One Man Alone is the exciting life and a unique political career-from Nixon's modest middle-class beginnings to his incredible comeback in American Presidential history. Written prior to Watergate, one can only wonder if the public had known.

Ralph Miliband is one of the major Marxist sociologists working today. His books, The State in Capitalist Society and Parliamentary Socialism, are standard reference points in all debates on the nature of the state.Less widely known, and never before collected in one volume, are Miliband's contributions to the development of socialist politics. As an essayist, he deploys a wide political culture and clarity of argument with a sustained commitment to socialist values. The topics of the essays gathered here were sparked by the key occasions of socialist debate in the past twenty years. They include socialist democracy; the relation between class power and state power in the transition to socialism; the role of human agency in history, and the character of the Soviet Union. Kolakowski, Bahro, Medvedev and Bettelheim are among the figures whose contributions are soberly and constructively assessed. The lessons of the overthrow of the Allende government in Chile are drawn in a tour de fo

To write about these remarkable cards, Rachel Pollack traveled to Germany and spent weeks living with Hermann Haindl and his wife, Erica. Together, they went over every card, its symbolism, its inner levels, its esoteric history. The result is a book countless admirers of the Haindl Tarot have described as "indispensable" to a full knowledge and use of the deck. In this book Rachel describes each[Bokinfo]

"The Seagram building rises over New York's Park Avenue, seeming to float above the street with perfect lines of bronze and glass. Considered one of the greatest icons of twentieth-century architecture, the building was commissioned by Samuel Bronfman, founder of the Canadian distillery dynasty Seagram. Bronfman's daughter Phyllis Lambert was twenty-seven years old when she took over the search for an architect and chose Mies van der Rohe (18861969), a pioneering modern master of what he termed "skin and bones" architecture. Mies, who designed the elegant, deceptively simple thirty-eight-story tower along with Philip Johnson (19062005), emphasized the beauty of structure and fine materials, and set the building back from the avenue, creating an urban oasis with the building's plaza. Through her choice, Lambert established her role as a leading architectural patron and singlehandedly changed the face of American urban architecture. Building Seagram is a comprehensive personal and scholarly history of a major building and its architectural, cultural, and urban legacies. Lambert makes use of previously unpublished personal archives, company correspondence, and photographs to tell an insider's view of the debates, resolutions, and unknown dramas of the building's construction, as well as its crucial role in the history of modern art and architectural culture."--Publisher description.

"Peter Godwin's mother is dying. Born in England, and having spent most of her adult life as a doctor in Zimbabwe, she now lies on a hospital bed in the partitioned living room of his sister's London home. Peter has spent his life missing his Zimbabwean childhood, a longing that does not diminish as he reflects on his time as a journalist on the frontlines of combat around the world, or life in New York with his English wife and transatlantic children. In his mother's final months, he must come to terms with everything his family was and wasn't: the secrets they kept from one another, the stoicism that sometimes threatened to destroy them, and the beauty of the wildly different places they called home. With generations of history behind him, Godwin lyrically brings us into the spaces which make us question and suffer, shows us how we can heal our own scars, and celebrate the lives we have among family and friends" -- Publisher's description.

Over the past decade, a small group of economists has challenged traditional wisdom about international trade. "Rethinking International Trade provides a coherent account of this research program and traces the key steps in an exciting new trade theory that offers, among other possibilities, new arguments against free trade. Krugman's introduction is a valuable guide to research that has delved anew into the causes of international trade and reopened basic questions about the international pattern of specialization, the effects of protectionism, and what constitutes an optimal trade policy In the four sections that follow, he takes a revisionary look at the causes of international trade, and discusses growth and the role of history, technological change and trade, and strategic trade policy. Essays in part I review and challenge the theories of Ricardo and his successors, rethinking a 160-year tradition of looking at international trade. Models are presented in which trade frequently arises because of opportunities to exploit increasing returns through exports rather than from comparative advantage. In part II, Krugman traces the resulting pattern of trade specialization not only to the influence of comparative advantage but also to more arbitrary factors such as historical events, the rachet effect of cumulative processes, technological changes, and temporary economic shocks. Part III expands on the theme of technological change as a key factor in determining the pattern of specialization in international trade and addresses questions about the effects of innovation, or lack of it, on a country's international trade position. The concluding essays examine the issue of protectionismalong with other elements of trade policy, showing how protectionist policies, used as an export enhancement device by some national governments, may shift world specialization to the advantage of the protectionist nations. Paul R. Krugman is Professor of Economics at MIT.

As a child the distinguished historian Otto Dov Kulka was sent first to the ghetto of Theresienstadt and then to Auschwitz. As one of the few survivors he has spent much of his life studying Nazism and the Holocaust, but always as a discipline requiring the greatest dispassion and objectivity, with his personal story set to one side. He has nevertheless remained haunted by specific memories and images, thoughts he has been unable to shake off. The extraordinary result of this is Landscapes of the Metropolis of Death - a unique and powerful experiment in how one man has tried to understand his past (and our history).

Product Description Murder in Our Midst: The Holocaust, Industrial Killing, and Representation examines the emergence, implementation, and representation of industrial killing, an inherent and crucial component of modernity whose most extreme manifestation was the Holocaust.The mechanized, impersonal, and sustained mass destruction of human beings, organized and legitimized by states, scientists, jurists, and intellectuals, is rooted in the industrial slaughterhouse of the Great War. In Murder in Our Midst, Omer Bartov argues that the Nazi death factories are best understood in the context of modern warfare, beginning with the First World War. He shows how the way we understand ourselves reflects the ambivalent effects of the Holocaust on our perceptions of war and violence, history and memory, progress and barbarism.Analyzing a wide array of historical texts, works of fiction, films, and museums, Bartov leads the reader from ancient myths of heroism to the trenches of the Western Front, from Thomas Mann's romantic vision of war to Primo Levi's stark depictions of genocide, from colonial war museums to the visual art of the Holocaust. These representations of killing share some of the same important features. They attempt to form coherent images from horrific events, to draw didactic lessons from them, and to use them for political ends. About the Author Omer Bartov is Associate Professor of History at Rutgers University.

Internationally honored for brilliant achievements throughout his career, author of Cybernetics, ExProdigy, and the essay God and Golem, Inc., which won the National Book Award in 1964, Norbert Wiener was no ordinary mathematician. With the ability to understand how things worked or might work at a very deep level, he linked his own mathematics to engineering and provided basic ideas for the design of all sorts of inventions, from radar to communications networks to computers to artificial limbs. Wiener had an abiding concern about the ethics guiding applications of theories he and other scientists developed. Years after he died, the manuscript for this book was discovered among his papers. The world of science has changed greatly since Wiener's day, and much of the change has been in the direction he warned against. Now published for the first time, this book can be read as a salutary corrective from the past and a chance to rethink the components of an environment that encourages inventiveness.Wiener provides an engagingly written insider's understanding of the history of discovery and invention, emphasizing the historical circumstances that foster innovations and allow their application. His message is that truly original ideas cannot be produced on an assembly line, and that their consequences are often felt only at distant times and places. The intellectual and technological environment has to be right before the idea can blossom. The best course for society is to encourage the best minds to pursue the most interesting topics, and to reward them for the insights they produce. Wiener's comments on the problem of secrecy and the importance of the "free-lance" scientist are particularly pertinent today. Steve Heims provides a brief history of Wiener's literary output and reviews his contributions to the field of invention and discovery. In addition, Heims suggests significant ways in which Wiener's ideas still apply to dilemmas facing the scientific and engineering communities of the 1990s.

For decades, liberal democracy has been extolled as the best system of governance to have emerged out of the long experience of history. Today, such a confident assertion is far from self-evident. Democracy, in crisis across the West, must prove itself. This highly timely volume is both a conceptual and practical guide of impressive scope to the challenges of good governance as the world continues to undergo profound transformation in the coming decades.

In a hushed, Italian town after the Second World War Elsa lives with her parents in the house where she was born. Twenty-seven and unmarried, she is of constant concern to her mother, whose status anxiety manifests itself in acute hypochondria. Elsa hopes to live a life different to the one she's always known and when she meets Tommasino, it seems possible. Tommasino belongs to the De Francisci family, who owns the cloth factory where Elsa's father works, and whose lives and stories Elsa has known all her life. In the course of their secret meetings, Elsa and Tommasino begin to imagine another future for themselves, free from the constraints of shared history and expectation. But all of this is threatened when their relationship is revealed. In the course of their secret meetings, Elsa begins to imagine a future with Tommasino, free from the constaints of shared history and expectation. But all of this is threatened when their relationship is revealed.

A history of free speech in our country from earliest times to some of the controversial court cases of today involving school demonstrations and the right of Nazis to march.

Leonard Wolf, a retired professor now in his early eighties, is the kind of person who likes to use a medieval astrolabe, dress in Basque shepherd's clothing, and convince otherwise sensible people to quit their jobs and follow their passions. Leonard believes that inside everyone is an artist, and that happiness in life depends on valuing and acting upon one's creative impulse. In The Treehouse, her most personal book yet, Naomi Wolf outlines her father's lessons in creating lasting success and happiness, and offers inspiration for the artist in all of us. Drawn from Leonard's lecture notes, the chapters of The Treehouse remind us to "Be Still and Listen," "Use Your Imagination," and "Do Nothing Without Passion," and that "Your Only Wage Will Be Joy" and "Mistakes Are Part of the Draft." This is a journey of self-discovery in which the creative endeavor is paramount. The Treehouse is a stirring personal history, a meditation on fathers and daughters, an argument for honoring the creative impulse, and a unique instruction in the art of personal happiness.

2016 Reprint of Undated Original Edition [Circa 1965]. Full facsimile of the original edition, not reproduced with Optical Recognition Software. This gives a succinct account of Rothbard's view of the state. Following Franz Oppenheimer and Albert Jay Nock, Rothbard regards the state as a predatory entity. It does not produce anything but rather steals resources from those engaged in production. In applying this view to American history, Rothbard makes use of the work of John C. Calhoun How can an organization of this type sustain itself? It must engage in propaganda to induce popular support for its policies. Court intellectuals play a key role here, and Rothbard cites as an example of ideological mystification the work of the influential legal theorist Charles Black, Jr., on the way the Supreme Court has become a revered institution. A wealth of citations and references supports the basic premise.

"In many ways, " writes Adrienne Rich in her Introduction, "Muriel Rukeyser was beyond her time - and seems, at the edge of the twenty-first century, to have grasped resources we are only now beginning to reach for: the connections between history and the body, memory and politics, sexuality and public space, poetry and physical science, and much else. She spoke as a poet, first and foremost; but she spoke also as a thinking activist, biographer, traveler, explorer of her country's psychic geography." A Muriel Rukeyser Reader gathers a generous selection of poetry and prose spanning the forty-five years of Rukeyser's writing life. Bringing together works only sparsely anthologized or long out of print, this book is a resource for understanding the range, depth, and originality of this pioneering writer whom the poet Anne Sexton named "Muriel, mother of everyone."

Berger, son of the failed poet L.B. Berger, is in the grips of an obsession. The Gursky family with its colourful bootlegging history, its bizarre connections with the North and the Inuit, and its wildly eccentric relations, both fascinates and infuriates him. His quest to unravel their story leads to the enigmatic Ephraim Gursky: document forger in Victorian England, sole survivor of the ill-fated Franklin expedition and charasmatic religious leader of the Arctic. Of Ephraim's three grandsons, Bernard has fought, wheeled and cheated his way to the head of a liquor empire. His brother Morrie has reluctantly followed along. But how does Ephraim's protege, Solomon, fit in? Elusive, mysterious and powerful, Solomon Gursky hovers in the background, always out of Moses' grasp, but present-like an omen.

"In this remarkable, historically significant book, Mordecai Paldiel recounts in vivid detail the many ways in which, at great risk to their own lives, Jews rescued other Jews during the Holocaust. In so doing he puts to rest the widely held belief that all Jews in Nazi-dominated Europe wore blinders and allowed themselves to be led like 'lambs to the slaughter.' Paldiel documents how brave Jewish men and women saved thousands of their fellow Jews through efforts unprecedented in Jewish history. Encyclopedic in scope and organized by country, Saving One's Own tells the stories of hundreds of Jewish activists who created rescue networks, escape routes, safe havens, and partisan fighting groups to save beleaguered Jewish men, women, and children from the Nazis. The rescuers' dramatic stories are often shared in their own words, and Paldiel provides extensive historical background and documentation. The untold story of these Jewish heroes, who displayed inventiveness and courage in outwitting the enemy - and in saving literally thousands of Jews - is finally revealed"--front jacket flap.

In a timely, passionate survey of Balkan history since the early 29th century Glenny provides essential background to recent events in this war-torn area. No other book covers the entire region & offers such profound insights into the roots of Balkan violence, or explains so vividly the origins of modern Serbia, Croatia, Bosnia, Greece, Bulgaria, Romania & Albania. Many readers will welcome the author's insights into the final century of Ottoman rule, a complex & colorful period affecting today's conflicts. If you ever wondered why Lord Byron died in a remote place called Missolonghi, or exactly what a Young Turk is, or why bullett fired by a Serbian nationalist in the provincial backwater Sarajevo started WWI--it's all from the 1st Serbian uprising in 1804 to the latest Serbian shenanigans in Kosovo earlier this year. Glenny's account of each national group in the Balkans & its struggle for statehood is lucid & fair-minded. He brings the culture of different nationalisms to life. The narrative is studded with sharply observed set pieces & portraits of kings, guerillas, bandits, generals & politicians. He interweaves a narrative of key events with the story of international affairs--the relations between states in the Balkans, & between them & the great powers. It's the latter relationship that lies at the heart of this compulsively-readable book. Glenny shows how great-power influence in the region has been catastrophic for the people of the Balkans, & how so-called "ancient hatreds" & "tribal rivalries" have often been intensified by ignorant diplomats in far-away capitals, creating states, allocating populations & redrawing borders with deadly results. It remains to be seen, Glenny argues in a terse epilogue, whether the most recent western intervention will have a more benign outcome.

In a small town among the citrus groves in the Santa Bernita Valley, so the locals claim, nothing ever goes according to plan. "It's a great place to live, they say, if you like surprises: it's just like life, only different." Certainly a number of Rito's inhabitants--fewer than a hundred in all--are surprised to be living here. Red Ray, for instance, a wildly alcoholic lawyer who bought a dilapidated Victorian mansion in an attempt to rehabilitate his marriage and regain the affections of his wife and young son. After destroying those hopes with a spectacular final binge, Red established a drunk farm, Round Rock, on the ruins. There, one day at a time, he follows his new, unexpected calling. Many months after her husband decamped (almost immediately) for Los Angeles, Libby Daw still lives alone in their trailer, and finds herself even more rooted to the valley she dreams of escaping. And there's Lewis Fletcher, a sometime graduate student whose keen intelligence is sorely tested by his erratic behavior and current predicament. Without exactly knowing why, and entirely against his wishes--or by default and sheer good luck--he finds himself placed in Ray's care at Round Rock. As these people seek out or maintain their various niches in the valley, the peculiar history of the place asserts itself. An heiress descended from the original settlers, Billie Fitzgerald still acts as though she owns it all; devoted to her father and son, she obscures her mercurial emotions from even her closest friends. The past also returns with David Ibañez, whose family had harvested the groves for generations--and whose talents and secrets (and thus, he discovers, his future) are inextricably bound to the complex, close-knit town he thought he had left behind. With insight matched with artistry, Michelle Huneven traces the emerging destinies of these characters as each of them struggles for peace and equilibrium, even happiness and love, against hapless, all-too-human frailty and circumstance. A vivid evocation of landscape and community, Round Rock derives great power from psychological subtlety, and from affection for and profound understanding of lives strained or broken but on the mend. Fresh, remarkably mature, and constantly surprising, this astonishing debut wins both your trust and your heart.

A bestseller in Germany, Michael Wieck's account of his childhood in Königsberg recalls a German city obliterated by fire-bombing during the Second World War. As the child of a Jewish mother and Gentile father, Wieck was persecuted first as a "certified Jew" by the Nazis, then as a German by the Russian occupiers, including horrific internment in the Rothenstein concentration camp. His emigration to the West in 1948 marked the end of the 408-year history of the Jewish community in Königsberg. From the earliest delights of a childhood filled with music, family, and the smell of pines and the sea, Wieck retraces his life. He tells of his school days and their sudden end, the shock of Kristallnacht, his Aunt Fanny being sent by train to a destination unknown, the chemical factory where Jewish workers gradually disappeared, the bombs falling on Königsberg. The Russian occupation was anything but the expected delivery from the horrors of the war. In the midst of privation, savagery, and death, there were moments of absurdity, and Wieck powerfully depicts them in this unforgettable memoir.