Hillel Halkin is an American-born Jew who has cast his personal and historical lot with Israel. The imaginary American Jewish friend to whom Halkin directs his onrush of argument is an equally committed young Jew who, however, upholds the possibility of a viable Jewish life outside of Israel. He has just returned to the United states after his second visit to Israel and written a letter of his impressions, which triggers the present correspondence. The two friends argue about Zionism, Israel, Jewish history and culture, the nature of Jewishness. As the gauntlet is flung back and forth, Halkin elaborates his case that Jewish history and Israeli history are two lines in the process of converging, so that for all practical purposes the struggle for Jewish survival and the struggle for Israel are the same; and that any Jew who chooses, in the absence of extenuating circumstances, not to live in Israel is removing himself to the peripheries of the struggle for Jewish survival and away from the center of Jewish history.

In Apollo and Thelma , broadcaster and lawyer Jon Faine shares a yarn that has enthralled him for forty years, taking him from Melbourne's depression-era slums to the isolation of the outback. Apollo and Thelma have been a constant in Jon Faine's life for decades. As a young lawyer, he was captivated by his favourite client, the Mighty Apollo, a legendary strongman and circus star, famous for pulling trams with his teeth and having an elephant stand on him. Apollo's sister, Thelma, on the other hand, ruthless and rugged, had survived decades running solo one of the most remote pubs in the outback until unexpectedly dying, leaving behind a complicated estate. Befriending Apollo and immersing himself in Thelma's estate, Jon is forced to untangle a long line of astonishing stories and episodes in our distant and recent history that keep intersecting with his own. Via the circuitous route of these two larger-than-life characters - alongside a supporting cast of characters from the world of politics, law, literature and media - Jon reflects on their stories and is inevitably forced to rethink his own. Apollo and Thelma is a uniquely Australian story, beautifully told.

"Roll over Derrida: Literature and Revolution is back in print. Nothing in the postmodern canon comes close to the intellectual grandeur of Trotsky's vision of art and literature in an age of revolution, or his extraordinary meditations on the popular ownership of culture."--Mike Davis "Re-reading Trotsky on literature 40 years later is a delight."--Tariq Ali Leon Trotsky penned this engaging book to elucidate the complex way in which art informs-- and can alter--our understanding of the world. Features new reader-friendly explanatory notes. Leon Trotsky was a leader of the Russian Revolution in 1917 and is the author of My Life . William Keach is a professor of English at Brown University. He is editor of Coleridge's Complete Poems .

Winner of the 2013 National Jewish Book Award, Anthologies and Collections The year 1929 represents a major turning point in interwar Jewish society, proving to be a year when Jews, regardless of where they lived, saw themselves affected by developments that took place around the world, as the crises endured by other Jews became part of the transnational Jewish consciousness. In the United States, the stock market crash brought lasting economic, social, and ideological changes to the Jewish community and limited its ability to support humanitarian and nationalist projects in other countries. In Palestine, the anti-Jewish riots in Hebron and other towns underscored the vulnerability of the Zionist enterprise and ignited heated discussions among various Jewish political groups about the wisdom of establishing a Jewish state on its historical site. At the same time, in the Soviet Union, the consolidation of power in the hands of Stalin created a much more dogmatic climate in the international Communist movement, including its Jewish branches. Featuring a sparkling array of scholars of Jewish history, 1929 surveys the Jewish world in one year offering clear examples of the transnational connections which linked Jews to each other—from politics, diplomacy, and philanthropy to literature, culture, and the fate of Yiddish—regardless of where they lived. Taken together, the essays in 1929 argue that, whether American, Soviet, German, Polish, or Palestinian, Jews throughout the world lived in a global context.

"The ancient Israelites believed things that the writers of the Bible wanted them to forget: myths and legends from a pre-biblical world that the new monotheist order needed to bury, hide, or reinterpret. Ancient Israel was rich in such literary traditions before the Bible reached the final form that we have today. These traditions were not lost but continued, passed down through the ages. Many managed to reach us in post-biblical sources: rabbinic literature, Jewish Hellenistic writings, the writings of the Dead Sea sect, the Aramaic, Greek, Latin, and other ancient translations of the Bible, and even outside the ancient Jewish world in Christian and Islamic texts. The Bible itself sometimes alludes to these traditions, often in surprising contexts. This volume presents thirty such traditions. It voyages behind the veil of the written Bible to reconstruct what was told and retold among the ancient Israelites, even if it is 'not what the Bible tells us'"--Back cover.

Excerpt from Jewish Folk-Lore in the Middle Ages We look with other eyes on the heaped up treasures of Jewish aggadah, on the diamonds which oriental fancy made brilliant by a fiery inspiration. Brought under this new light cast on them they glitter and gleam in a thousand colours like the dew in the flower when lighted by the sun. We value as a poetical story, or picturesque image, legends like the following: In the time when the Lord remembers His children, and sees them dwelling in sorrow and grief amongst We look with other eyes on the heaped up treasures of Jewish aggadah, on the diamonds which oriental fancy made brilliant by a fiery inspiration. Brought under this new light cast on them they glitter and glean in a thousand colours like the dew in the flower when lighted by the sun. We value as a poetical story, or picturesque image, legends like the following: "In the time when the Lord remembers His Children, and sees them dwelling in sorrow and grief amongst the nations, He sheds two tears, and they drop into the great ocean, and their noise is heard from one end of the world to the other. Hence the earthquake." What a wonderful picture to express, the sympathy of heaven and earth with the heartstricken grief of the people! Or take another: "In the same day when King Solomon married the daughter of Necho, the Egyptian king, the angel Michael descended from heaven and planted a reed in the great ocean; and there came up loam, and upon that Rome was afterwards built." And further: "On the day when Jeroboam first established the two golden calves to be worshipped by Israel, Romulus and Remus erected their tents." Only ill-will, or prejudiced misunderstandings could not see the historical truth in the symbolical explanation of the relation which exist between the fall of Judah and the rise of Rome. Under the form of an allegory, they said that the power of the Jewish nation is intimately connected with the true and unchanged religious belief, and a change in such belief necessarily brings about an avoidable decline. In the curious tales of Rabbah bar-bar Channah, we recognize further, now-a-days, Indian sailor and travellers' tales, and in some of them Buddhistic legends, as for instance, the story of the gigantic fish, which destroys sixty towns, and out of whose bones to his pupils one of his former existence. Innumerable are the examples on which our feet stumble as we tread through the forest thousands of years old, called Jewish literature, where palms and hyssop, trees and bushes, flowers and thorns are often inextricably intertwined. On the other hand, we have learned to-day to recognize only as legends, the absurd accusations hurled against the Jews during the middle ages: such as the use of blood in their ceremonials, the poisoning of wells, the piercing of the host, so that it bled, even the accusations that the Jews have been usurers to so great an extent as it was presumed. All these, and similar accusations, are the outcome of prejudice, they are cobwebs spun by poisonous spiders, which hide the true light, and render the approach to the Ghetto disgusting and obnoxious. But we sweep them away, we know that they are only floating material to be found everywhere in the air, waiting only for the right time and the right men to appropriate and make use of them. They are for us nothing more than one of the those numerous legends, devoid of every internal truth, and interesting only for the student of folk-psychology and folk-lore. One more legend refers to the seclusion of the Jews within the walls of their houses, who are said to care nothing for the movement of the times, and who let the waves of the rolling sea pass over their shelter. But be the walls as high as towers and the prejudice as powerful as ever, they never form a real barrier against the spirit, which pours in through a thousand invisible channels. "The sun shines for the righteous as well as...

"Elizabethan and Jacobean architecture - not the friendly unassuming architecture of the vernacular but the uniquely strange and exciting buildings put up by the great and powerful, ranging from huge houses to gem-like pavilions and lodges designed for feasting and hunting - is a phenomenon as remarkable as the literature which accompanied it, the literature of Shakespeare, Spenser, Sidney, Marlow, Jonson, Campion and others. Forty years after adventuring into this world in his first book, 'Robert Smythson', in which he discussed one family of mason-architects and the great houses with which they were connected, Mark Girouard has returned to the subject to cover the whole rich field in detail. In this beautiful and fascinating book, Girouard discusses social structure and the way of life behind it, the evolution of the house plan, the ferment of excitement aroused in English patrons and craftsmen as they learnt about the classic Five Orders and the buildings of Ancient Rome from publications and engravings, the surprising wealth of architectural drawings which survive from the period, the inroads of foreign craftsmen who brought new fashions in ornament with them, but also the strength of the native tradition which was creatively integrated with the 'antique' style. Behind the book is a vivid consciousness of the European scene, and the different ways in which different countries reacted to new influences yet did not abandon their native traditions. Italy, France, central Europe and above all the Low Countries provide the background, and England was influenced by all of them. But the principal argument of the book is the individuality of the English achievement. Girouard's pioneering work on Elizabethan architecture, then an unfashionable period, has helped inspire an increasing number of architectural historians to venture into the field. His new book benefits from their researches and publications, but is essentially a product of new research and travel on his part. The results are displayed with his own unique sense of style, and are fired by the excitement which the architecture of the period still generates in him." -- from book jacket.

In a world where politics is often associated with notions such as moral decay, frustration and disappointment, the feeling of betrayal, and of democracy in trouble, Kis examines theories about the morality of political action. Amending the two classical theses of realism and of indirect motivation in politics, Kis argues for a constrained thesis of realism and a wide thesis of indirect motivation. By these means the place of moral motivation and common deliberation can be identified, and political agents can be held morally accountable. The analysis refers to a broad range of classic and contemporary literature as well as to recent cases from international politics which call for moral judgment. The Appendix is dedicated to Václav Havel’s seminal essay on "The Power of the Powerless," which sheds light on the diversity of approaches dissident intellectuals have taken to politics.

This reference book by well-known Reconstruction expert Trefousse will be of great use to scholars and general readers. Pithy, readable articles, spanning the years 1862-96, reflect current scholarship on the period and thus focus heavily on race relations, the freed slaves, and restoration of the states. There are entries on court cases, terms (blacks, labor, etc.), organziations, states, laws, miscellaneous events, and major individuals. . . . As the only reference work of its type, it should find widespread applicability in libraries of any size. Library Journal This new reference book reflects the latest scholarship regarding the Reconstruction of the American South following the Civil War. In the past four decades, the guidelines set forth by William D. Dunning and his students, which portrayed the period as a time of horror for suffering Southerners over whom radicals, scalawags, and carpetbaggers rode roughshod, has been amended. Since World War II, the appearance of revised versions of the period, as well as favorable biographies of such major figures as Charles Sumner, Thaddeus Stevens, Benjamin F. Wade, Edwin M. Stanton, and George W. Julian, have transformed the historiography of Reconstruction. While many unresolved issues still remain, the field has benefited greatly from this reassessment. Hence, this outstanding single-volume reference, containing the most recent thinking on the period, will be of great help to scholars and the general public. No other reference focusing exclusively on Reconstruction exists. The dictionary stresses race relations, emancipation, the main participants in the struggle, and the restoration of the Southern states into the Union. Those states involved in some way or other in the process, including the border commonwealths, will be found here, as are the major Supreme Court decisions handed down during Reconstruction. Readable articles at each entry convey the principle information in an economical style and are followed in each case by a listing of the latest available literature, principally monographs and books rather than articles, in order to facilitate further research. Covering a time period from 1862 to 1896, the dictionary focuses on matters pertaining to the integration of freedmen and the restoration of the states. The preface and chronology of events preceed the conveniently organized dictionary section, which contains entries whose lengths vary depending on the relative importance of the concept or personality treated. Generally, the importance of individuals in reference to Reconstruction, rather than their general significance, has determined their inclusion. Each entry is followed by its own bibliography. The volume closes with a select bibliography and index. This outstanding reference belongs in every college and university library as well as in public libraries, and is eminently suitable for courses dealing with the Civil War and Reconstruction and for Civil War Roundtables. Civil War buffs and historians interested in nineteenth-century America will refer to it again and again.

Hotel Malta is a fascinating tale of love and hope, the story of Ernest and Eva Bloom whose lives were upended by World War II, and of Amotz, their grandson, whose marriage is disintegrating, while expecting the birth of his first child. Compelled by an overpowering urge, Ernest makes an intriguing request of his grandson that returns him to a fraught period in his life, rekindling the memory of three distant, stormy, passionate days in Naples in the 1950s. This request alters not only Ernest Bloom's life but also the lives of others, both close and distant. The book raises many questions: How can three days of bliss be weighed against an entire life, and what is love, after all? How does an author find her place in the lives of her characters? And perhaps the most heartbreaking question of all - is it possible to die of happiness?The author's two previous books, Amstel (shortlisted for the prestigious Sapir Prize, 2008) and The Sand Dunes of Paris, were received with critical acclaim, have been translated into English and were awarded national and international prizes: "Arabesque," from Amstel, won first prize in UNESCO's international Mediterranean Short Story Competition; The Sand Dunes of Paris was awarded the Hebrew Literature Translation Prize by the Israel Ministry of Culture. Hotel Malta was awarded the Hebrew Literature Translation Prize in 2016. Go, Pave the Sea, her most political novel, will be published soon (Autumn 2017).

"The United States and the Nazi Holocaust is an invaluable synthesis of United States policies and attitudes towards the Nazi persecution of European Jewry from 1933 right up to the modern day. The book, which includes 20 illustrations, weaves together a vast body of scholarly literature to bring students of the Holocaust a balanced, readable overview of this complex and often controversial topic. It demonstrates that the United States' response to the rise of Nazism, the refugee crisis it provoked, the Holocaust itself, and its aftermath were--and remain to this day--intricately linked to the ever-shifting racial, economic, and social status of American Jewry. Using a broad chronological framework, Barry Trachtenberg navigates us through the major themes and events of this period. He discusses the complicated history of the Roosevelt administration's response to the worsening situation of European Jewry in the context of the ambiguous racial status of Jews in Depression and World War II-era America. He examines the post-war decades in America, and discusses, over a series of chapters, how the Holocaust, like American Jewry itself, came to move from the margins to the very center of American awareness. The United States and the Nazi Holocaust considers the reception of Holocaust survivors, post-war trials, film, memoirs, memorials, and the growing field of Holocaust Studies. The reactions of the United States government, the general public, and the Jewish communities of America are all accounted for in this integrated, detailed survey"--

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Guest for the Night (first published in 1939 as Germany invaded Poland) is Agnon's depiction of how all modern movements aside from Zionism secularism, Haskalah, socialism, communism failed to provide a viable alternative to traditional life. But, he is clear, even traditional life was untenable, because it all fell apart from within before the first furnaces were ignited in Auschwitz. Even the Guest's well-intentioned attempt to revivify and to re-engage the lost world of piety is also doomed. The Alte Heim, the old home, can no longer exist it is a place where we can only be passing guests for the night. Therefore you can't go home again, but not for the reasons that Thomas Wolfe suggests; rather, because home no longer exists. It has to be rebuilt, but it can only be rebuilt in the Bayit Hadash, in the new home in the Land of Israel. This is Agnon's greatest theme in the novel and, in differing ways, throughout his body of writing: The idea that modern man, modern Jews, are alienated from their spiritual home. While we can't go home again, that doesn't mean we can't move forward through conceiving of a new home although doing so comes with the great danger of being caught in the disconnect between the old and the new, between what was and what might be. Translated by Misha Louvish, with a new Foreword by Jeffrey Saks.

A brief introduction to the Holocaust, in which six million Jews were systematically exterminated by the Nazis during World War II.

It is the story of Jozsef Sondor, a tough, irreverently witty Jewish boy growing up in World War II Hungary. Jozsef carries the reader into the whirl of everyday life in war-torn Budapest, from the eve of the Holocaust in Hungary to the Russian liberation in 1945. Through his eyes, we witness history, or, as he sees it, the adult world gone mad. What is this "Jewish problem", he asks. And what can God be thinking of? Jozsef soon finds that his questions have no simple answers, but they do lead him on a journey to understanding the war, politics, religion, and, in the end, the complexity of human nature.

Soul of Wood made Jakov Lind's reputation as one of the most boldy imaginative postwar writers and it remains his most celebrated achievement. In the title novella and six subsequent stories, Lind distorts and refashions reality to make the deepest horrors of the twentieth century his own. Set during World War II, "Soul of Wood" is the story of Wohlbrecht, a peg-legged veteran of World War I, who smuggles Anton Barth, a paralyzed Jewish boy, to a mountain hideout after the boy's parents have been sent to their deaths. Abandoning the helpless boy to the elements, Wohlbrecht returns to Vienna, where, having been committed to an insane asylum, he helps the chief psychiatrist to administer lethal injections to other patients. But Germany is collapsing and the war will soon be over. The one way, Wohlbrecht realizes, that he can evade retribution is by returning to the woods to redeem "his" hidden Jew. Others, however, have had the same bright idea.

A selection of short stories from a twentieth-century “American master” (Dan Cryer, Newsday). A contemporary of Ann Beattie and Tobias Wolff, Frederick Busch was a master craftsman of the form; his subjects were single-event moments in so-called ordinary life. The stories in this volume, selected by Pulitzer Prize winner Elizabeth Strout, are tales of families trying to heal their wounds, save their marriages, and rescue their children. In "Ralph the Duck," a security guard struggles to hang on to his marriage. In "Name the Name," a traveling teacher attends to students outside the school, including his own son, locked in a country jail. In Busch's work, we are reminded that we have no idea what goes on behind closed doors or in the mind of another. In the words of Raymond Carver, "With astonishing felicity of detail, Busch presents us with a world where real things are at stake―and sometimes, as in the real world, everything is risked." From his first volume, Hardwater Country (1974), to his most recent, Rescue Missions (2006), this volume selects thirty stories from an "American master" (Dan Cryer, Newsday), showcasing a body of work that is sure to shape American fiction for generations to come.

"Following the destruction of the Jerusalem Temple in 70 CE, Jews were faced with a world in existential chaos--both they and their God were rendered homeless. So the rabbis, aspirants for leadership of the post-destruction Jewish community, appropriated inherited traditions and used them as building blocks for a new religious structure. Not unexpectedly, given the circumstances, this new rabbinic formation devoted considerable attention to matters of space and place. Rabbinic Judaism: Space and Place offers the first comprehensive study of spatiality in Rabbinic Judaism of late antiquity, exploring how the rabbis reoriented the Jewish relationship with space and place following the destruction of the Jerusalem Temple. Drawing upon the insights of theorists such as Tuan and LeFebvre, who define the crisis that "homelessness" represents and argue for the deep relationship of human societies to their places, the book examines the compositions of the rabbis and discovers both a surprisingly aggressive rabbinic spatial imagination as well as places, most notably the synagogue, where rabbinic attention to space and place is suppressed or absent. It concludes that these represent two different but simultaneous rabbinic strategies for re-placing God and Israel--strategies that at the same time allow God and Israel to find a place anywhere. This study offers new insight into the centrality of space and place to rabbinic religion after the destruction of the Temple, and as such would be a key resource to students and scholars interested in rabbinic and ancient Judaism, as well as providing a major new case study for anthropologists interested in the study of space"--

Family trauma, race, and the destiny of a nation corrupted by slavery, cast in the light of epic myth: "More than a saga of Black revitalization . . . Part vision, part parable, it is a story for all America." ( The New York Times Book Review ) The Snowdon family stands as a pinnacle of Black excellence in Washington, D.C.: educated, affluent, and influential. John Christopher, the patriarch, saves lives as a heart surgeon and is revered by his students at Howard University. His wife, Camille, governs an elegant house overlooking Rock Creek Park and devotes herself to reading, gardening, and raising their three daughters--Cynthia, Patricia, and Eva--to attend the very best schools and roam the world on a whim. Theirs ought to be a story of success and empowerment, but something is rotten in the house of Snowdon. Years later, when John Christopher's granddaughter Johnnie comes to seek the truth about her own parentage, she unveils a legacy of unspeakable family secrets tangled up in America's original sin. What begins as a quest for identity spirals into an apocalyptic vision of a nation on the brink of ruin. By turns a poetic epic, a ghost story, a historical saga, and a chilling dystopian fable, Thereafter Johnnie is a unique and uniquely American fusion of myth and hard-bitten reality: an erotic, horrifying, and even hopeful reckoning with centuries of injustice.

What do Jews think scripture is? How do the People of the Book conceive of the Book of Books? In what ways is it authoritative? Who has the right to interpret it? Is it divinely or humanly written? And have Jews always thought about the Bible in the same way? In seventeen cohesive and rigorously researched essays, this volume traces the way some of the most important Jewish thinkers throughout history have addressed these questions from the rabbinic era through the medieval Islamic world to modern Jewish scholarship. They address why different Jewish thinkers, writers, and communities have turned to the Bible—and what they expect to get from it. Ultimately, argues editor Benjamin D. Sommer, in understanding the ways Jews construct scripture, we begin to understand the ways Jews construct themselves.