The People from Heaven , John Sanford's most ambitious and searing novel, completes his Warrensburg Trilogy, digging beneath the bucolic surface of a small-town to expose the hatred at its core. "A sacred book, majestic in its rebukes of those who violate the breath and origin of humanity while professing faith and going through the motions of holiness." Carl Sandburg The people of Warrensburg are divided by the arrival of a nameless Black woman. Her few allies call her America Smith, while the town's most prominent citizens try to drive her out. This clash results in rape and murder. Sanford punctuates this spare plot with poetic episodes from the nation's past, rooting the characters' actions in the violence of the nation's founding. He tells the story with an artistry of language that led the Cambridge Companion to Jewish American Literature to describe him as America's "most outstanding neglected novelist." This new edition of Sanford's literary masterpiece features an introduction by Jack Mearns, author of John Sanford: An Annotated Bibliography. The other books in the trilogy are Make My Bed in Hell and The Old Man's Place. John Sanford (1904-2003) was a screenwriter and author who wrote 24 books. A one-time member of the Communist Party, he and his wife, the ground-breaking screenwriter Marguerite Roberts, refused to testify to the House Un-American Activities Committee, and were blacklisted in Hollywood for nearly a decade. "Only a warm-hearted and perceptive author who believes in the potential worth of humanity could have conceived the powerful conflicts, the trenchant syllables here. The fact that it succeeds in provoking an examination of national conscience as well as of person attitude also suggests its worth." New York Herald Tribune "Sanford's technique is arresting and every page has a savor and quality of its own." The New Republic

Hayim Greenberg was more than just a leader of the American Labor Zionist movement. He was a "Zionist theoretician, socialist thinker, writer on ethical and philosophical problems, and political spokesman" who influenced widely spread circles within the Jewish and non-Jewish world. "He was a paradoxical, ambivalent figure ... many-faceted, sensitive.... He had that rare combination of poetry and lucidity which makes a great essayist and a great teacher." In this collection some of his best essays offer his thoughts on religion and ethics, Jews and Zionism, socialism and communism, and the broader aspects of life in general. Penetrating, lucid, profound, they were written originally in different languages, some in English, which was the last of many languages Hayim Greenberg mastered. The depth and range of these essays makes this collection a significant contribution to the discussion of the Jewish condition as part of the human condition.

Taking its name from Bach's Goldberg Variations, as well as inspiration from its formal structure, this work hybridizes breezy philosophical meditation and fragment-based novel. Most of the diffused story takes place in nineteenth-century England, where a Jewish writer by the name of Goldberg is commissioned by an incessantly thoughtful insomniac to create a story each day to be told that night, hopefully thus assuaging the man's sleeplessness.

Gotz and Meyer, two noncommissioned SS officers, are entrusted with an assignment, "not a big one," but one that "requires efficiency." Their task is to transport five thousand women, children and elderly, one hundred at a time, from a concentration camp near Belgrade in a hermetically sealed truck, in which they are gassed. As Albahari's anonymous narrator, a teacher, obsessively pursues the truth of this systematic annihilation, he shares his findings with his students. Their school bus becomes that truck, and as the memory of Belgrade's lost Jewish souls is evoked, the students are bewildered. Their teacher, worn down as much by the task of making history come alive as by the toll his research has taken on him, is overwhelmed by the horror of his own imaginings. A harrowing, masterfully written story, full of compassion, irony, and lyricism.

It is 1947, and in the British Mandate of Palestine the political pressure is rising. Jewish immigrants are arriving from Europe in their thousands, smuggled ashore past the armed patrols. The Wertman family, like the Jewish community, is divided: Avram is a member of the Irgun, a terrorist group fighting to end occuption; his daughter Hannah works for the Haganah, peacefully campaigning for a Jewish state. David Millar and Will Griffiths are two English sergeants, reluctant conscripts, who transfer to Intelligence. Half-Catholic, half-Jewish, David has mixed feelings about his work, more so when he becomes close to Hannah. Will, meanwhile, is finding trouble at the Jerusalem jazz bar where he plays his saxophone...

A new translation of a forgotten masterpiece of German World War I literature, based on the author's own first-hand experiences of combat The war, an operation instigated by men, still felt to him like a storm decreed by fate, an unleashing of powerful elements, unaccountable and beyond criticism. Arnold Zweig's novel was first published in 1933 and is based on his own experiences in the German army during World War I. Following the unlawful killing of his younger brother by his own superiors, Lieutenant Kroysing swears revenge, using his influence to arrange for his brother's unit, normally safely behind the lines, to be reassigned to the fortress at Douaument, in the very heart of the battle for France. Bertin, a lowly but educated Jewish sapper through whose eyes the story unfolds, is the innocent man caught in the cross-fire. The book not only explores the heart-breaking tragedy of one individual trapped in a nightmare of industrialized warfare but also reveals the iniquities of German society in microcosm, with all its injustice, brutality, anti-Semitism, and incompetence. A brilliant translation captures all the subtleties, cadences, and detachment of Zweig's masterful prose.

A witty and erudite love letter to a bygone age, from one of Europe's last great humanists. "A sparkling slice of eighteenth-century life" Paul Bailey, Independent In August 1785 Paris buzzed with scandal. It involved an eminent churchman, a notorious charlatan, a female fraudster, a part-time prostitute and the hated Queen herself. At its heart was the most expensive diamond necklace ever assembled and the web of fraud, folly and self-delusion it had inspired. In Szerb's last major work, a witty and often surprising account of events, the story is used as a standpoint from which to survey the entire age. Written in war-torn Hungary in the early 1940s,it constitutes a remarkable gesture of defiance against the brutal world in which the writer lived and died. Antal Szerb (1901-1945) was born in Budapest. Though of Jewish descent, he was baptised at an early age and remained a lifelong Catholic. He rapidly established himself as a formidable scholar, through studies of Ibsen and Blake and histories of English, Hungarian and world literature. He was a prolific essayist and reviewer, ranging across all the major European languages. Debarred by successive Jewish laws from working in a university, he was subjected to increasing persecution, and finally murderedin a forced labour camp in 1945. Pushkin Press publishes his novels The Pendragon Legend , Oliver VII and his masterpiece Journey by Moonlight , as well as the historical study The Queen's Necklace and Love in a Bottle and Other Stories .

"The Matrimonial Flirtations of Emma Kaulfield is an often laugh-out-loud comedy of conflicting manners, values, and customs, set against the backdrop of a Russian immigrant family's struggle to assimilate, their newfound love of capitalism, and their insistent push for their children's tangible success. Emma Kaulfield escaped the Soviet Union in the 1980s when she was 10--hers was one of the last Jewish families to be let out. Now a gorgeous young woman, going to grad school at NYU, chaffing at the cultural restraints of her heritage, Emma is engaged to someone just like her--a handsome young Russian Jew--but then a steamy encounter with a stranger in a restaurant bathroom turns into a torrid love affair. She wrestles with what she knows she should do (career vs. art); who she should love (one of her own vs. the exotic temptation), to remain loyal to her family, her people--after all they have suffered--or cut ties and defy those who love her. The Matrimonial Flirtations of Emma Kaulfield builds in power and suspense, easily becoming an all-night binge read, impossible to put down. Fishbeyn's debut novel is sexy, hilarious, heartbreaking, and breathtaking"--back cover.

Rafael, a young Jewish boy living in Spain during the Inquisition, wants to have a Bar Mitzvah and when his father opposes it, Rafael leaves, meets and falls in love with Miriam, and journeys with her toward Safed, Israel, the spiritual home of mystical Jews.

Product Description A vivid account of the maturing of a young Jewish girl in a prairie community of the 1920s that ultimately claims her as her own. Review ... a stunning vivid novel -- The Jewish Post and News About the Author Linda Ghan grew up in southern Saskatchewan and was educated at the Universities of Saskatchewan and Regina. After receiving her MA she pursed a career of teaching and writing in Jamaica. She moved to Montreal where she produced, hosted and wrote for radio and taught creative writing at Concordia University. She served in a number of posts in the literary community and is now in Japon as head of Canadian Studies at Ibaraki University, Mito, Japon.

Claper is a novel of Venezuelan Jewish life originally published in Spanish in 1987. Narrated by a father, a first-generation emigrant from Eastern Europe, and his daughter, a second-generation Jewish Venezuelan, it tells a classic story of the twentieth-century Jewish experience, of Old World struggles for economic survival and New World struggles for acceptance and independence. The novel's appeal lies in the author's success in rendering two diverse voices convincingly, and in so doing representing a range of immigrant and post immigrant experiences.

“Jewish stories,” writes Adam Biro, “resemble every people’s stories.” Yet at the same time there is no better way to understand the soul, history, millennial suffering, or, crucially, the joys of the Jewish people than through such tales—“There’s nothing,” writes Biro, “more revelatory of the Jewish being.” With Is It Good for the Jews? Biro offers a sequel to his acclaimed collection of stories Two Jews on a Train . Through twenty-nine tales—some new, some old, but all finely wrought and rich in humor—Biro spins stories of characters coping with the vicissitudes and reverses of daily life, while simultaneously painting a poignant portrait of a world of unassimilated Jewish life that has largely been lost to the years. From rabbis competing to see who is the most humble, to the father who uses suicide threats to pressure his children into visiting, to three men berated by the Almighty himself for playing poker, Biro populates his stories with memorable characters and absurd—yet familiar—situations, all related with a dry wit and spry prose style redolent of the long tradition of Jewish storytelling. A collection simultaneously of foibles and fables, adversity and affection, Is It Good for the Jews? reminds us that if in the beginning was the word, then we can surely be forgiven for expecting a punch line to follow one of these days.

In a Hotel Garden is a provocative work by the English novelist once described by Sir Frank Kermode as "an admirable and rare example of the writer-critic." It is a captivating novella, written almost entirely in dialogue. In a Hotel Garden unfolds character and meaning with a lovely, meditative tension. The narrator Ben relates to his friends his enthralling encounter with a Jewish woman in the Dolomite Alps. The tale of her compulsive visit to a hotel garden in Siena--where her grandmother fell in love with a man soon to be a victim of the Holocaust--illuminates Ben's half-lived life, and raises the question of how we can ever come to terms with the destruction of the European Jews in our century. The Independent in England (where this novel first appeared) said, "Its [the novel's] enigmas are those of life itself, and Josipovici sets them before us with clarity, tact and compassion."

From 1946 through the 1970s, Rabbi David Hartman, Congregational minister Martin Cooper, and their wives maintain a friendship that withstands small-town prejudices and envies and larger turmoil

A humorous collection of love stories from an award-winning author who has been called "a compassionate and witty satirist" ( Kirkus Reviews ). From Holocaust survivors to Yiddish artists, a petty thief and a Polish shiksa with a passion for Jewish history, what unites the delectable characters in Curt Leviant's witty collection of romantic tales is the universal desire for love and admiration. With settings as various as the Deep South, Boston, New York, Italy, Israel, each story is a wry look at romantic pursuit, each relationship as unique as the lovers themselves. Whether or not love succeeds for Leviant's all-too-human characters, the journey is always filled with humor and heart.

In evoking the joy and pain of the Jewish immigrant experience, Anzia Yezierska has no peer. Her stories, written from the 1920s to the 1960s, immortalized the lives of the Jews of New York's Lower East Side. The Open Cage collects sixteen of her best stories and excerpts from her autobiography to illustrate her extraordinary storytelling gift as well as her personal experience as an immigrant woman. Along with her novel Bread Givers, the work gathered here constitutes her enduring achievement. Included are "The Fat of the Land," Children of Loneliness," America and I," The Lost 'Beautifulness, '" and other stories; vignettes from Red Ribbon on a White Horse: My Story; and four remarkable stories of old age. The introduction by Historian Alice Kessler-Harris and the afterword by Yezierska's daughter and biographer, Louise Levitas Henriksen, place the writings in a rich and valuable context.

Esther, seventeen years old, wild and rebellious, is sent from Israel to Cameroon to stay with her hardheaded uncle Sicourelle, who is charged with straightening her out. But Esther resists her uncle's plans for her future-which include marriage to a cousin-and in the privileged indolence of postcolonial Africa, she looks to the past instead. Using sepia portraits and scraps of letters, Esther pieces together the history of her family, a once-grand Egyptian-Jewish clan, and its displacement from Cairo in the 1950s to Israel, West Africa, and New York. As the worn photographs yield their secrets, Esther uncovers a rich tale of wives and ex-wives; revolving mistresses and crushing marriages; intrigues and disappointments; poignant contrats between the living past and the dead present. In sensuous, inventive prose, Matalon penetrates the mysteries of cultural exile and family life to produce a first novel that is mature, authentic, and deeply moving.

Longing is a psychological novel focusing on a young woman's dependence on her husband and her attempts to forge an independent life for herself by escaping their unhealthy relationship. Rosa, a frail, sensitive American Jew living in Paris, marries an alcoholic expatriate from Chile and finds herself trapped in a sado-masochistic relationship. Amid a series of fast-moving events - the birth of their daughter, moves to her parents' home in New York and then to Sausalito, California, and various sexual encounters - Espinosa explores Antonio's fears and failures and Rosa's implicit trust in him to direct her life. Ultimately, Rosa begins to question her relationship with her husband and her parents.

The Flutter of an Eyelid, originally published in 1933, is a vicious, and often quite funny, satire of Southern California's bohemian community in the 1920s by Jewish-American novelist Myron Brinig (1896-1991). Illustrated by Lynd Ward (1905-1985). Some of the novel's characters are loosely based on prominent residents of the Los Angeles neighborhood of Echo Park, an early center of film-making on the West Coast. These include the rare book dealer Jake Zeitlin (1902-1987), whose shop became a gathering place for local writers and artists, and who introduced Brinig to his circle of friends; and the charismatic evangelist and media celebrity Aimee Semple McPherson (1890-1944). Zeitlin, who was caricatured as a self-loathing Jewish antique dealer in the novel, considered the book an "insulting betrayal" and, after seeing an early set of galleys, threatened to sue. He succeeded in having some of its more offensive anti-Semitic passages removed prior to its publication. Jewish himself, Brinig was no anti-Semite; he and Zeitlin simply did not get along. One source reports that shortly after the book was released, it was pulled from stores because of further legal threats from McPherson and some of the other individuals who were too "thinly disguised" in the novel.