Shortlisted for the Orwell Prize and the CWA Gold Dagger for Non-Fiction Award The benefits of living in a digital, globalised society are enormous; so too are the dangers. The world has become a law enforcer's nightmare and every criminal's dream. We bank online, shop online, date, learn, work and live online. But have the institutions that keep us safe on the streets learned to protect us in the burgeoning digital world?Ê Have we become complacent about our personal security Ñ sharing our thoughts, beliefs and the details of our daily lives with anyone who cares to relieve us of them? In this fascinating and compelling book, Misha Glenny, author of the international bestseller McMafia, explores the three fundamental threats facing us in the twenty-first century: cyber crime, cyber warfare and cyber industrial espionage. Governments and the private sector are losing billions of dollars each year, fighting an ever-morphing, often invisible, and highly intelligent new breed of criminal: the hacker. Glenny has travelled and trawled the world. And by exploring the rise and fall of the criminal website, DarkMarket, he has uncovered the most vivid, alarming and illuminating stories.ÊWhether JiLsi or Matrix, Iceman, Master Splynter or Lord Cyric; whether Detective Sergeant Chris Dawson in Bolton or Agent Keith Mularski in Pittsburgh, Glenny has tracked down and interviewed all the players Ñ the criminals, the geeks, the police, the security experts and the victims Ñ and he places everyone and everything in a rich brew of politics, economics and history. The result is simply unputdownable. DarkMarketis authoritative and completely engrossing. It's a must-read for everyone who uses a computer: the essential crime book for our times.

""Vampires. Why do we care? In these pages you will find what is very simply, the most literate, imaginative, and just plain fascinating answer to that question ever written." Whitley StrieberIn a culture that does not do death particularly well, we are obsessed with mortality. Margot Adler writes, "Vampires let us play with death and the issue of mortality. They let us ponder what it would mean to be truly long lived. Would the long view allow us to see the world differently, imagine social structures differently? Would it increase or decrease our reverence for the planet? Vampires allow us to ask questions we usually bury."As Adler, a longtime NPR correspondent and question asker, sat vigil at her dying husband's bedside, she found herself newly drawn to vampire novels and their explorations of mortality. Over the next four years--by now she has read more than 270 vampire novels, from teen to adult, from gothic to modern, from detective to comic--she began to see just how each era creates the vampires it needs. Dracula, an Eastern European monster, was the perfect vehicle for 19th-century England's fear of outsiders and of disease seeping in through its large ports. In 1960s America, Dark Shadows gave us the morally conflicted vampire struggling against his own predatory nature, who still enthralls us today. Think Spike and Angel, Stefan and Damon, Bill and Eric, the Cullens. Vampires Are Us explores the issues of power, politics, morality, identity, and even the fate of the planet that show up in vampire novels today. Perhaps, Adler suggests, our blood is oil, perhaps our prey is the planet. Perhaps vampires are us"--

Strange Devices of the Sun and Moon is set in an imaginative recreation of Elizabethan London, a rich, intense city overflowing with life and action, a city of spies and booksellers, alchemists and playwrights, poets, witches, plague and salvation. A series of strange events links the lives of an ordinary woman, a bookseller in St. Paul's, and the great writer Christopher Marlowe, as the Faerie Queen and her court invade London in search of the Queen's son, the reborn King Arthur. Marlowe must become in effect a detective, and Alice, strangely favored by the fairies, must become a heroine in a struggle against evil forces. The culmination of this extraordinary fantasy, a battle between the opposing dragons of good and evil, is certainly one of the most weird and enchanting events in all contemporary fantasy. Strange Devices of the Sun and Moon is a big, delicious fantasy adventure filled with strange creatures and ordinary people, famous characters, and mysterious historical doings. It is a triumph of entertainment and one of the finest fantasy novels of the decade.

(Nero Wolfe, Sherlock Holmes, Miss Marple, Hercule Poirot, Maigret, Ellery Queen, Philip Marlowe) Whatever did happen to Sherlock Holmes? Was Marlowe no more than a figment of Chandler’s imagination, or was he really his alter ego? Why did Simenon gloss over those details of Maigret’s private life? Readers of the detective story have puzzled for decades over these and other intriguing questions about their heroes—and heroines. Now Julian Symons, himself a master crime writer, suggests some of the answers in the form of amusing and revealing incidents in the lives of the world’s most famous detectives, together with some hitherto undocumented case histories. With him we walk the roads and lanes of St Mary Mead in the company of its vicar, learning many fascinating details of Miss Marple’s past. We quiz Archie Goodwin in his den and gain a clue to the ultimate fate of Nero Wolfe. We disentangle the facts of Poirot’s career from the rumors, and uncover the history of Ellery Queen. While the stealthiest detective buff will find this new information essential reading, the newcomer will simply be delighted by this introduction to the worlds of The Great Detectives. (Publisher’s description) Contents: How a hermit was disturbed in his retirement — About Miss Marple and St Mary Mead — In which Archie Goodwin remembers — Which expounds the Ellery Queens mystery — About Maigret and the stolen papers — The life of Hercule Poirot : based on the notes of Captain Arthur Hastings — About the birth of Philip Marlowe

However modern the master, he must build on the thought of the past; and the most modern of masters can usually be shown to belong to some well-defined tradition. This, Jonathan Miller believes, is particularly true of Marshall McLuhan. Tunnelling through McLuhan's medium into his message, he finds . . . But the reader must be free to follow Miller's intellectual detective story to its appropriate, paradoxical end. 'I can still recall', he concludes, 'the intense excitement with which I first read McLuhan in 1960. Not that I remember a single observation which I now hold to be true, nor indeed a single theory which even begins to hold water. And yet, as a result of reading him . . .' As well as writing about McLuhan, Jonathan Miller has recently directed several plays (including The Merchant of Venice and The Tempest) and a film. He is also well known for his part in the famous review Beyond the Fringe; for his film of Alice in Wonderland; and as a TV director and editor. He has contributed to a wide variety of periodicals including the New Yorker and the New York Review of Books. But all Miller's many activities (he was trained as a doctor and is a member of the Royal Society study group in non-verbal communication) are guided by one - a passion for ideas and their ancestry, as his book clearly shows.

In this debut novel we meet Roy Belkin, a reclusive man, Internet troll, and neurotic ritualist who must begin each day with the task he calls The Service: visiting Christian chatrooms to reply to users innocent questions with mocking answers. At forty-seven and balding, with mild agoraphobia, Belkin is a man without direction. He rarely leaves his apartment (he refers to the outside world as The Pounding), and when he must leave, he meticulously recounts the day in his Thunder Book, a journal where he lists all that repulsed him that day. But everything changes the day Belkin returns to his apartment to find the building ablaze, and learns about the suspected murder of the apartment building's maintenance man. As police question him, Belkin meets the mysterious Pernice Balfour, the alluring, religiously obsessed neighbor accused of the crime. And soon, Belkin has no choice but to come out of his shell (and his apartment) to try to clear her name. But the more that Belkin investigates, the less clear things become. Wandering through San Francisco's seedyTenderloin district, Belkin begins to unravel the truth behind the murder, and along the way, he encounters a bizarre series of characters and situations, including a "pansexual" crime-scene photographer, an idiot detective, and an all-knowing government operative --

The twenty-sixth book in the hugely popular Peter Decker and Rina Lazarus series from New York Times bestselling author Faye Kellerman A disappearance... When Bertram Lanz, a disabled man, goes missing from a local diner, detective Peter Decker is put on the case. He soon realizes there is more to the disappearance than meets the eye when he discovers Lanz's nurse is missing too, and blood is found in her house. A body... Then, while combing the woods, searchers discover the remains of a young man who vanished during a camping trip years ago. A detective facing his toughest case yet... Juggling a hot case and a cold case, Decker races to find justice for the families. But as the answers become ever more elusive, he is forced to question if the woods will ever give up their dark secrets . . . and if these intertwining cases will ever be solved. Praise for Faye Kellerman 'Kellerman is an excellent writer' The Times 'Very exciting' Daily Mail 'Brutal but thoughtful and well plotted, fast moving and well told' Observer 'Sensational' Mirror 'Kellerman creates a claustrophobic atmosphere, against a background of seediness, violence and distrust' Sunday Telegraph

“An elegant page-turner of nineteenth-century detective fiction.” –The Washington Post Book World One rainy morning in 1871 in lower Manhattan, Martin Pemberton a freelance writer, sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried father. While trying to unravel the mystery, Pemberton disappears, sending McIlvaine, his employer, the editor of an evening paper, in pursuit of the truth behind his freelancer’s fate. Layer by layer, McIlvaine reveals a modern metropolis surging with primordial urges and sins, where the Tweed Ring operates the city for its own profit and a conspicuously self-satisfied nouveau-riche ignores the poverty and squalor that surrounds them. In E. L. Doctorow’s skilled hands, The Waterworks becomes, in the words of The New York Times , “a dark moral tale . . . an eloquently troubling evocation of our past.” “Startling and spellbinding . . . The waters that lave the narrative all run to the great confluence, where the deepest issues of life and death are borne along on the swift, sure vessel of [Doctorow’s] poetic imagination.” – The New York Times Book Review “Hypnotic . . . a dazzling romp, an extraordinary read, given strength and grace by the telling, by the poetic voice and controlled cynical lyricism of its streetwise and world-weary narrator.” – The Philadelphia Inquirer “A gem of a novel, intimate as chamber music . . . a thriller guaranteed to leave readers with residual chills and shudders.” – Boston Sunday Herald “Enthralling . . . a story of debauchery and redemption that is spellbinding from first page to last.” – Chicago Sun-Times “An immense, extraordinary achievement.” –San Francisco Chronicle

"London, 189-: The great city is brought to a standstill by a series of blizzards and Sherlock Holmes is bored to distraction. It would take a miracle to bring a case to the detective's door... What arrives is not promising: a landlady who complains her artist tenant is behind on rent. Not exactly the miracle for which Holmes was hoping. But, next thing you know, there are several corpses and Sherlock Holmes and his biographer, John H. Watson, MD, find themselves drawn into one of the most bizarre cases of the great detective's career. And into the cutthroat big business of Art, where chicanery and mendacity (and cut throats) proliferate. What makes a work of art worth killing for? Is it the artist, his mistress, his dealer, or his blackmailer? The cast of characters is large. But are they perpetrators, accomplices, or victims? And just who is Juliet Packwood, with whom Watson has become infatuated? Oh, and there's one other problem: Is this a genuine Holmes case or a clever forgery? Is this the real thing? If you can't tell the difference, what is the difference?"-- Provided by publisher.

Mystery and adventure for four young detectives in Ancient Roman times . . . Flavia is suspicious of the new woman in her father's life, Cartilia Poplica. She's certain that Cartilia has an ulterior motive, but to find out the truth Flavia must perform twelve tasks - like the Greek hero Hercules. So begins a thrilling journey, but what will Flavia learn at the end of her quest?

Montezuma's man is Joe Barbarossa, a drug-dealing half-breed police detective. Now he's been commandeered by Commissioner Isaac Side to help wreak havoc on New York's gangland. Their two-man war on the city's Mafia leads them on a twisted, hallucinogenic trail that will eventually take them to Sicily itself.

An interest in words and keen perception help a young sleuth solve mysteries that have defied his father, a big city detective

Determined to show his agoraphobic brother, Ambrose, the outside world, Adrian Monk drugs him with sleeping pills and hits the road in a motor home only to become enmeshed in a murder investigation along the highway.

Monk investigates three strangers and murder victims--a security guard, a struggling student, and a beautiful woman--who have nothing in common but a couch.

In the midst of a financial crisis, the SFPD fires Adrian Monk as a consultant. Monk figures he can live off his savings for a while. Then Natalie learns that Monk invested his money some time ago with Bob Sebes, the charismatic leader of Reinier Investments, who's just been arrested on charges of orchestrating a massive $100 million fraud. All of Sebes' clients-including Monk-are completely wiped out. When the key witness in the government's case against Sebes is killed, Monk is convinced that Sebes did it, but the man has been under house arrest with a horde of paparazzi in front of his building 24/7. Monk may be broke, but he's got plenty of time on his hands to solve this latest mystery.

Ever since a 1962 unsolved train robbery made it famous, people have flocked to the town of Trouble in California's gold country, searching for the booty that train robbers supposedly dumped off the Golden Rail Express in a botched heist. When the town's museum's watchman is murdered, Adrian Monk and his assistant, Natalie, are sent to investigate. But if Monk isn't careful, he'll learn that the town of Trouble can live up to its name.

At a convention for the cult science fiction show Beyond Earth , Adrian Monk meets fans as obsessive-compulsive as he is. Though he's not preoccupied with the program, Monk can understand the phenomenon. Who wouldn't want to live in an imaginary world? But there may be a killer in the Beyond Earth community: Someone in a starship uniform has gunned down the show's legendary creator. Could a fan be that furious at him for selling out to Hollywood? Or is more going on behind the scenes? Luckily, Monk's agoraphobic brother, Ambrose, is an expert on the TV series, and together they'll search the earth and beyond for the murderer. That is, if Ambrose can bring himself to leave the house. A new story starring Adrian Monk by Edgar(R) Award-nominated screenwriter Lee Goldberg. It's compulsive, page-turning fun. "Even if you aren't familiar with the TV series Monk , this book is too funny to not be read."-- The Weekly Journal

Mystery.

A stylish puzzle mystery from the author who "took the intellectual game that was the formal detective novel to greater heights than any American writer" ( The Weekly Standard ). The windows of French's department store are one of New York's great attractions. Year-round, their displays show off the finest in fashion, art, and home décor, and tourists and locals alike make a point of stopping to see what's on offer. One afternoon, as the board debates a merger upstairs, a salesgirl begins a demonstration in one of the windows, showing off French's new Murphy bed. A crowd gathers to watch the bed lower from the wall after a single touch of a button. But as the bed opens, people run screaming. Out tumbles a woman--crumpled, bloody, and dead. The victim was Mrs. French, wife of the company president, and finding her killer will turn this esteemed store upside down. Only one detective has the soft touch necessary--debonair intellectual Ellery Queen. As Queen and his police inspector father dig into French's secrets, they find their killer is more serious than any window shopper.

Death Valley lives up to its name when a murder draws Ellery Queen into the strange practices of a religious cult. It's 1943, the war is raging, and sleuthing scribe Ellery Queen wants to do his bit. After a tortuous cross-country drive, he takes a job writing scripts for a Hollywood propaganda house--twelve hours a day of hack work that quickly turns his mind to jelly. After a few weeks, he is so worn down that he can type nothing but gibberish, and he decides to drive home. The trouble starts as soon as he reaches the desert. His ancient roadster breaks down on the edge of Death Valley. Wandering in search of help, he is saved by a man known as the Teacher, who takes him to an oasis called Quenan. Here, Queen finds a bizarre, reclusive cult that seems to have come straight out of the ancient past. A murder has been committed in the desert, and the Quenanites plan on delivering some Old Testament justice. Queen is just the detective they've been waiting for.