Intended for children, relates the Holocaust experiences of Froim Baum, born in Warsaw in April 1926. After his father died in 1932, his mother was left with seven children. Froim, the youngest, was placed in Janusz Korczak's orphanage. While in the ghetto, he was active in crossing to the Aryan side and smuggling food into the ghetto for his family and friends. When the orphanage was liquidated, Baum happened to be visiting his mother and was not taken away with the other children. The Baum family then escaped from the ghetto to Plonsk, but were arrested there and deported to Auschwitz and other camps. Froim was liberated in Dachau; only two of his brothers survived.

"The author knew from early childhood that her father was a Roman Catholic convert but never knew he had been born a Jew. Yet she sensed, growing up Catholic in the 1950s in Michigan, that there were missing pieces in her father's and her own story."--Jacket.

"From award-winning ABC News Chief National Correspondent Matt Gutman, and written using exclusive interviews and information comes the definitive account of the dramatic story that gripped the world: the miracle rescue of twelve boys and their soccer coach trapped in a flooded cave miles underground for nearly three weeks--a pulse-pounding page-turner by a reporter who was there every step of their journey out"--

Jules is confronted headlong and all at once by a series of challenges to his principles, livelihood, and home, forcing him to grapple with his complex past and find a way forward. He risks fraud to save his terminally ill infant grandson, matches wits with a renegade insurance investigator, is drawn into an act of savage violence, and falls deeply, excitingly in love with a young cellist a third his age. He forges a denouement that is staggering in its humanity, elegance, and truth.

Introduces the collective names used for various animal groups, including a bloat of hippopotamuses, a tower of giraffes, and a business of ferrets.

Maverick Falconer is just starting middle school and he wishes he were a hero like his father because maybe then he could deal with his mother's drinking and series of abusive boyfriends, not to mention the kids who bully him in middle school (pretty much the same ones who bullied him in elementary school)--but as the year passes he begins to realize that other kids have problems too, and maybe if they can all survive sixth-grade things will get better.

There is a revolution coming. It will not be like revolutions of the past. It will originate with the individual and with culture, and it will change the political structure only as its final act. It will not require violence to succeed, and it cannot be successfully resisted by violence. This is the revolution of the new generation.

This is the story of Amy, a small piece of sweetcorn, who is eaten by Noah, a medium-sized boy. The story follows Amy on her funny, gooey, and anatomically accurate adventure through the human body as she discovers lots of facts about digestion.

After their home burns down, fourteen-year-old Nick, his younger brother, and their father move into a ramshackle Victorian house they've inherited. When Nick opens the door to his attic room, he's hit in the head by a toaster. That's just the beginn

Based on a Czech opera that was performed 55 times by children in Terezin, a Nazi concentration camp, Brundibar is an odd, urgent little tale of a brother and sister who are desperately trying to get their hands on some milk for their sick mother. They race to the village center, only to discover that they need money to buy milk. Unfortunately, all the money in town seems to be going to the nefarious hurdy-gurdy man, Brundibar. Enter three talking animals and 300 willing children (bearing balloons stating "WE DON'T MIND SKIPPING SCHOOL"), and things start looking up for little Aninku and Pepicek. Retold by playwright Tony Kushner and illustrated by Caldecott Medal recipient Maurice Sendak, this operatic story is just nutty enough to become a favorite for open-minded young readers. Sendak fans will smile to see the village baker, who bears a striking resemblance to the baker in Sendak's In the Night Kitchen. His chaotic, jam-packed illustrations reveal witty little subplots to the libretto text (written all in upper case), which sharp-eyed readers will enjoy discovering. (Ages 5 to 8)

The radio humorist and columnist for The Washington Post gathers his funniest and most insightful pieces from the past few years, encompassing such subjects as marriage, children, politics, sports, and the meaning of life. 30,000 first printing.

Diagnosed with ovarian cancer in 2008, Susan Gubar underwent radical debulking surgery, an attempt to excise the cancer by removing part or all of many organs in the lower abdomen. Her memoir mines the deepest levels of anguish and devotion as she struggles to come to terms with her body 's betrayal and the frightful protocols of contemporary medicine. She finds solace in the abiding love of her husband, children, and friends while she searches for understanding in works of literature, visual art, and the testimonies of others who suffer with various forms of cancer. Ovarian cancer remains an incurable disease for most of those diagnosed, even those lucky enough to find caring and skilled physicians. Memoir of a Debulked Woman is both a polemic against the ineffectual and injurious medical responses to which thousands of women are subjected and a meditation on the gifts of companionship, art, and literature that sustain people in need.

"In The Second Self, Sherry Turkle looks at the computer not as a 'tool,' but as part of our social and psychological lives; she looks beyond how we use computer games and spreadsheets to explore how the computer affects our awareness of ourselves, of one another, and of our relationship with the world. 'Technology,' she writes, 'catalyzes changes not only in what we do but in how we think.' First published in 1984, The Second Self is still essential reading as a primer in the psychology of computation. This twentieth anniversary edition allows us to reconsider two decades of computer culture - to (re)experience what was and is most novel in our new media culture and to view our own contemporary relationship with technology with fresh eyes. Turkle frames this classic work with a new introduction, a new epilogue, and extensive notes added to the original text. Turkle talks to children, college students, engineers, AI scientists, hackers, and personal computer owners - people confronting machines that seem to think and at the same time suggest a new way for us to think - about human thought, emotion, memory, and understanding. Her interviews reveal that we experience computers as being on the border between inanimate and animate, as both an extension of the self and part of the external world. Their special place betwixt and between traditional categories is part of what makes them compelling and evocative. (In the introduction to this edition, Turkle quotes a PDA user as saying, 'When my Palm crashed, it was like a death. I thought I had lost my mind.') Why we think of the workings of a machine in psychological terms - how this happens, and what it means for all of us - is the ever more timely subject of The Second Self." -

Twenty-five million Americans--nearly 9 percent of the U.S. population--rely on food pantries. Another 13 million aren't linked to a food distribution network, and 14 million children are at risk of going hungry on any given day. Moreover, the faltering economy is increasing the number of American families that don't know where their next meals are coming from. Breadline USA treats this crisis not only as matter of failed policies, but also as a portrait of real human suffering. Investigative reporter Sasha Abramsky focuses attention on the people behind the statistics--the families caught up in circumstances beyond their control. Breadline USA is a vivid reminder of the fate to which many more Americans may be subject without urgent action.

V.I. Warshawski may have left her old South Chicago neighborhood, but she learns that she cannot escape it. When V.I. takes over coaching duties of the girls? basketball team at her former high school, she faces an ill-equipped, ragtag group of gangbangers, fundamentalists, and teenage moms, who inevitably draw the detective into their family woes. Through young Josie Dorrado, V.I. meets the girl?s mother, who voices her worries about sabotage in the little flag manufacturing plant where she works. The biggest employer on the South Side, discount-store behemoth By-Smart, pays even less, and Ms. Dorrado doesn?t know how she?ll support her four children if the flag plant shuts down. The elder Dorrado?s fears are realized when the plant explodes; V.I. is injured and the owner is killed. As V.I. begins to investigate, she finds herself confronting the Bysen family, who own the By-Smart company. Founder William?Buffalo Bill? Bysen, now in his eighties, has four sons who quarrel with each other and with him; the oldest,?Young Mr. William,? is close to sixty and furious that his father doesn?t cede more power to him. And then, there?s?Billy the Kid,? Young Mr. William?s nineteen-year-old son, whose Christian idealism puts him on a collision course with his father, his grandfather, and the company as a whole. When Billy runs away with Josie Dorrado, V.I. is squeezed between the needs of two very different families. As she tries to find the errant teenagers, and to track down a particularly cruel murderer, her own life is almost forfeit in the swamps that lie under the city of Chicago.

In this emotional sequel to The Cage and To Life , Ruth Minsky Sender relates her struggle to build a new life in America, her battle to cope with her horrific memories of the Holocaust, and her decision to tell her story. In an effort to teach children about the Holocaust, Ruth Minsky Sender describes the impact of this horrifying event on her life and the lives of other survivors. She immigrated to America with her husband and young children in 1950, and even though she was not granted citizenship until 1952, she still participated in the democratic process of a senatorial election by passing out pamphlets and encouraging those around her to not take their freedom to choose their leaders for granted. Still, she is permanently changed by her experience—plagued by nightmares and painful reminders even in everyday moments, such as her children asking about their grandparents or having to show her identification papers when visiting Canada. This moving volume lays bare the unique pain of survivors in a way that “affectingly and courageously bridges the vast abyss between adult knowledge of the Holocaust and youthful need and desire to learn about this crucial subject” ( Publishers Weekly ).

Colorful illustrations and rhyming text show young children imitating a variety of different animals.

"Do you ever wonder what your friends, enemies, brothers, sisters, and children are doing in the hours when you're not there? This kooky 24-hour tour of a day in the life of 23 different children will reveal answers you'd never expect"--

When Rudolph the Red-Nosed Reindeer and Santa find a letter from two children they missed the previous Christmas, Rudolph searches for them and, with the help of a band of misfit animals, makes sure that he and Santa will always know where to find them.