Winner of the 2007 B.C. Award for Canadian Non-fiction A Globe and Mail Best 100 Book (2006) National Post Best Books (2006) A bold cultural portrait of contemporary Canada through the work of its most celebrated novelists, short story writers, and storytellers. Stories are the surest way to know a place, and at a time when the fabric of the country seems daily more uncertain, Noah Richler looks to our authors for evidence of the true nature of Canada. He argues why fiction matters and seeks to discover — in the extra-ordinary diversity of communities these writers represent — what stories, if any, bind us as a nation. Over two years, Richler has criss-crossed the country and interviewed close to one hundred authors — a who’s who of Canadian literature, including Wayne Johnston, Michael Crummey, Alistair MacLeod, Gil Courtemanche, Jane Urquhart, Joseph Boyden, Miriam Toews, Yann Martel, Fred Stenson, Douglas Coupland, and Rohinton Mistry — about the places and ideas that are most meaningful to their work. The result is a journey through the reality of Canada and its imagination at a critical point in the country’s evolution. Within thematic chapters he exposes our “Myths of Disappointment” and considers the stories of our native peoples, the rise of the city, and how our history as a colony shapes our society and politics even today. This Is My Country, What's Yours? is an impassioned literary travelogue and a vivid portrayal of our society, the work of Canadian authors, and the idea of writing itself. This Is My Country, What's Yours? is based on Noah Richler’s ten-part documentary of the same name originally broadcast on CBC Radio’s flagship Ideas program in spring 2005.

This unique book is the first of its kind to explore the diversity of interactions between insects and birds. A group of international experts enthusiastically agreed to contribute to the four sections of the book following the success of an Entomological Club Conference on Insect and Bird Interactions. The first section covers population management issues, discussing effects on birds highly relevant to the planting of large areas of GM crops, new opportunities for increasing biodiversity in farming landscapes, and the novel aspect of managing insects by exploiting birds as biological control agents. This is followed by a section discussing the effects of insecticides on bird populations, and includes a contribution from the RSPB, as well as a re-appraisal of the effects of DDT on raptors. Next, the foraging behaviour of birds on insects is discussed, with chapters also on ‘warning’ coloration in insects and learning by birds. The first chapter in this section is unusual in having been written by an ophthalmologist and covers colour vision in birds, more specifically ultraviolet vision in relation to insect coloration. Finally, the authors look at insects that are parasites of birds or feed on the detritus in nests, and review the ecology and evolution of the co-adaptation of insect ectoparasites with birds. Insect and Bird Interactions is unparalleled in scope and coverage and will be of interest to entomologists, ornithologists, and ecologists alike.

Many consider conscience to be one of the most important--if not the fundamental--quality that makes us human, distinguishing us from animals, on one hand, and machines on the other. But what is conscience, exactly? Is it a product of our biological roots, as Darwin thought, or is it a purely social invention? If the latter, how did it come into the world? In this biography of that most elusive human element, Martin van Creveld explores conscience throughout history, ranging across numerous subjects, from human rights to health to the environment. Along the way he considers the evolution of conscience in its myriad, occasionally strange, and ever-surprising permutations. He examines the Old Testament, which--erroneously, it turns out--is normally seen as the fountainhead from which the Western idea of conscience has sprung. Next, he takes us to meet Antigone, the first person on record to explicitly speak of conscience. We then visit with the philosophers Zeno, Cicero and Seneca; with Christian thinkers such as Paul, Augustine, Aquinas, and, above all, Martin Luther; as well as modern intellectual giants such as Machiavelli, Rousseau, Kant, Hegel, Nietzsche, and Freud. Individual chapters are devoted to Japan, China, and even the Nazis, as well as the most recent discoveries in robotics and neuroscience and how they have contributed to the ways we think about our own morality. Ultimately, van Creveld shows that conscience remains as elusive as ever, a continuously mysterious voice that guides how we think about right and wrong.

First published in 1969, this work traces the evolution of Romanticism and in doing so, demonstrates its novelty as an imaginative and emotional perception of the world in contrast to the rationalistic approach which was dominant in the seventeenth century. It identifies the fundamental similarities between Romantic writing in England, France and Germany as well as their differences brought about by divergent literary and social backgrounds. The book is concluded by a review of the problems that arise from a simple definition of Romanticism.

Is patriarchy necessary to ensure responsible fathering? Lawrence H. Fuchs, author of Family Matters, argues that the link between male dominance and fatherhood is no longer iron-clad. Analyzing the universality of patriarchy and its incentives for cultural fatherhood, Fuchs concedes that the importance of biological differences between the sexes was a possible, even plausible, basis for the evolution of patriarchy. But in this timely work he imagines a new paradigm of fatherhood for a post-patriarchal age, one inspired by the history of Jewish patriarchy. Two millennia ago the rabbis established the strategies to curb the extreme abuses of patriarchy found in all civilizations. They did so by according wives significant sexual and economic rights. In the last two centuries as Jews became more integrated into the societies in which they lived, their unique variation of patriarchy was disrupted. Fuchs argues that the Jewish story sets the precedent for fundamental change in the nature of patriarchy today, thus breaking what may have been the evolutionary connection between male dominance and incentives for fatherhood. It is Fuchs's startling conclusion that the Jewish precedent points to the next step in evolution: fathers without patriarchy.

The late curator of the Chicago Art Institute traces the evolution of modern art in America, describing her relationships with numerous artists and collectors as forged throughout her career, and recounting her efforts to acquire some of the Institute's most famous pieces. Reprint.

EARLY DOCUMENTS OF LANGUAGE & LINGUISTICS. Imagine holding history in your hands. Now you can. Digitally preserved and previously accessible only through libraries as Early English Books Online, this rare material is now available in single print editions. Thousands of books written between 1475 and 1700 can be delivered to your doorstep in individual volumes of high quality historical reproductions. The evolution of English and foreign languages is documented in these original texts studying and recording early philology from the study of a variety of languages including Greek, Latin and Chinese, as well as multilingual volumes, to current slang and obscure words. Translations from Latin, Hebrew and Aramaic, grammar treatises and even dictionaries and guides to translation make this collection rich in cultures from around the world. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Florio his firste fruites which yeelde familiar speech, merie prouerbes, wittie sentences, and golden sayings. Also a perfect induction to the Italian, and English tongues, as in the table appeareth.Florio, John, 1553?-1625.Dedication and end of text dated 10 August 1578.Part 1 has Italian and English in parallel columns.The last leaf is blank.[12], 163, [1] leaves[London] : Imprinted at the three Cranes in the Vintree, by Thomas Dawson, for Thomas Woodcocke, [1578]STC (2nd ed.) / 11096EnglishReproduction of the original in the Henry E. Huntington Library and Art Gallery ++++ This book represents an authentic reproduction of the text as printed by the original publisher. While we have attempted to accurately maintain the integrity of the original work, there are sometimes problems with the original work or the micro-film from which the books were digitized. This can result in errors in reproduction. Possible imperfections include missing and blurred pages, poor pictures, markings and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as part of our commitment to protecting, preserving and promoting the world's literature.

Renoir Drawings is a comprehensive collection of drawings by the renowned French artist Pierre-Auguste Renoir, compiled and curated by art historian John Rewald. The book features over 300 drawings, including sketches, studies, and finished works, spanning Renoir's entire career from his early years as a student to his later years as a master painter. The drawings are accompanied by insightful commentary and analysis by Rewald, providing readers with a deeper understanding of Renoir's artistic process and techniques. The book is a must-have for art lovers and collectors, as well as anyone interested in the history and evolution of Impressionism.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

"Beginning with Walt Whitman singing hymns at a wounded soldier's bedside during the Civil War, this surprising and vivid anthology ranges straight through to the twenty-first century to end with Francine Prose crying tears of complicated joy at the sight of Whitman's words in Zuccotti Park during the brief days of the Occupy movement. The first anthology of its kind, Radiant Truths gathers an exquisite selection of writings by both well-known and forgotten American authors and thinkers, each engaged in the challenges of writing about religion, of documenting "things unseen." Their contributions to the genre of literary journalism-the telling of factual stories using the techniques of fiction and poetry-make this volume one of the most exciting anthologies of creative nonfiction to have emerged in years. Jeff Sharlet presents an evocative selection of writings that illuminate the evolution of the American genre of documentary prose. Each entry may be savored separately, but together the works enrich one another, engaging in an implicit and continuing conversation that reaches across time and generations. Including works by: Walt Whitman - Henry David Thoreau - Mark Twain - Meridel Le Sueur - Zora Neale Hurston - Mary McCarthy - James Baldwin - Norman Mailer - Ellen Willis Anne Fadiman - John Jeremiah Sullivan - Francine Prose - Garry Wills - "and many others"--

The larger part of Yearbook 6 of the Institute Vienna Circle constitutes the proceedings of a symposium on Alfred Tarski and his influence on and interchanges with the Vienna Circle, especially those on and with Rudolf Carnap and Kurt Gödel. It is the first time that this topic has been treated on such a scale and in such depth. Attention is mainly paid to the origins, development and subsequent role of Tarski's definition of truth. Some contributions are primarily historical, others analyze logical aspects of the concept of truth. Contributors include Anita and Saul Feferman, Jan Wolenski, Jan Tarski and Hans Sluga. Several Polish logicians contributed: Gzegorczyk, Wójcicki, Murawski and Rojszczak. The volume presents entirely new biographical material on Tarski, both from his Polish period and on his influential career in the United States: at Harvard, in Princeton, at Hunter, and at the University of California at Berkeley. The high point of the analysis involves Tarski's influence on Carnap's evolution from a narrow syntactical view of language, to the ontologically more sophisticated but more controversial semantical view. Another highlight involves the interchange between Tarski and Gödel on the connection between truth and proof and on the nature of metalanguages. The concluding part of Yearbook 6 includes documentation, book reviews and a summary of current activities of the Institute Vienna Circle. Jan Tarski introduces letters written by his father to Gödel; Paolo Parrini reports on the Vienna Circle's influence in Italy; several reviews cover recent books on logical empiricism, on Gödel, on cosmology, on holistic approaches in Germany, and on Mauthner.

The larger part of Yearbook 6 of the Institute Vienna Circle constitutes the proceedings of a symposium on Alfred Tarski and his influence on and interchanges with the Vienna Circle, especially those on and with Rudolf Carnap and Kurt Gödel. It is the first time that this topic has been treated on such a scale and in such depth. Attention is mainly paid to the origins, development and subsequent role of Tarski's definition of truth. Some contributions are primarily historical, others analyze logical aspects of the concept of truth. Contributors include Anita and Saul Feferman, Jan Wolenski, Jan Tarski and Hans Sluga. Several Polish logicians contributed: Gzegorczyk, Wójcicki, Murawski and Rojszczak. The volume presents entirely new biographical material on Tarski, both from his Polish period and on his influential career in the United States: at Harvard, in Princeton, at Hunter, and at the University of California at Berkeley. The high point of the analysis involves Tarski's influence on Carnap's evolution from a narrow syntactical view of language, to the ontologically more sophisticated but more controversial semantical view. Another highlight involves the interchange between Tarski and Gödel on the connection between truth and proof and on the nature of metalanguages. The concluding part of Yearbook 6 includes documentation, book reviews and a summary of current activities of the Institute Vienna Circle. Jan Tarski introduces letters written by his father to Gödel; Paolo Parrini reports on the Vienna Circle's influence in Italy; several reviews cover recent books on logical empiricism, on Gödel, on cosmology, on holistic approaches in Germany, and on Mauthner.

Known for their repeating motifs and signature tropes, the films of Ingmar Bergman also contain extensive variation and development. In these reflections on Bergman's artistry and thought, Irving Singer discerns distinctive themes in Bergman's filmmaking, from first intimations in the early work to consummate resolutions in the later movies. Singer demonstrates that while Bergman's output is not philosophy on celluloid, it attains an expressive and purely aesthetic truthfulness that can be considered philosophical in a broader sense. Through analysis of both narrative and filmic effects, Singer probes Bergman's mythmaking and his reliance upon the magic inherent in his cinematic techniques. Singer traces throughout the evolution of Bergman's ideas about life and death, and about the possibility of happiness and interpersonal love. In the overtly self-referential films that he wrote or directed (The Best Intentions, Fanny and Alexander, Sunday's Children) as well as the less obviously autobiographical ones (including Wild Strawberries, The Seventh Seal, and the triad that begins with Through a Glass Darkly) Bergman investigates problems in his existence and frequently reverts to childhood memories. In such movies as Smiles of a Summer Night, Scenes from a Marriage, and Saraband, Bergman draws upon his mature experience and depicts the troubled relationships between men who are often weak and women who are made to suffer by the damaged men with whom they live. In Persona, Cries and Whispers, and other works, his experiments with the camera are uniquely masterful. Inspecting the panorama of Bergman's art, Singer shows how the endless search for human contact motivates the content of his films and reflects Bergman's profound perspective on the world.

The development of themes, motifs, and techniques in Bergman's films, from the first intimations in the early work to the consummate resolutions in the final movies. Known for their repeating motifs and signature tropes, the films of Ingmar Bergman also contain extensive variation and development. In these reflections on Bergman's artistry and thought, Irving Singer discerns distinctive themes in Bergman's filmmaking, from first intimations in the early work to consummate resolutions in the later movies. Singer demonstrates that while Bergman's output is not philosophy on celluloid, it attains an expressive and purely aesthetic truthfulness that can be considered philosophical in a broader sense. Through analysis of both narrative and filmic effects, Singer probes Bergman's mythmaking and his reliance upon the magic inherent in his cinematic techniques. Singer traces throughout the evolution of Bergman's ideas about life and death, and about the possibility of happiness and interpersonal love. In the overtly self-referential films that he wrote or directed ( The Best Intentions , Fanny and Alexander , Sunday's Children ) as well as the less obviously autobiographical ones (including Wild Strawberries , The Seventh Seal , and the triad that begins with Through a Glass Darkly ) Bergman investigates problems in his existence and frequently reverts to childhood memories. In such movies as Smiles of a Summer Night, Scenes from a Marriage , and Saraband , Bergman draws upon his mature experience and depicts the troubled relationships between men who are often weak and women who are made to suffer by the damaged men with whom they live. In Persona , Cries and Whispers , and other works, his experiments with the camera are uniquely masterful. Inspecting the panorama of Bergman's art, Singer shows how the endless search for human contact motivates the content of his films and reflects Bergman's profound perspective on the world.

""Three Hundred Years of Psychiatry, 1535-1860: A History Presented in Selected English Texts"" is a comprehensive book written by Richard Hunter. The book traces the history of psychiatry from the 16th century to the mid-19th century, focusing on the development of psychiatric theories and practices during this period. The author presents a collection of selected English texts that offer a glimpse into the evolution of psychiatric understanding, including the works of prominent figures such as John Locke, William Cullen, and Philippe Pinel. The book is divided into four parts, each representing a distinct period in the history of psychiatry. Part one covers the period from 1535 to 1700, during which time the concept of madness was still closely tied to religious beliefs. Part two covers the period from 1700 to 1800, during which time the focus shifted towards the medicalization of mental illness. Part three covers the period from 1800 to 1850, during which time the first psychiatric institutions were established and the study of mental illness became more scientific in nature. Part four covers the period from 1850 to 1860, during which time new theories of mental illness emerged, including the idea of moral treatment.Throughout the book, the author provides insightful commentary on the texts and their relevance to the broader history of psychiatry. The book is an essential resource for anyone interested in the history of mental health and the evolution of psychiatric theory and practice.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

"The work is primarily the story of a company. It traces the Deutsche Bank's evolution into a big bank, its positioning as a foreign trade and 'industrial' bank, and also its big international financing projects in East Asia, the Ottoman Empire and America, with all their foreign policy implications during the German Empire. It describes the bank's situation and business policy from the period of high inflation after the First World War to the world economic and banking crisis at the end of the Weimar Republic. The company's activities under the National Socialist dictatorship and the treatment of Jewish staff and customers are looked at in the same detail as banking business during the Second World War. The book documents the splitting-up of the bank and its reamalgamation after 1945 under Allied occupation policy and its emergence as today's international financial conglomerate. Furthermore, it portrays the leading bank managers, the changes in staff as well as the new directions in organizational structure, and shows the company's position in the banking landscape at different points in time."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

This volume deals with the transosseous external fixation techniques that I have been developing over the course of the past 40 years. During this time, our research in medicine, biology and engineering has led to the evolution of more than 800 unique, highly effective methods of treatment that extend beyond the realm of traumatology and orthopedics. The book features a comprehensive theoretical and clinical description of the biologic laws governing the depen dence of the shape-forming processes of bones and joints upon the adequacy of blood supply, as well as a delineation of the effect of tension-stress upon the genesis and growth of tissues. I have in cluded our latest data on tissue growth and regeneration during transosseous osteosyntheses. The book summarizes the biomechanical principles of applica tion of my apparatus; clinical cases selected from more than 25000 patients illustrate the management of some of the most complex disorders of the locomotor system. New solutions to many therapeutic problems are described. In particular, severe limb trauma with large defects of bone, vessels, nerves and skin can be managed without resort to transplantation. Radical debridement surgery can be followed by a one-step restora tion of the missing tissue, thus decreasing the likelihood of a serious wound infection or an amputation.

THE DIVINE STRUGGLE This is a unique work combining inspired and channelled writings with a challenging interpretation of human history as the product of the Divine Struggle. It describes the creation and evolution of the entire visible cosmos and life on Earth as the product of the dynamic interplay between two antagonistic universal forces. On the one side, the highly conservative force of Love, and on the other the force of Creation through descruction and change. The message contained within this work is one of polarity and balance. Humanity has suffered whenever it has veered to one extreme, and this resulted several thousand years ago in the rise of warlike tribes worshipping the force of destructive Creation exclusively in an effort to conquer the more balanced and richer agricultural civilisations. In the last 200 years the fruits of this bellicose dominance can also be seen in the acceleration of scientific knowledge and highly powerful fire based manipulative technologies. The cost has been a destructive acquisitiveness, obsessive creativity of mass produced industrial artefacts and aggression, which is now threatening humanity and all life on EArth with destruction. The book ends with a challenge to the reader to work towards restoring the balance before it is too late.

"Bioart is a new art form that has emerged from the cultural impact and increasing accessibilty of contemporary biotechnology. Signs of Life is the first book to focus exclusively on art that uses biotechnology as its medium, defining and discussing the theoretical and historical implications of bio art and offering examples of work by prominent artists. Bio art manipulates the processes of life; in its most radical form, it invents or transforms living organisms. It is not representational; bio art is in vivo. (A celebrated example is Eduardo Kac's own GFP Bunny, centered on Alba, the transgenic green rabbit.) The creations of bio art become a part of evolution and, provided they are capable of reproduction, can last as long as life exists on earth. Thus, bio art raises unprecedented questions about the future of life, evolution, society, and art. The contibutions to Signs of Life articulate the critical theory of bio art and documents its fundamental works. The writers - who include such prominent scholars as Barbara Maria Stafford, Eugene Thacker, and Dorothy Nelkin - consider the culture and aesthetics of biotechnology, the ethical and philosophical aspects of bio art, and biology in art history. The section devoted to artworks and artists including George Gessert's "Why I Breed Plants," Oron Catts and Ionat Zurr's "Semi-Living Art," Marc Quinn's "Genomic Portrait," and Heather Ackroyd and Dan Harvey's "Chlorophyll Apparitions.". --

Iconoclast David F. Noble traces the evolution and eclipse of the biblical mythology of the Promised Land, the foundational story of Western Culture. Part impassioned manifesto, part masterful survey of opposed philosophical and economic schools, "Beyond the Promised Land" brings into focus the twisted template of the Western imagination and its faith-based market economy. From the first recorded versions of "the promise" saga in ancient Babylon, to the Zapatistas' rejection of promises never kept, Noble explores the connections between Judeo-Christian belief and corporate globalization. Inspiration for activists and students alike. David Noble is the author of "Progress Without People" (BTL, 1995) and "Digital Diploma Mills" (BTL, 2002). He teaches history at York University, Toronto.

"Lexicography is not just an exercise in linguistic accounting," writes preeminent English language scholar David Crystal in this exceptionally lively and erudite little book. "It is a voyage of lexical exploration and discovery." In Words, Words, Words, Crystal takes readers on a fascinating linguistic adventure, exploring the English language in all its oddity, complexity, and ever-changing beauty. Traveling from word origins and word evolution to wordgangs, wordrisks, wordplay, wordgames and beyond, Crystal shares his immense knowledge of, and equally immense delight in, language. He celebrates new words, old words, words that "snarl" and words that "purr," elegant words and taboo words, plain English words and convoluted gobbledegook, eponyms and antonyms, spoonerisms and malapropisms, and a host of other written and spoken forms and variations. Words, Words, Words offers invaluable insight on such subjects as BLhow to estimate the size of your vocabulary BLthe functions of jargon BLwhen clichés are necessary BLthe value of slang words ("the chief use of slang/is to show you're one of the gang") BLhow to create your own "semantic field" BLdialect humor BLhow to become a word detective BLhow to keep a record of your child's words BLand much more! With illuminating sidebars featuring everything from common word origins and sample definitions from the dictionaries of Samuel Johnson and Ambrose Bierce to a passage from Finnegan's Wake and the winning entries of The Guardian Text Message Poetry Competition, Words, Words, Words will both satisfy and spark the curiosity of anyone who has ever been intrigued, befuddled, or awed by words and myriad ways we use them.