate. At a time when many are exploiting fears of terrorist attacks and only a few national leaders are willing to advocate cuts in defense spending, nuclear disarmament, and restrained use of American force, Robert Scheer has written a manifesto for enlightened reform.

In Witness to Nuremberg , the chief interpreter for the American prosecution at the Nuremberg trials after World War II offers his insights into dealing directly with Hermann Goering, a leading member of the Nazi Party, as well as the story of his own colorful, eventful life before and after the trials. At age twenty-two, Richard Sonnenfeldt was appointed chief interpreter for the American prosecution of Nazi war criminals at Nuremberg. His pretrial time spent with Hermann Goering reveals much about not only Goering, but Hitler, Goebbels, Himmler, and other high-ranking Nazis. Sonnenfeldt was the only American who talked with all the defendants. Here is his inimitable life in wonderful detail.

A New York Times Book Review Editors' Choice and a Paris Review Staff Pick A January Pick by Salon , Town and Country, Southern Living, and LA Magazine New Orleans, 1918. The birth of jazz, the Spanish flu, an ax murderer on the loose. The lives of a traumatized cop, a conflicted Mafia matriarch, and a brilliant trumpeter converge—and the Crescent City gets the rich, dark, sweeping novel it so deserves. From one of the most inventive writers of his generation, King Zeno is a historical crime novel and a searching inquiry into man’s dreams of immortality. New Orleans, a century ago: a city determined to reshape its destiny and, with it, the nation’s. Downtown, a new American music is born. In Storyville, prostitution is outlawed and the police retake the streets with maximum violence. In the Ninth Ward, laborers break ground on a gigantic canal that will split the city, a work of staggering human ingenuity intended to restore New Orleans’s faded mercantile glory. The war is ending and a prosperous new age dawns. But everything is thrown into chaos by a series of murders committed by an ax-wielding maniac with a peculiar taste in music. The ax murders scramble the fates of three people from different corners of town. Detective William Bastrop is an army veteran haunted by an act of wartime cowardice, recklessly bent on redemption. Isadore Zeno is a jazz cornetist with a dangerous side hustle. Beatrice Vizzini is the widow of a crime boss who yearns to take the family business straight. Each nurtures private dreams of worldly glory and eternal life, their ambitions carrying them into dark territories of obsession, paranoia, and madness. In New Orleans, a city built on swamp, nothing stays buried long.

No two phrases in American baseball go together better than “World Series Champions” and “New York Yankees.” The most iconic franchise in American sports, the Yankees have taken home 27 World Series titles. Out of the thousands of games and millions of memories that have come to define this epic team, Maury Allen has distilled the greatest championship moments in this newly revised edition of Yankees World Series Memories . The name says it all—within these pages readers can relive all the glory, passion, and excitement of Yankees domination. Critical reading for any baseball fan, Yankees World Series Memories is a nail-biting compendium of athleticism and skill. Readers young and old will relish tales of baseball’s golden age and the thrill of modern victories. From Yogi Berra to Derek Jeter, Maury Allen highlights the absolute best of Yankees baseball.

"The first paperback edition of a classic of American constitutional theory. The book is divided into two parts. In Part I Professor Tushnet appraises the five major competing "grand theories" of constitutional law and interpretation, and, argues that none of them satisfy their own requirements for coherence and judicial constraint. In Part II the author offers a descriptive sociology of constitutional doctrine and raises critical questions as to whether a grand theory is necessary, is it possible to construct a coherent, useful grand theory, and is construction of an uncontroversial grand theory possible? Professor Tushnet's new Afterword is organized in parallel fashion to the original text. Part I offers a new survey of the contemporary terrain of constitutional interpretation. Part II provides an extended discussion of the most prominent of contemporary efforts to provide an external analysis of constitutional law, the idea of regime politics. This includes discussion of major court decisions, including Bush v. Gore and Citizens United"--

MACKINLAY KANTOR Pulitzer Prize-winning author of Andersonville GLORY FOR ME A Novel in Verse By MacKinlay Kantor BASIS FOR THE MOVIE THE BEST YEARS OF OUR LIVES It is seldom in time of war that an author, no matter how emotionally aware of what it all means, can write a book which expresses the feeling that motivates fighting men. Why did it happen this way, why is it ending this way- what are we now that it is done with, now that we are home? Indeed, are we home, or are we in a boarding-house of confusion and wretchedly defeated purposes and understandings? MacKinlay Kantor is one of America's best-known novelists. It might be said that if any author could write that book Kantor would be the one for the job, but it takes more than mere professional writing skill to achieve such a major accomplishment. It takes awareness born of action and danger and keenly felt knowledge. Such knowledge MacKinlay Kantor has found, and in his novel of war and its men, Glory for Me, he has wholly expressed it. Well above the draft age, and physically unacceptable to the armed forces, Kantor intensely felt the need to join his younger fellows in some way; in some way he had to be a part of the danger, the horror, the glory of this war. He found his opportunity as a war correspondent. As such, based in England, he flew in combat with the U. S. Air Forces and the R.A.F. over enemy territory into flak and fire. As such he learned to know the fighting men whose constant companion, friend and fellow-in-war he was for many months. For the equivalent of a leave Kantor came back to the United States, and what filled his mind and his heart and his thoughts had to find expression in a book, which is Glory for Me. Glory for Me is a simple novel-about three service men, honorably discharged for medical causes, who return home to the same town where in peacetime they had not known one another. Now they know one another, and through them we know them and their town and our country and war and peace and man. Glory for Me is a national epic, told in language of the common man, in language of the poet: told as only an American could tell it.

"Jews Across the Americas, a documentary reader with sources from Latin America, the Caribbean, Canada, and the United States, each introduced by an expert in the field, teaches students to analyze historical sources and encourages them to think about who and what has been and is an American Jew"-- Provided by publisher.

"Black Religion in the Madhouse traces the encounter between African Americans and American psychiatry in the decades after the end of slavery and into the twentieth century, showing how white psychiatrists pathologized African American religion and exploring the implications of these theories and practices for Black patients"--

THE MANUAL OF ARMS was the first step in the training of each individual soldier who enlisted either in the Union or Confederate army during the American Civil War, & gives detailed instructions for the new recruit in the use of his rifle or rifle musket. Each major position such as Shoulder Arms is closely described as well as the means of loading the piece in nine times & firing on command. Most importantly, the transitions between each position is also detailed, enabling soldiers standing elbow to elbow to use their weapons efficiently in a fire fight. This new illustrated reprint presents an exhaustive, painstakingly researched combination of the original step-by-step text & detailed drawings. Every illustration is meticulously cross referenced with the manuscript to provide both historical accuracy & ease of use. This is an excellent resource for the military historian or Civil War buff.

" Here, in his own words, is the story of one of the twentieth century's most creative medical innovators, Dr. Henry Heimlich. The thoracic surgeon is best known for having developed the Heimlich Maneuver, the world's easiest-to-learn and most universally known method to save people from choking to death on food or foreign objects. But many don't know about Dr. Heimlich's other life-saving inventions. He is the inventor of the Heimlich Chest Drain Valve, which saved thousands of lives during the Vietnam War, and the Heimlich MicroTrach, which provides a remarkably efficient way for people to take oxygen. In the present decade, Dr. Heimlich has turned his attention to two devastating illnesses for which medicine has not yet found a cure--cancer and HIV. He describes his research and its promise, as well as the controversy and resistance his new ideas have generated from the medical establishment. Interweaving the author's personal life with riveting stories of his numerous medical breakthroughs, this rich memoir provides insights into the workings of a creative mind and the machinations of the American medical system."

Examines the work of leading revisionist educational historians and contends that their arguments and allegations against the American public school system have strayed far from historical reality

It has now been more than forty years since President John F. Kennedy was assassinated on the streets of Dallas on November 22, 1963. No event in the post-war era, not even the terrorist attacks of September 11, 2001, has cast such a long shadow over our national life. The murder of the handsome and vigorous president shocked the nation to its core, and shook the faith of many Americans in their institutions and way of life. The repercussions from that event continue to be felt down to the present day. Looking back, it is now clear that Kennedy's death marked a historical crossroads after which point events began to move in surprising and destructive directions. In Camelot and the Cultural Revolution: How the Assassination of John F. Kennedy Shattered American Liberalism, James Piereson examines this seminal event from an entirely new and provocative point of view. Most books on the assassination take up the question as to who was really responsible for killing the President. Mr. Piereson takes it as established fact that Kennedy was killed by Lee Harvey Oswald. What needs to be explained, he argues, is the bizarre aftermath of the assassination: Why in the years after the assassination did the American Left become preoccupied with conspiratorial thinking? How and why was John F. Kennedy transformed in death into a liberal icon and a martyr for civil rights? In what way was the assassination linked to the collapse of mid-century liberalism, a doctrine which until 1963 was the reigning philosophy of the nation? In answering these questions, Piereson places great weight on the influence of Jacqueline Kennedy in shaping public memory of her husband and the meaning of his death. The Kennedy assassination, he argues, is a case study in public myth-making and the ways in which images and symbols can override fact and substance in political life.

Over the course of a monumental career, Claude Lévi-Strauss has interwoven artistic materials and themes into his seminal analyses of the “savage mind.” Now the world's most famous anthropologist turns his attention entirely to the domain of aesthetics. In a series of brilliant but meticulous studies, he ranges widely across the domains of painting, music, literature and the plastic arts, his fertile mind opening more general, philosophical perspectives. Look, Listen, Read begins with an analysis of Nicolas Poussin's method of visual composition, and after drawing a surprising parallel with Marcel Proust, moves into a fascinating discussion, joined by Ingres and Delacroix among others, on the art of painting. Next the author turns to music, taking his inspiration from an inquiry into certain chord modulations in Rameau's opera Castor et Pollux, which at the time of its composition were considered a musical breakthrough. The book then considers the nature of the “beautiful.” The reference point here remains the French Enlightenment, and in particular Diderot's reflections on painting. Focusing on the aesthetic controversies of this same period, but with regard to music, a fascinating series of chapters revives the work of the largely forgotten eighteenth-century musicologist Michel-Paul-Guy de Chabanon and his surprisingly contemporary discussion of music's partial resemblance to language. This leads to a consideration of the relations of words to music in opera, where Lévi-Strauss reveals something of his own tastes in music while engaging in a critical review of a work by his recently deceased friend and colleague, Michel Leires. The relation between sounds and colors is considered next, largely through a breathtaking examination of a famous but difficult poem by Arthur Rimbaud. There follows an exchange of notes with André Breton, written some fifty years ago, on the nature of the work of art. In the book's concluding chapters the author dons the more familiar mantle of the anthropologist, and by looking at the myths of the American Indians, offering an analysis of their understanding of the place of art and of the artist in their own societies. Look, Listen, Read is a truly original work, far removed from the intellectual fads that mark contemporary discussions on aesthetics, as Lévi-Strauss advances into new territory even as he remains faithful to his structuralist inspiration. The book weaves a dense tissue of connections, correspondences, and principles, while at the same time remaining sensitive to the specificities of each of the beaux-arts. In a valedictory statement capping a lifetime's work, Lévi-Strauss has made a major new contribution to our understanding of the place of art in human life, the nature of its appeal, the source of its creativity, and its universality.

For some 30 years, Adam Hochschild's voice has been one of the most distinctive in American journalism. With grace and wit, he has brought to a startling variety of subjects a combination of adventurous reporting and personal honesty. Hochschild's readers can count on an unobtrusive erudition, a sense of justice, and an irrepressible curiosity about life. Admirers of Hochschild's Half the Way Home: A Memoir of Father and Son will find in these articles the same warm autobiographical voice that made that book so memorable: He revisits his time as a civil rights worker in Mississippi, as a New England prep school student, and as a teenager seeing apartheid firsthand in South Africa. But readers will find much more as well: profiles of an adoptive Gypsy and of a governor general's son turned revolutionary, essays about Ernest Hemingway and John F. Kennedy, a journey to one of the most remote corners of the Amazon rain forest, and a remarkable evocation of two of Hochschild's personal heroes—who, in hillside trenches at the height of the Russian Civil War, faced each other across a battlefield.

Using thousands of hours of previously concealed tapes, a stunning revelation into the infamous Nixon White House and how far the administration went to cover up the abuse of power. Richard Nixon said he wanted his administration to be "the best chronicled in history." But when Alexander Butterfield disclosed the existence of a voice-activated taping system to a Senate committee in July 1973, Nixon's White House and its recordings quickly became the most infamous in American history. But only sixty hours were actually made public in the 1970s. Thousands of hours remained secret and in Nixon's hands, and he fought fiercely to keep them that way right up to his death. Finally, thanks to a lawsuit brought by historian Stanley I. Kutler, the Nixon estate and the National Archives have brought over three thousand hours of tapes to light. The tapes reveal an extensive cover-up beyond what was previously understood. The recordings, ranging from campaign tactics to controversial discussions, redefine the meaning of power abuse within Nixon's administration and his ultimate demise. A spy planted in Ted Kennedy's Secret Service detail, Nixon's continual insistence on paying the burglars, and talks about a substantial campaign fund showcase the true depth of the cover-up efforts. Packed with revelations on almost every page, Abuse of Power offers a spellbinding portrait of raw power and a Shakespearean depiction of a king and his court. Never have the personalities of Haldeman, Ehrlichman, Colson, Haig, Kissinger, Dean, and Mitchell been so vividly captured. And never has an American President offered such a revealing record of his darkest self.

Written by one of American theater's most avid and knowledgeable proponents, "No Legs, No Jokes, No Chance" traces the American musical from its rich and varied beginnings in European opera, American minstrel shows, and vaudeville through its many permutations to its current state--from, as Sheldon Patinkin puts it, La Boheme to Rent . Minstrelsy, burlesque, revue, dance, and choreographers, the "texts" of musical theater so often overlooked by its historians, finally receive due consideration in this thorough and thoroughly entertaining book about how American musical theater came to be and developed into what it is today. Patinkin writes about the infancy of the musical--the revues, operettas, and early musical comedies, as well as the groundbreaking shows like Oklahoma !, and Show Boat that brought the form to its "golden age" during World War II. With insightful references to how history, literature, theater, fashion, popular music, and movies influenced musical theater generally and certain shows in particular, he traces a direct lineage from older forms to contemporary musicals. The result is a broad, clear, and detailed picture of American musicals within both an aesthetic and a historical context. Patinkin conveys the pleasure of the ever-changing forms of musical theater even as he gives readers the analytical tools and terms to understand and better appreciate this uniquely American art. The book features a selection of black and white photographs from historical musical productions, and each chapter includes suggestions for materials to watch and listen to at home or in the classroom.

In the wake of 9/11, America and its people have experienced a sense of vulnerability unprecedented in the nation's recent history. Buffeted by challenges from the wars in Iraq and Afghanistan to the financial crisis, from Washington dysfunction to the rise of China and the dawn of the era of cyber warfare, two very different presidents and their advisors have struggled to cope with a relentless array of new threats. You may think you know the story. But in National Insecurity, David Rothkopf offers an entirely new perspective into the hidden struggles, the surprising triumphs, and the shocking failures of those charged with leading the United States through one of the most difficult periods in its history. Thanks to his extraordinary access, Rothkopf provides fresh insights drawing on more than one hundred exclusive interviews with the key players who shaped this era. At its core, National Insecurity is the gripping story of a superpower in crisis, seeking to adapt to a rapidly changing world, sometimes showing inspiring resilience -- but often undone by the human flaws of those at the top, the mismanagement of its own system, the temptation to concentrate too much power within the hands of too few in the White House itself, and an unwillingness to draw the right lessons from the recent past. Nonetheless, within that story are unmistakable clues to a way forward that can help restore American leadership.

This enthralling book begins in the vast forests of Cyprus, whose wood fuelled the ancient Mediterranean, and extends through the Elizabethan era, in which the Hostmen guild of Newcastle exerted political influence by monopolizing the British coal supply. The central thread of this well-researched book, which draws upon a vast array of archival sources and an extensive list of secondary texts, picks up centuries later with the competition in the American automotive market between electric power and oil-fuelled internal combustion. The definitive blow in favour of oil comes with WWI, which prompted increased demand for gas-powered vehicles at the very moment Thomas Edison and Henry Ford aborted plans to develop an affordable electric car. The decades-long "General Motors conspiracy" solidifies the demise of electrically powered mass transit in American cities. Through it all, the author manages to keep this complex history compelling. By the time the author makes his final, impassioned plea for a bold new solution to the world's energy crisis, he has already made his case with devastating clarity.

Leaders in War present unique first-person perspectives across the spectrum of American combat operations during the 1991 Persian Gulf War. From division commanders to platoon leaders, the authors deliver an insider's view of tough leadership challenges, tragic failures, and triumphant victories. Leaders in War captures the essence of the post-Cold War US Army: how an all-volunteer army, equipped with new weapons systems and adjusting to new battle doctrine, mounted one of history's most successful military campaigns. Described here are the details of the tremendous logistical challenges, innovations in intelligence, ground combat operations from platoon to division, and a wide range of combat support operations. Leaders in War focuses not just on the successes, but on the failures as well, in operations ranging from violent tank battles against the vaunted Iraqi Republican Guard to train-and-fill operations thousands of miles away. Leaders in War illustrates how US Army leaders adapted to the psychological strains of combat, the fog of war, unforeseeable challenges, and the fury of tank warfare during the Persian Gulf War.