Surfing, unlike many sports, requires no teams, rules, regulations, scores, or stadiums full of spectators. Surfing instead encapsulates personal triumph, in which the individual measures the growth and limits of his or her own capabilities while riding the face of a wave. Initially published in 1963, this first ever guidebook to California surfing remains a classic that embodies the essence of SoCal surfing during the Golden Years. In addition to understanding the anatomy of the coastline, get the skinny on private vs. public beaches, weather and wind conditions, water temperature, swell classifications, sea life, and the history of surfing. Accented with over 100 aerial photos, action shots, and maps, Stern and Cleary's witty guide provides precise descriptions of the entire southern coast and essentially everything you need to know before hitting the waves. Although the surfing scene has changed, Surfing Guide to Southern California remains highly relevant for surfers of today and provides a dose of nostalgia for surfers of yesterday.

Pluralism and the Personality of the State tells the history of English political thought from 1900 to 1933, concentrating on the work of the political pluralists and their attack on the idea of state sovereignty. It explores the background to their work in the ideas of the English philosopher Thomas Hobbes and the German jurist Otto von Gierke. It also looks at what wider relevance their ideas might have today, particularly with regard to the question of the relation between the state and voluntary associations.

Natural law is the idea that our basic moral principles apply to every human being, and are accessible to human reason. Most people have assumed that since Judaism seems to consist of a specific historical revelation and a specific tradition, that an idea such as natural law is foreign to it. This book shows that natural law is part of Judaism, and that it is consistent with its specific revelation and tradition. In this book, not only is the history of an idea shown with great accuracy, but the idea of natural law is presented as a way of conveying some of Judaism's meaning for life today.

Christian cultures across the centuries have invoked Judaism in order to debate, represent, and contain the dangers presented by the sensual nature of art. By engaging Judaism, both real and imagined, they explored and expanded the perils and possibilities for Christian representation of the material world. The thirteen essays in Judaism and Christian Art reveal that Christian art has always defined itself through the figures of Judaism that it produces. From its beginnings, Christianity confronted a host of questions about visual representation. Should Christians make art, or does attention to the beautiful works of human hands constitute a misplaced emphasis on the things of this world or, worse, a form of idolatry ("Thou shalt make no graven image")? And if art is allowed, upon what styles, motifs, and symbols should it draw? Christian artists, theologians, and philosophers answered these questions and many others by thinking about and representing the relationship of Christianity to Judaism. This volume is the first dedicated to the long history, from the catacombs to colonialism but with special emphasis on the Middle Ages and the Renaissance, of the ways in which Christian art deployed cohorts of "Jews"--more figurative than real--in order to conquer, defend, and explore its own territory.

Throughout Europe longstanding ideas of what it means to be a citizen are being challenged. The sense of belonging to a nation has never been more in flux. Simultaneously, nationalistic and racist movements are gaining ground and barriers are being erected against immigration. This volume examines how concepts of citizenship have evolved in different countries and varying contexts. It explores the interconnection between ideas of the nation, modes of citizenship and the treatment of migrants. Adopting a multi-disciplinary and international approach, this collection brings together experts from several fields including political studies, history, law and sociology. By juxtaposing four European countries - Britain, France, Germany and Italy - and setting current trends against a historical background, it highlights important differences and exposes similarities in the urgent questions surrounding citizenship and the treatment of minorities in Europe today.

"A group biography of Pasquale Paoli, George Washington, Toussaint Louverture, Napoleon Bonaparte, and Simon Bolivar with an emphasis on charismatic leadership." ; A group biography of Pasquale Paoli, George Washington, Toussaint Louverture, Napoleon Bonaparte, and Simon Bolivar with an emphasis on charismatic leadership. Bell argues that the history of democracy is inextricable from the history of charisma. He shows how political leadership was reinvented for a revolutionary world eager to do without kings and queens. -- adapted from jacket

""What I wanted after college was a job and my own apartment, but what I needed was a good comeuppance, and that's what I got." " When Dave Itzkoff graduated from Princeton in 1998-the first member of his family to earn a college degree-he expected to be rewarded with a career, and a life, that mattered. Instead, he ended up convinced that he was selling the entire institution of manhood down the river. After a series of personal and professional experiences stripped him of any lingering sense of entitlement, Itzkoff found himself working as an editor at Maxim, the pugnacious frontrunner in a new breed of men's periodicals dubbed "lad magazines." There, he was initiated into a culture of heavily retouched girlie pictorials, dirty jokes, disingenuous sex advice, and shopping guides for expensive electronic gadgetry. And as Maxim continued its inexorable rise to become the most successful men's magazine in modern publishing history, Itzkoff was left wondering what his work-and his life-really meant. Lads is the hilarious, heartbreaking story of Dave Itzkoff's efforts to define himself as a man while working at a magazine that was purveying a vision of young manhood-a state of perpetual adolescence-that was seductive to all but viable for none. Lads takes us deep inside one young man's struggle with identity, responsibility, and sexuality, in an unsparingly candid account of how men really relate to one another, as fathers and sons, as employers and employees, as colleagues and friends. Lads is trenchant. Lads is perceptive. Lads is alarmingly funny. This is an unforgettable debut from a young writer of astounding talent. "From the Hardcover edition."

In this powerful oral history, Daphne Patal evokes the rich and varied lives of Brazilian women. Twenty of them tell their own life stories — women in city and country, in comfort and poverty, and in rebellion and resignation. These stories illuminate ordinary "invisible" women from many different walks of life: domestic servants, secretaries, factory workers, nuns, hairdressers, entrepreneurs, seamstresses, prostitutes, landowners, schoolgirls, homemakers, revolutionaries; single, married, widowed, and divorced; Black and White and in between. Patal conducted these interviews in two contrasting regions—cosmopolitan Rio de Janeiro and the more traditional, largely agrarian Northeast: Translated from the Portuguese in vivid, direct, compelling language, the twenty stones convey the feel of contemporary Brazil as experienced by women whose everyday existence and dreams have until now gone almost entirely unrecorded. Through these life stories, we gain a sense of the opportunities and constraints that structure women's lives in Brazil. Patal provides extensive notes to relate the individual lives to the political and economic changes of Brazil, and to corroborate and contrast the women's particular views with information about legal status, health conditions, education, feminist and Black activism, the practice of liberation theology. Afro-Brazilian cults, and the fluctuations of women's economic position. They are not impersonal facts, however, bur rather real women who speak most forcefully in this book. Their self-portraits, brought to life in strong and often eloquent voices, throw a new and even a glaring light on a country, a time, and above all on a profound transformation in women's consciousness. -- back cover.

"China is nervous because there are now more Falun Going practitioners than there are members of the Chinese Communist Party"—Li Hongzhi, founder of Falun Gong. In one of the most bizarre cases of political repression in modern history, the People's Republic of China has banned a spiritual practice built around traditional exercises and meditation. They say that Falun Gong has become a dangerous threat to the largest nation on Earth. In a return to the dark days of the Cultural Revolution, they have burned thousands of Falun Gong books and literature. They have beaten and detained thousands of practitioners. They have issued an arrest warrant for Falun Gong founder Li Hongzhi. They are sentencing some practioners to long periods of incarceration at show trials. World leaders and human rights groups are speaking out. Why is this happening? Is it because Falun Gong has attracted an estimated l00 million practitioners? What is Falun Gong's appeal? What is it that China fears? This is their story. Largely Unheard. Until Now. This timely non-fiction book presents the inside story of China's crackdown on Falun Gong, taking a stand against the most blatant and pervasive political book burning since the days of Hitler's rise to power. By offering Falun Gong's story in the context of the current crisis in China, it provides an important look at a dramatic underreported and unfolding story. In China, their point of view has been banned. It deserves to be heard worldwide. Veteran journalist Danny Schechter executive produced "China Now" for Channel 13 in 1991. He has written about Chinese issues for Newsday and Z Magazine. He is the author of The More You Watch, The Less You Know (Seven Stories Press) and is the executive producer of Globalvision and executive editor of the Media Channel (www.mediachannel.org). An Excerpt "The picture doesn't add up. What I see here with these people and what they're doing, they seem very normal people. They're from all walks of life; and then on the other side you've got this picture that the Chinese government is painting, and the two just don't match."-Adam Montanaro, Falun Gong practitioner (USA)

Proceeding by means of intensive readings of passages from an early midrash on Exodus, The Mekilta, Boyarin proposes a new theory of midrash that rests in part on an understanding of the heterogeneity of the biblical text and the constraining force of rabbinic ideology on the production of midrash. In a forceful combination of theory and reading, Boyarin raises profound questions concerning the interplay between history, ideology, and interpretation.

This deluxe novel dives into the history and ancient conspiracy behind the world of Tomorrowland with an action-packed original story. It includes a 20-page full color comic insert, bringing to life a comic that plays an integral role in the plot. Written by the film's writers, Brad Bird (The Incredibles), Damon Lindelof (Lost), and Jeff Jensen (Entertainment Weekly), this book is perfect for fans of Tomorrowland and fans of science fiction and alternative history in general.

"In olden days, in a village peopled by animal creatures, lived Wild Cat (another name for Lynx). He was old and mangy, and he was constantly scratching himself with his cane. From time to time, a young girl who lived in the same cabin would grab the cane, also to scratch herself. In vain Wild Cat kept trying to talk her out of it. One day the young lady found herself pregnant; she gave birth to a boy. Coyote, another inhabitant of the village, became indignant. He talked all of the population into going to live elsewhere and abandoning the old Wild Cat, his wife, and their child to their fate . . . " So begins the Nez Percé myth that lies at the heart of The Story of Lynx , Claude Lévi-Strauss's most accessible examination of the rich mythology of American Indians. In this wide-ranging work, the master of structural anthropology considers the many variations in a story that occurs in both North and South America, but especially among the Salish-speaking peoples of the Northwest Coast. He also shows how centuries of contact with Europeans have altered the tales. Lévi-Strauss focuses on the opposition between Wild Cat and Coyote to explore the meaning and uses of gemellarity , or twinness, in Native American culture. The concept of dual organization that these tales exemplify is one of non-equivalence: everything has an opposite or other, with which it coexists in unstable tension. In contrast, Lévi-Strauss argues, European notions of twinness—as in the myth of Castor and Pollux—stress the essential sameness of the twins. This fundamental cultural difference lay behind the fatal clash of European and Native American peoples. The Story of Lynx addresses and clarifies all the major issues that have occupied Lévi-Strauss for decades, and is the only one of his books in which he explicitly connects history and structuralism. The result is a work that will appeal to those interested in American Indian mythology.

'A scrupulously researched account...the most authoritative yet to have appeared.' - Financial Times 'Certainly the best account of the war from the Israeli standpoint that has yet appeared or is likely to appear for some years to come.' - Basil Collier, New York Times Book Review This is the authoritative account of the Israeli Army s performance in the bitter Yom Kippur War of 1973. The origins of the war in the turbulent history of competing powers in the Middle East are fully explored, as are the build-up of Arab forces that almost caught Israel by surprise, and the realisation of the Israeli leadership that they would have to fight against overwhelming odds for the survival of their state. An analysis of the political implications of the conflict brings this epic tale to a close. A gripping narrative, punctuated by first-hand accounts and interviews with combatants, 'The War of Atonement' is full of drama and tales of inspirational bravery. For this edition Chaim Herzog's son, Colonel Michael Herzog, has written an Introduction that places the book in the context of his father s achievements and gives a revealing insight of the man himself. This is the most comprehensive work on a conflict that has had major implications for our own troubled times. AUTHOR: Chaim Herzog served in the British Army in the Second World War and, later, in the Israel Defence Forces. He became Director of Israeli Military Intelligence, Israeli Ambassador to the United Nations and President of Israel. His other books include 'Battles of the Bible' (co-authored with Mordechai Gichon) and his autobiography, 'Living History', published shortly before his death in 1997.

Real American Food draws from Burt Wolf's lifetime of experiences traveling the country producing programming for PBS. Packed with fascinating trivia and history, this book defines the distinctive contributions of key regions to American cuisine.

The Oxford Handbooks series is a major new initiative in academic publishing. Each volume offers an authoritative and up-to-date survey of original research in a particular subject area. Specially commissioned essays from leading figures in the discipline give critical examinations of the progress and direction of debates. Oxford Handbooks provide scholars and graduate students with compelling new perspectives upon a wide range of subjects in the humanities and social sciences. The Oxford Handbook of Continental Philosophy is the definitive guide to the major themes of the continental European tradition in philosophy in the nineteenth and twentieth centuries. Brian Leiter and Michael Rosen have assembled a stellar group of contributors who provide a thematic treatment of continental philosophy, treating its subject matter philosophically and not simply as a series of museum pieces from the history of ideas. The scope of the volume is broad, with discussions covering a wide range of philosophical movements including German Idealism, existentialism, phenomenology, Marxism, postmodernism, and critical theory, as well as thinkers like Hegel, Marx, Nietzsche, Freud, Heidegger, and Foucault. This Handbook will be an essential reference point for graduate students and professional academics working on continental philosophy, as well as those with an interest in European literature, the history of ideas, and cultural studies.

In this book Bo Rothstein seeks to defend the universal welfare state against a number of important criticisms which it has faced in recent years. He combines genuine philosophical analysis of normative issues concerning what the state ought to do with empirical political scientific research in public policy examining what the state can do. Issues discussed include the relationship between welfare state and civil society, the privatization of social services, and changing values within society. His analysis centres around the importance of political institutions as both normative and empirical entities, and Rothstein argues that the choice of such institutions at certain formative moments in a country's history is what determines the political support for different types of social policy. He thus explains the great variation among contemporary welfare states in terms of differing moral and political logics which have been set in motion by the deliberate choices of political institutions. The book is an important contribution to both philosophical and political debates about the future of the welfare state.

Alfred is pleased to present the album-matching folio for Barbra Streisand's CD, Guilty Pleasures. Guilty Pleasures is Barbra Streisand's 2005 collaborative album with producer/songwriter/vocalist Barry Gibb. The release of Guilty Pleasures comes 25 years after the pair's first multi-platinum album, Guilty, which made pop music history as a worldwide chart-topping smash released in 1980. This book provides the lyrics with piano and chord arrangements for all the songs on the record. Titles are: Come Tomrrow * Stranger in a Strange Land * Hideaway * It's Up to You * Night of My Life * Above the Law * Without Your Love * All the Children * Golden Dawn * (Our Love) Don't Throw It All Away * Letting Go.

The second volume is in Koestler's own words âa typical case history of a member of the educated middle classes of Central Europe in our time. We see him in Germany, Russia, England, France and Spain, working for the cause he believed in until his eventual break with Communism in 1938.

Arthur Danto's work has always affirmed a deep relationship between philosophy and art. These essays explore this relationship through a number of concrete cases in which either artists are driven by philosophical agendas or their art is seen as solving philosophical problems in visual terms. The essays cover a varied terrain, with subjects including Giotto's use of olfactory data in The Raising of Lazarus; chairs in art and chairs as art; Mel Bochner's Wittgenstein drawings; the work of Robert Motherwell, Andy Warhol, and Robert Irwin; Louis Kahn as "Archai-Tekt"; and visual truth in film. Also featured are a meditation on the battle of Gettysburg; and a celebration of the Japanese artist Shiko Munakata, an essay that is partly autobiographical. Arthur C. Danto is one of the most original and multitalented philosophers writing today, a thinker whose interests traverse the boundaries of traditional understandings of philosophy. Best known for his contributions to the philosophy of art and aesthetics, Danto is also esteemed for his work in the history of philosophy, the philosophy of history, philosophical psychology, and action theory. These two volumes, each with an introduction by the author, contain essays spanning more than twenty-five years that have been selected to highlight the inseparability of philosophy and art in Danto's work. Together they present the thinking of Arthur C. Danto at his very best. Arthur Danto's work has always affirmed a deep relationship between philosophy and art. These essays explore this relationship through a number of concrete cases in which either artists are driven by philosophical agendas or their art is seen as solving philosophical problems in visual terms. The essays cover a varied terrain, with subjects including Giotto's use of olfactory data in The Raising of Lazarus; chairs in art and chairs as art; Mel Bochner's Wittgenstein drawings; the work of Robert Motherwell, Andy Warhol, and Robert Irwin; Louis Kahn as "Archai-Tekt"; and visual truth in film. Also featured are a meditation on the battle of Gettysburg; and a celebration of the Japanese artist Shiko Munakata, an essay that is partly autobiographical. Arthur C. Danto is one of the most original and multitalented philosophers writing today, a thinker whose interests traverse the boundaries of traditional understandings of philosophy. Best known for his contributions to the philosophy of art and aesthetics, Danto is also esteemed for his work in the history of philosophy, the philosophy of history, philosophical psychology, and action theory. These two volumes, each with an introduction by the author, contain essays spanning more than twenty-five years that have been selected to highlight the inseparability of philosophy and art in Danto's work. Together they present the thinking of Arthur C. Danto at his very best.

This book is full of essays which Arnold Schoenberg wrote on style and idea. He talks about the relationship to the text, new and outmoded music, composition in twelve tones, entertaining through composing, the relationship of heart and mind in music, evaluation of music, and other essays. Arnold Schoenberg (13 September 1874 - 13 July 1951) was an Austrian and later American composer, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. He used the spelling Schönberg until after his move to the United States in 1934 (Steinberg 1995, 463), "in deference to American practice" (Foss 1951, 401), though one writer claims he made the change a year earlier (Ross 2007, 45). Schoenberg was known early in his career for successfully extending the traditionally opposed German Romantic traditions of both Brahms and Wagner, and later and more notably for his pioneering innovations in atonality. During the rise of the Nazi party in Austria, his music was labeled, alongside swing and jazz, as degenerate art. In the 1920s, he developed the twelve-tone technique, a widely influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale. He also coined the term developing variation, and was the first modern composer to embrace ways of developing motifs without resorting to the dominance of a centralized melodic idea. Schoenberg's approach, both in terms of harmony and development, is among the major landmarks of 20th century musical thought; at least three generations of composers in the European and American traditions have consciously extended his thinking and, in some cases, passionately reacted against it. Schoenberg was also a painter, an important music theorist, and an influential teacher of composition; his students included Alban Berg, Anton Webern, Hanns Eisler, and later John Cage, Lou Harrison, Earl Kim, Wayne Barlow, and many other prominent musicians. Many of Schoenberg's practices, including the formalization of compositional method, and his habit of openly inviting audiences to think analytically, are echoed in avant-garde musical thought throughout the 20th century. His often polemical views of music history and aesthetics were crucial to many of the 20th century's significant musicologists and critics, including Theodor Adorno, Charles Rosen, and Carl Dahlhaus. Schoenberg's archival legacy is collected at the Arnold Schönberg Center in Vienna.