A literary sensation in Hungary now available in English, György Spiró's masterwork is at once a gripping page-turner, a magiterial historical epic, and a riotous road novel. Set in the tumultuous first century A.D., Captivity recounts the adventures of Uri, a bookish, hapless young Roman Jew.

As Himiko traverses ancient Japan in order to free enslaved members of her clan, she encounters members of many other tribes and emerges as the leader who will unify them.

In Iron Age Ireland, Maeve, the fierce, willful youngest daughter of King Eochu of Connacht, is caught in a web of lies after rebelling to avoid fosterage with another highborn family and an arranged marriage.

"The Exiles Return is set in Occupied Vienna in 1954-5. It describes five people who grew up there before the war and have come back to see if they can re-establish the life they have lost. The novel begins with Professor Kuno Adler, who is Jewish and fled Vienna after the Anschluss (the events of March 1938 when Hitler's troops marched into Austria). He is returning from New York to try and take up his old life as a research scientist. We realise through his confrontation with officialdom and with the changed fabric of the city (the lime trees are there no longer, it is hard to know who behaved well during the war and who was a Nazi sympathiser) that a refugee who goes back has a very difficult time. Next we are introduced to a wealthy Greek named Kanakis..."--Publisher description.

How much did Aunt Addie know? How much did she feel? Aunt Addie better known to the world at large as Adelaide Granby, the fabulously successful author of 49 volumes of gushing, melodramatic Victorian romance. Upon her death in 1912, flowers and cards pour in, including one particularly lavish set "From Stanislaw", whom her independent-minded, suffragette niece Pamela decides was "darling Aunt Addie's Grande Passion." Pamela also inherits a stack of Aunt Addie's secret papers, including youthful diaries and her unintentionally hilarious unpublished first novel, written when she was only 16, entitled The Bastard of Pinsk (a "bastard", 16-year-old Adelaide was sure, being "A very noble Hero of Royal Blood.") As Pamela explores these documents and talks with those who knew her aunt when, seeking the real-life source of her romantic sensibility, the reader is drawn irresistibly into the intrigue. In a novel both sentimental and brutally honest, nostalgic for and horrified by the sentiments of the past, hilarious and poignant, all at once, the brilliant Eleanor Farjeon poses surprisingly powerful questions about what makes a love "real" and how much one really needs to know to experience it... This new edition features a superb introduction by twentieth-century women's historian Elizabeth Crawford. "Naughtiness of a definitely mauve tint." Beatrice Sherman, New York Times

Book by Pryce-Jones, David

“A moving act of absolution . . . . This strong novel about a girl who is debased but never destroyed pushes the reader to a new level of understanding of the things people do—and the things that are done to them.”— Washington Post Book World She has hair of ginger and lovely green eyes, and she has just been transported with her family from Terezín to Auschwitz. In short order, her father commits suicide, and her mother and younger brother are dispatched to the gas chambers, but fifteen-year-old Hanka Kauderzová is still alive. Faced with the choice of certain death in the camp or working in a German military brothel, she chooses a chance at life. Passing for an Aryan, Hanka spends her days in the brothel cold, hungry, fearful, and ashamed. She is sustained only by her loathing of the men who visit her and by a fierce, indomitable will to live. This devastatingly beautiful novel explores and delineates the impossible choices one sometimes has to make in life, when the fabric of the world is rent asunder. Soaring beyond the nightmare, it leaves the reader with a transcendent sense of hope. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

The story begins in the aftermath of a nuclear war that has reduced our world to ashes. Luckily, a few found their way to the stars and into immortality. In the year 3000, nostalgic for the past, they return to Earth in an effort to reconstruct the lives of the people who lived there.

A History of Mediaeval Jewish Philosophy By Isaac Husik

Abraham Mapu (1808-1867) was one of the first, & finest, of the novelists to write in Hebrew. Heavily influenced by a wide range of sources, the Bible, the Romantic Novelists, & renewed pride in ancient Jewish history, his works recall the finest works of writers such as Flaubert & other great romantic novelists.

""The Fox sisters grew up just outside of Rochester, NY, in a house that had a reputation for being haunted, due in large part to a series of strange "rappings" or "knockings" that plagued its inhabitants. Fed up by whatever was responsible for the knockings, the youngest of the sisters (who was twelve at the time) challenged the ghost and ended up communicating with the spirit of Charles Haynes, who had been murdered in the house and buried in the cellar.Thanks to the enthusiasm of one Isaac Post, the Fox sisters became instantly famous for talking to the dead, launching the Spiritualist Movement in the US. After taking Rochester by storm, the sisters moved to New York where they were the most famous mediums of the time, giving seances for hundreds of people.Then, it all fell apart, and the sisters were exposed as frauds. Nevertheless, even today the Fox sisters are considered to be the founders of Spiritualism, one of the most popular religious movements of the past couple centuries (consider the success of Long Island Medium and the hundreds of thousands who visit Lily Dale every year). Rich in historical detail, Rochester Knockings novelizes the rise and fall of these most infamous of mediums. Hubert Haddad was born in Tunisia, and is the author of dozens of works, including the novels Palestine (winner of the Prix des Cinq Continents de la Francophonie), Tango chinois, and La Condition magique (winner of the Grand Prix du Roman de la Socie;te; des Gens de Lettres)"--

The ethics of literature, formalists have insisted, resides in the moral quality of a character, a story, perhaps the relation between author and reader. But in the wake of deconstruction and various forms of criticism focusing on difference, the ethical question has been freshly negotiated by literary studies, and to this approach Adam Newton brings a startling new thrust. His book makes a compelling case for understanding narrative as ethics. Assuming an intrinsic and necessary connection between the two, Newton explores the ethical consequences of telling stories and fictionalizing character, and the reciprocal claims binding teller, listener, witness, and reader in the process. He treats these relations as defining properties of prose fiction, of particular import in nineteenth- and twentieth-century texts. Newton's fresh and nuanced readings cover a wide range of authors and periods, from Charles Dickens to Kazuo Ishiguro and Julian Barnes, from Herman Melville to Richard Wright, from Joseph Conrad and Henry James to Sherwood Anderson and Stephen Crane. An original work of theory as well as a deft critical performance, Narrative Ethics also stakes a claim for itself as moral inquiry. To that end, Newton braids together the ethical-philosophical projects of Emmanuel Levinas, Stanley Cavell, and Mikhail Bakhtin as a kind of chorus for his textual analyses--an elegant bridge between philosophy's ear and literary criticism's voice. His work will generate enormous interest among scholars and students of English and American literature, as well as specialists in narrative and literary theory, hermeneutics, and contemporary philosophy.

The Gypsy Madonna: what is her secret? Mischa knows what it is to be abandoned. His German father disappeared at the end of the war, leaving him and his mother to endure the hatred and contempt of all the French villagers, the two of them against the world. And his surrogate father vanishes too, with no word of explanation. Mischa bears these scars into manhood. Only when his mother dies, revealing the existence of a priceless masterpiece, does he go on the trail of his own history. He makes a pilgrimage into the past, to that French village of his childhood, and there he uncovers the secret of the Gypsy Madonna.

As legend tells it, the Old-New Synagogue in Prague was built by angels, and later was home to a golem who remains locked away in the building to this day. In lyrical prose, Mark Podwal shares the story of the world's oldest active synagogue, which was completed in 1270. Throughout the years, this sacred place of prayer and celebration has endured plagues, wars, and the Nazi regime. Its story is part legend, part history, and one that stands as a testament to the perseverance of the Jewish people. Includes an author's note and bibliography.

Invasion of the Body Snatchers starring Kevin McCarthy and Dana Wynter is one of the most revered films in international film history. For many critics it began the serious cycle of science fiction films that now include "Alien" and "Blade Runner." Thanks to the novel by Jack Finney, the screenplay by Daniel Mainwaring and especially the direction of Don Siegel, "Invasion" runs on television somewhere virtually every day. This original book brings together interviews with Kevin McCarthy and Dana Wynter and also includes pieces by Dean Koontz (the introduction), Stephen King (an essay); and interviews with Philip Kaufman, who directed the 1978 remake; Robert H. Solo, who produced the remake; W. D. Richter, who wrote the remake; and Abel Ferrara, who directed the 1997 remake. Packed with insights into the production of a classic film, filled with moments of humor and a few moments of angst, and as entertaining as a "behind the scenes" look at the movie business. Join us in this tribute to Invasion of the Body Snatchers.

"She's beautiful," writes Irish-American art historian Patricia Dolan in the first of the journal entries that form The Music Lesson. "I look at my face in the mirror and it seems far away, less real than hers." The woman she describes is the subject of the stolen Vermeer of the novel's title. Patricia is alone with this exquisite painting in a remote Irish cottage by the sea. How she arrived in such an unlikely circumstance is one part of the story Patricia tells us: about her father, a policeman who raised her to believe deeply in the cause of a united Ireland; the art history career that has sustained her since the numbing loss of her daughter; and the arrival of Mickey O'Driscoll, her dangerously charming, young Irish cousin, which has led to her involvement in this high-stakes crime. How her sublime vigil becomes a tale of loss, regret, and transformation is the rest of her story. The silent woman in the priceless painting becomes, for Patricia, a tabula rasa, a presence that at different moments seems to judge, to approve, or to offer wisdom. As Patricia immerses herself in the turbulent passions of her Irish heritage and ponders her aesthetic fidelity to the serene and understated pleasures of Dutch art, she discovers, in her silent communion, a growing awareness of all that has been hidden beneath the surface of her own life. And she discovers that she possesses the knowledge of what she must do to preserve the things she values most.

A Room Where the Star-Spangled Banner Cannot Be Heard is the highly acclaimed, moving debut of Levy Hideo (also known as Ian Hideo Levy), a white American author living in Japan who writes fiction and nonfiction in Japanese. Set against the political and social upheavals of the 1960s, which include student protests against the Vietnam War and the U.S.-Japan Mutual Cooperation and Security Treaty (AMPO), the novel tells the story of Ben Isaac, a blond-haired, blue-eyed American youth living with his father at the American consulate in Yokohama. Chafing against his father's strict authority and the cultural trappings of an America that grows more and more remote, Ben flees his home to live with Ando, his Japanese friend. Refusing to speak English with Ben, Ando shows the young American the way to Shinjuku, the epicenter of Japan's countercultural movement and the closest Ben has every felt to home. As Ben struggles to understand the full contours of his identity, Levy's coming-of-age novel offers an eloquent elegy to a lost time. From the vantage point of a privileged and alienated "outsider" (gaijin), A Room Where the Star-Spangled Banner Cannot Be Heard beautifully captures a heady, eventful moment in Japanese history. Ben's experiences virtually recreate Levy's own youth. Wandering the streets of Shinjuku, Ben can barely decipher the signs around him or make sense of the sounds that reach his ears. Eventually, the symbols and sensations take root, disproving the common assumption that foreigners can never really know Japanese language and culture. Through Ben's explorations, both he and the author break free from English and the constraints of being a "gaijin." Ben's character plays a leading role in each of the book parts: "A Room Where the Star-Spangled Banner Cannot Be Heard," "The End of November," and "One of the Guys."