"Young Lions: How Jewish Authors Reinvented the American War Novel shows how Jews, traditionally castigated as weak and cowardly, for the first time became the popular literary representatives of what it meant to be a soldier and what it meant to be an American. Revisiting best-selling works ranging from Norman Mailer's The Naked and the Dead to Joseph Heller's Catch-22, and uncovering a range of unknown archival material, Leah Garrett shows how Jewish writers used the theme of World War II to reshape the American public's ideas about war, the Holocaust, and the role of Jews in postwar life. In contrast to most previous war fiction these new Jewish war novels were often ironic, funny, and irreverent and sought to teach the reading public broader lessons about liberalism, masculinity, and pluralism"--Page 4 of cover.

In the past, government and business were as much partners as rivals, resulting in broad-based growth and healthy social development. But advocates of anti-government market fundamentalism are intent on scrapping the instrument of nearly a century of unprecedented economic and social progress. Hacker and Pierson examine why what's good for American business elites and what's good for Americans have become misaligned.

In the sobering aftermath of America's invasion of Iraq, Eugene Jarecki, the creator of the award-winning documentary Why We Fight , launches a penetrating and revelatory inquiry into how forces within the American political, economic, and military systems have come to undermine the carefully crafted structure of our republic -- upsetting its balance of powers, vastly strengthening the hand of the president in taking the nation to war, and imperiling the workings of American democracy. This is a story not of simple corruption but of the unexpected origins of a more subtle and, in many ways, more worrisome disfiguring of our political system and society. While in no way absolving George W. Bush and his inner circle of their accountability for misguiding the country into a disastrous war -- in fact, Jarecki sheds new light on the deepest underpinnings of how and why they did so -- he reveals that the forty-third president's predisposition toward war and Congress's acquiescence to his wishes must be understood as part of a longer story. This corrupting of our system was predicted by some of America's leading military and political minds. In his now legendary 1961 farewell address, President Dwight D. Eisenhower warned of "the disastrous rise of misplaced power" that could result from the increasing influence of what he called the "military industrial complex." Nearly two centuries earlier, another general turned president, George Washington, had warned that "overgrown military establishments" were antithetical to republican liberties. Today, with an exploding defense budget, millions of Americans employed in the defense sector, and more than eight hundred U.S. military bases in 130 countries, the worst fears of Washington and Eisenhower have come to pass. Surveying a scorched landscape of America's military adventures and misadventures, Jarecki's groundbreaking account includes interviews with a who's who of leading figures in the Bush administration, Congress, the military, academia, and the defense industry, including Republican presidential nominee John McCain, Colin Powell's former chief of staff Colonel Lawrence Wilkerson, and longtime Pentagon reformer Franklin "Chuck" Spinney. Their insights expose the deepest roots of American war making, revealing how the "Arsenal of Democracy" that crucially secured American victory in WWII also unleashed the tangled web of corruption America now faces. From the republic's earliest episodes of war to the use of the atom bomb against Japan to the passage of the 1947 National Security Act to the Cold War's creation of an elaborate system of military-industrial-congressional collusion, American democracy has drifted perilously from the intent of its founders. As Jarecki powerfully argues, only concerted action by the American people can, and must, compel the nation back on course. The American Way of War is a deeply thoughtprovoking study of how America reached a historic crossroads and of how recent excesses of militarism and executive power may provide an opening for the redirection of national priorities.

A deep dive into the emergence and success of independent filmmaking in America A Los Angeles Times Bestseller The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences. Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers ( Fargo ), Quentin Tarentino ( Pulp Fiction ), and Billy Bob Thornton ( Sling Blade ), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style. Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience. Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me , Stranger Than Paradise , Blood Simple , Blue Velvet , Desperately Seeking Susan , Slacker , Poison , Reservoir Dogs , Gas Food Lodging , Menace II Society , Clerks , In the Company of Men , Chasing Amy , The Apostle , The Opposite of Sex , and Happiness . Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of "outsiders"-the cinema of the "other America."

A compelling account of how a group of Hasidic Jews established its own local government on American soil Settled in the mid-1970s by a small contingent of Hasidic families, Kiryas Joel is an American town with few parallels in Jewish history—but many precedents among religious communities in the United States. This book tells the story of how this group of pious, Yiddish-speaking Jews has grown to become a thriving insular enclave and a powerful local government in upstate New York. While rejecting the norms of mainstream American society, Kiryas Joel has been stunningly successful in creating a world apart by using the very instruments of secular political and legal power that it disavows. Nomi Stolzenberg and David Myers paint a richly textured portrait of daily life in Kiryas Joel, exploring the community's guiding religious, social, and economic norms. They delve into the roots of Satmar Hasidism and its charismatic founder, Rebbe Joel Teitelbaum, following his journey from nineteenth-century Hungary to post–World War II Brooklyn, where he dreamed of founding an ideal Jewish town modeled on the shtetls of eastern Europe. Stolzenberg and Myers chart the rise of Kiryas Joel as an official municipality with its own elected local government. They show how constant legal and political battles defined and even bolstered the community, whose very success has coincided with the rise of political conservatism and multiculturalism in American society over the past forty years. Timely and accessible, American Shtetl unravels the strands of cultural and legal conflict that gave rise to one of the most vibrant religious communities in America, and reveals a way of life shaped by both self-segregation and unwitting assimilation.

"The host of Travel Channel's most popular show explains how iconic American foods have captured our culinary imaginations. You won't look at a bagel the same way again! In America the Edible, Travel Channel host Adam Richman tackles the ins and outs of American cuisine, demonstrating his own unique brand of culinary anthropology. Believing that regional cuisine reveals far more than just our taste for chicken fried steak or 3-way chili, Richman explores the ethnic, economic, and cultural factors that shape the way we eat and how food, in turn, reflects who we are as a nation. Richman uses his signature wit and casual charm to take youon a tour around the country,explaining such curiosities as why bagels are shaped like circles, why fried chicken is so popular in the South, and how some of the most iconic American food. Hot dogs, fries, and soda are not really American at all. Writing with passion, curiosity, and a desire to share his knowledge, he includes recipes, secret addresses for fun and tasty finds, and tips on how to eat like a local from coast to coast. Part travelogue, part fun fact book, part serious culinary journalism, Richman's America the Edible illuminates the food map in a way nobody has before"--

"One of the most promising young poet-critics in America" ( Los Angeles Times ) examines a revolutionary generation of poets. Robert Lowell, Elizabeth Bishop, Sylvia Plath, John Berryman, Randall Jarrell, and Delmore Schwartz formed one of the great constellations of talent in American literature. In the decades after World War II, they changed American poetry forever by putting themselves at risk in their poems in a new and provocative way. Their daring work helped to inspire the popular style of poetry now known as "confessional." But partly as a result of their openness, they have become better known for their tumultuous lives—afflicted by mental illness, alcoholism, and suicide—than for their work. This book reclaims their achievement by offering critical "biographies of the poetry"—tracing the development of each poet's work, exploring their major themes and techniques, and examining how they transformed life into art. An ideal introduction for readers coming to these major American poets for the first time, it will also help veteran readers to appreciate their work in a new light.

At the height of Hollywood's Golden Age, Tony Curtis starred in Houdini and Spartacus, made comedy history with Jack Lemmon in the unforgettable Some Like It Hot, was friends with Frank Sinatra, Cary Grant and James Dean, and romanced screen sirens such as Marilyn Monroe, Janet Leigh and Natalie Wood. He lived a life he could only dream of growing up in the Bronx. Born Bernard Schwarz to immigrant parents, this is Tony Curtis' story of his hard-knock childhood, his wild days as a Hollywood playboy, his destructive drug addiction and his life now as an artist in his eighties. Sparing no name, no detail and no ego, Tony Curtis talks intimately about the people he has known during his long, illustrious career, his co-stars, the studio owners, his wives, his lovers and his friends. This book will be the true record of his life, told with humour, grace and honesty.

"A lively, enlightening introduction to monetary history…from monetarism's most articulate apostle."—Kirkus Reviews"The Oliver Stone of economics" (Chicago Tribune), Nobel Prize laureate Milton Friedman makes clear once and for all that no one, from the local corner merchant to the Wall Street banker to the president of the United States, is immune from monetary economics. In Money Mischief, Friedman discusses the creation of value: from stones to feathers to gold. He outlines the central role of monetary theory and shows how it can act to ignite or deepen inflation. Through colorful historical episodes, he demonstrates the mischief that can result from a misunderstanding of monetary economics — how, for example, the work of two obscure Scottish chemists destroyed the presidential prospects of William Jennings Bryan and how Franklin D. Roosevelt's decision to appease a few senators from the American West helped communism triumph in China. And he explains, in plain English, what the present monetary system in the United States means for your paycheck and your savings as well as for the global economy.

A wide-ranging synthesis of historical writing on the Jewish Holocaust, covering the contributions of Israeli, American and European scholars on all aspects of the subject. Individual chapters deal with Jewish resistance, the collaboration or otherwise of non-Jewish populations in countries occupied by the Nazis, the progress of the final solution and the role of the Catholic Church.

Bloomingdale's has been the most celebrated store in the world--and its style has been copied throughout the world. As Bloomingdale's chairman for nearly 20 years, Traub played an essential role in this success. Here he tells the story of how the art of selling moved into the modern world--and how Bloomingdale's became a mecca of high style. 16 pages of photos.

After his landslide reelection in 2004, by the largest margin in New York State history, Senator Chuck Schumer gained national recognition during the mid-term elections as the principal architect of the Democrats' successful effort to win back the Senate. Set to appear in paperback, with a timely new chapter, as we approach the next presidential election, Positively American presents Senator Schumer's 10-point plan for capturing the middle class vote and moving his party back into the majority now and in the future. Addressing such vital issues as taxes, education, health, the energy crisis, and national security, Senator Schumer explains how his party can accomplish this without abandoning their traditional principles and concern for the vulnerable in society.

Life Studies was first published in 1959.'In Life Studies the pathos of the local colour of the past - of the lives and deaths of his father and mother and grandfather and uncle, crammed full of their own varied and placid absurdity - is the background that sets off the desperate knife-edged absurdity of the jailed conscientious objector among gangsters and Jehovah's witnesses, the private citizen returning to his baby, older now, from the mental hospital. He sees things as being part of history; if you say about his poor detailedly eccentric, trust-fund 'but they weren't,' he can 'They are now.'' Randall Jarrell

Almost from the moment its inaugural issue appeared in September 1995, The Weekly Standard has been widely considered the nation's preeminent journal of political opinion and cultural commentary -- and the one magazine you've absolutely got to read if you want to keep up with American conservatism. Beyond reporting the events of the times, The Weekly Standard has played a central role in every major political drama of the past decade. In fact, so influential has it proved in Washington -- year in and year out, no matter which party controlled the White House -- that it's become a must-read for anyone who wants to understand American politics and society as a whole. Now, in The Weekly Standard: A Reader, editor William Kristol gathers together some of the very best articles and essays the magazine has published in its first decade. The dramas are here, of course: the "Republican Revolution" in Congress; Monica Lewinsky; the Florida recount of 2000; and, above all, 9/11 and the war on terrorism. And on hand to recount and reflect on them is The Weekly Standard's matchless, all-star stable of writers: Fred Barnes, David Brooks, Tucker Carlson, and P. J. O'Rourke, to name just a few. But there's always been much more to The Weekly Standard than just the week's news. So The Weekly Standard: A Reader is not merely an anthology of unsurpassed opinion journalism. Here readers will find an enormous treasury of timeless writing about dozens of subjects -- art, books, music, movies, you name it -- each handled with the same unique blend of insider savvy, reflective wisdom, and mordant wit that's earned The Weekly Standard an authoritative place in American public life.

"With vivid storytelling and access to insider accounts, Weiner sets out to trace the roots of Russian-American political warfare--conflict waged without weapons--over the last seven decades to understand how a president landed in the White House with the help of an expansive, covert Russian campaign. Russia's modern revival of Soviet-era intelligence operations constitutes one of the most significant threats to democracy in the United States and around the world, and yet the US has not engaged its own political warfare methods in defense, even as our own justice department has concluded unequivocally that Russia influenced the 2016 election. To get to the heart of what's at stake and find potential solutions, Weiner examines long-running twentieth century CIA operations, political machinations by the Soviet KGB around the world, the erosion of American political warfare after the Cold War, and why twenty-first century Russia has returned to the practice while the US has not. Weiner takes us behind closed doors and into the deliberation rooms of past and present Russian and American intelligence operations that directly led to-and help illuminate-the current administration and the future of American democracy"--

A surprising, enlightening series of conversations that shed new light on the music and career of "our greatest living composer" (New York Times) Steve Reich is a living legend in the world of contemporary classical music. As a leader of the minimalist movement in the 1960s, his works have become central to the musical landscape worldwide, influencing generations of younger musicians, choreographers and visual artists. He has explored non-Western music and American vernacular music from jazz to rock, as well as groundbreaking music and video pieces. He toured the world with his own ensemble and his compositions are performed internationally by major orchestras and ensembles. Now Reich sits down with past collaborators, fellow composers and musicians as well as visual artists influenced by his work to reflect on his prolific career as a composer as well as the music that inspired him and that has been inspired by him, including: David Lang Brian Eno Richard Serra Michael Gordon Michael Tilson Thomas Russell Hartenberger Robert Hurwitz Stephen Sondheim Jonny Greenwood David Harrington Elizabeth Lim-Dutton David Robertson Micaela Haslam Anne Teresa de Keersmaeker Julia Wolfe Nico Muhly Beryl Korot Colin Currie Brad Lubman

"The entire recent tradition of American theatrical satire can be summed up in three words: The Second City." --New York Times Many of comedy's biggest stars cut their teeth at The Second City. Learn all of the backstage details--the laughs, loves, struggles, successes, fights and failures that have made Second City such a fertile ground for comedy over the years. And hear Second City's most outrageous and hilarious live performances on two audio CDs narrated by Robert Klein. Hear: --John Belushi try to bluff his way through an oral exam to avoid the draft --Mike Myers as a Canadian border guard who "closes" Canada --Bonnie Hunt singing "Up, Up And Away" as an annoying "on-hold" entertainer --John Candy playing Dan Aykroyd's rebellious, hockey-hating son And read about: --Bill Murray demonstrating the proper way to deal with a heckler --Alan Arkin's pre-Second City days as a troubadour with The Tarriers --Where Gilda Radner first came up with "Emily Litella" --How Second City alum Martin Short "discovered" Mike Myers Since 1959, The Second City has been producing cutting-edge satire and wickedly funny improvisation, while keeping countless individuals of questionable character off the streets for a couple of hours each night. It has also trained thousands of young performers in the art of improv-based theater. The Second City recounts the early years of the comedy troupe's biggest stars, including John Belushi, Bill Murray, Dan Aykroyd, Mike Myers, Gilda Radner, Alan Arkin, Joan Rivers, David Steinberg, Robert Klein, Chris Farley, Martin Short and John Candy, as well as some of today's hottest directors, like Harold Ramis (Analyze This), Mike Nichols (The Birdcage), Betty Thomas (Private Parts) and Bonnie Hunt (Return to Me). Author Sheldon Patinkin, one of Second City's founding fathers, tells the story of Second City like no else can--with rare photos, profiles and backstage stories you were never supposed to hear. The Second City is both funnier and more poignant than you could have imagined. The book includes two full-length audio CDs containing hilarious classic scenes like: --"Football Comes to the University of Chicago" (with Alan Arkin and Severn Darden) --"Brest Litovsk" (with John Belushi and Joe Flaherty) --"Motivational Speaker" (with Chris Farley, Tim Meadows and Bob Odenkirk) Plus new, never-before-heard material that will leave your sides aching.

"An "astounding" (Terrance Hayes) debut collection of poems - Winner of the 2016 National Poetry Series Competition In this ­­­powerful debut collection,sam sax explores and explodes the linkages between desire, addiction, and the history of mental health. These brave, formally dexterous poems examine antiquated diagnoses and procedures from hysteria to lobotomy; offer meditations on risky sex; and take up the poet's personal and family histories as mental health patients and practitioners. Ultimately,Madness attempts to build a queer lineage out of inherited language and cultural artifacts; these poems trouble the static categories of sanity, heterosexuality, masculinity, normality, and health. sax's innovative collection embodies the strange and disjunctive workings of the mind as it grapples to make sense of the world around it"--

Scholar and critic Ruth R. Wisse warns that the failure of liberals to stand up for Jews facing resurgent antisemitism signals the collapse of liberal democratic values. “Ruth R. Wisse is a writer of passion and precision, who has extraordinary polemical powers. All these enviable qualities are beautifully engaged in If I Am Not for Myself, an immensely impressive book on a subject of universal importance.” —Joseph Epstein, author of Never Say You’ve Had a Lucky Life: Especially If You’ve Had a Lucky Life, and recipient of the National Humanities Award “You don’t have to be Jewish to be moved and instructed by this brilliant critique of liberalisms that do not reciprocate the devotions of their adherents. Ruth R. Wisse joins literary grace to analytical rigor in a book that should generate necessary debates for a long time to come.” —Rev. Richard John Neuhaus, founder of the Institute for Religion and Public Life and First Things: A Monthly Journal of Religion and Public Life “The Jews have enemies, as this book urges us to recognize in its passionately felt and powerfully reasoned argument. Ruth R. Wisse mounts a resolve defense of basic Jewish rights and offers a determined challenge to all who would deny them. Her analysis of the psychological and political sources of anti-Jewish hostility is as formidable as it is provocative and deserves the most serious reflection.” —Alvin H. Rosenfeld, professor, and Director of the Center for the Study of Contemporary Antisemitism, Indiana University “Wisse’s book is a timely and appropriate response to the ‘Woody Allen syndrome,’ typical of American Jews who charge Israel with betraying their own liberal legacy through its supposed suppression of Palestinian rights. What she charges in return is nothing less than the betrayal of the Jewish heritage itself by well-meaning, assimilated American Jews. Whether or not one agrees with all of her assertions, her book is mandatory reading for those who reject the platitudes of both Left and Right—which coincide in blaming Jews for the aggressions waged against them.” —Ronald Radosh, professor, and coauthor of The Rosenburg File: A Search for the Truth “This is a wonderful book, passionate, wise, and original. Wisse shows how liberalism has led the Jews into the worst betrayal of all—self-betrayal.” —Rael Jean Isaac, coauthor of The Coercive Utopians and Madness in the Streets