Detective Fiona Fitzgerald is an unlikely force for justice in Washington D.C's predominantly male police force. As a Senator's daughter and top investigator in the homicide division of the Metropolitan Police Department, Fiona maneuvers between two vastly different worlds, moving quickly from opulent State galas to gritty crime scenes. Born into the elite social circles of the nation's capital, and armed with intimate knowledge of the true face of the political establishment, Fiona is determined to expose the chicanery concealed within the highest echelons of the American political aristocracy. When a string of inexplicable murders rocks the hallowed streets of central D.C., Fiona finds herself charging through shadows of a mysterious conspiracy. Faced with an investigation with no leads and a rising body count, Fiona's reputation as top investigator of the Homicide Division is called into question. At the brink of professional ruin, an encounter with the eccentric yet charismatic Thaddeus Remington III at his museum-like mansion sends Fiona hurtling headlong through a whirlwind of clues. Where once the desperate detective blundered through traceless footsteps of a triple murderer, the answers to her case now seem to be whispered from bloodstained graves of fallen Presidents. Fiona stands ready, her finger on the trigger, as an assassination plot decades in the making is about to change history forever. American Quartet is the first book in the Fiona Fitzgerald mystery series.

In his Birkbeck Lectures, first published in 1969, Professor Ullmann throws new light on a familiar subject. He shows that the Carolingian renaissance had a wider and deeper meaning than has often been thought, especially in its political and ideological aspects. Displaying his mastery of both primary and secondary sources, Professor Ullmann presents an integrated history. He shows an epoch which holds a key to the better understanding not only of the subsequent medieval centuries, but also of modern Europe. This book opened new vistas in political, ideological and social history as well as in historical theology and jurisprudence and showed how relevant knowledge of the past is for the understanding of the present.

New York Times bestselling author Walter Mosley delivers two speculative tales, in one volume, of everyday people exposed to life-altering truths. The Gift of Fire In ancient mythology, the Titan Prometheus was punished by the gods for bringing man the gift of fire—an event that set humankind on its course of knowledge. As punishment for making man as powerful as gods, Prometheus was bound to a rock; every day his immortal body was devoured by a giant eagle. But in The Gift of Fire , those chains cease to be, and the great champion of man walks from that immortal prison into present-day South Central Los Angeles. On the Head of a Pin Joshua Winterland and Ana Fried are working at Jennings-Tremont Enterprises when they make the most important discovery in the history of this world—or possibly the next. JTE is developing advanced animatronics editing techniques to create high-end movies indistinguishable from live-action. Long dead stars can now share the screen with today's A-list. But one night Joshua and Ana discover something lingering in the rendered footage...an entity that will lead them into a new age beyond the reality they have come to know.

All who are interested in the America of the 1920's will welcome the opportunity to read this collection of contemporary articles on the politics and prominent men of that era. Political philosopher, public servant, author, and editor, Walter Lippmann viewed current problems and long range issues of his time with understanding and without partisanship. These breif and incisive essays provide an excellent introduction for the modern reader to the important political and social issues of this much misunderstood period in our history. The eighteen articles deal with political and some literary figures, such as Al Smith, Calvin Coolidge, William Jennings Bryan, and H. L. Menken; and with such issues as political indifference, minority rights, censorship, and nationalism in Latin America. - from book's back cover

"Full of what you might call conversation starters: tricky propositions about morality... politics, privilege, runaway nationalist fantasies, collective guilt, and art as a force for change (or not)...It's a treat to hear him speak his curious mind."--O Magazine In these beautiful essays, Wallace Shawn takes us on a revelatory journey in which the personal and political become one. Whether writing about the genesis of his plays, such as Aunt Dan and Lemon; discussing how the privileged world of arts and letters takes for granted the work of the "unobtrusives," the people who serve our food and deliver our mail; or describing his upbringing in the sheltered world of Manhattan's cultural elite, Shawn reveals a unique ability to step back from the appearance of things to explore their deeper social meanings. He grasps contradictions, even when unpleasant, and challenges us to look, as he does, at our own behavior in a more honest light. He also finds the pathos in the political and personal challenges of everyday life. With a sharp wit, remarkable attention to detail, and the same acumen as a writer of prose as he is a playwright, Shawn invites us to look at the world with new eyes, the better to understand--and change it. Praise for Wallace Shawn and Essays: "Lovely, hilarious and seriously thought provoking, I enjoyed it tremendously."--Toni Morrison "Wallace Shawn writes in a style that is deceptively simple, profoundly thoughtful, fiercely honest. His vocabulary is pungent, his wit delightful, his ideas provocative."--Howard Zinn, author, A People's History of the United States "Wally Shawn's essays are both powerful and riveting. How rare to encounter someone willing to question the assumptions of class and the disparity of wealth that grows wider every year in this country. To have such a gentle and incisive soul willing to say what others may be afraid to is considerably refreshing."--Michael Moore, film-maker Shawn's language, his unmistakable, original voice, felicitous, is unadorned, elegant, immediate, true. He's also a brilliant interviewer, as everyone who's seen My Dinner With Andre (which is just about everyone) knows. And, of course, he's very funny."--Tony Kushner, playwright, Angels in America "Wallace Shawn is a bracing antidote to the op-ed dreariness of political and artistic journalism in the West. He takes you back to the days when intellectuals had the wit and concentration to formulate great questions - and to make the reader want to answer them."--David Hare, playwright Wallace Shawn Wallace Shawn is an Obie Award-winning playwright and a noted stage and screen actor (Star Trek, Gossip Girl, The Princess Bride, Toy Story). His plays The Designated Mourner and Marie and Bruce have recently been produced as films. He is co-author of the movie My Dinner with Andre and author of the plays The Fever, The Designated Mourner, Aunt Dan and Lemon, and Grasses of a Thousand Colours.

A vibrant, deeply human portrait of a woman dedicated to fierce protest against the tyranny of institutions over individuals, by the celebrated author Emma Goldman is the story of a modern radical who took seriously the idea that inner liberation is the first business of social revolution. Her politics, from beginning to end, was based on resistance to that which thwarted the free development of the inner self. The right to stay alive in one's senses, to enjoy freedom of thought and speech, to reject the arbitrary use of power--these were key demands in the many public protest movements she helped mount. Anarchist par excellence, Goldman is one of the memorable political figures of our time, not because of her gift for theory or analysis or even strategy, but because some extraordinary force of life in her burned, without rest or respite, on behalf of human integrity--and she was able to make the thousands of people who, for decades on end, flocked to her lectures, feel intimately connected to the pain inherent in the abuse of that integrity. To hear Emma describe, in language as magnetic as it was illuminating, what the boot felt like on the neck, was to experience the mythic quality of organized oppression. As the women and men in her audience listened to her, the homeliness of their own small lives became invested with a sense of drama that acted as a catalyst for the wild, vagrant hope that things need not always be as they were. All you had to do, she promised, was resist. In time, she herself would become a world-famous symbol for the spirit of resistance to the power of institutional authority over the lone individual. In Emma Goldman, Vivian Gornick draws a surpassingly intimate and insightful portrait of a woman of heroic proportions whose performance on the stage of history did what Tolstoy said a work of art should do: it made people love life more.

In When Protestants Argue Like Atheists, Catholic apologist Trent Horn looks at twelve areas where anti-Catholic scholars and polemicists mimic the methods they otherwise decry in anti-theists. Citing the work of both classic and contemporary Protestant figures, he shows how, when defending mere Christianity, they quickly object when skeptics shift the burden of proof, or appeal to fake history, or harp on the morality of the messenger instead of the truth of the message. And yet, when trying to take down Catholicism, they seem to have no problem employing these same shady tactics and others. Not only does Trent unveil the hypocrisy and logical weaknesses of such tactics and show you how to refute them--he points out ways that Catholics, too, sometimes imitate the worst arguments of atheists. The result is a much-needed elevation of discourse, for all sides, on these all-important subjects related to Christian truth and our salvation.

Everything you need to know about World War II. Tony Robinson takes you on a headlong gallop through time, pointing out all the most important, funny, strange, amazing, entertaining, smelly and disgusting bits about World War II! It’s history, but not as we know it! Find out everything you need to know I this brilliant, action-packed, fact-filled book, including: - just how useful mashed potato is - how the Battle of Britain was won - what it takes to be a spy - how D-Day was kept a surprise

Tony Robinson takes you on a headlong gallop through time, pointing out all the most important, funny, strange, amazing, entertaining, smelly and disgusting bits about the British! It's history, but not as we know it! Find out everything you ever needed to know in this brilliant, action-packed, fact-filled book including: - How to avoid scurvy - Why bright red isn't the best colour for a soldier's uniform - Why not being able to swim was considered an advantage, and - How to cure the most gruesome tropical diseases

From the pages of Love & Rockets, an intimate epic from south of the border. For the first time ever, Fantagraphics is proud to present a single-volume collection of Gilbert Hernandez's "Heartbreak Soup" stories from Love & Rockets, which along with RAW magazine defined the modern literary comics movement of the post-underground generation. This massive volume collects every "Heartbreak Soup" story from 1993 to 2002 in one 500-page deluxe hardcover edition, presenting the epic for the first time as the single novel it was always intended to be. Palomar is the mythical Central American town where the "Heartbreak Soup" stories take place. The stories weave in and out of the town's entire population, crafting an intricate tapestry of Latin American experience. Hernandez's densely plotted and deeply imagined tales are often compared with magic realist authors like Gabriel Garcia Marquez and Isabel Allende (House of the Spirits). His depictions of women and Mexican-American experience have been universally lauded as the best examples the artform has to offer. Luba, the guiding spirit of Palomar since the outset, has been hailed by The Nation, Rolling Stone, and Time magazine as one of the great characters of contemporary American fiction. Hernandez's work, in addition to the obvious magic realist comparisons, shares an affinity with other Latin American and Spanish writer/artists, like Frida Kahlo, Federico Garcia Lorca and Pablo Picasso, all of whom applied a surrealist eye to what they saw and experienced. Palomar follows the lives of its residents from Luba's arrival in the town to her exit, twenty years later. Included are such classic tales as "Sopa de Gran Pena," "Ecce Homo," "An American in Palomar," "Human Diastrophism," and "Farewell, Mi Palomar." Palomar presents one of the richest accomplishments in the history of the artform in its ideal format for the first time, making it a must-have for longtime Love & Rockets fans and new readers alike. 500 pages b/w illustrations

"A narrative which reads as easily as an historical novel, but is faithful to facts." Daily Telegraph "The story is worked out like a film scenario, with cameras switching from court to street, from street to battlefield in a dramatic series. Mr. Aronson knows how to appeal to our visual imagination." Spectator "One can only greet with pleasure a book on a historically most fertile theme that may be called a popular work of considerable appeal and relevance." History Today "Mr. Aronson's style is clear and effective and not unduly overcoloured; while the portraits he draws of his unlucky protagonists are both sensible and sympathetic." Financial Times "We shall have a lot of 1870 this year but I shall be surprised if anything is written which is much better than this." Books and Bookmen The year 1970 marks the centenary of one of the great turning-points in world history: the outbreak of the Franco-Prussian war and the resulting downfall of the French Second Empire. For centuries, until the debacle of 1870, France had been mistress of Europe and Paris the capital of the civilized world. Then suddenly, in a matter of weeks, culminating in the Prussian victory at Sedan, the centre of European gravity swung from Paris to Berlin; Germany became the dominant country on the Continent and it took two of the greatest wars mankind has ever known to oust her from this position. Under its creator, the romantic, inscrutable Napoleon III (‘a sphinx without a riddle', said Bismarck), and his beautiful Empress, Eugenie, the Empire had known 'eighteen years of luxury, pleasure, recklessness and gaiety, of gallantry and incomparable elegance'. In the spring of 1870 a massive vote of confidence in the so-called Liberal Empire had seemed to assure the future of the regime; yet, by the end of the summer, the French armies had suffered ignominious defeat; the Emperor himself had been taken prisoner at Sedan, and the bewildered young Prince Imperial, robbed of his hopes of military glory, had made his escape to England. Eugenie, who had revelled in her dramatic role as Regent, could hardly bring herself to accept that total disaster had overtaken France. But, after one terrible outburst against the Emperor, she rallied with a courage that survived her escape from Paris, the proclamation of a Republic, the twilight years of exile in England, and the death of the Emperor. The Prince Imperial was never to forget the shame of Sedan; anxious to prove himself worthy of his destiny, he met his death fighting with the British army in the Zulu War when he was twenty-three. The seventeen assegai wounds which killed him were all in the front of his body; and in his wallet was found a vicious French newspaper article raking up yet again the charge of Bonaparte cowardice. The Fall of the Third Napoleon gives both a splendidly clear-cut analysis of the reasons for the collapse of the Empire, and a sympathetic, freshly angled presentation of the two main characters—of Napoleon, hardly the 'coward of Sedan' of his enemies' imaginings, and Eugenie who, though highhanded and impetuous, was far from the war-mongering virago of popular legend. The action takes place against a changing and colourful backdrop: Haussmann's grandiose Paris, the Taderies and Saint Cloud, the sodden roads and bloody battlefields of north-eastern France, a country house in Kent, a lonely hollow in the South African veld.. . `It is all very beautiful—for the moment,' said Alfred de Musset at a ball at the Tuileries during the Second Empire, but I would not give two sous for the last act!' This book is the story of that last act—a gaslit tragedy, both brilliant and sombre.

When it first appeared in 1964, Stuart Hall and Paddy Whannel's The Popular Arts opened up an almost unprecedented field of analysis and inquiry into contemporary popular culture. Counter to the prevailing views of the time, Hall and Whannel recognized popular culture's social importance and considered it worthy of serious study. In their analysis of everything from Westerns and the novels of Mickey Spillane, Ian Fleming, and Raymond Chandler to jazz, advertising, and the television industry, they were guided by the belief that studying popular culture demanded an ethical evaluation of the text and full attention to its properties. In so doing, they raised questions about the relation of culture to society and the politics of taste and judgment in ways that continue to shape cultural studies. Long out of print, this landmark text highlights the development of Hall's theoretical and methodological approach while adding a greater understanding of his work. This edition also includes a new introduction by Richard Dyer, who contextualizes The Popular Arts within the history of cultural studies and outlines its impact and enduring legacy.

This is the third in a series of volumes of essays by Steven Weinberg, the previous two having also been published by HUP (Facing Up in 2001, and Lake Views in 2010). Weinberg, recipient of the Nobel Prize (1979) with Abdus Shalam and Sheldon Glashow for their contributions to the electroweak unification theory, is well known not only for his groundbreaking work in physics, but also for his efforts in popularizing science and the history of science, and for his stances on various matters in politics, public policy, and religion. This volume, like the previous two, runs a wide gamut, from the cosmological to the personal. Specific topics include particle physics, quantum mechanics, astronomy, big science, the history of science, space flight, science funding, the limits of current knowledge, and several other subjects ranging from the art of discovery to being wrong. Nearly all of the work included here, again as with the previous two volumes, has been previously published. The author has added introductions to the volume as a whole and to each essay, putting the material in context and adding further explanation where necessary. He has also added a number of explanatory notes.--

"Forces even the most sophisticated to rethink and rework their ideas of how images work in the world."--School Library Journal.* Traces the history of the swastika, from religious symbol to reviled symbol * More than 175 illustrations * Powerful examination of the impact of one graphic symbol on society. This acclaimed examination of the most powerful symbol ever created is now available in paperback. The rise and fall of the swastika, and its mysteries and misunderstandings, are fully explained and explored. Readers will be captivated by the twists and turns of the symbol’s fortunes, from its pre-Nazi religious and commercial uses, to the Nazi appropriation and misuse of the form, to its contemporary applications as both a racist and an apolitical logo. In a new afterword, author Steven Heller discusses the controversy around ideas to ban the symbol and public reaction to the book since it was first published. This is a classic story, masterfully told, about how one graphic symbol can endure and influence culture for generations. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

Stephanie Cohen is crushed by college boredom. But her life becomes epic when she realizes she's a reincarnated stellar warrior tasked with guarding reality! Can she uncover her secret history and find her cosmic sisters in time to save a world where evil has already won? Starting college at the end of the summer is stressful enough for Stephanie Cohen, since she's giving up her love of classics to please her parents in Pre-Med. But classics crashes into her life when she realizes she's the reincarnation of a stellar warrior tasked with guarding the cosmic door to chaos! Is Stephanie strong enough to follow her heart, accept her secret history, and look starward in time to save humanity... when she realizes chaos has already won?

Stephen Greenblatt argued in these celebrated essays that the art of the Renaissance could only be understood in the context of the society from which it sprang. His approach - 'New Historicism' - drew from history, anthropology, Marxist theory, post-structuralism, and psychoanalysis and in the process, blew apart the academic boundaries insulating literature from the world around it. Learning to Curse charts the evolution of that approach and provides a vivid and compelling exploration of a complex and contradictory epoch.

In this award-winning book, Interpretation of Schizophrenia, Silvano Arieti presents the history of the medical research on schizophrenia, the summary of the ideas of the major scholars who devoted their careers to the illness and finally the conclusions drawn by the author himself.

Hasidism on the Margin explores one of the most provocative and radical traditions of Hasidic thought, the school of Izbica and Radzin that Rabbi Gershon Henokh originated in nineteenth-century Poland. Shaul Magid traces the intellectual history of this strand of Judaism from medieval Jewish philosophy through centuries of Kabbalistic texts to the nineteenth century and into the present. He contextualizes the Hasidism of Izbica-Radzin in the larger philosophy and history of religions and provides a model for inquiry into other forms of Hasidism. --

Porn is more mainstream than ever witness recent bestsellers by Jenna Jameson, Traci Lords, The Vivid Girls, and Pamela Anderson. Continuing this fine tradition is The Big Book of Porn a friendly, funny celebration of adult movies. Chapters include: - Know Your Classics: The 25 most important adult films. - Great Moments in Porn History: From the first stag movie to the invention of the VCR. - The Pantheon of Porn: These mini-bios of mega-stars like Seka and Ron Jeremy are filled with surprising trivia. - It's a Porn World, After All: Adult movies from Canada, Japan, even Afghanistan. - Make Your Own Porno: All you need is a video camera, a willing partner, and these simple pointers ("Tell a story," "Start with a bang," "Parody a real film title"). Best of all, The Big Book of Porn is illustrated with classic posters, stills, and production shots from the smutty '70s to the present day. Provocative, authoritative, and laugh-out-loud funny, The Big Book of Porn is a proud celebration of history's most scandalous art form.

For over sixty years, Selma James has been organizing from the perspective of unwaged women who, with their biological and caring work, reproduce the whole human race--along with whatever other labor they are performing. This work goes on almost unnoticed everywhere on the planet and in every culture. When this work is not economically prioritized, politically protected, or socially supported there are dire consequences for the whole of humanity, beginning with women and children. This collection compiles several decades of James's work with a focus on her more recent writings, including an analysis of C.L.R. James's two masterpieces, The Black Jacobins and Beyond a Boundary, and an account of her formative partnership with him over three decades. Her experience with the Caribbean movement for independence and federation is reflected in her introduction to Ujamaa, the work of Tanzanians to bypass capitalism, and much more. Steeped in the tradition of Marx urging the need for a "practical movement," James recounts the unusual history of how autonomous organizations formed within the International Wages for Housework Campaign and reshaped it. Women of color, queer women, sex workers, women with disabilitie... each independent but mutually accountable (including to the men's network with whom they work) as they confront sexism, racism, deportation, rape, and other violence. James makes the argument that the climate justice movement can draw on all the movements' people have formed to refuse their particular exploitation, to end the capitalist hierarchy that is destroying the world. ---From publisher description.