This is a new release of the original 1942 edition.

'Brilliant study of neo-Nazi anti-Semitism ... Gillian Freeman is among the finest contemporary novelists.' - Brigid Brophy, New Statesman 'Undoubtedly the best of her novels ... an exact and finely observed account of the lunatic right-wing fringe in Britain. I recommend this very strongly.' - Oxford Mail 'Gillian Freeman's perception of psychological and sociological drives is combined with an ability to communicate them in suspenseful entertainments.... The implications grip the imagination.' - Kirkus Reviews 'Horrifying reconstruction of how a new Hitler might arise.' - Times Literary Supplement Vincent Wright is a failure. Now in his mid-thirties, he's stuck in a dead-end job as a bank clerk and still lives with his mother. But he knows who is to blame for the shortcomings in his life: blacks, Jews, and immigrants, who are responsible for most of what's wrong with Britain today. After meeting a retired army officer who shares his passion for collecting Nazi paraphernalia, Vincent has a brilliant idea: the nation needs a new leader to rescue it from its decline - why not him? As he travels the country, giving speeches and using his charisma and oratorical gifts to recruit like-minded followers to his new Britain First party, we watch in horror while Vincent begins his terrifying and seemingly inexorable rise to power.... With the recent surge in popularity of far-right political parties across Europe, Gillian Freeman's sixth novel, The Leader (1965), remains as chillingly relevant today as when first published. This edition, the first in more than 40 years, includes a new introduction by Alwyn W. Turner. Freeman's classics The Liberty Man (1955) and The Leather Boys (1961) are also available from Valancourt Books.

"How easy Mr. Kersh makes it all seem! How admirably he sets the scene, the atmosphere . . . very neatly done." - The Observer "Three short, rough novels, hard-hitting, battering the emotions without compunction . . . Kersh tells a story, as such, rather better than anybody else." - Pamela Hansford Johnson, Daily Telegraph Best known for his gritty novels of London life and his weird and often horrific short fiction, in Clock Without Hands (1949) Gerald Kersh delivers three novellas, each very different but all showcasing the virtuosity of his storytelling. Clock Without Hands relates the unexpected and macabre impact of a sordid murder on the mild-mannered neighbour who witnesses the crime. In Flight to the World's End , a desperate boy flees his cruel life at an orphanage, only to discover a harsh truth about the world outside. And in Fairy Gold , a clerk plays a malicious practical joke on his impoverished co-worker, with unpredictable and startling consequences. Gerald Kersh (1911-1968) published more than thirty books, including the noir classic Night and the City (1938) and Fowlers End (1957), which Anthony Burgess called "one of the great comic novels of the century," as well as hundreds of short stories which were once ubiquitous in British and American magazines. But though he has been championed by Angela Carter, Harlan Ellison, Ian Fleming, Michael Moorcock and others, Kersh has undeservedly fallen into neglect since his death. This edition of one of his lesser-known books is the first-ever reprint and includes a new introduction by Thomas Pluck.

This is a new release of the original 1945 edition.

A New York Times Book Review Editors' Choice All the characters in Evgenia Citkowitz's first collection of short fiction are connected by the quest for identity—some are poised at crossroads, while others teeter on the edge of a moral precipice. In "Leavers' Events," a teenage girl awaits exam results and has a sexual encounter with a teacher that she hopes will define her. In "Sunday's Child," a middle-aged actress evicts a homeless woman from her garden, precipitating a crisis of conscience. And in the title novella, "Ether," a blocked writer plagiarizes his own life with devastating consequences. Unexpected and startlingly original, Citkowitz depicts her characters with a mordant humor and tenderness that never diminishes their complexity.

Body Building: Or Man In The Making is a classic book written by Eugen Sandow, a renowned bodybuilder and fitness expert. The book was first published in 1894 and has since become a staple in the world of bodybuilding and fitness. In this book, Sandow shares his knowledge and experience in the field of bodybuilding, providing readers with a comprehensive guide on how to build a strong and healthy physique. He covers a wide range of topics, including exercise routines, diet and nutrition, and the importance of rest and recovery.Sandow also delves into the mental and emotional aspects of bodybuilding, emphasizing the importance of discipline, focus, and determination in achieving one's fitness goals. He provides practical advice on how to overcome obstacles and stay motivated throughout the bodybuilding journey.The book is filled with illustrations and photographs of Sandow himself, demonstrating various exercises and poses. It also includes testimonials from other bodybuilders and fitness enthusiasts who have been inspired by Sandow's teachings.Overall, Body Building: Or Man In The Making is a timeless classic that continues to inspire and educate generations of fitness enthusiasts. It is a must-read for anyone who is serious about building a strong and healthy body.This Is A New Release Of The Original 1897 Edition.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This Is A New Release Of The Original 1910 Edition.

Lyrical and sensual, this is the true story of a love doomed from the start, but saved by two people who simply would not give up on each other.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

As the master of the Indian Spring school emerged from the pine woods into the little clearing before the schoolhouse, he stopped whistling, put his hat less jauntily on his head, threw away some wild flowers he had gathered on his way, and otherwise assumed the severe demeanor of his profession and his mature age which was at least twenty. Not that he usually felt this an assumption; it was a firm conviction of his serious nature that he impressed others, as he did himself, with the blended austerity and ennui of deep and exhausted experience

Devastated by the loss of his wife, Bernhard disconsolately walks the streets of Jerusalem, considering Gandhi, analysis, the beauty of his wife Paula's neck, his Arab neighbors, Kokoschka, the Messiah, and the inner life of his friend Gustav the plumber. As his hero tries to come to terms with his grief and the disasters of WWII, Hoffmann shows the slow remaking of an inner world.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The internationally bestselling author of Follow Your Heart uncovers hope in the midst of tragedy in these three utterly transfixing novellas set in Susanna Tamaro’s native Italy. In “Answer Me,” an orphaned girl with a troubled past desperately searches for a sign that she is loved while cultivating an inner strength that allows her to persevere. In “Hell Does Not Exist,” an abused wife attempts to protect her son, who becomes the source of her greatest joy and her most profound devastation. And in “The Burning Forest,” a widower recounts the unraveling of his marriage and seeks the forgiveness of his estranged daughter. Hauntingly powerful and exquisitely written, Answer Me is a spiritually galvanizing book by a writer of international stature.

Stefan Zweig's The Invisible Collection still manages to strike the reader with its ability to masterfully sketch the contours of collecting obsession. Illustrated by paintings Daumier dedicated to collectors, this second book in the Dédale series is opened by Pedro Corrêa do Lago's preface, which is followed by Guillaume Glorieux's introduction. First published in 1925, Austrian writer Stefan Zweig's short story The Invisible Collection still manages to strike the reader with its ability to masterfully sketch the contours of collecting obsession. Deeply fascinated by the innovations that enriched European thought in the 1920s, first and foremost psychoanalysis, which also echoes among these pages, Zweig constructs a story that, despite being deeply anchored in time and space, is still relevant and full of humanity. In addition to the engravings by Dürer and Rembrandt mentioned in the story, this second book in the Dédale series is illustrated by the paintings that the French painter Honoré Daumier. It is opened by a preface by Brazilian writer Pedro Corrêa do Lago, who shares with Zweig a collecting passion for letters and autograph manuscripts by well-known authors, which is followed by an introduction by Guillaume Glorieux, who focuses on the relationship between collection and wealth, as well as the importance of collecting and the joy of sharing.

Text: English, Yiddish (translation)

One of the heroes of late Soviet literature, Sergei Dovlatov was as admired and beloved in the United States as he was among the Soviet intelligentsia. A regular contributor to The New York Times and The New Yorker , the “delightful” ( The New Yorker ) Dovlatov captured all that was ridiculous and brutal about Soviet life, but always with the lightest touch. The Invisible Book is a marvelously funny novel about the daily compromises and humiliations of life as a Soviet writer. Featuring letters from stubborn editors and foolish officials, The Invisible Book is unflinching in its portrait of a cruel bureaucracy, but, at the same time, never less than hilarious.