Emmanuel Levinas is well known to students of twentieth-century continental philosophy, especially French philosophy. But he is largely unknown within the circles of Anglo- American philosophy. In Discovering Levinas, Michael L. Morgan shows how this thinker faces in novel and provocative ways central philosophical problems of twentieth-century philosophy and religious thought. He tackles this task by placing Levinas in conversation with philosophers such as Donald Davidson, Stanley Cavell, John McDowell, Onora O'Neill, Charles Taylor, and Cora Diamond. He also seeks to understand Levinas within philosophical, religious, and political developments in the history of twentieth-century intellectual culture. Morgan demystifies Levinas by examining his unfamiliar and surprising vocabulary, interpreting texts with an eye to clarity, and arguing that Levinas can be understood as a philosopher of the everyday. Morgan also shows that Levinas's ethics is not morally and politically irrelevant nor is it excessively narrow and demanding in unacceptable ways. Neither glib dismissal nor fawning acceptance, this book provides a sympathetic reading that can form a foundation for a responsible critique.

"This book is not a call to the violent overthrow of the government, nor is it a call to take up arms, nor is it a call to political activism in and of itself. It is a call to something far more extreme, a call to live out the gospel with all its radical claims, a call for the people of God to impact this generation with the prophetic message of repentance, a call to spark the most sweeping counterculture movement in our nation's history, a call to take back the moral high ground that has been stolen from under our feet, a call to follow Jesus by life or by death"--Page [4] of cover.

Bestselling author Michael Coren explodes popular myths about the history, beliefs, and culture of Christianity. In Heresy: Ten Lies They Spread About Christianity , Michael Coren, author of the bestselling Why Catholics Are Right , explores why and how Christians and Christian ideas are caricatured in popular media as well as in sophisticated society and addresses ten common lies told about Christianity: that it supported slavery, is racist, sexist, homophobic, anti-intellectual, anti-scientific and anti-Semitic, provokes war, resists progress, and is repressive and irrelevant. Hard-hitting, provocative, and personal, Heresy offers a powerful rebuttal to attacks on the Christian faith.

What did it mean to photographer Michael Ackerman and filmmaker Jem Cohen to ring the bell beside the singular green door of Robert Frank and June Leaf's timeworn home on New York's Bleecker Street? Or for Cohen to traverse dirt roads to their equally weathered house high above the ocean in Nova Scotia? First as newly developing artists and then across decades, it meant taking a chance--would it be an intensely beautiful encounter or a sad dismissal, a life-changing inspiration or a sorely missed moment? Visitors reflects on Cohen and Ackerman's times with Frank and Leaf, the artists who mean most to them in the world, via a scrapbook of their photos and filmstrips, alongside letters, postcards, and drawings by Robert and June. The book is an intimate and revelatory interchange marked by both lightness and weight. Cohen describes "warrens of tumbling rooms and staircases, museums of memories, crossed paths, dust, and souvenirs," the homes of the "living contradictions" Leaf and Frank: June, engrossed in her studio work and less encumbered than her husband by "all the renown and history going around, some of it heartbreaking"; and Robert, "the world's most famous and famously difficult photographer, as well as reclusive, even if that wasn't exactly true." Ackerman and Cohen's images of the two are candid, empathetic, and aesthetically daring: June and Robert thinking, laughing, waiting, working, watching the world go by. Including a Blu-ray film of a yet unreleased documentary film about the couple by Cohen, Visitors is a tribute to two friends and a gift for all of us who never had the chance (or nerve) to ring the bell by that green door.

Meyer Levin was a Chicago-born Jewish author. His best-known book is "Compulsion", which is a novelization of the notorious Loeb and Leopold murder case of 1924. Levin was in a special position to tell the story, because he was personally acquainted with the perpetrators. Levin is also famous for bringing Anne Frank's diary to light. But "The Old Bunch" may be his greatest work. "The Old Bunch" was written in the mid-1930's, and it tells the tales of the kids of a Chicago Jewish ghetto coming of age and stepping out into the world. It's presumably something of a fantasy autobiography, echoing Levin's own adventures -- Levin was born in 1905, and the events in this book take place beginning in the year 1921 (when the "bunch" is graduating from school), and running through to 1934. The book is compelling for its individual stories and for its living window into times past. Because it was written prior to the horrors of WWII, it's a very pure view of the pre-war era. (Anything written later will necessarily be done with hindsight, and will likely de-emphasize "unimportant" details in favor of those that connect to major war events.) But the history is merely a fascinating byproduct of the vivid human stories that fill the pages. "The Old Bunch" is surprisingly unknown today, which is a shame. This really is one of the great novels, in a class with Tolstoy and Steinbeck. It conveys the entirety of the era: The people, the culture, the economics, Chicago politics (very dirty!), with a global perspective as well (some characters travel to Europe and Palestine). It covers the Roaring Twenties, Prohibition, the Great Depression, and the New Deal. To read the book is to live and breathe in these bygone days. Most importantly, Meyer Levin depicts events without agenda or judgment. Characters may be Democrats or Republicans or workers or bosses or religionists or atheists or many other things, but all are portrayed with depth, and none are simple heroes or villains or symbols. These are, in the end, tales about the very personal and individual transitions to adulthood, and the elusive quest for wisdom. It is the same challenge that every generation must face. "The Old Bunch" was critically acclaimed and went through numerous print editions, but it eventually passed into the public domain and was temporarily forgotten. A Wall Street Journal article in 2012 ("Destiny's Children", by Joseph Epstein) sparked a revival of interest, and Rancho Lazarus Publications is proud to present a new edition, accurately rendered and true to the original text, and with the addition of occasional footnotes to clarify details of historical accuracy that the modern reader may not have on tap. With almost 700 pages of text (the original hardback book ran to almost 1000 pages), this is an epic novel. But far from being overlong, it's the sort of reading that leaves you wishing there was more. "Written in good hard-driving colloquial prose, full of sharp characterizations. . . A very fine novel." -- New Republic "A landmark -- vivid and exciting reading. It brilliantly succeeds in taking the reader on a memorable tour of the world in which the old bunch lived." -- The New York Times

This definitive anthology gathers stories, essays, memoirs, excerpts from novels, and poems by more than 130 Jewish writers of the past two centuries who worked in the Russian language. It features writers of the tsarist, Soviet, and post-Soviet periods, both in Russia and in the great emigrations, representing styles and artistic movements from Romantic to Postmodern. The authors include figures who are not widely known today, as well as writers of world renown. Most of the works appear here for the first time in English or in new translations. The editor of the anthology, Maxim D. Shrayer of Boston College, is a leading authority on Jewish-Russian literature. The selections were chosen not simply on the basis of the author's background, but because each work illuminates questions of Jewish history, status, and identity. Each author is profiled in an essay describing the personal, cultural, and historical circumstances in which the writer worked, and individual works or groups of works are headnoted to provide further context. The anthology not only showcases a wide selection of individual works but also offers an encyclopedic history of Jewish-Russian culture. This handsome two-volume set is organized chronologically. The first volume spans the nineteenth century and the first part of the twentieth century, and includes the editor's extensive introduction to the Jewish-Russian literary canon. The second volume covers the period from the death of Stalin to the present, and each volume includes a corresponding survey of Jewish-Russian history by John D. Klier of University College, London, as well as detailed bibliographies of historical and literary sources.

Over the course of more than six decades as an author, journalist, and professor, Max Lerner studied and assessed many presidents, yet Thomas Jefferson received his most sustained attention. To Lerner, Jefferson came closest in the American context to Plato's "philosopher-king," the ideal thinker and leader. Because of his keen sense of Jefferson's virtues and his unique place in United States history, Lerner began work on a book about Jefferson in 1957, rewriting it several times throughout his life, always with the intention of introducing general readers to "a thinker and public figure of enduring pertinence." In this volume, Lerner uses the facts of Jefferson's life and work as the springboard to insightful analysis and informed assessment. In considering Jefferson, Lerner combines biographical information, historical background, and analytical commentary. The result is a biographical-interpretive volume, a primer about Jefferson that not only describes his accomplishments, but discusses his problems and failures. As political figures have declined in esteem in recent decades, the media has probed deeper into previously private lives. Historians, biographers, and others have revealed personal details about deceased prominent figures. Two centuries after he helped create America, Jefferson remains a figure of enduring fascination within academic circles and beyond. Max Lerner helps explain and clarify not only this unending fascination, but the timeless relevance of the nation's devoutly democratic yet singularly authentic "philosopher-king."

A respected scholar of military history and an expert on strategy, Martin van Creveld argues in "The Culture of War" that there is much more to war than just soldiers killing one another. War has always been a deeply fascinating subject. Fighting itself can be a source of great, perhaps even the greatest, joy - and out of this joy and fascination an entire culture has grown - from the war paint of tribal warriors to today's 'tiger suits', from Julius Caesar's red cloak to Douglas McArthur's pipe, from the decorative shields of ancient Greece to aircraft nose art, and from the invention of chess around AD 600 to cyber era combat simulators. The culture of war has had its own traditions, laws, rituals, music, art, literature, and monuments since the beginning of civilisation. Through the ages, the culture of war has usually been highly esteemed. Not so in many countries today, which tend either to mock it ('military intelligence is to intelligence what military music is to music') or to denounce it as 'militaristic'. This provocative book sets out to show how wrongheaded, and even dangerous, such attitudes are. "The Culture of War" argues that men and women today, contrary to the hopes of some, are just as fascinated by war as they have been in the past. A military that has lost touch with the culture of war is doomed not merely to defeat but to disintegration. Innovative, authoritative, and riveting, "The Culture of War" is a major work done by one of the world's greatest and most insightful military historians.

Throughout history, women have been shielded from the heat of battle, their role limited to supporting the men who do the actual fighting. Now all that has changed, and for the first time females have taken their place on the front lines. But, do they actually belong there? A distinguished military historian answers the question with a vehement no, arguing women are less physically capable, more injury-prone, given more lenient conditions, and disastrous for morale and military preparedness. Groundbreaking and controversial.

While America is focused on religious militancy and terrorism in the Middle East, democracy has been under siege from religious extremism in another critical part of the world. As Martha Nussbaum reveals in this penetrating look at India today, the forces of the Hindu right pose a disturbing threat to its democratic traditions and secular state. Since long before the 2002 Gujarat riots--in which nearly two thousand Muslims were killed by Hindu extremists--the power of the Hindu right has been growing, threatening India's hard-won constitutional practices of democracy, tolerance, and religious pluralism. Led politically by the Bharatiya Janata Party, the Hindu right has sought the subordination of other religious groups and has directed particular vitriol against Muslims, who are cast as devils in need of purging. The Hindu right seeks to return to a "pure" India, unsullied by alien polluters of other faiths, yet the BJP's defeat in recent elections demonstrates the power that India's pluralism continues to wield. The future, however, is far from secure, and Hindu extremism and exclusivity remain a troubling obstacle to harmony in South Asia. Nussbaum's long-standing professional relationship with India makes her an excellent guide to its recent history. Ultimately she argues that the greatest threat comes not from a clash between civilizations, as some believe, but from a clash within each of us, as we oscillate between self-protective aggression and the ability to live in the world with others. India's story is a cautionary political tale for all democratic states striving to act responsibly in an increasingly dangerous world.

A KID’S GUIDE TO THE OCEAN "Can you imagine a world without fish? It's not as crazy as it sounds. But if we keep doing things the way we've been doing things, fish could become extinct within fifty years. So let's change the way we do things!" World Without Fish is the uniquely illustrated narrative nonfiction account—for kids—of what is happening to the world’s oceans and what they can do about it. Written by Mark Kurlansky, author of Cod, Salt, The Big Oyster , and many other books, World Without Fish has been praised as “urgent” ( Publishers Weekly ) and “a wonderfully fast-paced and engaging primer on the key questions surrounding fish and the sea” (Paul Greenberg, author of Four Fish ). It has also been included in the New York State Expeditionary Learning English Language Arts Curriculum. Written by a master storyteller, World Without Fish connects all the dots—biology, economics, evolution, politics, climate, history, culture, food, and nutrition—in a way that kids can really understand. It describes how the fish we most commonly eat, including tuna, salmon, cod, swordfish—even anchovies— could disappear within fifty years, and the domino effect it would have: the oceans teeming with jellyfish and turning pinkish orange from algal blooms, the seabirds disappearing, then reptiles, then mammals. It describes the back-and-forth dynamic of fishermen, who are the original environmentalists, and scientists, who not that long ago considered fish an endless resource. It explains why fish farming is not the answer—and why sustainable fishing is, and how to help return the oceans to their natural ecological balance. Interwoven with the book is a twelve-page graphic novel. Each beautifully illustrated chapter opener links to the next to form a larger fictional story that perfectly complements the text.

In this gripping social history of South Africa, award-winning journalist Mark Gevisser follows the family of former South African President Thabo Mbeki to make sense of his legacy and understand the future of the country under new President Jacob Zuma. With unparalleled access to Mbeki and Zuma, as well as other key players in the ANC, Gevisser presents an intimate yet accessible account of South Africa's past, present and future. With his stunning account of the Mbeki family's history as a backdrop, Gevisser fleshes out a monumental period in world history that will continue to shape African politics for years to come.

"A few years ago," Stewart O'Nan, editor of The Vietnam Reader, writes in his introduction, "when I began teaching the American literature of the Vietnam War, I tried to find an anthology my students could use.... But as I searched through libraries and catalogues, new- and used-book shops, I discovered there wasn't one." So O'Nan set out to create one himself. What began as course material has grown into a remarkable collection of writing that will appeal to a broad audience of readers interested in the Vietnam experience. O'Nan includes a little bit of everything--fiction and nonfiction from acclaimed writers such as Tim O'Brien, Louise Erdrich, Michael Herr, and David Halberstam; poetry and drama by Michael Casey and David Rabe; even songs such as Barry Sadler's "The Ballad of the Green Berets" and Credence Clearwater Revival's "Fortunate Son." There are also essays on the major Vietnam films, from The Deer Hunter to Full Metal Jacket, and a smattering of famous photographs from the war. What makes this collection extraordinary is not just the quality of the writing it contains but also the breadth of attitudes O'Nan represents. For instance, he juxtaposes an excerpt from Ron Kovic's antiwar memoir, Born of the Fourth of July with James Webb's gung-ho paean to fighting the good fight in Fields of Fire. Chapters of Tim O'Brien's hallucinatory fiction Going After Cacciato resonate with excerpts from his earlier memoir If I D ie in a Combat Zone as well the journalism of Michael Herr (Dispatches) and Philip Caputo (A Rumor of War). Creating sections such as "Early Work," "The Oral History Boom," "Memoirs," "Homecoming," and more, O'Nan seeks to convey as much of the war experience from as many different perspectives as possible. Anyone interested in history and in fine writing will find The Vietnam Reader worthy reading. --Alix Wilber

"First published in French in 1892 and never before translated fully into English, The King in the Golden Mask gathers 21 of Marcel Schwob's cruelest and most erudite tales. Melding the fantastic with historical fiction, these stories describe moments of unexplained violence both historical and imaginary, often blending the two through Schwob's collaging of primary source documents into fiction. Brimming with murder, suicide, royal leprosy and medieval witchcraft, Schwob's stories portray clergymen furtively attending medieval sabbaths, Protestant galley slaves laboring under the persecution of Louis XIV and dice-tumbling sons of Florentine noblemen wandering Europe at the height of the 1374 plague. These writings are of such hallucinatory detail and linguistic specificity that the reader is left wondering whether they aren't newly unearthed historical documents. To read Schwob is to encounter human history in its most scintillating form as it comes into contact with this unparalleled imagination"--Page 4 of cover.

Marcel Schwob's 1896 novella The Children's Crusade retells the medieval legend of the exodus of some 30,000 children from all countries to the Holy Land, who traveled to the shores of the sea, which--instead of parting to allow them to march on to Jerusalem--instead delivered them to merchants who sold them into slavery in Tunisia or delivered them to a watery death. It is a cruel and sorrowful story mingling history and legend, which Schwob recounts through the voices of eight different protagonists: a goliard, a leper, Pope Innocent III, a cleric, a qalandar and Pope Gregory IX, as well as two of the marching children, whose naive faith eventually turns into growing fear and anguish. Though it is a tale drawn from the early 13th century, Schwob presents it through a modern framework of shifting subjectivity and fragmented coherency, and its subject matter and its succession of different narrative perspectives has been seen as an influence on and precursor to such diverse works as Alfred Jarry's The Other Alcestis, Ryunosuke Akutagawa's "In a Grove," William Faulkner's As I Lay Dying and Jerzy Andrzejewski's The Gates of Paradise. It is a tale told by many yet understood by few, a mosaic surrounding a void, describing a world in which innocence must perish.--Amazon.prime

Marcel Schwob (18671905) was one of the key symbolist writers, standing in French literature alongside such names as Stphane Mallarm, Octave Mirbeau, Andr Gide, Lon Bloy, Jules Renard, Rmy de Gourmont, and Alfred Jarry. His best-known works are Double Heart (1891), The King In The Gold Mask (1892), and Imaginary Lives (1896). Imaginary Lives contains twenty-two mythopoeic literary portraits of figures from ancient history, art history, and the history of crime and punishment. From demi-gods, sorcerers, incendiaries, wantons and philosophers of the ancient world, to the "poet of hate" Cecco Angiolieri and the painter Paolo Uccello, through to the pirates William Kidd and Major Stede-Bonnet, and finally Burke and Hare, the serial killers; Schwob presents a vivid array of characters who display all that is macabre, deviant and magnificently terrifying in human beings and in life. In Imaginary Lives, Schwob has created a "secret" masterpiece that joins other biographical glossaries such as Jorge Luis Borges' A Universal History Of Infamy and Alfonso Reyes' Real And Imagined Portraits in the pantheon of classic speculative fiction, of which Schwob's book is the dark progenitor. Livid with decadent imagery, Imaginary Lives resonates loudly today with its themes of temporality, myth, violence and sexuality, and stands as a major work of the fin-de-si]cle. Solar Nocturnal presents classic literature and art by key forerunners of modernism.

It is commonly asserted that Maimonides' famous Thirteen Principles are the last word in Orthodox Jewish theology. This is a very popular notion, and is often repeated by scholars from all camps in Judaism. Yet such a position ignores the long history of Jewish theology in which Maimonides' Principles have been subject to great dispute. The book begins with a discussion of the significance of the Principles and illustrates how they assumed such a central place in traditional Judaism. Each principle is then considered in turn: the reasons underlying Maimonides' formulations are expounded and the disputes that have arisen concerning them are discussed in detail. Marc B. Shapiro's authoritative analysis makes it quite clear that the notion that Maimonides' Principles are the last word in traditional Jewish theology is a misconception, and that even Maimonides himself was not fully convinced of every aspect of his formulations. Although structured around Maimonides' Principles, this book can also be seen as an encyclopedia of traditional Jewish thought concerning the central issues of Jewish theology. The diversity of opinion in Jewish tradition on such issues as God, Creation, and the Revelation of the Torah is sure to surprise readers.

Manny Farber, one of the most important critics in movie history, championed the American action film-the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel-at a time when other critics dismissed the genre. His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Chantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of film". --Publisher.

Fifteen years in the making, The Encyclopedia of Jewish Prayer is a monumental achievement. Never before has such a comprehensive resource been available to those searching for answers to questions on Jewish prayer. Macy Nulman has provided, in one unique, accessible volume, information on each and every prayer recited in the Ashkenazic and Sephardic traditions, creating an invaluable tool for study or quick reference. Prayer books are essentially cumulative anthologies that evolved over time as new prayers were added. Study of these prayers reveals insights into the history of Judaism, providing a deeper appreciation of the heritage that has sustained the Jewish people throughout the centuries. This volume, through its encyclopedic format, makes such a study easy and enjoyable. Arranged alphabetically by prayer, the encyclopedia entries include extensive liturgical information on the prayers, their composers and development, the laws and customs surrounding them, and their place in the service. All prayers, including not only prayers recited in the synagogue, but also the Grace After Meals and the prayers to be said before going to bed, prayers for special occasions such as weddings and circumcisions, prayers for the funeral ritual and for private devotion, are featured. The entries make extensive use of cross-referencing and bibliographical information to facilitate further study. In addition, the author discusses the many poetic insertions, known as piyyutim, recited on special Sabbaths, Holy Days, and festivals. Concise and easy to consult, The Encyclopedia of Jewish Prayer contains several indexes: two title indexes - one in Hebrew and one in transliteration - as well as an index of biblical verses and a name index. Additionally, a glossary defining technical terms and vocabulary associated with the prayers is provided. This important, one-of-a-kind reference volume is ideal for scholars, students, and others who want to know more about Jewish tradition.

Spur Award-Winning Author Larry D. Sweazy A Josiah Wolfe, Texas Ranger Novel Assigned to track an Indian raiding party, Texas Ranger Josiah Wolfe expects to return home to his son in Austin in a few days. But when the Ranger and his compatriots from the Frontier Battalion are overtaken by two Comanche scouts, they find themselves captives instead of captors. Comanches aren't known for going easy on their prisoners, so Josiah is surprised when they don't immediately shoot him. Turns out there's a price on his head thanks to Liam O'Reilly, a gang leader also known as the Badger. Josiah has a checkered history with the outlaw-he apprehended the gang's previous leader-but he doesn't know why O'Reilly wants him dead. As the Comanches drag him to the town where the Badger is waiting, Josiah knows that time is running out. But Texas Rangers are hard men to kill, and Josiah Wolfe is no exception...