This vivid and colorful memoir recounts the experience of a Jewish-American man growing up during the turmoil of the Bush and Obama eras and dealing with the 2008 recession, crazy relatives, depression, failed romances, political and law careers, and foreign adventures in Israel, South Korea, and China. It contains richly detailed portraits of 2000's American life and the various fascinating cities of America, from New York to Chicago to New Orleans. It also has outrageous sexual comedy, Jewish shtick, and provides a serious look at the social issues facing the modern United States, from welfare to homelessness to the expense of college and over-competitiveness in the workforce. A must-read for people of what Newsweek has dubbed "Generation Screwed." If you enjoyed "The Adventures of Huckleberry Finn", you'll love this. Its a heartfelt and at times hilarious commentary on our American life.

"The year is 1895, Jaffa. Salah Rajani, a troubled Muslim boy living in a dilapidated mansion surrounded by orange groves, suffers from peculiar visions about a disaster which is set to befall his people. His life is changed by the arrival of a handsome young man, a dynamic Jewish settler, new to the city, by the name of Isaac Luminsky. Luminsky covets both the fertile lands of the Rajani estate and Salah's beautiful mother Afifa, and his friendship with the boy is destined to lead to violence and tragedy." "This rich and colourful novel is made up of the two opposing journals of Hilu's intriguing and extraordinary protagonists as they negotiate love, honour and betrayal in the changing world of nineteenth-century Palestine." --Book Jacket.

A reading of African American and Jewish American writers from Henry Roth and Ralph Ellison to Philip Roth and David Bradley. Reading the work of such writers alongside and through one another, Newton's book offers an original way of juxtaposing two major traditions in modern American literature, and rethinking the sometimes vexed relationship between two constituencies ordinarily confined to sociopolitical or media commentary alone. Newton combines Emmanuel Levinas's ethical philosophy and Walter Benjamin's theory of allegory in shaping an innovative kind of ethical-political criticism. Through artful, dialogical readings of Saul Bellow and Chester Himes, David Mamet and Anna Deavere Smith, and others, Newton seeks to represent American Blacks and Jews outside the distorting mirror of 'Black-Jewish Relations', and restrictive literary histories alike. A final chapter addresses the Black/Jewish dimension of the O. J. Simpson trial.

It is for his poetry that A.M. Klein is best known and most warmly remembered. This collection includes all Klein's poetry, both original works and translations from Hebrew, Yiddish, Aramaic, and Latin. Many of them, coming from all periods of his careers, have never been published. The poems are arranged chronologically according to date of composition. This makes possible, for the first time, an appreciation of Klein's poetic development. The editor's introduction places this development in the perspective of Klein's life and time, and in particular explores Klein's lifelong struggle to reconcile his dual vocations as both a Jewish and a modernist writer. The textual apparatus identifies all authoritative versions for each poem and lists all emendations and all substative variants in both published and mauscript versions. The explanatory notes gloss obscure terms and references. They also provide a rich context for appreciation and interpretation by drawing connections with Klein's life, his wide reading, and his work as a whole. Wherever possible, Klein's own numerous, but scattered, comments on his poems have been cited.

Erotic entanglements, startling revelations, a furtive intruder, even a possible murder? Not at all what the students of Mind Control class envisioned when they gathered on a ranch outside Buenos Aires for a relaxing weekend. But here nothing is quite what it seems, least of all Magdalena herself, who while recounting the weekend's events, changes her name as often as she changes her mind. Within the taut framework of a murder mystery, Alicia Steimberg weaves a tale far more concerned with who-is-it than with whodunit. In what is probably the celebrated author's most interesting and complex novel, Magdalena conducts us through her tortuous childhood as an Argentine Jew and through her doubts about morality and mortality, the existence of God, and the amorphous nature of identity. Animated by Steimberg's lively dialogue and wit, this eccentric tour of some of the more pressing questions about gender, identity, and existence itself is finally as intriguing and suspenseful as the mysteries large and small, otherworldly and mundane, that it invites us to contemplate.

The Schanbergs, a tight-knit Jewish clan, split off from the rest of the family and head for another life under a different name in the suburbs of New York City. Spanning 30 years, and moving from Manhattan to Harvard to a farm in upstate New York, this powerful tale of disguised lives and public masks shows us the consequences of denying ethnic and sexual identity to escape bigotry.

In the surprising world that Sami Michael reveals, Shula, an Ashkenazic Jew, is the center of a web of brilliantly drawn characters: Israeli Arabs, Palestinian refugees, "black Jews," and "white Jews." Swirling in and out of Shula's story are poignantly drawn minor players - an Arab/Israeli couple, their ever-more-militant son, a seductive Arab poet, and political outsiders in a fragile society at war. Sami Michael was born in Baghdad in 1926, fled to Iran during WWII, and eventually made his way to Israel. His first novel, Equal and More Equal was published to critical acclaim. Refuge was his second major work, written originally in Hebrew but, he adds, "with the emotional baggage of the Third World."

This outstanding family novel, set in a Jewish neighborhood of Chicago, is "the fullest articulation of the generational conflict between Jewish fathers and [sins]," writes Alexander Bloom in his 1986 book Prodigal Sons. The central character, a 15-year-old boy in rebellion against the petit bourgeois values of his family, engineers an affair between his flamboyant aunt and his easy-going Gentile cousin by marriage. He then leaves his father and moves into the house of this new couple, where he experiences the excitement and problems of an open relationship.

Surrounded by cemeteries in the flatlands of New Jersey, the small town of Lud is sustained by the business of death. In fact, with no synagogue and no congregation, Rabbi Jerry Goldkorn has only one true responsibility: to preside over burial services for Jews who pass away in the surrounding cities. But after the Arctic misadventures that led him to Lud, he wouldn't want to live (or die) anywhere else. As the only living child in Lud, his daughter Connie has a different opinion of this grisly city, and she will do anything to get away from it--or at least liven it up a bit. Things get lively indeed when Connie testifies to meeting the Virgin Mary for a late-night romp through the local graveyards.

"Moods by Yoel Hoffmann--"Isreal's celebrated avant-garde genius" (The Forward)--supplies the magic missing link between the infinitesimal and the infinite. Part novel and part memoir, Yoel Hoffmann's Moods is flooded with feelings--about his family, losses, loves, the soul's hidden powers, old phone books, and life in the Galilee, with its every scent, breeze, notable dog, and odd neighbor. Carrying these shards is a general tenderness accentuated by a new dimension brought along with "that great big pill of Prozac." Literature's so pathetic. We peddle fabric with a sun painted on it and no one even looks up... Beautifully translated by Peter Cole, Moods is fiction for lovers of poetry and poetry for lovers of fiction--a small marvel of a book and, with its pockets of joy, a curiously cheerful book by an author who once called himself "a praying mantis inclined to melancholy" --

This stellar collection of Jewish science fiction and fantasy carries on in the tradition of its companion volume--the enduring classic Wandering Stars --breaking new ground with every story. Trouble with mothers; invading aliens and demons; the arrival of the long-awaited Messiah ... all these phenomena and more are tackled in these tales from a creative group of extraordinary writers. We go to the edges of the universe, finding humor, pain and humanity in the unlikeliest of places and situations. Filled with wit, vigor and sharp insight, this is a fantastic feast for the imagination that will intrigue and delight everyone who picks it up, Jew and non-Jew alike.

One of America's most popular Jewish writers, Chaim Potok (b. 1929) is the author of such novels as The Chosen (1967), The Promise (1969), The Book of Lights (1981), and Davita's Harp (1985). Each of his novels explores the tension between tradition and modernity, and the clash between Jewish culture and contemporary Western civilization, which he calls "core-to-core culture confrontation." Although primarily known as a novelist, Potok is an ordained Conservative rabbi and a world-class Judaic scholar who has also published children's books, theological discourses, biographies, and histories. Conversations with Chaim Potok presents interviews ranging from 1976 to 1999. Potok discusses the broad range of his writing and the deep influence of non-Jewish novels-in particular, Evelyn Waugh's Brideshead Revisited and James Joyce's Portrait of the Artist as a Young Man -on his work. Interviews bear witness to Potok's many other influences-Orthodox Jewish doctrine, Freudian psychoanalytical theory, Picasso's Guernica, and Jewish kabbalah mysticism. Though labeled an American Jewish writer, Potok argues that Flannery O'Connor should then be called an American Catholic writer and John Updike an American Protestant writer. "In his mind," editor Daniel Walden writes, "just as Faulkner was a writer focused on a particular place, Oxford, Mississippi, . . . so Potok's territory was a small section of New York City." Potok often explores conflict in his writings and in his interviews. Strict Jewish teachings deem fiction an artifice and therefore unnecessary, yet since the age of sixteen Potok has been driven to write novels. At the root of all of these conversations is Potok's intense interest in the turmoil between Jewish culture, religion, and tradition and what he calls "Western secular humanism." As he discusses his work, he continually includes broader issues, such as the state of Jewish literature and art, pointing out with pride and enthusiasm his belief that Jewish culture, in the twentieth century, has finally begun to have a significant role in producing and shaping the world's art and literature. Whether discussing the finer details of Talmudic textual analysis or his period of chaplaincy during the Korean War, Potok is articulate and philosophical, bringing deep consideration into what may seem small subjects. Although his novels and histories take place primarily in the recent past, the Chaim Potok that emerges from this collection is a writer deeply rooted in the tensions of the present. Daniel Walden is Professor Emeritus of American Studies, English and Comparative Literature at Penn State University. He has written or edited several books, including On Being Jewish (1974), Twentieth Century American Jewish Writers (1984), The World of Chaim Potok (1985), and American Jewish Poets: The Roots and the Stems (1990).

In evoking the joy and pain of the Jewish immigrant experience, Anzia Yezierska has no peer. Her stories and novels, written from the 1920s to the 1960s, immortalized the Jews of New York's Lower East Side and their struggle to escape poverty and to partake of America's promise. How I Found America gathers together all of Yezierska's short fiction: the two collections published during her lifetime--Hungry Hearts and Children of Loneliness--and seven additional tales. Each story is authentic and immediate, as memorable as family history passed from one generation to the next. taken together, they constitute an enduring portrait of a time and a people.

'This is an impressive work of deconstruction with many crucial new insights. . . . [It is] written in an accessible way, despite the very complicated issues with which Rose deals: such as the cultural and ideological sources of the Zionist narrative.' Illan Pappe, Professor of Middle East History, University of Haifa, Israel 'In a highly charged environment, Jewish authors played an immense role in elevating the debate about Zionism and the birth of the Israeli State. . . . John Rose's book is a welcome addition that will defy the pro-Israeli inquisition that seeks, through intimidation, to silence legitimate criticism.' Afif Safieh, Palestinian General Delegate to the UK This is a controversial book. It is a critical account of the historical, political and cultural roots of Zionism. John Rose shows how this powerful political force is based in mythology; ancient, medieval and modern. Many of these stories, as with other mythologies, have no basis in fact. However, because Zionism is a living political force, these myths have been used to justify very real and political ends -- namely, the expulsion and continuing persecution of the Palestinians. Chapter-by-chapter, John Rose scrutinises the roots of the myths of Zionism. Mobilising recent scholarship, he separates fact from fiction presenting a detailed analysis of their origins and development. This includes a challenge to Zionism's biblical claims using very recent and very startling Israeli archaeological conclusions. He provides a detailed exploration of Judaism's links to the Middle East. He shows clearly that Zionism makes many false claims on Jewish religion and history. He questions its rationale as a response to European anti-Semitism, and shows that, if there is ever to be peace and reconciliation in the land of Palestine, this intellectual dishonesty must be addressed.

"When Elaine Levine's eccentric older brother, Isaac, moves back from LA to the quiet suburb of Thornhill, Ontario, to help her care for her suddenly motherless grandchildren, he finds himself embroiled in even more neighbourhood drama than he would like. Meanwhile, a nanny, miles from her own family in the Philippines, cares for a young boy who doesn't fit in at school. In a house down the street, a young mother is given the news that her marriage is over by her mother-in-law while her husband sits silent. And a woman in mid-life contends with the task of cleaning out the house in which she grew up, while her teenage son struggles with why his dad moved out. This stunningly intimate collection of stories, which spans fifteen years in the lives of the Levine family and the other characters, is an exquisite portrait of a Jewish community, the secular and religious families who inhabit it, and the tensions that exist there, by a writer with a keen eye for detail, a gentle sense of humour, and an immense literary talent."--

God bless you, England, on this glorious Year of Our Lord, 1145. Things are definitely not right in Nottingham. Rebecca, daughter of a Jewish money-lender, has a sense for it. A mad monk schemes to resurrect the Christ from body parts. A bone harpist murders creatures of legend for a price. A fae creature binds its wings and embraces a new God and his son. And don't even mention the Hood. The Man in Green. The Prince of Thieves. The tick-tock taker of the ten-toll tax. What hope have the series of sheriffs sent to hold the peace? It's the forest, you see. Sherwood. Ice Age ancient, impenetrable, hiding a dark and secret heart. But hearts, no matter how black, no matter how hidden, are not immune to change. The old world is dying... and a terrifying new one is waiting to take its place. Rebecca senses an opportunity. But how far is she willing to go, and what price - because there is always a price - will she have to pay? The Hood is Lavie Tidhar's narcotic reweirding of an ancient English myth, a tale stitched together from legends lost to time, a tale told and retold, reworked and renewed for each passing century. A tale, reader, for today. 'A wild, inventive tapestry of myth and magic, with a wry sense of humor. Tidhar's writing is wonderfully vibrant' Silvia Moreno-Garcia, bestselling author of Mexican Gothic

After the Nazis destroy his family, twelve-year-old Moishe gives up his Jewish faith, calls himself Danny, and is taken to New York where he tries to make the best of his life in a Catholic orphanage.

"Pale Blue Ink in a Lady's Hand is, in many ways, a prequel to what is known as Holocaust literature. It involves a long-suppressed love triangle between Leonidas Tachezy, a high-level Austrian career bureaucrat, his younger, trophy wife Amelie, and a Jewish woman from his past, Vera Wormser, with whom he'd fallen in love when she was fourteen."--Page 4 of cover.

Product description Book by Pollack, Eileen From the Publisher "These fine, lean, elegant stories share two traits that are becoming increasingly rare in contemporary fiction: high intelligence and absolute unpredictability. Like the air conditioner in the story of that title, they fall swiftly, and change the lives of their protagonists, but never in the way one think they are going to. I will find them hard to forget."--David Leavitt