In the 1830s Russia was facing a crisis. The army was poorly organized, the administration was underdeveloped, inefficient, and corrupt, and the state was too poor to bear the strain. This crisis was the principal driving force behind Russia's reforms of the 1830s, and Nicholas' policies can only be understood within the context of that crisis. Within this context, Frederick Kagan's text examines Nicholas' fundamental reorganization of the Russian military administration from 1832-1836, bringing about the birth of the modern Russian army.

Neuroscience is one of the scientific fields where progress in the 20th century has been spectacular. With the coming of the new millennium, it is appropriate to look at some of the advances and the neurologists who helped to produce them. The original contributions in this volume reflect the background against which the rapid advances have taken place in the past 100 years.

With keen perception, serious scholarship and wry amusement, Ashleigh Brilliant, not only a famous epigrammatist but also an accomplished historian, recounts the profound social effects of our mass conversion to the automobile age in the 1920's.

The story begins in the aftermath of a nuclear war that has reduced our world to ashes. Luckily, a few found their way to the stars and into immortality. In the year 3000, nostalgic for the past, they return to Earth in an effort to reconstruct the lives of the people who lived there.

It was July 23, 1892, and Alexander Berkman was planning to die. He just had some business to attend to first. Dressed in a new suit and a black derby hat, Berkman burst into the Pittsburg office of Henry Clay Frick, the notoriously anti-union manager of the Carnegie Steel Company. From his pocket, Berkman produced a pistol. This pocket-sized book collects the shorter works of one of the world's most influential anarchists.

Traces the efforts of two women scholars who recovered what has become the most vital cache of Hebrew manuscripts ever discovered, in an account that explains what the findings reveal about Mediterranean Judaism.

It's a Man's World was first released in 2003 to critical acclaim and was featured on the cover of the Los Angeles Times Book Review and in the New York Times. This rich collection, filled with interviews, essays, and color reproductions of testosterone-heavy thirty-five-cent magazines with names like Man's Exploits, Rage, and Escape to Adventure (to name a few), illustrates the culture created to help veterans confront the confusion of jobs, girls, and the Cold War on their return from World War II and the Korean War. The expanded paperback edition includes wartime illustrations and advertisements from mass-produced magazines that preview the xenophobia and racist ideas later seen throughout men's adventure magazines of the '50s and '60s--

"As an industry insider and pioneering post-punk musician, Vivien Goldman's perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes--identity, money, love, and protest--to explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain's first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song "Free Money," for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name pays homage to a Hindu goddess, describes the influence of her Gullah ancestors on her music, while the late Poly Styrene's daughter reflects on why her Somali-Scots-Irish mother wrote the 1978 punk anthem "Identity," with the refrain "Identity is the crisis you can't see." Other strands feature artists from farther afield (including in Colombia and Indonesia) and genre-busting revolutionaries such as Grace Jones, who wasn't exclusively punk but clearly influenced the movement while absorbing its liberating audacity. From punk's Euro origins to its international reach, this is an exhilarating world tour."--Amazon.com.

The social history of the motorcycle as well as its technical development is recounted in this pictorial study

This brief history of Judaism not only seeks to tell the story of Judaism (or of Judaisms) but to define it in such a way as to make it possible for the reader to grasp and make sense of Judaism, all at once, on its own terms. Professor Neusner accomplishes this task by selecting the central Jewish symbol of Torah and describing its role down through the ages. First Torah is defined--the dual Torah, oral and written--and related to Jewish identity. Then follows an account of the formation of the written Torah and the development of the Mishnah after the fall of Jerusalem in 70 CE. This leads into an account of Midrash and the composition of the Talmud. After a discussion of Torah as a symbol, chapters follow on Maimonides, the Zohar, Reform Judaism and Zionism. The book ends by pulling the threads together into a woven portrait of Judaism. Here, in concise and readable form, is the model volume for writing the history of Judaism (or of Judaisms) as well as the history of any particular religion.

What does it mean to be a Jew? In the twenty essays included here, best-selling author Lucy S. Widowhood examines many aspects of modern Jewish life, concentrating on the central experiences of our era- the search for meaning of one's existence as a Jew;bridging the past and the present; reconciling tradition and the Holocaust. While she describes the evolution of American Judaism and surveys its present condition, the author also shows us the continuities between Old world and New World Judaism as she evokes the modern Jew's struggle between faith and secularism

In a thought-provoking, humorous, and engaging style, Dorion Sagan combines philosophy, science, and an understanding of illusion to probe the deep questions of existence. Operating on the precept that the universe is far weirder than we might imagine, Sagan-- son of acclaimed scientists Carl Sagan and Lynn Margulis--uses his knowledge of philosophy, science, sleight-of-hand magic, and the fantastical writings of Philip K. Dick to explore some of the deepest questions we face on Earth. He provides fresh insights as to why we are here, the nature of technology, the prognosis for humanity, the living nature of our planet, and a reasoned explanation to why our universe is probably just one of an infinite number. Sagan also provides answers to twelve pressing questions: Why does life exist? Why do we drink water? Can we save the Earth from global warming? Are human beings central and special? Is it possible that we've arisen by pure chance? Is the Earth an organism? Are we part of its exo-brain? If it is alive, can it reproduce? Can the universe? What does the future hold in store for us? Does God exist? What is the nature of ultimate reality? Notes from the Holocene is a prime example of the writing coming from a new generation of scientific writers. It will inspire readers to think for themselves while leaving them chuckling with tongue-in-cheek anecdotes--a rare combination that Sagan delivers with ease. And yes, as geneticist J.B.S. Haldane says, "the universe is not only stranger than we imagine, but stranger than we can imagine."

A remarkable collection, Robots through the Ages includes stories from some of the best writers of science fiction, both old and new. This anthology, with an introduction by Robert Silverberg, offers a sweeping survey of robots as depicted throughout literature. Since the Iliad--in which we are shown golden statues built by Hephaestus "with minds and wisdoms"--humans have been fascinated by the idea of artificial life. From the Argonautica to the medieval Jewish legend of the Golem and Ambrose Bierce's tale of a chess-playing robot, the idea of what robots are--and who creates them--can be drastically different. This book collects a broad selection of short stories from celebrated authors such as Philip K. Dick, Seanan McGuire, Roger Zelazny, Connie Willis, and many more. Robots through the Ages not only celebrates the history of robots and the genre of science fiction, but the dauntless nature of human ingenuity.

Natalia Ginzburg, arguably the most important woman writer of postwar Italy, always spoke of herself with irrepressible modesty. Yet the woman who claimed she "never managed to climb up mountains" in fact wrote the history of twentieth-century Italy with her sparse and captivating prose, chronicling Fascism, war, and the Nazi occupation as well as the intimacies of family life. Ginzburg's marriage to Leone Ginzburg, who met his death at the hands of the Nazis for his anti-Fascists activities, and her work for the Einaudi publishing house placed her squarely in the center of Italian political and cultural life. But whether writing about the Turin of her childhood, the Abruzzi countryside, where her family was interned during World War II, or contemporary Rome, Ginzburg never shied away from the traumas of history-even if she approached them only indirectly, through the mundane details and catastrophes of personal life. Intensely reserved, Ginzburg said that she "crept toward autobiography stealthily like a wolf." But she did openly discuss her life and her work in an extraordinary series of interviews for Italian radio in 1990. Never before published in English, It's Hard to Talk about Yourself presents a vivid portrait of Ginzburg in her own words on the forces that shaped her remarkable life-politics, publishing, literature, and family. This fluid translation will join Ginzburg's autobiography, Family Sayings , as one of the most important records of her life and, as the editors write in their preface, "the last, unexpected, original book by Natalia Ginzburg."

Isaac D'Israeli's Amenities of Literature was published in 1841, when the author was seventy-five years old. The title was adopted to connect it with two preceding volumes, Curiosities of Literature and Miscellanies of Literature . As the author writes in the preface, this book was intended to form a portion of a much larger work that was never completed. "A history of our vernacular literature has occupied my studies for many years. It was my design, not to furnish an ari

In 1961, Beat writer Seymour Krim set Greenwich Village on its ear with a slim volume of essays that featured an unleashed voice, a brash title, and a foreword by Norman Mailer. James Baldwin called Views of a Nearsighted Cannoneer an "extraordinary volume." Saul Bellow published an excerpt in his journal The Noble Savage, and Mailer saluted Krim’s jazzy prose with its "shifts and shatterings of mood." Despite such praise and critical attention, Krim’s work is excluded from most Beat anthologies and is little known outside literary circles. With Missing a Beat, a collection of eighteen essays by Krim published between 1957 and 1989, Cohen introduces this influential writer to a new generation. In the Village Voice, New York Magazine, New York Times, and elsewhere, Krim pioneered a new style of subjective and personal reporting to write about the postwar American scene from a Jewish angle. Aggressively unacademic, Krim’s journalism displays the "rapid, nervous, breathless tempo" that Irving Howe called a hallmark of Jewish literature. Krim outlived his early literary fame, but he produced an impressive body of work and was a tremendous prose stylist. Missing a Beat resurrects an American original, finding Krim a new literary home among such celebrated writers as Norman Mailer, David Mamet, and Saul Bellow.

A major figure in the world of theater as critic, playwright, scholar, teacher, director, actor, and producer, Robert Brustein offers a unique perspective on the American stage and its artists. In this wise, witty, and wide-ranging collection of recent writings, Brustein examines crucial issues relating to theater in the post-9/11 years, analyzing specific plays, emerging and established performers, and theatrical production throughout the world. Brustein relates our theater to our society in a manner that reminds us why the performing arts matter. Millennial Stages records Brustein's thinking on the important issues "roiling the national soul" at the start of the twenty-first century. His opening section explores the connections between theater and society, theater and politics, and theater and religion, and it is followed by reviews of such landmark productions as The Producers and Spamalot , Long Day's Journey into Night and King Lear . In his final section, Brustein reflects on people and places of importance in the world of theater today, including Marlon Brando and Arthur Miller and Australia and South Africa.

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